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A highly realistic cyberpunk-style interior — photorealistic, not illustrated or stylized.

Make the entire scene more photorealistic with natural lighting, detailed textures, and lifelike depth. Avoid any stylized, illustrated, or artificial look — aim for the appearance of a real photograph.

A 25-year-old Korean woman with long black hair (with bangs), black eyes, and fair skin is sitting at a desk. She faces a large window with her back mostly turned toward the viewer, only a small portion of her face visible. Her hands are resting on the keyboard and mouse, and she looks out the window with a joyful, dreamy expression.

On the desk are two desktop monitors, a laptop, and a smartphone — all displaying active design software.

Also on the desk are three sheets of sketch paper. Each sketch shows a different futuristic city scene, drawn in a childlike, clumsy style — as if by a young child using crayons or colored pencils. The lines should be uneven and imperfect, giving the feel of spontaneous, playful imagination. The drawings should have the texture and waxy appearance of real crayon on paper.

A calendar on the desk is open to July 2025.

Outside the window is a dense, highly detailed futuristic cityscape at sunset. Flying cars hover in the air, and robots move around tall, neon-lit skyscrapers.

The sky is filled with rich pink and orange sunset hues, casting a warm glow throughout the room.

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3D abstract rendering of a dreamlike vertical structure composed of softly floating, rounded volumetric forms resembling plush cushions and airy cotton-like clouds, with subtle transitions between fuzzy, velvety, and grassy textures. Shapes are harmonious and smooth, blending gently into one another without sharp edges, creating a surreal and weightless composition. The structure ascends in layered symmetry, but each layer melts slightly into the next, evoking a sense of soft organic flow. Pastel multicolor palette with light beige, mint green, soft peach, pale lavender, butter yellow, baby pink, and sky blue, dispersed in an iridescent and whimsical manner. The entire scene is suffused with gentle inner light, casting ambient glows and blurred shadows. Background is a vertical gradient from apricot to warm beige with soft bokeh and atmospheric depth. Rendered in Blender with high-detail materials, volumetric lighting, subsurface scattering, and a dreamy cinematic tone. Vertical format, 9:16 aspect ratio, ethereal poster layout.

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A high-resolution conceptual portrait of a formless entity composed of scent, memory, and mist. The figure has no defined body, no face, no gender—only a translucent vertical presence made of layered gray light, soft rain particles, and faint lavender hues. It evokes the impression of a person but lacks any anatomy, floating quietly like the lingering scent of Angéliques sous la Pluie. The atmosphere feels like a cool spring rain: clean, vegetal, and introspective, with hints of angelica, musk, and wood dissolving into air. There is no movement, only stillness and diffusion—like a perfume suspended in time. The background is minimal and damp-textured, softly blurred, as if seen through fog. This is a portrait of presence without form, intimacy without identity

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A cinematic night scene over a vast, dark ocean under a starlit sky. A massive glowing full moon hangs low over the horizon, casting a golden path of reflection across the still water. Inside the bright moon, the silhouette of a rabbit can be seen pounding rice cake with a wooden mallet — a mythical motif from East Asian folklore.

In the foreground, a lone swimmer is making their way toward the moon, arms cutting through the water in a determined crawl. Splashes ripple outward from their movement, disrupting the otherwise calm surface.

But behind the swimmer, a large dark shark lurks just below the water, following in pursuit — its dorsal fin slicing through the waves and its presence ominous. The moonlight glimmers faintly off the shark's back, creating a stark contrast between the peaceful symbolism of the moon and the danger closing in beneath.

The entire scene blends serenity with suspense, mythology with fear — a surreal, poetic visual caught between dream and nightmare.

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A Realistic rendered , In a dimly lit room filled with old, flickering computer monitors, a young-adult stands in front of a desk, wearing a casual blue t-shirt and his signature goggles on his forehead. He’s staring intently at the glowing computer screen in front of him, his hand reaching out toward it. As his fingers make contact with the screen, a sudden, surreal distortion ripples through the display. The glow from the monitor intensifies, creating a vortex-like effect that begins to suck his hand—and eventually his entire body—into the screen. His expression is a mix of surprise and determination as he is slowly being pulled in, the edges of his body starting to blur and distort. The atmosphere is tense, with shadows cast across the room from the flickering screens, and the soft hum of technology filling the air. The scene has an otherworldly quality, blending the realistic environment with the surreal, as the boy is about to cross into another realm, pulled by the glowing digital portal.

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A striking outdoor stage set deep within a twilight forest clearing, where the focal point is a large, ancient stone sculpture mounted atop the stage rig. The structure has a mythical, prehistoric quality—composed of weathered rocks that form a radial, glyph-like symbol. A large central spherical stone is surrounded by unevenly spaced, elongated rock pieces, radiating outward like an ancient sun or crustacean motif. The two upright vertical stones supporting the form are tall and slightly fractured, while a wide, slightly concave slab rests above. Each stone surface is textured with rough, uneven contours—small chips, cracks, and edges that appear naturally broken. Moss and lichen grow lightly in the crevices, giving the sculpture a sacred, time-worn presence.

Mounted LED panels surround the stage—tall verticals and angled ceiling screens. Each screen pulses with unique, randomly generated digital media art loops: vibrant plasma fractals, minimal kinetic grids, fuzzy organic flows, broken typography, glitch patterns, and cosmic noise. Every display is distinct, running independently in both tempo and palette—ranging from pale neon tones to earthy monochromes and high-contrast abstractions.

At the base of the sculpture, a female electronic musician performs, viewed from behind. She stands amidst audio gear, slightly silhouetted by glowing ambient lights and smoke drifting across the stage. The lights gently reflect off the uneven surface of the stones, causing highlights to shimmer along mossy edges and jagged lines. The stone symbol above her appears timeless, as if reawakened by light and sound. The scene merges ancient ritual and futuristic spectacle in one cinematic, atmospheric moment.

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A highly detailed black and white ink illustration of a mysterious girl with waist-length straight black hair, no bangs, wearing an oversized hoodie slipping off one shoulder with the hood pulled over her head, paired with baggy jeans that almost completely cover her worn Timberland boots, standing alone in a desolate, post-apocalyptic cityscape with shattered buildings, cracked asphalt, and twisted metal debris, her expression calm yet unsettling, evoking a haunting, melancholic silence, fog creeping through the ruins, drawn in a dramatic portrait-centered composition, intricate linework, heavy cross-hatching shadows, gritty ink textures, intense black-white contrast, in the style of Junji Ito

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땅울림 속에서 살아남은 과거

# data[].attributes.subject
땅울림 속에서 살아남은 과거

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A cinematic photorealistic image of a joyful child confidently taking a playful selfie with a peace sign, smiling brightly as dozens of massive Colossal Titans from Attack on Titan march forward in perfect formation behind them, towering over a ruined coastline. The Titans appear as if their human skin has been peeled away, revealing vivid, glistening layers of exposed muscle fibers, thick sinews, and bulging tendons. Their immense ribcage-like chests expand with steam, and their hollow, expressionless faces feature glowing eyes. As they move, their enormous feet crush the ground beneath, sending clouds of debris and dust into the air. The child is fully aware of the incoming destruction and proudly commemorates the surreal moment. Warm golden sunlight gently illuminates the child in the foreground, creating a striking contrast with the dark, smoky sky and the fiery horizon behind the Titans. Hyperrealistic anatomical textures, intense sense of scale, cinematic lighting, deep shadows, ultra-detailed rendering of both the child and the grotesquely massive titans. Shot with a Canon EOS R5, 24mm f/1.4 lens, dramatic depth of field, ironic emotional contrast between lighthearted foreground and apocalyptic horror in the background

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Hyperrealistic 3D render of a minimalist studio space with liquid mercury-like reflective walls that warp and distort reality through infinite chrome reflections, centered is a pristine glass display case containing an ethereal haunting sculpture that morphs between organic flower forms and spinal vertebrae structures, the object is composed of countless delicate metallic filaments forming symmetrical petals that spiral outward like crystalline spikes and antenna systems, each strand catches and reflects light creating web-like luminous patterns, the sculpture appears both mechanical and biological - a fusion of lily petals and fiber optic networks with sea anemone tendrils, materials include polished chrome, brushed steel, and translucent synthetic fibers, the object pulses with an otherworldly presence, professional studio lighting creates dramatic chiaroscuro effects with backlighting that adds depth and mystery, the sculpture embodies both beauty and unease in a surreal atmosphere, architectural photography style meets museum exhibition quality, ultra-detailed, cinematic composition, 8k quality

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vertical 2D illustration of a glowing house made from floating transparent and shimmering beads, pearl-like glass orbs, crystal accessories and reflective jewels, arranged in a multi-tiered structure, beads and orbs suspended in mid-air as if weightless, clear radiant sparkles, elegant pastel tones, symmetrical stacked layers, flat cartoon style, soft mint or light misty blue background, vertical format, 9:16 aspect ratio, light and radiant poster layout

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vertical 2D flat illustration of a dreamlike tall temple made of fireworks, rainbow metallic confetti, kaleidoscopic light rays, floating crystal chandeliers, and silk drapes with stardust patterns, all arranged in stacked layers from top to bottom, vibrant multicolor glow, magical and festive atmosphere, pastel neon colors, deep navy to purple gradient background, vertical format, 9:16 aspect ratio, tall poster style

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A surreal, three-dimensional conceptual clock where the hour and minute hands follow a heliocentric spiral orbit instead of rotating on a flat face. The clock’s structure is suspended in space, with spiral arms populated by fragmented memory objects (clocks, letters, faded photographs, chairs) and imagined future artifacts (abstract technologies, glowing shapes, speculative tools). The spiral emerges from a glowing center (the present) and expands outward in layered orbits. The camera angle is slightly tilted and close, as if the viewer is within the structure. The background is soft and dark — no literal stars — just the void of introspection. A poetic and metaphysical representation of nonlinear time. add wireframe structures among elements. give zen minimalism visual mood overall using strong black and white contrast. With some elements in vibrant color. make the wireframe structures appear like gyro.

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A high-resolution abstract digital artwork representing a consciousness without form. There is no body, no gender, no identity—only a trace of presence rendered through suspended particles, drifting light, and soft distortion. The image avoids any humanoid or anatomical shapes. Instead, the formation appears like an echo of movement—subtle gradients and brushstroke textures ripple through empty space, layered with glitch fragments and ambient light. There is no face, no eyes, no helmet, no clothing. The atmosphere is deeply introspective and emotionally resonant, inspired by the sonic textures of German techno, Massive Attack, and Björk. It evokes a quiet internal world shaped by sound, memory, and hidden strength. The background is minimal, textural, like a silent soundstage.

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A full-body surreal portrait of a transparent humanoid figure made of glass, standing still with a calm and elegant posture. The figure has the serene face of a young human girl, eyes closed gently, expression peaceful and introspective. Her features are delicate and soft, with no distortion — clearly human. Inside the glass body are multiple versions of the self — each glowing in different vivid colors, shaped as twisting energy forms, fractured silhouettes, or flowing streaks. These inner selves are pushing outward, pressing against the inside of the glass, as if ready to escape. The surface of the glass is etched with delicate Art Nouveau patterns and Korean traditional motifs, and fine glowing cracks run across it like veins of tension. The interior and the background are infused with splashes of dark ink, bleeding pigments, and watercolor bursts — as if each inner self is leaking color and emotion outward. Ink splash aesthetics blend with glowing neon talismans, fractal shadows, and dense floral ornaments, creating a painterly chaos. The atmosphere is dark, radiant, and full of restrained energy — a moment before something breaks free in a cascade of color and ink.

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A high-resolution conceptual artwork featuring a non-gendered, abstract energy form suspended in minimal ambient space. The shape subtly suggests human presence through posture and flow, but without any facial features, breasts, hips, or limbs. It is not female, not male, not human—just a formation of light, shadow, and glitch fragments. There is no clothing, no helmet, no identifiable body structure. The form appears partially disintegrated into ambient particles and digital noise, as if shaped by memory, sound, and internal rhythm. The emotional tone references German techno, Massive Attack, and Björk—cold yet intimate, introspective yet moving. Fine art brush textures shimmer across the form, subtly referencing a background in classical Western painting. The entire presence reflects quiet intensity, embodied sensitivity, and social duality—seen by others as warm and open, while holding a private inner world.

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An ultra-high-resolution 8K photorealistic rendering of the capital letter "R", displayed in a direct front-facing view. The letter is sculpted entirely from optically flawless, crystal-clear glass, with zero haze and exceptional transparency. Its surface is meticulously polished to a glossy mirror-like finish, exhibiting accurate reflections, tight light refraction, and subtle internal distortions that replicate real-world physics. Within the glass body, hundreds of micro air bubbles are suspended—varied in size and layered densely throughout the volume. These bubbles are sharply resolved and positioned to form a dynamic internal texture, producing a mist-like effect that enhances visual depth while keeping the letterform fully readable. The lighting is studio-precision soft, with neutral color balance and faint rim highlights tracing the glass edges, amplifying its shape and volume without overwhelming the clarity. No harsh shadows are present. The background is solid white—perfectly clean, textureless, and gradient-free—emphasizing the purity of the composition. The entire piece is designed to resemble a premium glass sculpture captured in cinematic studio conditions, ideal for professional design showcases, print campaigns, or display-level typographic artwork.

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A single gender-ambiguous child with soft features sits quietly in the center of an abstract cosmic scene. The child wears a red striped sweater and has short dark hair, looking like a boy but subtly feminine. A meerkat is gently perched on top of their head. The background is a dreamy watercolor abstraction, inspired by cosmic shapes and soft gradients. Blurry neon orbs, pastel color smears, floating paper planes, notebooks, and telescopes are scattered across the soft horizon, blending into the scene like fading thoughts. The atmosphere is calm, melancholic, and childlike, evoking a quiet connection to the universe. Style is loose and painterly, like a surreal blend of Little Prince and abstract color field painting.

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A bold letter "S" is prominently centered on a high-resolution canvas, rendered in dense black ink as though applied with an old industrial ink roller. The letter exhibits pronounced ink bleed and smudging along its outer edges, with subtle variations in density that suggest uneven pressure and absorption. Around the letterform, a soft, irregular halo effect blooms outward where the ink has naturally spread into the surrounding surface. The entire image is monochrome, with an intentionally gritty, analog aesthetic. The background is a detailed simulation of worn, recycled paper—light grayish-white in tone, with visible paper fibers, subtle stains, faded creases, and microscopic imperfections. Across the image, fine halftone dot patterns and scattered speckles replicate retro printing techniques like risograph or xerox. The lighting is diffuse and neutral, mimicking the flat look of scanned archival posters. Additional textures such as faint dust, grain, and surface noise enhance the lo-fi, tactile quality. The image should evoke the feel of an abstract typographic art piece from a 1980s photocopy zine or underground print studio, rendered in ultra-sharp 4K resolution with hyperrealistic ink behavior and paper textures.

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A fantastical concept scene representing identity in flux. The central form constantly shifts — skin into water, eyes into stars, hair into light. The world mirrors this transformation, blending natural textures with abstract geometry. Yellow hues dominate the landscape, suggesting a self that transforms the world simply by existing

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A large, bold capital letter "H" is positioned in the center of a clean, high-resolution white canvas. The letter is constructed entirely from a precise halftone dot pattern, composed of perfectly circular black dots arranged in a uniform grid. The dots vary in size to define the form of the "H", with larger dots concentrated in the center and gradually decreasing in size toward the edges to create a smooth visual contour. The interior structure of the letter remains sharp and crisp, emphasizing clarity and geometric precision. However, the outer edges of the letter are treated with a subtle soft blur effect, causing the dots near the perimeter to appear slightly diffused and gently feathered into the background. This creates a soft halo-like boundary that blends seamlessly with the surrounding clean white background. The visual style evokes retro pop art, Ben-Day dot printing, and abstract comic aesthetics, inspired by artists like Roy Lichtenstein. The composition is minimalist, high contrast, and executed in ultra-sharp 4K resolution, ideal for modern typographic poster design or editorial layouts that merge vintage texture with contemporary digital clarity.

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A wide, cinematic shot of a large, dimly lit indoor aquarium with a massive central tank dominating the space. The surrounding walkways and observation paths are empty, but clearly visible, with reflections dancing on the polished floor. Inside the tank, an elegant pink jellyfish slowly drifts up and down in the water with fluid, natural motion. The tank contains a single bed, colorful corals, and a few decorative bubbles rising gently. A modern computer is placed inside the tank as well—its screen flickers and glitches rapidly. Ambient lighting shifts subtly between hues of blue, violet, and pink, creating a dreamy, surreal underwater atmosphere. No other living creatures are present.

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A cute, 3D-rendered non-human character lounging in a cozy, oversized velvet armchair with golden accents. The character has a soft, round, and squishy body — similar to a plush toy or animated blob — and is covered in multiple large, expressive eyes. Each eye has a shiny, cartoonish look with exaggerated pupils and gentle highlights, giving the character a curious and overwhelmed, yet lovable expression.

In front of the character, dozens of glowing floating screens hover at different depths, displaying movies, social media, messages, games, and other digital content. The character’s many eyes gaze in different directions, trying to keep up with everything — evoking a playful, comedic sense of overstimulation.

Behind the character, piles of books are stacked like forgotten towers. On the floor, colorful DVDs lie scattered in a messy, but harmless way — adding to the sense of cozy clutter. The background is a softly glowing virtual space, filled with light gradients of pastel blues and purples, pixel dust particles, and floating UI elements.

The overall tone is adorable, humorous, and satirical, blending modern media overload with charming character design and playful digital aesthetics.

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A single figure standing upright in a minimal space with a smooth blue gradient background. The figure is completely in shadow, appearing only as a silhouette with no visible features. Dozens of glowing horizontal neon rings hover in midair, evenly spaced along the Y-axis, wrapping the figure from head to feet. The rings emit soft orange-pink light, creating layered circular reflections on the floor. The scene is highly symmetrical, surreal, and futuristic, with an installation-art aesthetic. --ar 9:16 --v 7

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An abstract watercolor and pastel illustration that blends the dual presence of a child—both girl and boy—in one astroid. The child floats gently above a small island, with ambiguous features and clothing that merge soft feminine curves with the boyish innocence of the Little Prince. On top of their head sits a meerkat, calm and curious, as if guiding the viewer’s gaze to the cosmos.

The background is a surreal dreamscape: softly bleeding neon gradients, symbolic shapes like concentric circles, drifting paper planes, floating “hello” signs, and distorted stars. The horizon dissolves between water and sky, marked by glowing orbs and abstract constellations. Elements such as telescopes, journals, and flowers appear disassembled—more like memories than objects.

The overall tone is delicate, nostalgic, and symbolic. Composition mimics a child's inner universe or a memory fragment—filled with fluid shapes, soft shadows, and warm ambiguity. Rendered in a minimalist, conceptual style inspired by vintage children’s books and metaphysical illustration.

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A cinematic ultra-high-resolution illustration of a woman escaping from a collapsing digital world — captured from the front in a wide-angle, low-angle perspective, as she steps forward into a vibrant forest. Her expression is conflicted and intense, caught between two realms. One side of her body is disintegrating into fine-grain pixel fragments, glitch ribbons, binary particle streams, and translucent holographic overlays resembling interface windows and floating code. Fractal data structures ripple outward from her shoulder like digital bloom.

The digital side is lit with hyper-directional neon light: sharp magenta edges, cyan pulses, RGB scanline flickers, and volumetric light shafts. Transparent UI fragments hover faintly in the air, and shards of broken wireframe geometry float mid-collapse. A sense of spatial depth is conveyed through layered grids, simulated parallax distortion, and scattered lensing artifacts.

In contrast, the natural side is richly atmospheric — glowing with soft painterly sunlight, blooming flora, and warm forest haze. Her body marks the boundary, illuminated on one side by harsh code-driven light, and on the other by organic golden warmth. Her face and outstretched hand are crisply focused, reflecting emotion and tension.

Rendered in cinematic 8K detail, blending analog film grain, chromatic aberration, and painterly textures with digital effects. Mood: surreal, hybrid reality, emotional fracture.

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A fractured abstract composition merging industrial techno atmosphere with intensified cubist structure — spatial planes are splintered and overlaid, like broken sheets of metal and light colliding at impossible angles. The environment is cloaked in darkness, pierced only by jagged laser beams and flickering neon, casting angular shadows that multiply across disjointed forms. Ghostlike silhouettes are geometrically disassembled, reduced to sharp-edged torsos, dislocated limbs, and echoing contours. Rusted stone textures, oxidized steel, and shattered chrome are rendered in layered planes, shifting across perspectives simultaneously. The composition has no center — only collision. Colors bleed across shattered geometry: oil-black, acid green, molten crimson, and dusty cobalt, muted by shadow. Glitch textures, cubist light fractures, and mechanical silence dominate. This is not space, but a psychological topology — dissected, disrupted, and pulsing

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An immersive projection mapping media art installation in a dark, spacious gallery. Organic light patterns and abstract data waves are projected on the walls and floor, reacting to the space architecture. The room is softly filled with ambient fog, making light beams and glowing effects visible. Minimal visitors interact subtly with the space, appearing as silhouettes. The lighting is cinematic and high contrast, with soft shadows and luminous reflections. Ultra-detailed, filmic quality, volumetric lighting, 8K resolution, surreal yet real atmosphere

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a magical forest scene with a deer, fantasy illustration style, glowing light

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a street in Paris, oil painting style, vibrant brushstrokes

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a minimalist Scandinavian-style bedroom, large window with soft curtains, beige linen bedding, natural wood floor

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a man in red jacket hiking along a rocky alpine trail, fog-covered peaks in the distance

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a robot in the city

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a humanoid robot in Times Square at night, neon reflections, surrounded by people

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변경.

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떡튀순인데 이걸 못만드네

# data[].attributes.subject
떡튀순인데 이걸 못만드네

# data[].attributes.headline
하울의 움직이는 성 정식

# data[].attributes.subject
하울의 움직이는 성 정식