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When Taki went to find Mitsuha, his friends Fujii and Okudera decided to tag along with him in order to keep Taki safe. Something that was very evident throughout this trip was the fact that Taki would refer to Okudera as 「先輩」 and use the word 「はい」  when he needed to agree/confirm her claims. However, whenever he spoke with his other friend Fujii, Taki would call him by his name and reply with 「うん」  instead of 「はい」. This is a clear example of how Taki used 丁寧 with Okudera, but くだけた with Fujii, and as we know his usage of speech levels is proper due to his status in relation with his friends. From Taki's perspective, since Okudera is older, 丁寧 must be used at all times in order to show respect to the co-worker who the looks up to. But, because Taki and Fujii hold the same student status and age, informal speech would be the proper way for Taki to address his friend.

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When Mitsuha was in Takis body for the first time she used (私) then corrected herself and then tried other masculine ways of referring to herself (僕、おれ).
When Mitsuha is working Taki's part time job, one of his coworkers says (お前、今日おかしいぞ). (ぞ) is a masculine style of speech.

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When Mitsuha is in Takis body she uses the informal (ありがと) when speaking to Taki's friends.
Mitsuha in Taki's Body when she is working his part time job uses the respect form of keigo by using (いいえ) instead of the informal (ううん).
When Mitsuha is in Taki's body working at his part time job, Miki uses humble form of keigo when speaking to a customer. (お客様、どうかなさいましたか)

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When Mitsuha finds Taki for the first time on the train, he says 「誰、お前？」

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When Mitsuha first wakes up in Taki's body, she talks to herself, saying 「どこ？」「誰？」「リアルすぎ」

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Yotsuha questions why Mitsuha is wearing her uniform, and says 「なんで制服着とんの？」. Mitsuha, when she is looking for Taki on top of the mountain, yells　「どこにいるの？」Ending with の is typically feminine speech. Teshi uses ぜ at the end of a sentence, which is usually a masculine speech style.

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When Mitsuha is in Taki's body and working his part time job, she asks Miki to take of her skirt (向こう向いてますから)。

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When Mistuha wakes up back in her body after being in Taki's she says (何だ）（これ）

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When Taki is in Mitsuha's body and is working with her friends to save everyone, he teases Teshi, using very casual language. 「すごいじゃんテッシー！何？照れてんの？おらおら」.

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When Mitsuha first wakes up inside Taki's body, she says "どこ？”、”何？”。Also, when she originally wake sup in the beginning of the move from her dream, she says "誰？”　Mitsuha often uses those kinds of omitted sentence expressions when she's by herself.

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At 16:03 a young girl says 信じられんわ, meaning, I don't believe it, in response to the rice festival. This わ ending is more often associated with feminine speech.

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At 21:25 Mitsuha uses the wrong introductory pronouns when addressing herself in Taki's body. She starts with 私 then says わたくし then says 僕 and finally 俺.

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At 24:32 Mitsuha, inside Taki's body, forgets to use せんぱい when addressing the older colleague, and instead uses さん which is seen as rude.

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At 27:35 あいつ is used by Taki's friends, when talking about Taki, which is a very informal way of saying "that guy."

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Mitsuha is complaining about the town she lives in, and says 「さつさと卒業して早く東京行きたいわ」, which is noteworthy because 「わ」at the end of a sentence is often associated with more of a feminine tone.

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At 38:28 Miki calls Taki, たきくん which is an informal way of addressing someone and usually indicates friendship or a close relationship.

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When Mitsuha is talking to herself in Taki's body, she often omits the sentence ending, like asking 「どこ」when she woke up in his apartment, or 「何？」

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When the rude customer was complaining about a toothpick being found in his food, Okidera used humble keigo when addressing him: 「どうかなさいましたか」

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When Mitsuha is talking to Taki's friends (in his body), she fumbles around with gendered speech trying to refer to herself as ”私”, and eventually settles on "俺”。

When Mitsuha speaks in general, she tends to use は・わ、よ、 in feminine speech when ending sentences. Her friend Teshi in comparison, usually ends sentences with ぜ、ぞ for masculine sppech.

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Mitsuha and Taki speaks informally with their family and friends. Taki uses keigo to Okudera and calls her 先輩, because she is older than him. However, Okudera speaks informally to Taki. In the restaurant scene, Okudera uses very polite speech to the customer and some of the examples are どうかなさいましたか, 大変失礼いたしました, and おケガはございませんでしたか.

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When Mitsuha wakes up in Taki's body words like どこ and 何 are used individually.

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When Mitsuha was in Taki's body working his part-time job, she said "お待たせいしました！” to be respectful to the guests. She also refers to Okudera-san as 先輩 out of respect for her as an older colleague and also speaks formally when around her.

Furthermore, when around his friends, Taki comfortably uses words like "あいつ” when they are joking around. Additionally when in Mitsuha's body, when he was teasing Teshi, he says"おら、おら。” (hey, hey!" to be friendly and playful in a slightly masculine manner.

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Mitsuha uses 私 when she is talking about herself. There is a scene when Mitsuha says 人生の基本でしょうand でしょう is a feminine speech style. A female student in Taki’s class says これ、どこで買ったの and here, のat the end of the question is associated with feminine speech. While heading to Ishimori, Okudera says まあ、いいわ。一緒に探してあげるわよ.  Ending sentences with わand わよ is a feminine speech style.

Taki and his friends use 俺 when they are talking about themselves. Taki’s friends use お前to call Taki and uses ぜ at the end of the sentence, such as めし行こうぜ. The use of ぞcan also be found in the movie when Taki’s co-worker at the restaurant says お前、今日おかしいぞ. Ending the sentence withぜ or ぞ is a masculine speech style. Also, Taki’s friend who went to Ishimori with Taki says そんなわけねえだろ and だろ is a masculine speech style.

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When Mitsuha is asking a favor to her grandmother, she says おばあちゃん、お願いがあるんやけど。。。. This sentence, which ends with けど, is an example of an omission.

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In the train, Okudera says 何なのよ、それ. This is an example of inversion. When Taki was in Mitsuha’s body and Taki and Mitsuha were looking for each other, Taki says いるんだろ？俺の体の中に. This is another example of inversion.