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A lot of great points brought up from what I saw! A few different people touched on the more depressing and stressful aspects of showrunning and TV writing in general which I hadn't thought too much about. Examples being the loss of control many writers go through as a show progresses, the general grind of it all, the hard choices of what to cut when editing, and whether or not the ideas being presented align with the current culture of America. Writing for TV is definitely a tough and grueling industry, and not everyone can make it work for them sadly. But when everything comes together and ends up working cohesively, it can be an exciting process that yields unforgettable stories.

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Allow yourself to be vulnerable and listen to others' ideas and suggestions

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Allow yourself to be vulnerable and listen to others' ideas and suggestions

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"(Showrunning is) too good to quit and too hard to do"

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"(Showrunning is) too good to quit and too hard to do"

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"The Burnout rate for showrunners is 100%"

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"The Burnout rate for showrunners is 100%"

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If you strongly believe in an idea for your show, and someone's suggestion undermines or worsens your show, stand by your opinion, but make sure that the fight to keep your ideas in tact are worth it.

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"If you can stay in the race long enough you'll win. It's just a matter of how you stay in the race"

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"If you can stay in the race long enough you'll win. It's just a matter of how you stay in the race"

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Part of the job as showrunner is being the "broad shoulders"  that others can lean on

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Part of the job as showrunner is being the "broad shoulders"  that others can lean on

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TV writing can be much more free and open to new possibilities than writing for film.

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TV writing can be much more free and open to new possibilities than writing for film.

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"(showrunning) is like a controlled plane crash"

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"(showrunning) is like a controlled plane crash"

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It's about always trying to stay on top of something very delicate.

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Writing for TV is about consistent, on time quality week by week, whereas for film, it's more about crafting the best single piece possible

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Writing for TV is about consistent, on time quality week by week, whereas for film, it's more about crafting the best single piece possible

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What are the peaks and valleys of the full story of a show?

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What are the peaks and valleys of the full story of a show?

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"There's a difference between great showrunners and writers"

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"There's a difference between great showrunners and writers"

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Great showrunners can manage the various moving parts that make up their show; not every great writer can become a great showrunner for various reasons.

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moves are the actual actions themselves, but moments are the emotional or relatable story beats that the audience connects with. The audience doesn't connect with a twist, they connect with the emotions or surprise that a twist brings.

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Steven Universe Clip- I Think You're Pretty Great (Rose's Scabbard)

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You need a plan for your show, but it needs to not be so planned that you lock yourself into bad ideas; in film, it's all one planned piece, but TV is much longer form usually.

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You need a plan for your show, but it needs to not be so planned that you lock yourself into bad ideas; in film, it's all one planned piece, but TV is much longer form usually.

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"Everything's going well on your show if everyone's a little bit annoyed with you"

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"Everything's going well on your show if everyone's a little bit annoyed with you"