# data[].attributes.body
Thiago Câmara, Rafael Rupf, Gabrielly Romeiro

# data[].attributes.body
Written work
Information about Robert and the poem.

# data[].attributes.body
Joaquim Neto and Phelipe Enzo

# data[].attributes.body
Come, walk with me,
There's only thee
To bless my spirit now -
We used to love on winter nights
To wander through the snow;
Can we not woo back old delights?
The clouds rush dark and wild
They fleck with shade our mountain heights
The same as long ago
And on the horizon rest at last
In looming masses piled;
While moonbeams flash and fly so fast
We scarce can say they smiled -

Come walk with me, come walk with me;
We were not once so few
But Death has stolen our company
As sunshine steals the dew -
He took them one by one and we
Are left the only two;
So closer would my feelings twine
Because they have no stay but thine -

'Nay call me not - it may not be
Is human love so true?
Can Friendship's flower droop on for years
And then revive anew?
No, though the soil be wet with tears,
How fair soe'er it grew
The vital sap once perished
Will never flow again
And surer than that dwelling dread,
The narrow dungeon of the dead
Time parts the hearts of men -'

Emanuelly, Isabelle and Letícia

# data[].attributes.body
Sarah and Yasmin

# data[].attributes.attachment_link.title
Faouzia & John Legend - Minefields (Official Music Video)

# data[].attributes.body
Brenda e Iris

# data[].attributes.body
William Blake - The Marriage of Heaven and Hell.

-> William Blake: Born in Novemeber 28th, 1757 - Died in August 12th 1827.

-> Main works: Songs of Innocence and Experience, The Marriage of Heaven and Hell, The Four Zoas, Juresalem, etc...

-> Main characteristics: William Blake commonly used, allusion, visual art combined with poetry, he used to set dark / moody tones, and, sometimes his works featured biblical imagery and / or Greek mythology. Also, in some of his works it is possible to analyse the usage of satires and contraries, to explain specific ideas of the author.

-> The Marriage of Heaven and Hell.
-> Historical context: The Marriage of Heaven and Hell was composed between 1790 and 1793, in the period of of radical ferment and political conflict during the French Revolution. The tittle is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell, published in Latin 33 years earlier. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichaen view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order; hence, a marriage of heaven and hell.

-> Themes: All the themes approached in this work are symbolically presented by Good and Evil, and the duality of their co-existence.
• Good represented the soul, the reason, restraint, passivity and prohibition.
• Evil represented the body, the desire, energy, action, abundance and freedom.

-> Language figures: Blake makes use of satire and contraries to expose (in a hidden way) the difference between imaginarion and reasoning, this is where he treats biblical imagery with satire.