# data[].attributes.body
The application used to prepare all the files for sound design. I am grateful for this app as it allows me to turn any audio or video into files accepted by QLab and technical processes. I used this to prepare every single sound, including the atmospheric violins and jazz ballads.

# data[].attributes.body
One of many costume fittings for my role as Queck. These were crucial for visualisation and also understanding the anatomies of my costume to aid with choreography and spacing/blocking. I also wore my top hat and skirt for many routine rehearsals.

# data[].attributes.body
An image from Cabaret (1972) that loosely inspired elements of our piece. Emcee (on the right) was a big inspiration for my character, even down to his props and costume.

# data[].attributes.body
An acknowledgement of the inevitable fun had while creating theatre/art.

# data[].attributes.body
Our tech rehearsals was one of the first moments we rehearsed with finished set design and props. It was the beginning of the coming together of our piece. Though a long process this was one of the most profound moments of realisation.

# data[].attributes.body
An example of an early draft of the script. Certain dialogue here is unfinished. This is a good example of a truncated devising and writing process. I tend to work not in chronological order therefore left gaps in places I wanted to return to later on when feeling inspired.

# data[].attributes.body
A moment of parallel between the rehearsal and the final show.