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These are the only ones I have edited so far, they are from my phone so they aren't amazing quality

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Looking at the female body in what I would describe as a “renaissance” pose. I want to explore the representation of women’s bodies in old masters paintings

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Figure study oil painting with an abstract floral background with the hidden words “what you did to me was not love” in the background

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What you did to me was not love (detail)

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What you did to me was not love (detail)

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Detail of the quotation, done using impasto paste, I’m going to paint over it with varnish to make it shiny and stand out more without adding colour to it. I’m hoping it will add another dimension to the painting with the matte looking background

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Thinking about ways I can incorporate water in a process other than painting, but that's still slightly unpredictable

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Doing lots of quick small drawings from memory to form ideas for final pieces

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Painting from memory/intuition (first layer)

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Painting from memory/intuition (first layer)

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Image from a photoshoot, I really like the darker pink tones in the image and has inspired pink tones in my paintings. I also still need to develop on the images and I am yet to incorporate them into my paintings.

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Beginning sketches for my paintings.

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Process through painting my first official painting on canvas board. I wanted to incorporate the impasto style within this and I wanted it to be a trio of paintings using the same colour scheme but different methods using the palette knife method.

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Creating more prominent brush lines on the painting to explore which I like more. I’m hoping to add environment and natural aspects to these paintings like butterflies, flowers and leaves so then I can begin the link to nature for through group work. I would say I’ve shifted from the abstract from I was working on earlier however I still want to incorporate the imprint effect back in so I may experiment it in the nature and environment part.

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Smaller paintings focusing more on the sections of the female body.

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Another realistic body painting however I discovered that I actually love the abstract brush marks incorporated within the painting like the first image.

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Painting process, I wanted to continue with the bold colours in this piece but take more of a realistic approach to my work. I would like to experiment with more realistic tones and colours in the future.

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I really love how these have turned out and really like the details that the paper picks up.

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Paintings exploring colours and abstract forms of the body. The thicker the paint and more block shapes I used created a better imprint when they were lifted onto other papers.

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Final finished piece
Earth's shroud
Mother's nature's protection
We are made of the same

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Started experimenting with bleach on my prints. After scanning them in I realised I liked the composition, the leading lines created by the scanner. And the fact that it gives you some insight into the process behind the piece.

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I used a different printer and quality of paper for these pieces, that is why their are more earthy tones from the bleach.

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I used a combination of paint brushes, crumpled up paper and cut up sponges to spread the bleach across the print as well as pouring the bleach onto the prints and letting them move freely.

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Same print as the previous one, I just used different concentrations of bleach on the prints to create different outcomes.

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Inspired by the artist Alexandra Levasseur, this duo of paintings is inspired by bathtub dreams, an intimate place where you can be naked but free of sexualisation, connected back to birth by being at one with water.

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These are all the sheets I've made, all using waste paper or cardboard and dyed in different ways. I've used these to do quick sketches from memory inspired by artists like Pierre Bonnard and Maja Ruznic. Papermaking has been something I've wanted to try for a while outside of degree work as another process that uses water.

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I love the imagery of plant roots, how they tangle and stabilise at the same time, giving life to the plant above. They're also vein-like, so connecting my interest in similarities between humans and nature.

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I used found medical animations and a video I took from the car driving past a rocky hillside as reference for this. Combining the imagery of illness in layers of tissues and the geological rock formations to achieve a piece that's ambiguous.

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Using new techniques (soak-stain and scumbling) to achieve a hazy/watery effect with acrylics. Although the end result isn't perfect, I like that the audience could interpret their own meanings from the piece.