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You Won’t Believe What Obama Says In This Video! 😉

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Test your oral comprehension (Gibson's interview)

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Test your oral comprehension (Gibson's interview)

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You are the inventor of the GRAIN tech. You wish to apologize in an audio message. Use vocaroo then post your podcast (length : minimum of 2 minutes)

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You are the inventor of the GRAIN tech. You wish to apologize in an audio message. Use vocaroo then post your podcast (length : minimum of 2 minutes)

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Say all you can about this tech experiment

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Say all you can about this tech experiment

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From 8'20 to the end

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Ross Goodwin is an artist, creative technologist, hacker, gonzo data scientist, and writer of writers. Goodwin is a graduate of NYU ITP & MIT and a former Obama administration ghostwriter. He employs machine learning, natural language processing and other computational tools to realize new forms and interfaces for written language.

Selected AI projects by Goodwin:

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Ross Goodwin - Artist Profile (Photos, Videos, Exhibitions) - AIArtists.org

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Ross Goodwin is an artist, creative technologist, hacker, gonzo data scientist, and writer of writers. Goodwin is a graduate of NYU ITP & MIT and a former Obama administration ghostwriter. He employs machine learning, natural language processing and other computational tools to realize new forms and interfaces for written language.

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Mikrodystopies

Mikrodystopies et pédagogie

Comment utiliser le principe des Mikrodystopies dans des classes (français, anglais, arts plastiques) ou dans des ateliers de design thinking ?

Un guide d'usage pédagogique est disponible :

Les robots colonisent notre quotidien. Les voitures sont déjà autonomes et les grille-pains ne vont pas tarder. Les implants cérébraux transhumaniseront chacun et chacune en individu augmenté. À moins qu'un grain de sable... Les Mikrodystopies, avec leur regard acide, sont comme des bugs, des glitchs, des zébrures sur l'écran des futurs parfaits et lisses promus par les techno-prophètes.

Oulipo numérique? Haïkus techniques? Aphorismes cybernétiques? Les Mikrodystopies sont le produit de l'exercice de style auquel s'est livré François Houste: écrire et diffuser sur Twitter des histoires complètes en 280 caractères maximum.

Ce recueil de plus de trois cents nouvelles nous invite à participer, en interagissant directement avec les histoires ou en écrivant les nôtres avec les mêmes contraintes.

Les photographies accompagnant les Mikrodystopies sont de Nicolas Taffin, sous licence Creative Commons CC BY-NC-SA.

Il paraît que dans quelques années, les robots auront envahi nos maisons et nous assisteront dans les tâches quotidiennes. Les voitures autonomes sillonneront les rues des villes et nous emmèneront en voyage sans fatigue. Des implants cérébraux enregistreront nos souvenirs et nous donneront accès à toute la connaissance du monde...

Toutes ces avancées technologiques vont changer nos vies, les rendant parfois un peu plus faciles, mais peut- être aussi un peu plus effrayantes, un peu plus drôles ou un peu plus ridicules.

Mikrodystopies est né sur Twitter en 2018. Ces petites histoires de 280 caractères sont aujourd'hui plus de 1000, et de nouvelles fictions sont publiées régulièrement sur le compte @mikrodystopies. La sélection présentée ici offre un regard doux-amer sur cette collision entre les utopies technologiques et notre quotidien d'humains.

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Mikrodystopies Comment utiliser le principe des Mikrodystopies dans des classes (français, anglais, arts plastiques) ou dans des ateliers de design thinking ? Un guide d'usage pédagogique est disponible : Les robots colonisent notre quotidien. Les voitures sont déjà autonomes et les grille-pains ne vont pas tarder.

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https://twitter.com/mikrodystopies

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Translate two of them on your own (use AI for help if necessary) then make up your sequel. Post your translation (in blue) and your sequel (in red) in a Google Doc (or similar)

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Advise parents - how to use AI as a cognitive tool

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Advise parents - how to use AI as a cognitive tool

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24/7: Late Capitalism and the Ends of Sleep

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Noté /5. Retrouvez 24/7: Late Capitalism and the Ends of Sleep et des millions de livres en stock sur Amazon.fr. Achetez neuf ou d'occasion

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https://www.youtube.com/watch?v=FThuzPcF1uk

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Black Mirror: Prisoners of Our Own Minds

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CO2_Have we fallen under some kind of spell ?

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CO2_Have we fallen under some kind of spell ?

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Jan 7th

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Used on January 12th

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m1 collaborativeroom5-9rxo | Framapad mensuel

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Filled collaboratively on January 18th

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Generate an app (interactive if possible) that covers the Literacy Skills for Parents 

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Generate an app (interactive if possible) that covers the Literacy Skills for Parents 

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Yesterday, Steve Bannon clearly articulated what many people have felt and known for quite some time when he told journalists, "You're the opposition party. Not the Democratic Party... The media's the opposition party." This builds on earlier remarks by Trump, who said, "I have a running war with the media."

Journalists have covered this with their "objective" voice as though it was another news story in the crazy first week of WTF moments. Many of those who value the media have looked at this with wide eyes, struggling to assess which of the many news stories they should be more horrified by. Far too few are getting the point:

The news media have become a pawn in a big chess game of an information war.

News agencies, long trained to focus on reporting information and maintaining a conceptual model of standards, are ill-equipped to understand that they may have a role in this war, that their actions and decisions are shaping the way the war plays out.

When Kellyanne Conway argued that they were operating with "alternative facts," the media mocked her. They tried to dismiss her comment that the media has a 14% approval rating by fact-correcting this to point out that this was only a Gallup poll concerning the media's approval rating among Republicans. But they missed her greater point: there's no cost to the administration to be helpful to the media because the people the Trump Administration cares about don't trust the media anyhow.

CC-BY-NC-ND 2.0-licensed photo by Mark Deckers.

How many years did it take for the US military to learn that waging war with tribal networks couldn't be fought with traditional military strategies? How long will it take for the news media to wake up and recognize that they're being played? And how long after that will it take for editors and publishers to start evolving their strategies?

As I wrote in "Hacking the Attention Economy," manipulating the media for profit, ideology, and lulz has evolved over time. The strategies that hackers, hoaxers, and haters have taken have become more sophisticated. The campaigns have gotten more intense. And now many of the actors most set on undermining institutionalized information intermediaries are in the most powerful office in the land. They are waging war on the media and the media doesn't know what to do other than to report on it.

We've built an information ecosystem where information can fly through social networks (both technical and personal). Folks keep looking to the architects of technical networks to solve the problem. I'm confident that these companies can do a lot to curb some of the groups who have capitalized on what's happening to seek financial gain. But the battles over ideology and attention are going to be far trickier. What's at stake isn't "fake news." What's at stake is the increasing capacity of those committed to a form of isolationist and hate-driven tribalism that has been around for a very long time. They have evolved with the information landscape, becoming sophisticated in leveraging whatever tools are available to achieve power, status, and attention. And those seeking a progressive and inclusive agenda, those seeking to combat tribalism to form a more perfect union -  they haven't kept up.

The information war has begun. Normative approaches to challenging the system will not work. What will it take for news media to wake up? What will it take for progressives to start developing skills to fight back?

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Yesterday, Steve Bannon clearly articulated what many people have felt and known for quite some time when he told journalists, "You're the opposition party. Not the Democratic Party... The media's the opposition party." This builds on earlier remarks by Trump, who said, "I have a running war with the media."

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Group interactions
Image/ Facial recognition
Cobots ...

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https://docs.google.com/document/d/1Fiiwj7YZZzLfEmbKmCFLdxjIHuWqTAqG_p547XVqKd4/edit?usp=sharing

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https://docs.google.com/document/d/1vVEUE92wV65OVa6x2P5JJ7OfoTB8K-qUjoUBTOpzgE8/edit?usp=sharing

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https://docs.google.com/document/d/1dIU9Q1g0RpYl4Rmf0o0t4u6vrFhWmTPNPBdNBW1LHOk/edit?usp=sharing

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https://docs.google.com/document/d/1c5XAxpxG-dRGXbv8D1EbIPYDIGzqKagj3Cal0GpilpI/edit?usp=sharing

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https://docs.google.com/document/d/1CPTSO49t4a0mrVWB0saO06ePjw3vtB-V-QFqT3rzcP4/edit?usp=sharing

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PISTOLET Alexandre - English test M1 DEDI

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https://docs.google.com/document/d/1bG4YOoy_mhfPDc5jQkQk9XCiGL6yO0_E5VPc06w27Ds/edit?usp=sharing

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marion.bousquet.lnd@gmail.com

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Test - Antonin Lassarre - Hope you will enjoy it !

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Test - Antonin Lassarre - Hope you will enjoy it !

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Hum, happy holidays I guess ? :D

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https://docs.google.com/document/d/1OorHDZWnOL08YzLDStmBsB75pi1Ne4yMf078nDh46j0/edit?usp=sharing

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TEST M1 DEDI - Edwing DOUI (pas de droits encore)

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TEST M1 DEDI - Edwing DOUI (pas de droits encore)

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Meet Google Drive - One place for all your files

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Google Drive is a free way to keep your files backed up and easy to reach from any phone, tablet, or computer. Start with 15GB of Google storage - free.

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Thanks for your time !

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Rendu de groupe - Yasmine, Ali, Bryan, Antonin

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Rendu de groupe - Yasmine, Ali, Bryan, Antonin

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Yasmine Gaubi - Ali Elkailani - Bryan Maurer - Antonin Lassarre

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https://docs.google.com/document/d/1yak_5fJ8QD12lc4pGlhzywW9javBbwzt9eOfk4I19MI/edit?usp=sharing

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Lien v2

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Emeline and Tatiana interactive presentation

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Emeline and Tatiana interactive presentation

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Digital skills by Liljat Sibel on Genially

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BASICS COMMUNICATION CREATIVITY AND ATTENTION LIFE LONG LEARNING Content management Privacy management Communication and interaction Social and emotional regulation Problem solving Attention and self-regulation Community oriented information search Creativity Digital Literacy Skills Technology management Using technology as (meta) cognitive tools Emeline Perez - Tatiana Maylié - M1 DEDI Based on

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From 22' to the end of acting

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Machines Making Movies - GitHub Universe 2016

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Ross Goodwin is an artist, creative technologist, hacker, gonzo data scientist, and writer of writers. Goodwin is a graduate of NYU ITP & MIT and a former Obama administration ghostwriter. He employs machine learning, natural language processing and other computational tools to realize new forms and interfaces for written language.

Selected AI projects by Goodwin:

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Ross Goodwin - Artist Profile (Photos, Videos, Exhibitions) - AIArtists.org

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Ross Goodwin is an artist, creative technologist, hacker, gonzo data scientist, and writer of writers. Goodwin is a graduate of NYU ITP & MIT and a former Obama administration ghostwriter. He employs machine learning, natural language processing and other computational tools to realize new forms and interfaces for written language.

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The almighty king of text generation, GPT-2 comes in four available sizes, only three of which have been publicly made available. Feared for its fake news generation capabilities, it currently stands as the most syntactically coherent model. A direct successor to the original GPT, it reinforces the already established pre-training/fine-tuning killer duo. From the paper: Language Models are Unsupervised Multitask Learners by Alec Radford, Jeffrey Wu, Rewon Child, David Luan, Dario Amodei and Ilya Sutskever.

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The almighty king of text generation, GPT-2 comes in four available sizes, only three of which have been publicly made available. Feared for its fake news generation capabilities, it currently stands as the most syntactically coherent model. A direct successor to the original GPT, it reinforces the already established pre-training/fine-tuning killer duo.

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We've trained a neural network called DALL·E that creates images from text captions for a wide range of concepts expressible in natural language.

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Transhumanism: Could we live forever? BBC News

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City of the future - model of the city with AI and programming

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City of the future - model of the city with AI and programming

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Invent a model of the city in the form of an artwork
Use GPT 2 for texts, save them, make sure you are able to use Makey Makey/Scratch to enrich the visitors' experience

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Analysis - Marine Barrucand, Adélie Michelier, Nicolas Herouard-Heutre

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Analysis - Marine Barrucand, Adélie Michelier, Nicolas Herouard-Heutre

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Analyse Clément Dumay - Alexandre Renard

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Analyse Clément Dumay - Alexandre Renard

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https://docs.google.com/document/d/1tuR__MlkQ2wol-8HrgcwKtaiWVydSpdLva870DuKy0o/edit?usp=sharing

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Acting creatively with techs

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Hear from MIT Media Lab's Mitch Resnick about the Future of Creativity

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Romero and al., 2021

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From innovative thinking to social innovation in the learning sciences at the AI era

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From BBC world service

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BBC World Service - The Compass, Why We Play, Childhood: Exploring the world through play

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How play is crucial to building our understanding of our surroundings, culture and self

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Tatiana and Nathan

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Tatiana's Interview about the CreaCube. W/o video.

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Jan 28