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The opening to Deadline had some common thriller conventions for example, kidnapping, murderers, deadlines and tense car driving.

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The non-diegetic music when the father was running into the barn should have been louder to create more suspense and improve the affect it has on the body, this would have increased the audiences emotional response.

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The digital clock on the screen ticking down to the daughters death makes the audience very tense and on the edge of their seats, it leaves the audience unable to look away or even blink as they don't want to miss anything, this is a creative way to show the fathers need to save his daughter.

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There wasn't any music at the beginning when the father wakes, this leaves the audience quite tense as they're focused on the fathers movement.

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The birds eye view of the father walking down the stairs was a good establishing shot, this allowed the audience to see how panicked and upset he was by his frantic running.

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By Ruby, Carla & Kath

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Flashbacks are common thriller conventions which give more detail about the characters, the colours in the flashbacks are duller to help the audience distinguish between that and current day.

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The makeup smudged down the girls face suggests that she was once interested in her appearance and now she doesn't care, this tells the audience that the possessive trance she's under is so strong it's changed her personality.

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The close up shots of the 'possessed' girls face in the outhouse were very affective, the audience could see just how stern and emotionless she was.

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At times the lighting was to bright for the camera to adjust to so blurred to picture, however this could be seen as an interesting affect as we can't see what the man is reacting to, the audience is kept ignorant (a typical thriller convention).

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The heart beat sound effect with the picture flashing on the screen worked very well together, the picture blacking out every other heart beat keeps the audience in the dark and wondering what happened in the gaps they couldn't see. The heart beats make the scene more intense.

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All the music (non-diegetic) added to the atmosphere well, for example the flashback at the end had calm, relaxing, happy music to mirror their relationship before she was 'possessed', this helps the audience understand the drastic change she went through.

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By Ross Houghton & Abi Kaines