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Fluxus Year Box II, 1968, George Maciunas 

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Fluxus Year Box II, 1968, George Maciunas 

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Thinking about ephemera. Keeping things. Should I keep bits and bobs to document my own practice and research?? I quite like this

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I have lots of ideas that dont really come to fruition or are not able to because they are unrealistic. It might be nice to keep a note of these and they could form a work. (the record of the idea)

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Pittsburg. Old residential property repurposed as public space.

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Could I make something like this to wear??

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Tim Hunkin - Whack a Banker at the Under the Pier SHow

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Tim Hunkin - Whack a Banker at the Under the Pier SHow

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How do artists respond to traumatic/ brutal realities in the world. Abu Hamdans work is fascinating to me because on the one hand he does practical work at the level of human rights/ international law on high profile cases using his expertise in sound. There is obviously a fluidity between his art and this other work. But in his art, he seems to tend towards an aesthetic fascination.. almost a childlike wonder at the mechanics of sound.. but particularly sound as part of horrific brutal events involving extreme human suffering. It is deeply uncomfortable to watch. Is there a problem with it? Is the effect of making you uncomfortable actually useful in forcing us to confront these realities in different ways?