# data[].attributes.body
S - The article, "Selena Gomez is Staying True To Herself (and Rare Beauty)", is published by Vogue Magazine, written by Marguax Anbouba.

P - The purpose of the article is to provide information about the makeup line Rare Beauty by Selena Gomez.

A - The audience of this article is Selena Gomez fans, and/or individuals interested in makeup.

C - Selena Gomez is a famous singer with her own really popular makeup line launched in 2020.

E - Selena Gomez is launching new products in her makeup line and makeup artist are coming out with great feedback on her products.

C - The author uses Gomez's credibility to raise interest on the topic.

A - Ethos is being used to influence the audience by using Selena Gomez credibility as a star, and makeup line owner.

T - Using Gomez's quotes, for example, "Being true to myself, means being unafraid of being me", comes across as an encouragement to the audience to be themselves and stay true to themselves.

# data[].attributes.attachment_link.readable_text
In 2020, singer Selena Gomez made two major life shifts: a serious return to acting as Mabel Mora on Only Murders in the Building and launching the beauty-meets-mental-health brand Rare Beauty. Four years later, both commitments are still going strong, with season four of OMIB coming in October and Rare continually launching sold-out products. This morning, Gomez is revealing a new Rare product exclusively with Vogue: the True to Myself Tinted Pressed Finishing Powder.

The product's name, like all of Rare Beauty's offerings, has an important meaning to Gomez. "Being true to myself means being unafraid of being me," she says. "I have grown so much over the years, and at this point in my life, I am really comfortable in my own skin."

The star's makeup artist Hung Vanngo actually previewed the powder last month on models at the Oscar de la Renta pre-spring 2025 fashion show. The formula gives a light blurring effect to skin while subtly mattifying, is vegan and talc-free, and comes in 14 different shades. "It's a great multitasking powder that I can use throughout the day for touch-ups on bare skin or over makeup, and it never feels dry," Gomez says. "It really brings out the best in my skin because it gets rid of excess oil while still letting my natural skin peek through."

For those of us who are on the shiner side, she recommends using the powder's sister product, the diamond-shaped Soft Touch Powder Puff, for application. "I use the Soft Touch Powder Puff when I want a little more coverage in my oily areas. It's a precise application, so I can place it exactly where I need it."

With this major launch now out in the world, the star shares she's looking forward to a chill summer. "I have a little bit of time off, so I'm excited about spending some time outdoors with my friends and family," she says. "I love a good beach day. Quality time with the ones I love is so important to me."

# data[].attributes.attachment_link.title
Selena Gomez Is Staying True to Herself (and Rare Beauty)

# data[].attributes.attachment_link.description
Gomez reveals Rare Beauty's latest launch exclusively to Vogue: a pressed powder and puff that were teased last month at the Oscar de la Renta pre-spring 2025 show.

# data[].attributes.attachment_caption
Timeless Elegance: Naomi Campbell in Dior Haute Couture-A True Icon of Fashion, November 2020

# data[].attributes.body
S - Subject:

The subject of the image is Naomi Campbell, a renowned supermodel, wearing a striking haute couture outfit from Dior. Her pose is powerful and confident, capturing attention immediately.

P - Purpose:

The purpose of this cover is to showcase Naomi Campbell’s elegance and strength, highlighting her as a leading figure in fashion. It also promotes Dior Haute Couture’s luxurious and exclusive fashion.

A - Audience:

The audience is high-end fashion enthusiasts, Vogue readers, and those interested in luxury fashion, modeling, and the fashion industry’s elite.

C - Context:

This cover is set within the fashion and modeling industry’s elite space. Naomi Campbell is an icon, and the collaboration with Dior emphasizes the luxury and prestige of both her career and the brand.

E - Exigence:

The exigence (or reason for the cover) is to emphasize the ongoing influence of Naomi Campbell in the fashion world and showcase the latest collection from Dior Haute Couture. It highlights a moment in fashion where top models and high fashion come together.

C - Choices:

The lighting is soft yet striking, and the composition centers on Naomi, making her the focal point. The styling and makeup are minimal but sophisticated, highlighting the Dior couture dress. Naomi’s pose and expression communicate strength and grace.

A - Appeal:

The cover appeals to the audience’s sense of luxury, sophistication, and timeless beauty. Naomi’s presence is meant to evoke feelings of admiration, while the haute couture dress elevates the sense of exclusivity and high fashion.

T - Tone:

The tone is elegant, authoritative, and bold, with a touch of mystique. Naomi’s confident pose and the luxurious Dior outfit project an image of strength and refinement.

# data[].attributes.body
Speaker: This magazine was published by The Atlantic, which is an American Magazine located in Washington D.C which continuously expresses their opposition for the Republican party.

Purpose: The Writer wants to persuade people to oppose the harsh Immigration Policies that are being implemented by president Trump.

Audience: The speaker is trying to reach the American People especially the Democratic Party because they are the ones opposed to the Republican Immigration Policies.

Context: This article was published in 2018 in Trump's first presidential term when he started to build the wall in order to keep immigrants out.

Exigence: The exigence was that many immigrants were being deported and families being separated.

Choices: The author uses imagery and replaces the statue of Liberty with an Ice agent in order to show that in a “free” country, freedom has been oppressed.

Appeals: Pathos is used to get the audience to feel sympathetic and angry at Immigration policies.

Tone: The tone of the piece is argumentative and persuasive.

# data[].attributes.attachment_link.description
How courtrooms are inhospitable to female trial lawyers, the nasty scientific feud over what killed the dinosaurs, and how your brain deceives you. Plus the rise of Latino populism, Caitlin Flanagan on 'Lolita,' American poetry's next generation, what your work emails reveal, YouTube's gun guru, and more.

# data[].attributes.body
S-Ben Eagle, journalist for popular American magazine company, Sports Illustrated.

P-Giving recognition to the success of the Seattle Seahawks and acknowledge their dominant Super Bowl victory over the Denver Broncos.

A-The audience is primarily guided towards American Football enjoyers.

C-In the time of Super Bowl 48 which took place in February of 2014 around the same time of the Syrian Civil War.

E-The Super Bowl, one of the most significant sports events in the entire world.

C-The magazine used a photo of the Seahawks defense hitting opposing quarterback Peyton Manning to portray their dominant performance.

A-The magazine utilizes appeals such as pathos in the cover by showing the emotion on Manning's face, the pain, the grit, the significance this game had to him, his opportunity to attain another Championship ring, stripped from him in a dominant fashion.

T-The magazine achieves an appraising tone by giving the Seahawk's the recognition they have so hardly fought to achieve.

# data[].attributes.attachment_link.title
Super Bowl champion Seattle Seahawks appear on cover of Sports Illustrated

# data[].attributes.attachment_link.description
(Walter Iooss Jr./SI) After dropping the boom on Peyton Manning and the Denver Broncos in Super Bowl XLVIII, Seattle Seahawks defenders Michael Bennett and

# data[].attributes.body
Speaker: The speaker of this article is Medium.

Purpose: The purpose of this design is to show how AI is going to replace and take over people's jobs if it keeps advancing at the rate it does currently.

Audience: The audience for this design are adults with jobs who should be worried about AI and robots replacing them, according to the illustration.

Context: AI has recently gotten more popular, due to the large advancements it has made. Significant advancements are occurring in technology, since it has grown to be able to solve everyday problems efficiently.

Exigence: Many people believe that AI will take over many jobs and even argue that it will eventually take over the world.

Choices: Imagery is displayed here with robots taking the jobs of human workers and bossing them around, since only robots are allowed as shown in the picture framed in the background.

Appeals: Logos is used to appeal to the audience's intellect; that if nothing is done to stop AI, AI will steal the jobs of humans.

Tone: The tone is urgent and cautionary, since the illustration serves as a warning of how AI could conquer the world in the nearby future.

# data[].attributes.body
Speaker: This magazine was published by Then Atlantic, which is an American Magazine located in Washington D.C which continuously expressed their opposition for the Republican party.

Purpose: The Writer wants to persuade people to oppose the harsh Immigration Policies that are being implemented by president Trump.

Audience: The speaker is trying to reach the American People especially the Democratic Party because they are the ones opposed to the Republican Immigration Policies.

Context: This article was published in 2018 in Trump's first presidential term when he started to build the wall in order to keep immigrants out.

Exigence: The exigence was that many immigrants were being deported and families being separated.

Choices: The author uses imagery and replaces the statue of Liberty with an Ice agent in order to show that in a “free” country, freedom has been oppressed.

Appeals: Pathos is used to get the audience to feel sympathetic and angry at Immigration policies.

Tone: The tone of the piece is argumentative and persuasive.

# data[].attributes.body
Speaker- Slam magazine

Purpose- To put the NBA on notice of the rising superstar in Luka Dončić

Audience- The NBA, fans of the NBA, and most of all Dallas Maverick fans.

Context- A young Slovenian kid by the name of Luka Doncic has been on a tear since his phenomenal rookie season.

Exigence- Luka has taken the next step in his game between being great and being generational

Choices- The magazine uses a young picture of Luka to strengthen the point of him being a young kid doing the things he is doing. They also get a picture of him in bright Mavericks gear which is good symbolism.

Appeals- The magazine appeals to pathos by putting Luka in bright colors, pointing to him as a bright spot in a dark time for Mavericks fans, with Dirk on the tail end of his legendary career and no future for our franchise, we drafted a Slovenian goat. The magazine also says "The World Is Watching Luka Doncic" putting the spotlight on our beam of hope in Dallas.

Tone- The tone of the magazine is hopeful and confident as it shows how Luka proved all the doubters wrong and broke many records in only a handful of seasons.

# data[].attributes.attachment_link.title
Dallas Mavericks Star Luka Doncic Covers SLAM 230

# data[].attributes.attachment_link.description
Luka Doncic got the whole world in his hands. The youngster only has two NBA seasons under his belt and he’s already an international superstar.

# data[].attributes.attachment_caption
"Kendrick Lamar Perfected Hater Fashion at the 2025 Grammys" Vogue article written by Hannah Jackson

# data[].attributes.body
Speaker: The speaker of this article is VOGUE, one of the world's most famous and influential magazines

Purpose: The purpose of this article is to highlight the success of Kendrick Lamar after the rap beef between him and Drake.

Audience: The audience of this article is probably people who are big fans of Kendrick or people who have been following the rap beef.

Context: The context of this article is Kendrick hitting a clean sweep at the 2025 Grammy's (winning in every category he was nominated for).

Exigence: This is important now because Kendrick has been constantly pushing forward black artist in this time and is helping to bring a voice to more black artist amidst all the beef.

Constraints: Something that limits this message is the people who don't understand or for lack of better words are too lazy to look into Kendrick and all of the messaging behind his music.

Argument: The main argument of this piece is that hard work pays off when you use your voice/platform for good.

Tone: The tone of this article is very lighthearted as it uses Kendrick being a "hater" to show how his career has been skyrocketing as of recent.

# data[].attributes.attachment_caption
US criminals to be sent to jail in El Salvador's mega-jail

# data[].attributes.body
Speaker: The article is written by Isabella Cattingham from the Boar, a student run publication.

Purpose: The purpose of this article is to inform and raise awareness about sending U.S. prisoners to El Salvador's mega-prison, highlighting legal and ethical issues.

Audience: University students, academics, and those interested in politics, justice, and human rights.

Context:The article discusses U.S. prison overcrowding and the controversial proposal of outsourcing prisoners to foreign prisons under Trump's administration.

Exigence: It is an ongoing debate over criminal justice reform and human rights concerns.

Constraints: Legal challenges to the plan, including constitutional violations and human rights issues in El Salvador's prisons.

Argument:The deal may alleviate overcrowding but poses serious legal and human rights risks.

Tone:Critical and cautionary, questioning the moral implications of the proposal.

# data[].attributes.attachment_link.description
In a bold and controversial move, the Trump administration has struck a deal with El Salvador to potentially send US criminals, including American citizens, to the Central American nation’s notorious mega-prison, CECOT (Terrorism Confinement Centre). While the proposal has been hailed as a cost-effective solution to overcrowded US prisons, it has sparked significant legal and ethical debates. Many critics argue that outsourcing incarceration to a foreign country raises profound questions about human rights, due process, and the very foundations of justice in the United States. This move is not just about addressing prison overcrowding but about the future of the US justice system and its role in global human rights.
Since its opening in 2023, the facility has become notorious for its harsh conditions, with inmates subjected to overcrowding, confined to windowless cells, denied visitors, and deprived of basic rights such as access to medical care
The deal, which was reached following a meeting between the US Secretary of State Marco Rubio and El Salvador’s President Nayib Bukele, allows the US to deport convicted criminals to El Salvador’s maximum-security facility, CECOT, regardless of their nationality, in exchange for a fee. Bukele has framed the agreement as a gesture of friendship, claiming that the fee would be “relatively low for the US but significant for us, making our entire prison system sustainable. While this might seem like a pragmatic solution for a nation struggling with an overcrowded prison system, critics warn that it could have serious ramifications for both the US and El Salvador.
In recent years, Bukele has adopted an iron-fisted approach to combat gang violence, a pressing issue in El Salvador. Following a violent attack in which more than 70 people were killed, Bukele made a chilling statement on social media: “Message for the gangs: because of your actions, your ‘homeboys’ will not be able to see a ray of sunshine.”
This sentiment was followed by the construction of CECOT, a prison designed to house 40,000 inmates. Since its opening in 2023, the facility has become notorious for its harsh conditions, with inmates subjected to overcrowding, confined to windowless cells, denied visitors, and deprived of basic rights such as access to medical care. Human rights organisations have condemned the conditions, highlighting reports of torture, abuse, and death due to neglect. The prison’s grim reputation casts a shadow over the prospect of sending US criminals to this facility, raising immediate concerns about the human rights violations that may occur as a result.
The proposal to send American citizens to a foreign prison is fraught with legal complexities, particularly regarding the protection of citizens under US law. The 14th Amendment of the US Constitution guarantees due process and equal protection to all citizens, including the right to be free from unlawful deportation. Legal experts have raised serious concerns about the constitutionality of this deal, asserting that deporting US citizens to foreign prisons is a clear violation of their constitutional rights.
Immigration law professor Stephen Yale-Loehr has stated that the idea of deporting US citizens is “blatantly unconstitutional.” Natural-born citizens are protected by the 14th Amendment, and any attempt to remove them from the country would likely face immediate legal challenges. The American Civil Liberties Union (ACLU) has also voiced its opposition to the proposal. Lee Gelernt, deputy director of the ACLU’s Immigrants’ Rights Project, firmly declared, “You may not deport a US citizen, period.” This highlights the significant legal hurdles that would likely arise if the administration attempted to move forward with the plan.
While naturalised citizens can, in rare cases, be denaturalised and deported for certain crimes such as fraud or terrorism, the same protections do not extend to those born in the US. This means that any proposal to deport American citizens – especially to a foreign facility with questionable human rights records – would face immediate legal scrutiny and likely result in protracted legal battles.
By sending prisoners to a facility like CECOT, the US could set a dangerous precedent that encourages other nations to follow suit
The Nelson Mandela Rules emphasise the right to humane conditions, access to healthcare, and rehabilitation programs, all of which are reportedly absent at CECOT. As a result, sending US inmates to a facility with such conditions would not only be unethical but also a violation of international human rights law. Critics argue that the US should not outsource its incarceration to a foreign country where prisoners are subjected to inhumane treatment and denied their basic rights.
Furthermore, this proposal risks normalising the outsourcing of justice to countries with weaker human rights protections. By sending prisoners to a facility like CECOT, the US could set a dangerous precedent that encourages other nations to follow suit. This could lead to further erosion of global human rights norms, as other countries with questionable prison systems may begin to offer similar deals to alleviate their overcrowded prisons.
Proponents of prison outsourcing argue that it could alleviate overcrowding and reduce costs. However, opponents caution that it could lead to a lack of oversight and accountability, as the US government would have limited control over conditions in foreign prisons. Without proper monitoring mechanisms, there is little guarantee that US inmates will receive fair treatment or due process. The lack of transparency in Bukele’s administration, coupled with the suspension of constitutional rights under his state of emergency, only heightens these concerns.
Moreover, outsourcing incarceration could lead to a decline in the US’s commitment to rehabilitation. The US justice system has long been criticised for its over-reliance on incarceration rather than rehabilitation programs aimed at reducing recidivism. By transferring prisoners to foreign prisons, the US may be forfeiting its responsibility to address the root causes of crime and provide inmates with the tools they need to reintegrate into society.
The stakes are high, and the world is watching. Will the US prioritise its moral and legal obligations, or will it sacrifice its principles for the sake of convenience and cost-cutting
The proposal to send US criminals to El Salvador’s mega-prison is more than just a logistical or financial decision – it is a test of America’s commitment to justice, fairness, and human rights. While the deal may offer short-term benefits, such as alleviating prison overcrowding and reducing costs, it raises serious questions about the long-term consequences of outsourcing incarceration.
As the Trump administration weighs its options, it must consider not only the legal and ethical implications of this deal but also the message it sends to the world. Will the US uphold its values of fairness, justice, and humanity, or will it prioritise expediency over principle? The decision will shape not only the future of the US justice system but also its standing on the global stage. In the words of human rights advocate Roman Palomares, “It is a sad day for America when we treat deported migrants and criminals like cattle, shuttling them from one country to another without regard for their rights or dignity.”
The stakes are high, and the world is watching. Will the US prioritise its moral and legal obligations, or will it sacrifice its principles for the sake of convenience and cost-cutting? The outcome of this debate will have far-reaching implications for the future of the US justice system and its role in the global fight for human rights.

# data[].attributes.body
Speaker: Time Magazine, a well-established and reputable news publication.

Purpose: To inform and educate readers about the intersection of politics and media in the United States.

Audience: The general public, with a focus on those interested in politics, current events, and media.

Context: A significant political event or election, given the presence of a podium and a crowd of people.

Exigence: The need to critically examine the media's influence on public opinion and political discourse.

Constraints: The need to balance informative content with visually engaging design elements.

Argument: The media plays a crucial role in shaping public opinion and influencing political discourse.

Tone: Thought-provoking and slightly critical.

# data[].attributes.body
S: The article was written by Illia Novikov, and published by AP News.

P: The purpose of the article is to provide an update on the on going war between Russia and Ukraine.

A: The audience is the general public of the United States.

C: Ukraine and Russia are still at war and the Ukrainian President has been going around trying to find support from other countries.

E: The Ukrainian President is currently looking for international support to help defend their country.

C: There was use of ethos; the article quotes famous leaders, and logos; the article states cold hard facts without giving personal opinion.

A: The cover appeals to pathos because it is an image of the Ukrainian President visibly distressed.

T: The article has an informative tone and avoids any emotions or bias.

# data[].attributes.attachment_link.title
Ukraine’s Zelenskyy says end of war with Russia is ‘very, very far away’

# data[].attributes.attachment_link.description
Ukrainian President Volodymyr Zelenskyy says a deal to end the war between Ukraine and Russia “is still very, very far away.”

# data[].attributes.attachment_caption
Inside Elon Musk’s Struggle for the Future of AI

# data[].attributes.body
Speaker: The speaker is Walter Isaacson, an American journalist for Time Magazine.

Purpose: The purpose of this cover is to draw the attention of those interested in AI development and also those who are familiar with Elon Musk, which is many since he is known as the wealthiest, if not one of the wealthiest, individuals on earth.

Audience: The whole world, but more specifically Americans and citizens of first world countries that are able to access resources such as artificial intelligence.

Context: Elon Musk decided to develop his own artificial intelligence program, creating a rivalry between his work and large teams like OpenAI.

Exigence: Isaacson made this because many people, including Elon Musk himself, worry about AI development. Namely, it is a concern that its creation will be so advanced to such an extent that it will trump human capabilities, or as he himself calls it, consciousness.

Choices: Isaacson utilizes imagery to represent the abilities of artificial intelligence by portraying an AI made drawing of Elon Musk.

Appeals: This cover appeals to pathos because it evokes feelings of awe. It is truly mindblowing that something that would be completely inexistent two decades ago has gone this far.

Tone: The cover portrays a tone of casual relief because it is sending a message of hope to those that are concerned with the advancements of AI.

# data[].attributes.body
Speaker-The article was written by James Fallows, and published by The Atlantic, known for news and politics.

Purpose-Despite America's problems, many people want to end injustice and give closure.

Audience-This article is meant for US citizens, preferably, those interested in the care of the United States.

Context-In 2016, the U.S. dealt with political conflicts, economic struggles, and uncertainty about the country's future.

Exigence-To provide examples of communities coming together to help find solutions.

Choices-Fallows uses imagery by using a puzzled map of the U.S. and piecing it back together to symbolize communities rebuilding the nation.

Appeals-Fallow appeals to ethos by providing stories and pathos by showing the common good from people.

Tone-Hopeful and realistic as it focuses on the positive changes.

# data[].attributes.body
S: The Atlantic

P: To show how social media had been used offensively owards people and turned into a weapon by Donald Trump.

A: US Citizen voters who use social media.

C: The elections were coming up and social media was becoming more popular.

E: The election for Trump vs Clinton was coming up and social media was starting to cause debates on how dangerous it is.

C: Colors, Imagery, Symbolism, Allusion

A: Pathos, Ethos

T: Angry, Violent

# data[].attributes.body
S - The speaker of this magazine is Kierney Leonard.

P - To teach fans/audience of Simone Biles that some things are more important taking home the gold. Looking out for yourself is very important.

A - Individuals who are interested in the Olympics or becoming a gymnast

C - The 2020 Tokyo Olympics. She withdrew from it due to mental health struggles.

E - Trying to say that prioritizing mental health and safety is far way more important than taking home a gold medal. Focusing on yourself first and taking of yourself must come first.

C - Diction, uses the phrase "Life after the Olympics" and the boldness of "mental health" to showcase how she is feeling after the Olympics and how it impacted her well-being.

A - Pathos, Simone Biles is trying to connect to the readers who may struggle with mental health that it is okay to stop yourself from something if it is bothering you.

T - Sympathetic

# data[].attributes.body
S: The speaker of this is Time, an American news magazine based in New York

P: The purpose is to show who TIME picked as person of the year.

A: The audience is for TIME viewers and to fans Trump has.

C: The context is that Trump won the 2024 presidential elections.

E: He is about to be inaugurated as president and he wants to share his future plans.

C: The choice is structure because he looks like he is about to make big changes and he is prepared for it.

A: This is ethos because its coming from a credible source and Trump has interviewed with TIME magazine to explain his future plan.

T: The tone is assertive based on the was he is positioned and his facial expression.

# data[].attributes.body
S- The speaker is Vogue, a fashion,culture, and lifestyle magazine created on December 17, 1892.

p: The purpose of this interview with Billie Eilish is to discuss the growth and progress she has achieved in her career since her last appearance on the Vogue cover back in 2020.

A: The intentional audience of this Vogue cover are Billies long time fans that have been with her since the beginning of her musical career.

# data[].attributes.attachment_link.readable_text
It was late in the summer in Los Angeles, with all the dry heat and burnished sunlight that implies, and Billie Eilish was sitting in a dark room, busy changing her mind. The singer was halfway through editing the music video she had directed for " Birds of a Feather," her latest astronomically successful hit song (nearly 1 billion streams) off her latest astronomically successful hit album (nearly 4 billion streams at the time), when she encountered a problem: She realized she hated it. Well, not hated. "I was like, this ain't it," she says.

She's telling this story, about the music video that wasn't, a few days after she came to that particular realization. We are sitting in the cool dark of her rehearsal space, curled up on a couch with her gray rescue pit bull, Shark, gently snoring between us. She is dressed in the kind of figure-​obscuring oversized streetwear she's favored (with certain gala and editorial exceptions) since she first became famous: wide khaki cargo shorts, black and white FTP high-tops, a well-loved orange Air Jordan tee. It's as good an outfit as any for writing the next page of the rest of your life.

Eilish has been directing her own music videos for the past five years. But in this case, faced with the not-quite-working video, she decided to start over and hand the reins to someone else: Aidan Zamiri, a friend who also directed the video for the Eilish-featuring remix of Charli XCX's "Guess." And she found she enjoyed ceding control. "I've kind of proven myself as a director," she shrugs. It's a stance that embodies where Eilish is in 2024: 22 years old and nine Grammys into the kind of annually escalating superstardom most artists could only dream of. She is now learning how she wants to be in the world, and it feels a little like a moment -like she's graduated, or just grew up.

We've met at her rehearsal space, with its overtones of old paint and forgotten furniture, because it's one of the few places no one knows about yet. (Eilish has been pursued by obsessive fans-and worse-for years.) An assistant sweeps in with a lighter for a scented candle to offset the stale air of the windowless workspace. Eilish is a little wiped out, reclining under an electric heating pad for period cramps. Her Oreos are in the freezer. (This is not a euphemism-she is a particular fan of the cookie frozen.) It's been full-on since her album Hit Me Hard and Soft came out in May, including a rather unusual Olympic handover ceremony, in which Tom Cruise parachuted to the Hollywood sign and she performed on the beach. Her band can be heard practicing next door. Shark sighs. One gets the feeling that she'd like to be done talking about herself, and just jump ahead, to when the next part starts.

But first let's rewind a little. Eilish's beginnings are well-trodden by now, but remarkable enough that you understand why: She and her older brother and musical collaborator, Finneas, were raised in the East Los Angeles neighborhood of Highland Park by adoring working actor parents, Maggie Baird and Patrick O'Connell, who homeschooled and encouraged their children to pursue every desired creative outlet. That the children both grew up to be musicians is not entirely a surprise. ("Finneas was obsessed with drumming-from when he was three years old," Baird tells me later, "and Billie was much the same with singing; she sang before she talked.") But Eilish did not actually intend to be a singer. She learned music theory from the Los Angeles Children's Chorus, but she really loved dance. When a growth plate injury in her hip sidelined her at age 13, she leaned into music. In 2015 she and Finneas uploaded " Ocean Eyes," an intimate, mournful song he had written with lyrics about "burning cities and napalm skies," to SoundCloud. A die-hard teen following amassed quickly: Eilish was relatable (making songs in her bedroom!) and real (she had zits and a snaggletooth!) and sort of reachable (she was very online!), and she sang about the same issues that preoccupied her fans, like anxiety and addiction. With her ethereal beauty, giant T-shirts, goth imagery, and resistance to being perceived on anyone else's terms, she didn't seem like anything that had happened in pop music before.

"I wish no one knew anything about my sexuality or anything about my dating life. Ever, ever, ever "

During the avalanche of attention that followed, she didn't feel like she had time to stop and study the actual art of singing. "I never felt like a singer. I've never had that as my identity," Eilish tells me. But things have changed. In the past two years or so, she has started taking lessons with a vocal coach. "The truth is that literally the love of my life is singing. And I didn't realize that you can train that instrument and have even more fun with it." She smiles, aware of the sentiment's corniness, anathema to her generation, but unapologetic in her earnestness. "It's fucking awesome to learn."

Eilish has been learning a lot lately. By the time this story comes out, her Hit Me Hard and Soft tour will have just kicked off its North American leg before it heads to Australia and Europe next year. It will be her first tour without Finneas backing her up on guitar (he'll be on hand for a few dates, but launching his own solo album as of October 4), and without her parents. Baird believes that every performer would benefit from having a "mom on tour" and has historically operated as a kind of Swiss Army knife of a PA, describing her duties as "I will get your tampons and cook you a burrito on a moment's notice, even if I have to use an iron to do it." But this time Baird and Finneas won't be on the bus, or at every single show. "It's sort of our 'going off to college year,' I guess," Baird says. Finneas, who at four years older was the first to leave the nest, uses the same analogy. "You want your family to come visit often, you don't want your family to, like, be the dean of the college, or in your dorm room," he says.

Eilish has a different analogy to offer: "You ever see those videos of the big muscular dog with the harness on and it gets on the treadmill and they hook it up and it's barking and squealing to start running?" No, but I get the picture. "That's me, I'm the dog." Onstage she jumps and thrashes and struts and skips. At the New York listening party for Hit Me Hard and Soft at Brooklyn's Barclays Center in May, she darted around the smoke-filled stadium floor, breaking into a gallop when the beat picked up; the next night at the Kia Forum in Los Angeles, she romped the room with Shark on a leash. Later, I watch her dance in the sound booth to "Chihiro," lifting Shark up under his armpits (he has the long-suffering patience of the genuinely adored canine) before running to the window to amp up the musicians, twisting her hips, both fists in the air. "I am literally sprinting all over the stage" when performing, she says. As a result, her tour looks prioritize flexibility over fashion. (The most important element is the sports bra, she says. Her preferred make and model is the Ultimate by Shefit, which she likens to a bulletproof vest-"for us girls with girls ...it's serious.")

"There were many years where I sort of felt like I would never miss a show because, you know, Billie was 16 or 17 and I really had this feeling of needing to be there for every minute," Finneas tells me, "and the truth is, over the last few years of touring she's really become an adult." He describes entire days when his first glimpse of her was a fist-bump on her way to the stage. "She has a really disciplined way of existing on tour. She sleeps through the day to make sure that she's rested for the show. She does hours of physical therapy. She does hours of vocal warm-ups." This will also be her first time touring with her own live band, and indie-rock duo Nat and Alex Wolff-"some of my best friends in the world," she says-are coming along as opening act, as are two other alternative-indie faves, the Marías and Towa Bird. Eilish is planning to have childhood friends come along, too, including just to hang out during her free time. I ask her what she's looking forward to the most: "I mean, hopefully it's going to be the fucking fun. "

Fun would be good. Ever since she was a preteen performer, Eilish has been deeply determined to be taken seriously. The hard-​to-​comprehend sacrifice for the professional child is that you don't really get to be a kid. You've experienced so much (paychecks! assistants! magazine profiles!), but you haven't really had a life. And without that context, it can be incredibly hard to know how actually deeply unhappy you are. In 2019, Eilish opened up about experiencing debilitating panic attacks before her When We All Fall Asleep tour, and detailed how depression had led to self-harm and thoughts of suicide early in her teens. "I was so unhappy, and so joyless.... I genuinely didn't think I'd make it to 17," Eilish told Gayle King in 2020, right before she became the youngest artist ever to win all four major Grammy categories.

What's most remarkable about Eilish might be that she's still at it. (Consider her childhood idol and now close friend Justin Bieber, who has had a similar career arc and has now largely stepped back from public life.) Eilish describes physical injuries-some connected to her hypermobility, the fact that her joints can bend beyond the typical range of movement-that she has sustained while performing. "I've basically been in pain since I was nine." She has said that for years she felt like she was at war with her body. "Growing up, I'd always hear people be like, 'Just wait until you're older! You're going to have so much pain!' And I remember being so furious." There is also the particular kind of isolation only someone at the bodyguarded dead center of thousands can feel. "I've had some really dark times on tour," Eilish tells me. "For a long time I was kind of living like it was temporary. Like, yeah, I'm touring for now and it's kind of unpleasant, and whatever. It'll be over," she says. "And the truth is, it's the rest of my life."

If that sounds like resignation, it isn't. It's closer to optimism, the kind that comes with experience and education. "I didn't realize that I could make touring enjoyable. I just was very lonely for many years, and I'm not interested in that anymore. I want to enjoy the show as well as my days." What that'll mean, exactly, is anyone's guess. "She's one of those people," Nat Wolff tells me, "where almost everything she does, she does better than everyone else. She's like, 'Come see me ride my horse,' and the teacher says, 'You know, if she put all her energy into it, she could go to the Olympics.' " Wolff first met Eilish at the Academy Museum Gala in Los Angeles, where they bonded over their experience as child stars who had Tourette syndrome. (Eilish was diagnosed when she was 11 and went public at 16 after fans made compilation videos of her physical tics.) "You just have to kind of submit to the fact that she's going to be better than everyone else at everything," says Wolff.

She's been leaning into that well-roundedness lately, thinking about her nonmusical aspirations, the kind of pursuits that got eclipsed by early success. (Maybe acting, she says later: "I really secretly love it.") "I got famous at 13 and suddenly had to live a really weird life, and I never went to school," she says now. She's been learning about how to best nurture and sustain herself: to regularly work out with her trainer, to read books ("I know how that sounds-like, all people read books"), to see her therapist, to cook her own food. "My mom is an amazing cook and I thought I was a bad cook, but now people are like, 'You can cook!' " Eilish says. "It's just that I don't really know a lot of recipes." Like many women in America, she's had body image and "eating issues," she says, and cooking really helps. "I definitely am like, Oh my God, I deserve this meal. "

She has also set an intention to stay offline when she gets that all-too-common itch to plummet into a bottomless pit of handheld despair. Eilish deleted the social media apps from her phone at the start of the summer and replaced them with games. She'll still post sometimes, but she no longer has access to her account on her phone, which has left her at times blissfully ignorant, including to her own record-shattering successes. She'll get a text that the album's gone platinum, or that she's the most streamed artist in the entire world on Spotify. "That's all of music," she says, like she still can't believe it. "That's literally all of the music in the world. " (And over 105 million monthly listeners on Spotify, to be precise.)

"A lot of my fans are going to be able to vote for the first time. So I'm like, Do you like freedom?"

The key, she says, is the balance between the desired intimacy of her private life and the enormity of her public persona. "Over time, I think I've made a really good mixture," she says, "making sure I feel like myself, and I'm not only being satisfied by the external validation." For many years, the audience reaction was the only thing that mattered. "If I was happy in my life, it was because people loved me on the internet. And if I was upset in my life, it was usually because people didn't." The loudest criticisms tended to focus on her physical presentation: When she posted a photograph of herself wearing a swimsuit on vacation, the blowback made Fox News; when she experimented with more traditionally feminine attire for photo shoots or the Met Gala, she had to put out her own version of a press release. ("I spent the first five years of my career getting absolutely obliterated by you fools for being boyish and dressing how I did & constantly being told I'd be hotter if I acted like a woman," Eilish wrote on Instagram in May 2023. "Now when I feel comfortable enough to wear anything remotely feminine or fitting, I changed and am a sellout.") "I've learned to not base my life around that," she says now. She's not totally offline, of course, or by any means impervious to outside opinion. (Find a 22-year-old who is.) But she's got some distance from it; an investment in the parts of her life you can't necessarily see within the massive frame of her fame, a playfulness and a sense that she doesn't need to take herself quite so seriously.

"I'm excited to see her enjoying it," Baird tells me later, "that she's doing things like going out to a restaurant.... There are many levels of fame, and many different times in fame. There are periods where you can't step outside your door, and then there are periods where you just have a little bit of grace, and taking advantage of those moments is really wonderful." In the weeks after we meet, Eilish is spotted in the audience at a Clairo concert at the Fonda Theatre in LA wearing a basketball jersey that says "EILISH" on the back. There is an ease to her in public that feels new, an adult embrace of the world, rather than viewing it from a protective crouch.

Speaking of seizing a moment: "Guess" came about after Charli XCX and her manager suggested the collaboration that would eventually end up on the remix-heavy second edition of Charli XCX's Brat. "I was so inspired," Eilish says. The result, a seductive whisper verse on a bawdy club banger, was a clear departure from Eilish's typical warble and croon, and quickly took the internet (and charts) by storm during what by then had already been dubbed "brat summer." It's a fun song, sweaty, provocative, unapologetically horny, and deeply tongue-in-cheek. In the music video, Eilish blithely drives a bulldozer through a wall and, with her strutting costar, summits a
mountain of underwear.

It feels like a furthering of something Eilish started with her earlier summer hit, " Lunch" (sample lyric: "I could eat that girl for lunch.... It's a craving, not a crush"). While her prior albums used her instrument to plumb the depths of the human experience, this one seems happy to sonically skim along closer to the surface, playing with pop structures and her own psychology in equal measure. It just feels lighter, even if the actual messaging isn't; it also appears that she's no longer playing a character. "You know, the big challenge when you're on your third full-length record is trying not to repeat yourself," Finneas tells me, noting that it took a year to write Hit Me Hard and Soft. "The thing that was really important to me was really pushing Billie to be honest," he says. As a result, the bouncy tracks are met by songs like "The Greatest" ("And you don't wanna know / How alone I've been / Let you come and go / Whatever state I'm in") and "Wildflower" ("Things fall apart and time breaks your heart / I wasn't there, but I know / She was your girl, you showed her the world / You fell out of love and you both let go"). These songs, Finneas tells me, "are like confessions."

Set against the breezy raunch of "Guess," these present a more holistic, human vision of a young woman coming into her sexuality-an evolution that it wasn't always clear Eilish would be able to experience in public. During the press cycle for "What Was I Made For?", the Grammy- and Academy Award-winning song Eilish and Finneas wrote for Barbie, Eilish, who had split with the Neighbourhood frontman Jesse Rutherford six months prior, made headlines for describing to a Variety reporter how she related to girls. ("I love them so much. I love them as people. I'm attracted to them as people.") Shortly after, another Variety reporter asked whether she'd intended to come out. "No, I didn't," Eilish responded at the time. "But I kind of thought, Wasn't it obvious?"

Today she wishes she'd been a little less glib. "I wish no one knew anything about my sexuality or anything about my dating life. Ever, ever, ever," she declares, with visible frustration. "And I hope that they never will again. And I'm never talking about my sexuality ever again. And I'm never talking about who I'm dating ever again." She says she has a history of being too open and too honest, and that's too often come back to haunt her. In the spring, Rolling Stone quoted her at length detailing the particular joys of onanism and her appreciation for the female body, which spiraled out across several tabloid news cycles. "I guess I also underestimate that things I say will be blown up into the biggest news of the whole world," she sighs. It's an extraordinary circumstance, when most people her age are busy making loud, sometimes ludicrous, largely private mistakes, to instead have her results play out across tabloids and news tickers. "That's so unnatural," she says. She's going to make decisions that evolve and don't always line up perfectly. "We're all babies. We're all little kids growing up and learning ourselves."

The night after the "Guess" video came out, Charli XCX hosted her 32nd birthday party in Los Angeles. Addison Rae and Glen Powell and Nelly Furtado and Tove Lo and Lorde and Sabrina Carpenter turned up in the best clubwear brat summer had to offer; Rosalía arrived with a Parliament-stuffed bouquet of calla lilies. Eilish was there, too, dancing and singing along with Charli on a banquette while the DJ played their remix five times in a row. To an outsider, the press of bodies and the blinding lights of camera phones looked a little claustrophobic, maybe even scary. Eilish loved it. "I need small doses of that. I'll have one of those experiences maybe once a month. That many people and that many cameras on you can be a lot," she concedes. "But that night I was so happy. It was really fun. "

One thing about adulthood: It's not always fun! From the embers of caring-is-cringey brat summer rises don't-let-​democracy-die fall. "I mean, this is the most important election of our time, maybe," Eilish says, "and it's so easy to be like, I don't want to think about it.... I have that same kind of feeling: I'm one person, I can't make any change. But the truth is, we can all make change. And I have this platform and I'm going to use it." What issues are important to her this time around? She gestures with both of her palms up, like, here you go. "Really big fan of human rights. Really big fan of women's rights and women's reproductive rights and social justice and gun laws." To that end, along with actively rallying her fans to register to vote, she works with Power the Polls, encouraging her followers to sign up to be poll workers. "A lot of my fans are going to be able to vote for the first time. So I'm like, Do you like freedom?" She pauses to consider the candidates. "First female president? Would be really amazing. I would love to feel safe as a woman in my country." She will make her endorsement of Vice President Kamala Harris official a few weeks after we meet in an Instagram video that urges her followers to register and "vote like your life depends on it."

But before she explicitly stakes out her position, and a little under two weeks before Eilish & Co. officially pile into their buses to hit the road, I get an audience-eye view of the Hit Me Hard and Soft tour during a private rehearsal. First it's a view of the lobby of the practice space: Things are running behind, to the tune of a few hours. But hey, "Birds of a Feather" officially exceeded 1 billion streams on Spotify alone today. And, as every college student knows, what is adulthood for if not setting your own schedule? Eilish, wearing a low ponytail, vintage New York Knicks tee, and red-and-white basketball shorts, has been in meetings and vocal warm-ups all afternoon. She has been deciding on the lighting, the cues, the lasers, the cadence of the pyrotechnics, what marks she'll hit and when, all in service of the best possible experience for her audience. (As she told me earlier, "Pre-tour is just rehearsals, rehearsals, rehearsals like a motherfucker.")

Now onstage, she confidently issues directions to the small army of assembled technicians that one might expect from a stadium-touring star of her stature. "Just so you know, I'm marking this, I'm not fully singing," she chides into the mic after what sounds like a pretty note-perfect rendition of "Wildflower"; later she hams it up, coaxing the crew to laugh with an intentionally off-tune verse from "When the Party's Over."

The stage is shaped into a raised figure eight, so she can saunter and groove in infinite loops around her band, who are standing in the waist-deep wells. Performing in the round is a first for her, and something she's always wanted to do. There is a central platform hooked up to hydraulics, to lower and lift her up, and video screens that sometimes play primary-colored prerecordings and sometimes connect to a live feed from a handheld video camera. She takes hold of the camcorder, selfie-mode, for a couple of bars, Billie on Billie, flirting with the lens, before she gets into the band's area to rile up her backup singers and musicians, zooming in on a swirl of their instruments and hands and grins, just kids, fooling around, soon to the soundtrack of tens of thousands of screaming fans.

Watching her enjoy herself, fully in her element, reminds me of something she told me back in August, about how lately she's been playing music just for fun. "I'm a musician and you'd think I would've done that. But things blew up for me at an age when I would've been jamming with buddies. And because it was my career, I was not interested," she said. "So for the first time ever, I'm jamming, and it's amazing. It's so nice to not have pressure of like, Is this going to be the next single? It's like, No, we're just here. And it's just right in the moment." It's exactly where you hope she'll stay.
In this story: hair, James Pecis for Blu & Green Beauty at Bryant Artists; makeup, Emily Cheng; tailor, Irina Tshartaryan; manicurist, Erin Moffett; set design, Colin Donahue; produced by AP Studio Inc. The November issue is here featuring Billie Eilish. Subscribe to Vogue for $3 $1/month.

# data[].attributes.attachment_link.description
"I got famous at 13 and suddenly had to live a really weird life," says Eilish. Now, she's approaching the world on her own terms.

# data[].attributes.body
S(peaker) - Time Magazine, a magazine brand that was and still is a wide-spread.

P(urpose) - To show readers of the magazine how Coca Cola (the brand) is treating the world, as a friend in some ways. Also, to advertise the likeness of the beverage.

A(udience) - Readers of Time Magazine, and essentially the entire world. Especially businesses and contributers who see Coca-Cola as a potential business deal.

C(ontext) - Coca-Cola making a name for itself around the globe, being overall comfortable with consumers.

E(xigence) - Rise of media, in this case, magazines are booming in the world, and it's a way that official branded companies, like Coca-Cola, wanted to promote themselves.

C(hoices) - Imagery, picture drawn of the world being coddled by Coca-Cola.

A(ppeals) - Pathos, appealing to the emotions of viewers seeing the shown beverage as immensely popular and 'always there for them'.

T(one): Warm, Friendly, Nostalgic

# data[].attributes.body
S: The speaker for this magazine is Dier Spiegel, a German magazine and website known for covering politics, economical issues and culture.

P: The purpose of this magazine is to convey to readers that Donald Trump is unfit to be the president of the United States. This is shown through the picture of Trump beheading the Statue of Liberty, a metaphor to show how Liberty dies under Trump's presidency.

A: The audience that the author is trying to reach are the citizens of America, or other people who would be affected by Trump's presidency.

C: The context of this image goes back to the elections that are held in the United States. The 2016 elections for president were between candidates Donald Trump and Hillary Clinton.

E: Donald Trump had won the election and became the president of the country. Many people were worried as his plans and approach seemed radical and dangerous to many residents' way of life.

C: The magazine uses imagery to show the effect of Donald Trump becoming president, and how liberty and freedom (represented by the Statue of Liberty) would end up when Trump is the leader.

A: The author uses pathos to appeal the emotions of people who view the disturbing image, since it makes people feel negative emotions.

T: Serious, threatening, ominous

# data[].attributes.body
S - The speaker is a magazine company known as Allure. It was published on September 20th of an unknown month.

P - The purpose of this magazine is to share and influence the trends in the beauty world from skincare to makeup. In this case, the science of melanin, which has to do with the skin, and lip shades, which could imply talk of trending lipstick shades.

A - Young adults interested in beauty and beauty health. This audience would appreciate the knowledge of trending makeup looks and products that would help their skin.

C - The context is Normani's rise in popularity in the beauty industry, which led to her headlining in the magazine as the main inspiration.

E - The exigence for this article is Normani's colorful life, as in her appearance and lifestyle.

C - The use of imagery portrays the boldness of Normani and the rise in bold colors in the makeup world. It also addresses the target audience with colorful, flat shapes that are popular with younger people.

A - The use of ethos is highlighted by Normani's appearance on the cover and her name as one of the main topics for the magazine. Since Normani is a famous singer, the magazine, Allure, uses her popularity and fame to attract more readers.

T - Positive and inclusive tone.

# data[].attributes.body
S: The speaker of this magazine is Vogue Magazine it was originally created in New York and is a very well respected fashion outlet in the fashion community.

P: The purpose is to show that Harry Styles is not afraid to dress in feminine clothing as well as embracing his feminine side.

A: The audience is targeted towards individuals who like Harry Styles as well as anyone who has the Vogue Magazine yearly subscription. It's also targeted towards men who may want to express more of their feminine side but feel judged.

C: The context would be sitting down with Harry Styles for a conversation and asking him questions about himself and getting him to open up as well as him getting to talk more about dressing more feminine and not feeling ashamed by it.

E: being on the front cover of vogue

C: They use imagery to show that he is in a dress and is not afraid to show the whole world that he likes wearing dresses.

A:

T:

# data[].attributes.attachment_link.title
Playtime With Harry Styles: “You Can Never Be Overdressed”

# data[].attributes.attachment_link.description
Dressing up, making music, living in the moment: This is what matters to Harry Styles. Boundaries and labels? Not so much.

# data[].attributes.body
Speaker: The Atlantic

Purpose: To give insight on Trumps presidency

Audience: Voters/ people who are interested in politics

Context: The presidency

Exigence: People are worried about the next for years with him because he has already done some controversial things.

Choices: ethos/ hyperbole

Appeal: This is ethos because the Atlantic is a magazine that features high quality news articles on international topics which makes it easy to trust

Tone: the cover gives a sense of anxiety and worry for the next four years with Trump as President

Sign up

# data[].attributes.attachment_link.readable_text
Please click here if you are not redirected within a few seconds.

Images
10 Must-Read Political Magazines You Should Add to Your Favorites

www.interiordesignmagazines.eu

Images may be subject to copyright.

# data[].attributes.attachment_link.description
Please click here if you are not redirected within a few seconds. Images 10 Must-Read Political Magazines You Should Add to Your Favorites www.interiordesignmagazines.eu Images may be subject to copyright.

# data[].attributes.body
S: Fox Sports

P: The purpose of this picture as the cover of this article is to show the intense rivalry of these 2 competitive teams, also to show Atletico Madrid falling behind.

A: The audience are fans of the EUFA Champions League, Real Madrid, and Atletico Madrid.

C: The first leg of the Round of 16 of the UEFA Champions League has just begun.

E: Real Madrid face their rivals Atletico Madrid in their first game of knockout round and beat them 2-1.

C:

A:

T:

# data[].attributes.attachment_link.title
Real Madrid beats Atletico 2-1 in Champions League derby, Arsenal romps PSV

# data[].attributes.attachment_link.description
Real Madrid maintained its dominance over Atletico Madrid, while Arsenal’s young stars beat down on PSV

# data[].attributes.body
S: Rolling Stones

P: Tribute to John Lennon

A: Lennon's fans and musicians

C: John Lennon was shot prior to this issue

E: Fans and friends were mourning their loss and tributing to an iconic musician

C: Imagery, Pathos

A: Lack of words

T: Saddening, Mournful, Sorrow

# data[].attributes.attachment_caption
TIME Magazine, Published September 11, 2024

# data[].attributes.body
Speaker: The speaker of this Journal is TIME, an American news magazine based in New York City. Publishing weekly for nearly a century, and starting in 2020 they transitioned to publishing every other week.

Purpose: The purpose of the cover design, is to show Donald Trumps current state in in political campaign to running for presidency, and that he is of course for that goal.

Audience: The audience is the the American voters and American population.

Context: It was a month before election, and both presidential candidates have been running their campaigns, and at this point in time Kamela has been doing very good to a point where it's expected that she will win, there for knocking trump off his course

Exigence: 2024 Presidential Election

Choices: Trump is seen trying to back out of the after trying to drive to get the ball, this can convey how he knows he is off course and is trying to get back on course.

Appeals: In the magazine cover, he has a worried face and we see that his back wheel is stuck as he continues to try accelerating out of the sand.

Tone: The tone is more satire, because he is driving a golf cart. Showing he is in control of his actions and he got himself off course and he got himself stuck in this situation.

# data[].attributes.body
S: The speaker is from the progressive monthly news agency The Nation

P: Purpose is to bring attention to Henry Kissinger still being alive at 100

A: Citizens of the USA concerned about Kissinger's policies

C: Kissinger was Secretary of State during the Nixon administration

E: At the time the article was written-May 15, 2023-Kissinger was roughly 12 days from his 100th birthday

C: They use imagery of a fat kissinger celebrating his birthday with bloody frosting with the names of countries his policies have affected.

A: They appeal to pathos as the bloody frosting with the country names reference his policies which often furthered American goals at the cost of the people of the nations he affected.

T: It's a very solemn tone, as despite the picture of a birthday celebration the cake is bloody and references the nations destroyed by American proxy wars.

# data[].attributes.body
S-Mark Anthony Green, A film director.

P- To show that Lebron is the greatest athlete

A- People that enjoy sports.

C- Lebron called Trump a bum.

E- Lebron has a huge influence

C- Uses Diction and tone To show Lebron's huge influence.

A-Logos because Lebron is the goat.

T- Serious.

# data[].attributes.body
S: The Speaker of this magazine is VOGUE, one of the world's most famous magazines founded in 1892 by Arthur Baldwin Turnure.

P: The purpose of Vogue having Sabrina Carpenter on the cover may be to convey a sense of fashion and lifestyle, all while promoting the magazine.

A: The audience might be Gen-Z, people who are interested in Sabrina Carpenter and her music, or people drawn to her career story.

C: Sabrina Carpenter reflects her rise as a multifaceted, influential artist in music, acting, and fashion, aligning with Vogue's shift toward celebrating diverse, contemporary figures who shapes and influences modern pop culture.

E: To spotlight Sabrina Carpenter as a relevant and evolving cultural figure, highlighting the growing public interest in diverse celebrities and Vogue's need to remain culturally influential.

C: Sabrina's image is styled in a way that blends sophistication with relatability, using a high-fashion aesthetic to appeal to Vogue’s audience while keeping her approachable to younger fans attracted to trends.

A: Vogue’s established reputation as a leading fashion and culture magazine gives the cover and interview a sense of credibility. Featuring Sabrina Carpenter, a young and multifaceted star, adds to Vogue’s ethos as a publication that recognizes and celebrates emerging talent with cultural relevance.

T:The tone of the Vogue cover featuring Sabrina Carpenter is a blend of elegant and empowering.

# data[].attributes.attachment_link.title
How the World Fell for Sabrina Carpenter

# data[].attributes.body
Speaker: Eric Cortellessa, writer for Time Magazine.

Purpose: To inform the readers of Trump's plans for his second term in office, as well as discuss the uncertainties of his second tenure in office.

Audience: The readers of the magazine, the general public.

Context: Trump winning the 2024 Presidential Election. Trump has made multiple campaign plans and accepted people such as RFK Jr into his administration. His powers have challenged the US judicial system as well as a myriad of other parts of the federal government's bureaucracy.

Exigence: Generally cautious and worried about the next 4 years of Trump's presidency.

Choices: A variety of imagery from the setting to Trump himself. They use other descriptions such as a "War in Washington" to further describe Trump's Administration and their issues with America's legal system. There is also an almost combination of narrative and repetition approach by discussing Trump's first four years in office and comparing them now, as well as reinforcing the previous issues that Trump encountered in office.

Appeals: The author appeals to ethos by establishing its reputation from a credible news source. The author appeals to pathos by discussing a sense of uncertainty within the decisions that Trump has made.

Tone: The tone is more uncertain, yet a bit more assured about the plans that Trump has. However, there is a sense of worry in the air that is also repeated among other articles that discuss Trump's current stay in office.

# data[].attributes.attachment_link.description
If what comes next is anything like what he promises, president-elect Donald Trump will reshape the nation and the world.

# data[].attributes.body
Speaker-Astha Rajvanshi

Purpose- To discourage consumers from buying from fast fashion brands like Shein and inform everyone of the harm those brands bring.

Audience- Consumers

Context- Shein, a fast fashion brand gains extreme popularity for their low prices.

Exigence- Large amounts of carbon dixide are produced by this brand in it's trail and they overwork their employees in unsafe environments with little rest time. The more time this issue goes unaddressed the more people it will harm.

Choices- They use diction to maintain a professional but truth telling tone

Appeals-Logos, they present reasons in which Shein is producing high amounts of carbon dioxide prints and why it can worsen global warming.

Tone- The tone is informative and unbiased since it presents the issues at hand with the brand but also ways in which they are trying to move on.

# data[].attributes.attachment_link.title
Shein's Massive Popularity Comes at a Huge Cost to Us All

# data[].attributes.attachment_link.description
Shein was 2022's most popular fashion brand. It's also a nightmare for workers' rights and the environment.

# data[].attributes.body
S: Ms. Magazine, artwork by Miriam Wosk and story by Jane O' Reily.

P: The purpose of the Magazine cover and story is to bring attention to how women are expected to juggle between work and household chores, where men are not held to that same expectation.

A: Women, Wives, and Girls.

C: The context is that women did not have their own outlet, were often alone, and needed a place to connect. Which is why Ms. the Women magazine was created.

E: The exigence is that after WWII, women working started to become more common however they were still expected to do household chores and raise their kids as well. During this time, it was socially acceptable for men to not help out and for women to abide by this standard.

Choices: Imagery and Symbolism because it depicts that women are hardworking goddesses who have the ability to juggle between things that men do not.

Appeals: Ethos by touching women's emotions and appreciating their hardwork. Logos by being logical and fair-- gender should not equate to housework.

Tone: A relatable tone to reach out and connect with readers, but also an assertive one to assure that women are aware that the double standard is not okay.

# data[].attributes.body
S: The speaker of this magazine is TIME, and American news magazine established in New York for any current events.

P: The purpose is to show that Sabrina Carpenter has been a star her whole life, and she is finally one of the most famous women in pop culture, with her favorite song "Espresso".

A: The audience that is targeted is individuals who like Sabrina, or into newer Gen Z pop music.

C: Sabrina Carpenter won one of the most's influential rising stars, also top 10 in music.

E: Her songs from her album Short & Sweet started skyrocketing first on social media platform Tik Tok.

C: They use diction such as, "influential", "stars" and her bold name, "Sabrina Carpenter".

A: They use pathos to express the happiness people have knowing that she is one of the biggest influential stars

T: Uses a heartwarming tone to show the audience how happy and rewarding it is to be titled as one of the most popular women.

# data[].attributes.body
Speaker: An anonymous journalist created this article.

Purpose: To warn and inform the general public of the dangers of the recent tragedy.

Audience: The general public, mostly parents who want to protect their children.

Context: A restaurant has malfunctioning (haunted) animatronics/robots and recently there has been an incident that left a worker severely injured.

Exigence: There is a sense of urgency all over this article, practically warning parents not to bring their children near the robots or even the restaurant itself. Due to the recent traumatic incident that nearly killed a man, the speaker/article aims to warn everyone of the restaurant.

Choices: Diction - graphic but straight forward descriptions of the injury and details leading up to the event. Imagery - the image of the malfunctioned robot is provided in the article, shown in a very sinister light and angle, this instills fear into the audience.

Appeals: Logos - the speaker's choice of wording hints that an incident like this isn't the first time with the restaurant and although they do not outrightly say it, they want their audience to use logic and come to the conclusion that something is wrong with that place.

Tone: Informative, straightforward, mysterious and confidential.

# data[].attributes.attachment_caption
S, Speaker-Fox sports  P,Purpose-The torch passing of lebron's legendary legacy giving the game to bronny A, Audience- Sports enjoyers specifically basketball and lebron fans C, Context- Lebrons first time playing with bronny in a real NBA game E, Exigence-This was brought because of lebron's great legacy and being old enough to play with his son C, Choices- Result and parlelle A, Appeal-Ethos T, Tone- Proudness in Lebrons son for making it to the nba

# data[].attributes.body
S - The speaker is TIME magazine, a weekly American news magazine publisher company based in New York City. They write about what is happening in politics, business, health, science, and entertainment.

P - TIME magazine hopes to show the high amount of power that Elon Musk holds on his own and all of the things he made happen by showing a bizarre checklist.

A - The speaker hopes to reach the older citizens of the United States who should be informed on all of the things Elon Musk is doing.

C - The context of this cover is putting all of Elon Musk's biggest actions in a compressed list to summarize. Each of the things on the checklist are things he made happen within a small bracket of time, and the $2 trillion unchecked box refers to the cuts he’s been advocating for in the federal government’s $7 trillion budget.

E - The high amount of power a single man has.

C - Enumeration: The writer uses enumeration by listing big events/changes caused by Elon Musk.

A - This piece shows Logos because the writer laid out a foundation for the reader to think about the next possible big historical events that Elon could achieve.

T - Serious, straightforward.

# data[].attributes.body
S- Gilbert Mcgregor, an NBA player

P- TO PROVE THAT LEBRON IS THE GOAT

A- Basketball fans

C- People still think that Michael Jordan is the GOAT, when he is clearly not.

E- Someone told him that Jordan is the GOAT

C- Pure facts/Logos

A- Logos

T- Serious

# data[].attributes.attachment_link.title
Why LeBron James is the NBA’s GOAT: How legend’s stats, accolades compare to Michael Jordan in debate | Sporting News

# data[].attributes.attachment_link.description
The Sporting News takes a look at the career stats and accolades of James and Jordan to find an answer to one of sports’ age-old debates.

# data[].attributes.body
S- The speaker is Adam Gopnik, who published this magazine under "The New Yorker".

P- The purpose of this picture is to bring awareness to how the U.S will "fall apart" since Trump's election win.

A- The audience would be all U.S citizens, especially the ones who voted.

C- This was published in October of 2024, which was around election time. The image makes it seem like the flag is coming apart with people falling with it. Gopnik is trying to make it seem like this is what the U.S will become if Trump is elected president.

E- Gopnik is trying to show how America may be if Trump is elected as President.

C- The author is using imagery and symbolism of the American flag. America is considered "The land of the free", so Gopnik uses it in a way that will show how things will change based on if Trump comes back into office, and how America might fall apart on the standards that it is up kept to such as that freedom aspect.

A- Pathos, Gopnik is trying to connect to readers through emotions by using this image in a way that is like a warning as to what will happen if Trump is elected as president.

T- I would say this image gives off a dark, frightening tone.

# data[].attributes.body
Speaker-

Purpose- To try to make people think about how the U.S. was controlling Iraq and whether it is right or not.

Audience- The american citizens.

Context- The Iraq War

Exigence-

Choices- November 2002 issue.

Appeals- Logos- Man dressed in American gear to represent america and the shape of Iraq to represent Iraq.

Tone-

# data[].attributes.body
The speaker is the Time Magazine. The purpose of the article was to inform the audience on ten celebrities who are heavily influencing the upcoming generation. The audience is likely aimed at younger generations since it is discussing upcoming leaders meaning that they will be role models to people who are coming of age. In today's society, many people see celebrities as inspiration for their lifestyle or fashion. Therefore, it is crucial for people to be aware of the celebrities that are leading the upcoming generation. The main rhetorical choices used in this magazine cover is imagery. In this image, the black and white filter was implemented to set a serious tone to the magazine. In addition, Timothee Chalamet's serious face also adds to the tone of the magazine suggesting that the following celebrities mentioned are serious about their work and are good leaders for the future generations. The author is trying to convey the message that the celebrities that we look up to is very important for the behavior of future generations.

# data[].attributes.body
Speaker - Chicago Tribune, a newspaper based in Chicago

Purpose - To call out Micheal Jordan's amazing career and to call into questioned if he should be labeled as #1

Audience - Basketball fanatics of America

Context - During the middle of Micheal Jordan's career in the NBA

Exigence - Malcolm Moran chose to wright this article because of how fantastic of a player Jordan is

Choices - the Huge picture of Jordan(Imagery), "GREATEST"(structure)

Appeals - Ethos: The timeline of his accomplishments, Pathos: placing an image of everyone's ideal in the NBA in the dead-center

Tone - exhilarating

# data[].attributes.attachment_caption
Speaker: Sports Illustrated                                            Purpose: The magazine was created as a warning to the rest of the NBA, letting them know Dirk and the Mavericks are not to be played with.                                                                     Audience: The NBA and fans of it                                    Context: Its during the 2011 NBA Finals against Lebron and the Heat.                                                      Exigence: Dirk and the Mavericks have been having a Cinderella story with a deep upsetting run in the playoffs.                                                          Choices: The article uses pictures of the Mavericks leading star Dirk Nowitzki and bright enhanced jersey colors to portray the bright light Dirk has been in the Playoffs and Finals.                   Appeals: This article appeals to pathos as it uses Mavericks fans emotions due to them never winning a ring in franchise history, making this moment extremely special to those who have been waiting through rebuild after rebuild to go somewhere.                                                 Tone: The article has an encouraging and congratulatory tone to it. The article acts as a bright light in a dark spot for Mavericks fans.

# data[].attributes.attachment_link.title
Dallas Mavericks V Miami Heat - Game Six Sports Illustrated Cover by Sports Illustrated

# data[].attributes.attachment_link.description
Dallas Mavericks V Miami Heat - Game Six Sports Illustrated Cover by Sports Illustrated

# data[].attributes.body
The Speaker is Times magazine. The purpose is to show that American taxpayers are being squeezed for their every cent. The audience is the American government as it is criticizing the tax system. The context of this cover is the high taxes that American citizens have to pay. This might be due to inflation during the time, which raised prices for regular goods. The author uses imagery and hyperbole to show that Americans are reduced to only the amount of money they owe. It also shows that the citizens are being squeezed for every cent they have with no mercy. They use pathos to reach the average Americans who are also probably frustrated with the growing rate of taxes. The tone is frustrated and annoyed at how much money is being taxed from the government.

# data[].attributes.body
S: The economists, a newspaper published weekly by The Economist Group which specializes in international business and world affairs information

P: To inform people that President Donald Trump's methods resembles those of organized crime groups

A: The audience is the U.S. population

C: The political mood during his time as presidency

E: Political factors that emerged during his time as President.

C: The newspaper uses imagery to showcase Donald Trump as a mafia-like character/boss

A: Pathos through the imagery to get people to feel emotions that Trump was not the right choice

T: Danger because the image is implying that Trump is a dangerous human being and someone like that shouldn't be President

Cristian Maldonado

# data[].attributes.attachment_link.readable_text
Leaders | The end of the post-1945 order

But the new rules do not suit America

image: The Economist/Getty Images

T he rupture of the post-1945 order is gaining pace. In extraordinary scenes at the UN this week, America sided with Russia and North Korea against Ukraine and Europe. Germany's probable new chancellor, Friedrich Merz, warns that by June NATO may be dead. Fast approaching is a might-is-right world in which big powers cut deals and bully small ones. Team Trump claims that its dealmaking will bring peace and that, after 80 years of being taken for a ride, America will turn its superpower status into profit. Instead it will make the world more dangerous, and America weaker and poorer.

This article appeared in the Leaders section of the print edition under the headline "Dealing with the Don"

From the March 1st 2025 edition

Discover stories from this section and more in the list of contents
⇒ Explore the edition

The incoming chancellor signals massive increases in defence and infrastructure spending

And the grim choice facing Volodymyr Zelensky

As they meet in London, Vladimir Putin will sense weakness

The result? More money for the president's boondoggles

More wealth means more money for baby-boomers to pass on. That is dangerous for capitalism and society

# data[].attributes.attachment_link.title
Donald Trump has begun a mafia-like struggle for global power

# data[].attributes.attachment_link.description
But the new rules do not suit America | Leaders

# data[].attributes.body
S: The speaker of this article is Time, an american based magazine that originated in New York City. This magazine publishes weekly and focuses on topics of politics, business, health, and society.

P: The authors of this issue aimed to educate their audience about climate change and how it's affecting different species around the world.

A: Their audience is anyone who reads the magazine. They want to educate people about climate change and global warming and have tailored the content to inspire those who read their magazine.

C: The context of this article is about global warming and the effects of global warming. They want to inform readers about how it will also affect them in the future.

E: Global warming has had serious effects on different species around the world. It has caused several problems to the natural environments of species, and the authors of the magazine emphasize the urgency to take action against global warming and climate change to prevent this issue from escalating.

C: The article uses dark colors and bold fonts to highlight the importance of their message. The dark colors reflect how tragic the effects of global warming has been, and the bold fonts show how drastic the situation is.

A: This article appeals to pathos as it uses emotional tactics to influence the audience. The author includes how global warming will affect the person and their kids to appeal to their emotional connections.

T: The tone of this article is one of distress as it tells the audience to be extremely worried.

# data[].attributes.body
S: National Geographic and the artist is Jorge Gamboa

P: To inform people about all the plastic waste that is in the ocean

A: All the people who care  about the ocean and want to make a difference

C: June 2018 this piece was created and during this time people started to put more plastic waste in the ocean. Jorge Gamboa loves the ocean so he feels the need to inform people about the waste going in it.

E: More people are their trash in the ocean and animals like turtles are being affected by this.

C: They use imagery of a trash bag to symbolize an iceberg because it can be just the start of all this.

A: Pathos because it is giving a sense of concern and guilt to try to make people stop polluting the ocean

T: Informative, cautious, and serious because they are informing the audience about how much pollution we are causing and they also want to make sure that people are taking this matter seriously.

# data[].attributes.body
S: Sara Delgado is the author. She is a writer/editor who specializes in fashion and culture content. She is based in Madrid, Spain. She is a writer for Teen Vogue which is a magazine that publishes about gossip/other celebrity news around the world.

P: The purpose is to spread awareness about Millie Bobby Brown's "new" appearance and her reaction to the hate that she is receiving for it.

A: The audience is aimed at people who have been hating on her appearance and also just others who are fans of her and should support her.

C: Millie Bobby Brown has been receiving hate from several articles and comments that have been addressing her appearance and she took to social media to address these.

E: The new filming of stranger things is occurring and it is going to come out soon. Also, she recently got married this past year as a 19 year old.

C: The main rhetorical choice that she uses is examples because she uses quotes from Millie herself to address the haters.

A: She uses pathos to end the article by using a quote from Millie Bobby Brown that strongly resonates with the readers emotions. The quote is about how we shouldn't criticize younger girl's appearances.

T: The tone is very sympathetic because the author is kind of feeling/agreeing with Millie. She is definitely leaning towards one side of the spectrum, and it isn't with the haters. But also you could say that the tone could be neutral because she doesn't really say much except quote, so I guess it could be informative.

# data[].attributes.body
Speaker- The New York Magazine

Purpose- To bring attention to the underlying issues of republican women specifically those who support Trump

Audience-American people who are a part of the Republican party

Context- This was published a few months before the election took place and when the two parties were campaigning

Exigence- The event that made the Magazine post this was the way some of the Trump supporters, specifically the women, were acting during the campaigns

Choices- Implication, Parody, Satire

Appeals- Pathos because the question asking if republican women are okay inflicts the emotion of concern for some

Tone- Mocking because many people make fun of the people who support Trump

# data[].attributes.body
The speaker is the Time Maganize. The Time Maganize is a weekly news publisher that publishes news about politics,medicine, and global news. The purpose of this article is to inform us about the life of Steve Jobs and what he does everyday. Steve Jobs is the CEO in Apple and he created one of the most successfully companies in the world. His company had just released a brand new iPhone and was making much more money than usual. The message is limited by the fact that there is nothing on the front of the page talking about what makes him so unique or what he has done. The main message is that Steve Jobs is a unique man that has an interesting life. The emotional approach is achieved through the darkness surrounding Steve Jobs. The darkness is suppose to make him seem more mysterious and make you more curious about him.

# data[].attributes.body
Speaker- The speaker is Times Magazine, a left-leaning magazine company founded in 1923.

Purpose- The purpose in showing Musk behind President Trump's desk was to show his power and position in the U.S. government, and showcasing him sort of as the mastermind of it all, behind the scenes.

Audience- The audience in this is the American people, people from both sides of the political spectrum.

Context- The context is Trump's presidential win and the rise of his friendship with Elon Musk.

Exigence- The exigence behind this was Elon Musk entering many government positions and, for some reason, having a say in official, influential, and political decisions.

Choices- The most obvious choice to be seen here is the bold imagery and Musk sitting in the forefront with a loud dark red.

Appeals- Ethos and logos are being appealed to here. There isn't any text or images a previous knowledge of the context and background knowledge is everything you need to understand it.

Tone- The tone we can see here is a serious.

# data[].attributes.body
S-Utne Reader is a digital magazine that publishes articles on culture, politics, and the environment.

P- To show how the rising of sea levels is due to climate change and how its here and affecting the world.

A- This is for the Americans who don't believe in climate change.

C-Places that are near oceans are being forced to go to higher elevation due to the rising sea levels.

E-Climate change is very real, and effecting people all over that why they published it.

C-The choice are imagery and symbolism with how tall the statue of liberty with the water levels rising

A-Logos, using the fact of rising sea levels and putting it into the image

T-Informative, because they are trying to explain how climate change is happening

# data[].attributes.attachment_caption
The Story Behind TIME’s ‘Plague Election’ Donald Trump Cover

# data[].attributes.body
Speaker: TIME magazine, a news publication known for its commentary on current events and politics.

Purpose: To highlight the challenges and uncertainties of the 2020 presidential election and the COVID-19 pandemic.

Audience: TIME magazine readers and those interested in political topics.

Context: The cover was released on August 17, 2020, during the COVID-19 pandemic and the U.S. presidential election campaign.

Exigence: Urgent need to address how the pandemic was influencing the nation negatively.

Choices: They use imagery of water rising and floating virus particles to symbolize the escalating struggles that Trump's administration goes through.

Appeals: Ethos by their own reputation as a journaling news publication. Pathos by instilling concern and urgency in the situation. Logos by encouraging readers to reflect on this upcoming election.

Tone: Cautionary tone to alert readers of the leadership during a national crisis.

# data[].attributes.body
S: The artist of this cover is an employee at The Atlantic.

P: This intends to get the reader to understand how Republicans weaponized social media by hooking in the reader with an appealing cover.

A: The audience is any citizen of the United States as they are the ones who can vote for the next president.

C: This most likely takes place right before the election where people start voting.

E: Trump is running in the election and it is most probable that republicans will win.

C: The artists uses symbolism with the twitter bird and a grenade behind its back to symbolize how republicans weaponize social media to their advantage. The artist also purposefully uses dark colors such as red and black to make the image look more violent and gritty.

A: Logos is mostly being used, this cover intends to hook on a reader to then use logos to convince them of their point inside the article. They might also use a little pathos when they made the cover with the dark imagery to purposefully act on the emotion of fear.

T: The tone is really gritty and violent. Although there is no blood of any kind, the red in the image pops out with the bird carrying the grenade. It's almost a symbolism of war inside social media.