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You may write me down in history

With your bitter, twisted lies,

You may trod me in the very dirt

But still, like dust, I'll rise.

Does my sassiness upset you?

Why are you beset with gloom?

’Cause I walk like I've got oil wells

Pumping in my living room.

Just like moons and like suns,

With the certainty of tides,

Just like hopes springing high,

Still I'll rise.

Did you want to see me broken?

Bowed head and lowered eyes?

Shoulders falling down like teardrops,

Weakened by my soulful cries?

Does my haughtiness offend you?

Don't you take it awful hard

’Cause I laugh like I've got gold mines

Diggin’ in my own backyard.

You may shoot me with your words,

You may cut me with your eyes,

You may kill me with your hatefulness,

But still, like air, I’ll rise.

Does my sexiness upset you?

Does it come as a surprise

That I dance like I've got diamonds

At the meeting of my thighs?

Out of the huts of history’s shame

I rise

Up from a past that’s rooted in pain

I rise

I'm a black ocean, leaping and wide,

Welling and swelling I bear in the tide.

Leaving behind nights of terror and fear

I rise

Into a daybreak that’s wondrously clear

I rise

Bringing the gifts that my ancestors gave,

I am the dream and the hope of the slave.

I rise

I rise

I rise.

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Edgar Allen Poe

nce upon a midnight dreary, while I pondered, weak and weary,

Over many a quaint and curious volume of forgotten lore—

While I nodded, nearly napping, suddenly there came a tapping,

As of some one gently rapping, rapping at my chamber door.

“’Tis some visitor,” I muttered, “tapping at my chamber door—

Only this and nothing more.”

Ah, distinctly I remember it was in the bleak December;

And each separate dying ember wrought its ghost upon the floor.

Eagerly I wished the morrow;—vainly I had sought to borrow

From my books surcease of sorrow—sorrow for the lost Lenore—

For the rare and radiant maiden whom the angels name Lenore—

Nameless here for evermore.

And the silken, sad, uncertain rustling of each purple curtain

Thrilled me—filled me with fantastic terrors never felt before;

So that now, to still the beating of my heart, I stood repeating

“’Tis some visitor entreating entrance at my chamber door—

Some late visitor entreating entrance at my chamber door;—

This it is and nothing more.”

Presently my soul grew stronger; hesitating then no longer,

“Sir,” said I, “or Madam, truly your forgiveness I implore;

But the fact is I was napping, and so gently you came rapping,

And so faintly you came tapping, tapping at my chamber door,

That I scarce was sure I heard you”—here I opened wide the door;—

Darkness there and nothing more.

Deep into that darkness peering, long I stood there wondering, fearing,

Doubting, dreaming dreams no mortal ever dared to dream before;

But the silence was unbroken, and the stillness gave no token,

And the only word there spoken was the whispered word, “Lenore?”

This I whispered, and an echo murmured back the word, “Lenore!”—

Merely this and nothing more.

Back into the chamber turning, all my soul within me burning,

Soon again I heard a tapping somewhat louder than before.

“Surely,” said I, “surely that is something at my window lattice;

Let me see, then, what thereat is, and this mystery explore—

Let my heart be still a moment and this mystery explore;—

’Tis the wind and nothing more!”

Open here I flung the shutter, when, with many a flirt and flutter,

In there stepped a stately Raven of the saintly days of yore;

Not the least obeisance made he; not a minute stopped or stayed he;

But, with mien of lord or lady, perched above my chamber door—

Perched upon a bust of Pallas just above my chamber door—

Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling,

By the grave and stern decorum of the countenance it wore,

“Though thy crest be shorn and shaven, thou,” I said, “art sure no craven,

Ghastly grim and ancient Raven wandering from the Nightly shore—

Tell me what thy lordly name is on the Night’s Plutonian shore!”

Quoth the Raven “Nevermore.”

Much I marvelled this ungainly fowl to hear discourse so plainly,

Though its answer little meaning—little relevancy bore;

For we cannot help agreeing that no living human being

Ever yet was blessed with seeing bird above his chamber door—

Bird or beast upon the sculptured bust above his chamber door,

With such name as “Nevermore.”

But the Raven, sitting lonely on the placid bust, spoke only

That one word, as if his soul in that one word he did outpour.

Nothing farther then he uttered—not a feather then he fluttered—

Till I scarcely more than muttered “Other friends have flown before—

On the morrow he will leave me, as my Hopes have flown before.”

Then the bird said “Nevermore.”

Startled at the stillness broken by reply so aptly spoken,

“Doubtless,” said I, “what it utters is its only stock and store

Caught from some unhappy master whom unmerciful Disaster

Followed fast and followed faster till his songs one burden bore—

Till the dirges of his Hope that melancholy burden bore

Of ‘Never—nevermore’.”

But the Raven still beguiling all my fancy into smiling,

Straight I wheeled a cushioned seat in front of bird, and bust and door;

Then, upon the velvet sinking, I betook myself to linking

Fancy unto fancy, thinking what this ominous bird of yore—

What this grim, ungainly, ghastly, gaunt, and ominous bird of yore

Meant in croaking “Nevermore.”

This I sat engaged in guessing, but no syllable expressing

To the fowl whose fiery eyes now burned into my bosom’s core;

This and more I sat divining, with my head at ease reclining

On the cushion’s velvet lining that the lamp-light gloated o’er,

But whose velvet-violet lining with the lamp-light gloating o’er,

She shall press, ah, nevermore!

Then, methought, the air grew denser, perfumed from an unseen censer

Swung by Seraphim whose foot-falls tinkled on the tufted floor.

“Wretch,” I cried, “thy God hath lent thee—by these angels he hath sent thee

Respite—respite and nepenthe from thy memories of Lenore;

Quaff, oh quaff this kind nepenthe and forget this lost Lenore!”

Quoth the Raven “Nevermore.”

“Prophet!” said I, “thing of evil!—prophet still, if bird or devil!—

Whether Tempter sent, or whether tempest tossed thee here ashore,

Desolate yet all undaunted, on this desert land enchanted—

On this home by Horror haunted—tell me truly, I implore—

Is there—is there balm in Gilead?—tell me—tell me, I implore!”

Quoth the Raven “Nevermore.”

“Prophet!” said I, “thing of evil!—prophet still, if bird or devil!

By that Heaven that bends above us—by that God we both adore—

Tell this soul with sorrow laden if, within the distant Aidenn,

It shall clasp a sainted maiden whom the angels name Lenore—

Clasp a rare and radiant maiden whom the angels name Lenore.”

Quoth the Raven “Nevermore.”

“Be that word our sign of parting, bird or fiend!” I shrieked, upstarting—

“Get thee back into the tempest and the Night’s Plutonian shore!

Leave no black plume as a token of that lie thy soul hath spoken!

Leave my loneliness unbroken!—quit the bust above my door!

Take thy beak from out my heart, and take thy form from off my door!”

Quoth the Raven “Nevermore.”

And the Raven, never flitting, still is sitting, still is sitting

On the pallid bust of Pallas just above my chamber door;

And his eyes have all the seeming of a demon’s that is dreaming,

And the lamp-light o’er him streaming throws his shadow on the floor;

And my soul from out that shadow that lies floating on the floor

Shall be lifted—nevermore!

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I have eaten
the plums
that were in
the icebox

and which
you were probably
saving
for breakfast

Forgive me
they were delicious
so sweet
and so cold

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Who Robbed the Woods by Emily Dickinson:

Who robbed the woods,

The trusting woods?

The unsuspecting trees

Brought out their burrs and mosses

His fantasy to please.

He scanned their trinkets, curious,

He grasped, he bore away.

What will the solemn hemlock,

What will the fir-tree say?

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Hannah Meyer
Absolutely Nothing
By Stephen Chbosky

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The Perks of Being a Wallflower - The poem. What did it mean to Charlie? (showing 1-50 of 63)

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63 discussion posts. Fatin said: I'm not completely sure I remember what the poem meant. Also, the part where Charlie goes I never wanted to understand ...

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https://genius.com/Rudy-francisco-love-poem-medley-annotated

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I want you to bite my lip until I can no longer speak / And then suck my ex-girlfriend's name out of my mouth just to make sure she never comes up in our conversations / I'm going

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It was many and many a year ago,

In a kingdom by the sea,

That a maiden there lived whom you may know

By the name of Annabel Lee;

And this maiden she lived with no other thought

Than to love and be loved by me.

I was a child and she was a child,

In this kingdom by the sea,

But we loved with a love that was more than love—

I and my Annabel Lee—

With a love that the wingèd seraphs of Heaven

Coveted her and me.

And this was the reason that, long ago,

In this kingdom by the sea,

A wind blew out of a cloud, chilling

My beautiful Annabel Lee;

So that her highborn kinsmen came

And bore her away from me,

To shut her up in a sepulchre

In this kingdom by the sea.

The angels, not half so happy in Heaven,

Went envying her and me—

Yes!—that was the reason (as all men know,

In this kingdom by the sea)

That the wind came out of the cloud by night,

Chilling and killing my Annabel Lee.

But our love it was stronger by far than the love

Of those who were older than we—

Of many far wiser than we—

And neither the angels in Heaven above

Nor the demons down under the sea

Can ever dissever my soul from the soul

Of the beautiful Annabel Lee;

For the moon never beams, without bringing me dreams

Of the beautiful Annabel Lee;

And the stars never rise, but I feel the bright eyes

Of the beautiful Annabel Lee;

And so, all the night-tide, I lie down by the side

Of my darling—my darling—my life and my bride,

In her sepulchre there by the sea—

In her tomb by the sounding sea.

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I opened my eyes
And looked up at the rain,
And it dripped in my head
And flowed into my brain,
And all that I hear as I lie in my bed
Is the slishity-slosh of the rain in my head.

I step very softly,
I walk very slow,
I can't do a handstand--
I might overflow,
So pardon the wild crazy thing I just said--
I'm just not the same since there's rain in my head.

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We Wear The Mask By Paul Laurence Dunbar
https://www.poetryfoundation.org/poems-and-poets/poems/detail/44203

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There is a place where the sidewalk ends
And before the street begins,
And there the grass grows soft and white,
And there the sun burns crimson bright,
And there the moon-bird rests from his flight
To cool in the peppermint wind.

Let us leave this place where the smoke blows black
And the dark street winds and bends.
Past the pits where the asphalt flowers grow
We shall walk with a walk that is measured and slow,
And watch where the chalk-white arrows go
To the place where the sidewalk ends.

Yes we'll walk with a walk that is measured and slow,
And we'll go where the chalk-white arrows go,
For the children, they mark, and the children, they know
The place where the sidewalk ends.

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Where the Sidewalk Ends - Poem by Shel Silverstein

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There is a place where the sidewalk endsAnd before the street begins,And there the grass grows soft and white,And there the sun burns crimson bright,And there the moon-bird rests from his flightTo cool in the peppermint wind.

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She Walks in BeautyGeorge Gordon Byron

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The Road Not TakenRobert Frost, 1916

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George Gordon Byron                              I.She walks in beauty, like the night    Of cloudless climes and starry skies; And all that’s best of dark and bright              Meet in her aspect and her eyes: Thus mellowed to that tender light         Which heaven to gaudy day denies.   II.One shade the more, one ray the less, Had half impaired the nameless grace Which waves in every raven tress,                Or softly lightens o’er her face; Where thoughts serenely sweet express       How pure, how dear their dwelling place.  III. And on that cheek, and o’er that brow,    So soft, so calm, yet eloquent,The smiles that win, the tints that glow,                         But tell of days in goodness spent,A mind at peace with all below,    A heart whose love is innocent!

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George Gordon Byron                              I.She walks in beauty, like the night    Of cloudless climes and starry skies; And all that’s best of dark and bright              Meet in her aspect and her eyes: Thus mellowed to that tender light         Which heaven to gaudy day denies.   II.One shade the more, one ray the less, Had half impaired the nameless grace Which waves in every raven tress,                Or softly lightens o’er her face; Where thoughts serenely sweet express       How pure, how dear their dwelling place.  III. And on that cheek, and o’er that brow,    So soft, so calm, yet eloquent,The smiles that win, the tints that glow,                         But tell of days in goodness spent,A mind at peace with all below,    A heart whose love is innocent!

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Kaylah Mccure
BY EDGAR ALLAN POE

It was many and many a year ago,

In a kingdom by the sea,

That a maiden there lived whom you may know

By the name of Annabel Lee;

And this maiden she lived with no other thought

Than to love and be loved by me.

I was a child and she was a child,

In this kingdom by the sea,

But we loved with a love that was more than love—

I and my Annabel Lee—

With a love that the wingèd seraphs of Heaven

Coveted her and me.

And this was the reason that, long ago,

In this kingdom by the sea,

A wind blew out of a cloud, chilling

My beautiful Annabel Lee;

So that her highborn kinsmen came

And bore her away from me,

To shut her up in a sepulchre

In this kingdom by the sea.

The angels, not half so happy in Heaven,

Went envying her and me—

Yes!—that was the reason (as all men know,

In this kingdom by the sea)

That the wind came out of the cloud by night,

Chilling and killing my Annabel Lee.

But our love it was stronger by far than the love

Of those who were older than we—

Of many far wiser than we—

And neither the angels in Heaven above

Nor the demons down under the sea

Can ever dissever my soul from the soul

Of the beautiful Annabel Lee;

For the moon never beams, without bringing me dreams

Of the beautiful Annabel Lee;

And the stars never rise, but I feel the bright eyes

Of the beautiful Annabel Lee;

And so, all the night-tide, I lie down by the side

Of my darling—my darling—my life and my bride,

In her sepulchre there by the sea—

In her tomb by the sounding sea.

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Take this kiss upon the brow!
And, in parting from you now,
Thus much let me avow--
You are not wrong, who deem
That my days have been a dream;
Yet if hope has flown away
In a night, or in a day,
In a vision, or in none,
Is it therefore the less gone?
All that we see or seem
Is but a dream within a dream.

I stand amid the roar
Of a surf-tormented shore,
And I hold within my hand
Grains of the golden sand--
How few! yet how they creep
Through my fingers to the deep,
While I weep--while I weep!
O God! can I not grasp
Them with a tighter clasp?
O God! can I not save
One from the pitiless wave?
Is all that we see or seem
But a dream within a dream?- edGAR allen poe

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Annabel LeeRelated Poem Content Details

BY EDGAR ALLAN POE

It was many and many a year ago,

In a kingdom by the sea,

That a maiden there lived whom you may know

By the name of Annabel Lee;

And this maiden she lived with no other thought

Than to love and be loved by me.

I was a child and she was a child,

In this kingdom by the sea,

But we loved with a love that was more than love—

I and my Annabel Lee—

With a love that the wingèd seraphs of Heaven

Coveted her and me.

And this was the reason that, long ago,

In this kingdom by the sea,

A wind blew out of a cloud, chilling

My beautiful Annabel Lee;

So that her highborn kinsmen came

And bore her away from me,

To shut her up in a sepulchre

In this kingdom by the sea.

The angels, not half so happy in Heaven,

Went envying her and me—

Yes!—that was the reason (as all men know,

In this kingdom by the sea)

That the wind came out of the cloud by night,

Chilling and killing my Annabel Lee.

But our love it was stronger by far than the love

Of those who were older than we—

Of many far wiser than we—

And neither the angels in Heaven above

Nor the demons down under the sea

Can ever dissever my soul from the soul

Of the beautiful Annabel Lee;

For the moon never beams, without bringing me dreams

Of the beautiful Annabel Lee;

And the stars never rise, but I feel the bright eyes

Of the beautiful Annabel Lee;

And so, all the night-tide, I lie down by the side

Of my darling—my darling—my life and my bride,

In her sepulchre there by the sea—

In her tomb by the sounding sea.

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If I Should Have a Daughter

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Boats and boating--Equipment and supplies

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While You Weren't Here

While you weren't here
I cried every night.
A million tears fell,
Still my heart wasn't right.

While you weren't here
I did what I could,
Hoping against hope
My decisions were good.

While you weren't here
I gained some in age.
Things just went on
And life turned a page.

While you weren't here
I just tried to go on,
Knowing what didn't kill me
Would only make me strong.

While you weren't here
A whole lot got changed.
My life became different,
My world rearranged.

While you weren't here
I had to learn to be alone,
To stand on my two feet,
To make my own home

So that's where I am now,
At this stage of my life,
Still scared and alone,
Still coping with strife.

And oh how I wish that
Things could be different,
That I could go back
To a time in the past,

To a time before
You weren't here.

Source: http://www.familyfriendpoems.com/poem/while-you-werent-here

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Daddy by Sylvia Plath

You do not do, you do not do

Any more, black shoe

In which I have lived like a foot

For thirty years, poor and white,

Barely daring to breathe or Achoo.

Daddy, I have had to kill you.

You died before I had time——

Marble-heavy, a bag full of God,

Ghastly statue with one gray toe

Big as a Frisco seal

And a head in the freakish Atlantic

Where it pours bean green over blue

In the waters off beautiful Nauset.

I used to pray to recover you.

Ach, du.

In the German tongue, in the Polish town

Scraped flat by the roller

Of wars, wars, wars.

But the name of the town is common.

My Polack friend

Says there are a dozen or two.

So I never could tell where you

Put your foot, your root,

I never could talk to you.

The tongue stuck in my jaw.

It stuck in a barb wire snare.

Ich, ich, ich, ich,

I could hardly speak.

I thought every German was you.

And the language obscene

An engine, an engine

Chuffing me off like a Jew.

A Jew to Dachau, Auschwitz, Belsen.

I began to talk like a Jew.

I think I may well be a Jew.

The snows of the Tyrol, the clear beer of Vienna

Are not very pure or true.

With my gipsy ancestress and my weird luck

And my Taroc pack and my Taroc pack

I may be a bit of a Jew.

I have always been scared of you,

With your Luftwaffe, your gobbledygoo.

And your neat mustache

And your Aryan eye, bright blue.

Panzer-man, panzer-man, O You——

Not God but a swastika

So black no sky could squeak through.

Every woman adores a Fascist,

The boot in the face, the brute

Brute heart of a brute like you.

You stand at the blackboard, daddy,

In the picture I have of you,

A cleft in your chin instead of your foot

But no less a devil for that, no not

Any less the black man who

Bit my pretty red heart in two.

I was ten when they buried you.

At twenty I tried to die

And get back, back, back to you.

I thought even the bones would do.

But they pulled me out of the sack,

And they stuck me together with glue.

And then I knew what to do.

I made a model of you,

A man in black with a Meinkampf look

And a love of the rack and the screw.

And I said I do, I do.

So daddy, I’m finally through.

The black telephone’s off at the root,

The voices just can’t worm through.

If I’ve killed one man, I’ve killed two——

The vampire who said he was you

And drank my blood for a year,

Seven years, if you want to know.

Daddy, you can lie back now.

There’s a stake in your fat black heart

And the villagers never liked you.

They are dancing and stamping on you.

They always knew it was you.

Daddy, daddy, you bastard, I’m through.

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The Homework Machine,
Oh, the Homework Machin
e,
Most perfect
contraption that's ever been seen.
Just put in your homework, then drop in a dime,
Snap on the switch, and in ten seconds' time,
Your homework comes out, quick and clean as can be.
Here it is— 'nine plus four?' and the answer is 'three.'
Three?
Oh me . . .
I guess it's not as perfect
As I thought it would be.

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We were entwined in red rings
Of blood and loneliness before
The first snows fell
Before muddy rivers seeded clouds
Above a virgin forest, and
Men ran naked, blue and black
Skinned into the warm embraces
Of Sheba, Eve and Lilith.
I was your sister.

You left me to force strangers
Into brother molds, exacting
Taxations they never
Owed or could ever pay.

You fought to die, thinking
In destruction lies the seed
Of birth. You may be right.

I will remember silent walks in
Southern woods and long talks
In low voices
Shielding meaning from the big ears
Of overcurious adults.

You may be right.
Your slow return from
Regions of terror and bloody
Screams, races my heart.
I hear again the laughter
Of children and see fireflies
Bursting tiny explosions in
An Arkansas twilight.

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Nothing Gold Can Stay.

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The Hollow Men

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Likes: Renilla, Margrit, brett masters, Bostonz, Pragjyotish Bh, Hannah C., Henrique Sá, rooh e lafz, Nassy Fesharaki, Javier Alonso Ma, cata.doxa, athenna, silent answers, JonHazle, lifelessblur, Sarah AB, Ada Duygu Yilmaz, FiveBirchwyndSt, Hasret Okyanus S, Jt3, Bobsaget69, Smalldix

To reply, click a comment.

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Likes: Renilla, Margrit, brett masters, Bostonz, Pragjyotish Bh, Hannah C., Henrique Sá, rooh e lafz, Nassy Fesharaki, Javier Alonso Ma, cata.doxa, athenna, silent answers, JonHazle, lifelessblur, Sarah AB, Ada Duygu Yilmaz, FiveBirchwyndSt, Hasret Okyanus S, Jt3, Bobsaget69, Smalldix To reply, click a comment.

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OCD

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Poema sobre o amor de um homem com transtorno obsessivo compulsivo (TOC). Legendado. O poeta Neil Hilborn, que faz parte do grupo Button Poetry, apresentou o texto OCD obsessive compulsive disorder, ou em português Transtorno obsessivo-compulsivo (TOC). O TOC é um distúrbio psiquiátrico de ansiedade que tem como característica a presença de crises de obsessões e compulsões.

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Preface to a Twenty Volume Suicide Note

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Preface to a Twenty Volume Suicide Note by Amiri Baraka

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Lately, I've become accustomed to the way

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Omega

What a skeletal wreck of man this is.
Translucent flesh and feeble bones,
the kind of temple where the whores and villains try to tempt the holistic tomes.
Running rampant with free thought to free form, in the free and clear.
When the matters at hand are shelled out like lint at a
laundromat to sift and focus on the bigger, better, now.
We all have a little sin that needs venting,
virtues for the rending and laws and systems and stems are ripped
from the branches of office, do you know what your post entails?
Do you serve a purpose, or purposely serve?
Wind in doubt inside your atavistic allure, the value of a summer spent, and a winter earned.
For the rest of us, there is always Sunday.
The day of the week the reeks of rest, but all we do is catch our breath,
so we can wade naked in the bloody pool, and place our hand on the big, black book.
To watch the knives zigzag between our aching fingers.
A vacation is a countdown, T-minus your life and
counting, time to drag your tongue across the sugar cube,
and hope you get a taste.
Say, you're me, and I’m you, and they all watch the things we do,
and like a smack of spite they threw me down the stairs,
haven’t felt like this in years.
The great magnet of malicious magnanimous refuse... Let me go,
and plunge me into the dead spot again.
That’s where you go when there’s no one else around,
it’s just you, and there was never anyone to begin with, now was there?
Sanctimonious pretentious dastardly bastards with their thumb on the pulse,
and a finger on the trigger.
Classified my butt that's a secret and you know it. Government is another way to say better…than…you.
It’s like ice but no pick, a murder charge that won’t stick,
it’s like a whole other world where you can smell the food,
but you can’t touch the silverware.
Huh, what luck. Fascism you can vote for.
Hmph, isn’t that sweet?
And we’re all gonna die some day, because that’s the American way,
and I’ve drunk too much, and said too little,
when your gaffer taped in the
middle, say a prayer, say a face, get your self together and see whats happening.
Remember: you’re a wreck, an accident.
Forget the freak, your just nature.
Keep the gun oiled, and the temple cleaned; shit snort,
and blaspheme; let the heads cool, and the engine run.
Because in the end, everything we do, is just everything we’ve done.
-Corey Taylor

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Maci Robinson

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Sydney Tackett

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When the cold of winter comes
Starless night will cover day
In the veiling of the sun
We will walk in bitter rain

But in dreams
I can hear your name
And in dreams
We will meet again

When the seas and mountains fall
And we come, to end of days
In the dark I hear a call
Calling me there,
I will go there
And back again

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Makenzie Morgan

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Edgar Allen Poe

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Folly Stamp

Prageeta Sharma

Clatter into the window this late night.
We were flabbergasted, tired
of the newly-minted drunks and meth-kids
with squeals for fists.

We live downtown,
exposed to the alley.

Nothing dangerous, and we were not alarmed.
But still, every sound turns us into pins on points,

a sleep of figuring out: deeply felt turns:
wrestling little autocrats

that fly or stick—nothing more than thistles
or wasps, but a sting is always a sting.

It must be we who are having the trouble:
it’s our estranged perception of thinking.

Are we actually perceiving?
Do things truly mock us?
Or do we ourselves mock?

We must find our own modernization bill,
a folly stamp that appeases us with its generous
humanizing. We can be reckless, we can overreact.

Let’s not be bewildered by the graces
that sometimes leave us,
by our paunches that are not always gargantuan,
that we haven’t sewn shame in to suit our false selves.

The fit of relief or deferment is near.
What we find next is important.
What would happen if our window
arranged a life for us—
something intentionally
on view.

And we looked out at the reconciliation
of the rest of the world:
Wasps and drunks and meth-kids
arm in arm in arm in arm.

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C.Walls

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music

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Night sky

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Hayley Brewer

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Te'Vion

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More Life.

More time with family and friends. More life.

I've still got vibrations to send.
More Life.

They say that we could live forever.

At night i pray it's true.

I've done so much in my short time and there's still more to do.

But if someone should come collecting.

Sooner than we're all expecting.

At least the life you lived was the one for you.

-Drake                    James Wood

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See all the wonderful things Sha'Diamond Mitchell has made

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Zay'Veana Crossley

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Phenomenal Woman by Maya Angelou
Pretty women wonder where my secret lies.
I'm not cute or built to suit a fashion model's size
But when I start to tell them,
They think I'm telling lies.
I say,
It's in the reach of my arms
The span of my hips,
The stride of my step,
The curl of my lips.
I'm a woman
Phenomenally.
Phenomenal woman,
That's me.

I walk into a room
Just as cool as you please,
And to a man,
The fellows stand or
Fall down on their knees.
Then they swarm around me,
A hive of honey bees.
I say,
It's the fire in my eyes,
And the flash of my teeth,
The swing in my waist,
And the joy in my feet.
I'm a woman
Phenomenally.
Phenomenal woman,
That's me.

Men themselves have wondered
What they see in me.
They try so much
But they can't touch
My inner mystery.
When I try to show them
They say they still can't see.
I say,
It's in the arch of my back,
The sun of my smile,
The ride of my breasts,
The grace of my style.
I'm a woman

Phenomenally.
Phenomenal woman,
That's me.

Now you understand
Just why my head's not bowed.
I don't shout or jump about
Or have to talk real loud.
When you see me passing
It ought to make you proud.
I say,
It's in the click of my heels,
The bend of my hair,
the palm of my hand,
The need of my care,
'Cause I'm a woman
Phenomenally.
Phenomenal woman,
That's me.

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It's sad knowing that I love others more than myself, I hate to see others in pain, But when it comes to me 'I'm fine'
~Abigail J.

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Alexis Edwards

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Christy Ann Martine

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Ryan Cahall

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"So You Want To Be A Writer"

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So You Want To Be A Writer Poem by Charles Bukowski - Poem Hunter

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cassie

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Ay'Zon Walker

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Accomplishment

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José Martí
I Have A White Rose To Tend

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Elizabeth Bishop

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G.K. Chesterton

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Walt Whitman

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The Modern American Poetry Site is a comprehensive learning environment and scholarly forum for the study of modern and contemporary American poetry. MAPS welcomes submissions of original essays and teaching materials related to MAPS poets and the Anthology of Modern American Poetry. We are also happy to take questions and suggestions for future materials.

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Stanley Kunitz

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Miss Murphy in first gradewrote its name in chalkacross the board and told usit was roaring down the stormtracksof the Milky Way at frightful speedand if it wandered off its courseand smashed into the earth

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"Tintern Abbey" excerpt

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Bluebird

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When a Great Tree Falls