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Daniel Olah

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Hawaiian Heart Flower
Shape is a form. Elisabeth Higgins uses shape to create a flower.

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Girl Reading
Line is a moving point that has no end. Elisabeth Higgins uses lines to create a perspective room with a girl reading her book.

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Focus on the center of one subject with negative colors all around

Izavella Monticone●22m

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Color is the characteristics of visual perception. She used cool colors and a bit of warm colors to create a nice scenery.

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Trina Turk for Schumacher Sonriza Print Orange

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Trina Turk for Schumacher Sonriza Print Orange

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Texture, Shape

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is a very amazing artist

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artist used a lot of texture

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Learn how to draw a dog, graphite art lesson

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Wallpapers and Images for peoples phones • r_phonewallpapers

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Oil painting/Color painting By:Vincent Van Gogh 

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Oil painting/Color painting By:Vincent Van Gogh 

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Line,Color.I love this beautiful painting of a field.This artist is one of my favorites this a very unique way of painting a field and i love the warm and cold tones mixed in. https://www.vangoghgallery.com/painting/

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Abstract Nature art/Color art By:Geogia O,keeffe

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Abstract Nature art/Color art By:Geogia O,keeffe

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Color,Form,Line.I think this such a beautiful way of thinking about nature.i love the beautiful warm and cold tones. https://youtu.be/OMJuclT7lnw

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Abstract Art/Primary color art By:Joan Miro

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Abstract Art/Primary color art By:Joan Miro

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Line,Shape,Color.I love this art its very unique in its own beautiful way. https://youtu.be/O9rAdb_ULp0

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https://www.artistaday.com/?p=8360Shape,Color,Lines. I think this is a very interesting but beautiful Color art.What do you guys think?

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Riverside, CA artist Jeff Soto #artistaday

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https://pin.it/2ykIYSf

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Your place to buy and sell all things handmade

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Danika Mueller

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Your place to buy and sell all things handmade

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Emily Carr's art style is post-impressionism 

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Emily Carr's art style is post-impressionism 

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Her art is filled with both warm and cool colors, her art uses brush strokes, and uses space. :)

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This Painting has Different variations of warm colors !

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Negative space, in art, is the space around between to subject(s) of an image. Negative space may be most evident when the space around a subject, not the subject itself, forms an interesting or artistically relevant shape, and such space occasionally is used to artistic effect as the "real" subject of an image.

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Look at this beautiful Painting with all that Texture.

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her art is made with color,d paper that makes it look fun ,cool and she can draw and paint cool prints that are very colorful they are exiting they have many fun looking and look 3D she makes it with color,d pencils , markers and paint .

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Enjoy

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"YES" New Works by AMERICA MARTIN: February 2014 Artist Reception @ JoAnne Artman Gallery!

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Enjoy

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An appearance of a surface or a substance

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Please click here if you are not redirected within a few seconds.

Images
Geometric Shapes on Brown Painting by patricia cleasby | Saatchi Art

saatchiart.com

Images may be subject to copyright.

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Please click here if you are not redirected within a few seconds. Images Geometric Shapes on Brown Painting by patricia cleasby | Saatchi Art saatchiart.com Images may be subject to copyright.

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Texture - Different Art/Texture in the 10 minutes

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Texture - Different Art/Texture in the 10 minutes

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Compared to other art and each other which one stands out the most is it a big or small change in Appearance

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How to DRAW 10 TEXTURES in Under 10 MINUTES!

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Texture - Different Block using different textures

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Texture - Different Block using different textures

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How are the blocks different from each other and are they using the same technique?

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Pen and Ink Drawing Tutorials | How to create realistic textures

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Drawn Texture - Different Textures in 1 video

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Drawn Texture - Different Textures in 1 video

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This will show different planets all using the same texture are their differences tell them to me?

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This gallery features more art and descriptions and i want you to compare them to the  other art in the other gallery?

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T he Visual Element of Texture defines the surface quality of an artwork - the roughness or smoothness of the material from which it is made. We experience texture in two ways: optically (through sight) and physically (through touch).

Optical Texture: An artist may use his/her skilful painting technique to create the illusion of texture. For example, in the detail from a traditional Dutch still life above you can see remarkable verisimilitude (the appearance of being real) in the painted insects and drops of moisture on the silky surface of the flower petals.

Physical Texture: An artist may paint with expressive brushstrokes whose texture conveys the physical and emotional energy of both the artist and his/her subject. They may also use the natural texture of their materials to suggest their own unique qualities such as the grain of wood, the grittiness of sand, the flaking of rust, the coarseness of cloth and the smear of paint.

Ephemeral Texture: This is a third category of textures whose fleeting forms are subject to change like clouds, smoke, flames, bubbles and liquids.

Our selection of artworks illustrated below have been chosen because they all use texture in an inspirational manner. We have analyzed each of these to demonstrate how great artists use this visual element as a creative force in their work.

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T he Visual Element of Texture defines the surface quality of an artwork - the roughness or smoothness of the material from which it is made. We experience texture in two ways: optically (through sight) and physically (through touch). Optical Texture: An artist may use his/her skilful painting technique to create the illusion of texture.

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Bob Ross

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This gallery will show you different types of art and their texture can you see their different texture?

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by Dan Scott

Texture in art is a visual element which refers to the surface quality of a painting (i.e. smooth, rough, matte, glossy, etc). Many artists seem to overlook the importance of texture, but I find it to be one of the most versatile tools at our disposal.

In this post I discuss what texture is and how you can successfully incorporate it in your paintings.

In art, texture could mean two things:

The physical texture of our paints which we experience visually and through touch; or

The illusion of texture which we only experience visually.

Here is an example of a rough physical texture by Vincent van Gogh which is a key feature in many of his works:

This watercolor painting by John Singer Sargent demonstrates the illusion of the rough texture of the land and mountains, but the paint itself is rather smooth. This is done through clever use of color, contrast and other visual elements. A downside of watercolor painting is that you are not able to build up a thick physical texture with the paint like you can with oils or acrylics.

In the painting below I used physical and visual texture to paint the foreground next to the river. I first painted a thin coat of grays and dull greens to give the illusion of rocks, soil, grass and so on. Then I loaded my brush and applied thick dabs of dull yellows to render the plants in the foreground. This creates an interesting contrast between smooth and thick textures.

The main purpose of painting is to create the illusion of a three dimensional subject on a flat surface. But, that does not mean you should ignore the physical properties of your paints.

Paint which has been applied smoothly across the canvas appears very different to paint which has been applied in a thick, impasto fashion. A general guideline I find useful is to try and match the physical texture of my paint to the characteristics of the subject I am painting.

Smooth texture can be useful for painting calm, out of focus, dark or distant areas. In my painting below, observe the smooth texture of the sky, clouds and the distant trees.

Thick texture can be useful for painting dramatic, emotional, active or close areas. Going back to the above painting as an example, I built up thick texture in the foreground using a palette knife to create a sense of depth in the painting. The idea was to have a progression from rough, to medium to smooth texture as you go from the foreground through to the background.

Impasto texture also creates tiny shadows on the canvas depending on the direction of the light. This can produce some interesting results.

There i s only so much value you can get out of the physical texture of your paints. Usually, you will need to call on the help of the other visual elements to create the illusion of texture. This involves the clever arrangement of colors, contrast, brushwork, shapes and so on to mimic the texture of the subject you are painting.

For example, if you were painting glassy, calm water, you could use long, consistent strokes of high-key colors with very little contrast. This is demonstrated in the harmonious painting below by Claude Monet:

On the other hand, if you were painting the turbulent seas, you could use short, choppy strokes of varied colors with a sharp contrast between the elements. Frederick Waugh was a master of this.

Below are some specific examples of how I incorporate texture in my paintings.

Clouds: I like to use thick texture for clouds, contrasted against a relatively smooth texture for the general sky. This creates a nice sense of depth. I also use thicker paint for areas which are hit by light and leave the shaded areas of the clouds a bit thinner.

Grass: I take advantage of visible brushwork and subtle changes in color to mimic the texture of grass. A useful technique is to grab a large flat or filbert brush and load it with varied colors (greens, yellows, grays). I use bold strokes to create the illusion of glass clusters.

Water: For turbulent water, I use thick paint which mimics the general flow of the water. I really try to feel how the water is moving and my brush will often follow this movement. For areas which are calmer, I use less texture and contrast. If you want to read more about this, then you should check out my post on painting realistic water.

Blue Sky: I use a smooth texture for a clear, blue sky but that does not mean I ignore brushwork altogether. I take advantage of subtle brushwork to create some kind of interest throughout the sky. Otherwise, large areas of monotonous color may appear overly bland.

Buildings: I often use a relatively thick texture for buildings to create a sense of depth in the painting (this bring the buildings forward in perspective). The palette knife can come in handy here for painting thick, clean blocks of color.

Rocks: When painting the highlights on rocks, I often use the palette knife to scrape thick paint over a dark base color. These broken colors closely mimic the way the light hits the edges of the rocks.
(If you want to learn more about landscape painting, make sure to grab my free Landscape Painting Starter Kit).

Thanks for taking the time to read this post. I appreciate it! Feel free to share with friends. If you want more painting tips, make sure you subscribe.

Happy painting!

Dan Scott

Draw Paint Academy

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Bonus Download: New to painting? Start with my free Beginner's Guide to Painting. Texture in art is a visual element which refers to the surface quality of a painting (i.e. smooth, rough, matte, glossy, etc). Many artists seem to overlook the importance of texture, but I find it to be one of the most versatile tools at our disposal.

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Texture is something that feel like a example concret is hard

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They are all the same thing yet each and every one of them are different either in their pattern or their size. Do you see any difference if so what are them?

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Just because it looks good doesn't mean it can't break. What do you think when you see this picture?

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Graffiti Art- Donkeeboy

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the artist used primary and secondary colors in the picture.

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itseems this ar

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Perspective

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this artist used cool color by joe van wetering

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this artist used cool color by joe van wetering

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Kate MccGwire uses feathers to create her art.

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1.Color value refers to the darkness or lightness in a color
2. Each color(hue) when mixed with black or white can produce a full range of value

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Shape element of art. I like she got scraps of wood and combined it with shapes to make an amazing piece of art.

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Cody style of art is mostly urban modernism

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Shape

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Max Ernst’s monumental late sculptures for sale in New York

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Color, Line and Shape

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luke chester

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Olek uses color and texture make normal objects stand out from everything around them.