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Description of a paint I found in my building after the neighbors moved

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Description of a paint I found in my building after the neighbors moved

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The style is very cartoonish. Bright colors, defined shapes, not too many details in every objects. The paint shows a very big doorbell, bright blue color and a finger, reaching from the left and pushing it. You cannot tell who's finger is it because what you can see it's only the hand of the person ringing the bell. In red, right underneath the door bell, there's a written sound: DINGGGGG DONGGGG suggests that the door bell is ringing. The background of the paint is yellow.

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In the foreground of the painting, off to the right, there is a woman with orange red hair, pinned up on top of her head. Her eyes are piercing blue and very round. on the left side of her face there is a yellow swash of paint showing a highlight. Her lips are slightly pursed and she looks at the viewer. She wears a mockneck dress, we see to about her waist. The dress is a muddy purple, with flecks of red orange. She holds sunflowers. We see one full one that is closest to her, and then in the bottom right corner we see about 2/3 of another. The background is yellow in the top left corner, then green with 3 spots of blue, fading to purple and then a muddy blue.

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The painting is of the Alhambra in Spain. The focus is of the side view of the castle and the beige stone pillars and walls(sane color) the surrounds the hill. The trees below the wall are lush and green and are upright in on a steep hill. You can see a church in the center left part of the picture with the surrounding mountains in the background. They are pale and distant compared to the focus of the picture. The sky is almost monochromatic in a way and is a mixture of the lightest blue and white.

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Painting I bought from a guy on the street in Grand Army Plaza 8 years ago

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Painting I bought from a guy on the street in Grand Army Plaza 8 years ago

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Bright, bold, primary-style, uncomplicated colors. Nothing but circles overlapping each other in a lattice pattern. Reds in the foreground more than the other colors, the width of a large pog (anyone else remember that fad from the early-mid 90s?) or maybe a big healthy cucumber. Little bright gold satellite circles the size of nickels or quarters affixed to the the red ones, either slightly underneath them or slightly obscuring them. Another lattice layer of dark black (like black hole black) circles running in a sort of parallel to the red ones, but not quite, and slightly less in the foreground. Another layer of bright yellow ones running haphazardly in and around the yellow and black, with a few scattered dark purple ones in the middle plane and some dark green ones in the background. Some aleatory figures suggest themselves to the eyes from the circle patterns, mostly of strange alien faces/heads, where two gold ones suggest eyes and a black one a nose, or two gold ones the mandibles of a yellow insect creature with black eyes. The whole thing is a little smaller than an outstretched magazine centerfold. The texture of the paint is flat but a little thick and glossy.

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THe center strip is a mosaic patter of black, golden yellos, white and red. There are about 37 strips of varying colors it is somewhat symmetrical. the rings or strips of color are in this order from the outside in, first its covered in a sea of white straight grained spruce, a thin black ring, Brown ring, thin white ring, a thick but thinner than the first brown ring, a thin white ring then a strip split into long stretched rectangles of white and brown alternating, then another white strip, a dark brown strip. another white strip. a thick brown strip followed by a blue strip with black on either side, a red strip with black on either side, a blue strip with white on either side then the mosaic then another blue pressed by white then the red and blue bothe in between black and a repeat of the first black, brown and white strips with the rectangles.

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I am looking at a print of a colorful abstract painting. Against the terracotta orange background there are colorful, curved lines and shapes. My eye is drawn to a perfect circle in the top third of the image. The outer edge of the circle is formed by a yellow line are there are smaller circles within the circle. The outer ring of the circle is filled in with a chalky white. The inside of the circle is a rosy pink and there is a four-leaf clover type shape with blue and yellow leaves. Surrounding this large circle there are swirls and curling yellow pink, and blue lines.

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The space of this work is sparse, as it consists of only three objects. The background color is almost entirely solid, and compliments the bright value of the objects. The three objects are lined up one after the other, creating a feeling of depth.

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This painting involves both dark and light colors, including different shades of blue, black, brown, and yellows all though out the painting. The right side where there is the biggest structure is where most of the browns and blacks are.The sky in the image is mix with blue hues and yellow accents. Every stroke in this particular painting is made with some sort of movement, lots of curves and rigid lines. The techniques that were used to make this painting seem to add alot of swirls and shapes which gives the painting texture.

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There are many thick, angular lines in black. Some run parallel. They create blocks of surface area onto which graffiti-like marker or painting of words has been done. The blocks are full of words written in faded whites, yellows and reds in different languages and type sizes and at different angles. The words are so numerous that they over lap sometimes breaking into the black line spaces.

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Johanna Dolle - Hockney - The painting features a narrow, grey road winding through the countryside. Depth and distance are portrayed through size and positioning of the road on the canvas, with the distant road starting small at the top of the page, and as it wends down the page, the turns get larger and closer to the viewer, until the last one which is a giant, hairpin turn up a hill, at which point the scaling and angles become warped in a fun house-y way, The road curves through beautiful, vivid green, yellow, and orange farmland, carved out into sharp, squares and trapezoids, like a quilt. The distant land has muted blues and purples, though. red lines in the fields, some straight and some parabolic add contour. Close up the road is flanked on one end by dense, lush, deciduous trees.  

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Johanna Dolle - Hockney - The painting features a narrow, grey road winding through the countryside. Depth and distance are portrayed through size and positioning of the road on the canvas, with the distant road starting small at the top of the page, and as it wends down the page, the turns get larger and closer to the viewer, until the last one which is a giant, hairpin turn up a hill, at which point the scaling and angles become warped in a fun house-y way, The road curves through beautiful, vivid green, yellow, and orange farmland, carved out into sharp, squares and trapezoids, like a quilt. The distant land has muted blues and purples, though. red lines in the fields, some straight and some parabolic add contour. Close up the road is flanked on one end by dense, lush, deciduous trees.  

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This watercolor painting is a mesh of both warm and cool contrasting colors. There are no definitive shapes; only colors bleeding into each other. The cool gradient of subdued blues, grays and a hint of green surround a much brighter and vibrant gradient of warmth in the center of the image. These mesh of warm colors (red in the very center and spreading outwards into a mix of oranges and yellows) form this blurry and loose orb- like a fire slowly spreading, which makes the cool colors almost appear to be under a cloud of smoke.  

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This watercolor painting is a mesh of both warm and cool contrasting colors. There are no definitive shapes; only colors bleeding into each other. The cool gradient of subdued blues, grays and a hint of green surround a much brighter and vibrant gradient of warmth in the center of the image. These mesh of warm colors (red in the very center and spreading outwards into a mix of oranges and yellows) form this blurry and loose orb- like a fire slowly spreading, which makes the cool colors almost appear to be under a cloud of smoke.  

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In my office hangs a painted terracotta sun that I bought in Epcot's "Mexico" some 20 years ago; according to the back, it is authentically made in Mexico. It is about 18 inches in diameter, with yellow and orange sunburst-like projections around an amplified human-like face. The basic elements of the face are there - the eyes, nose and mouth - but on the cheeks, chin and forehead are depicted different scenes in beautiful colors. The rich reddish-brown tones of the earth contrast with the vibrant colors of verdant mountains (over which hang a few white clouds and another sun!), and colorful houses, flowers and clothing as people enjoy the land.

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Contrasting warm and cook colors that take up the 3/4 of the entire canvas. There is value in the painting with light striking the left while the right is in the shade. Clearly defined lines gives the elusion of whimsical vase that is covered in brightly colored patterns.

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The top third of the image is constructed from left to right using the colors red, orange, yellow, green, blue and purple. The colors blend into one another and look like nebulas. The bottom two-thirds of the image consists of slightly curved lines coming down from the top third, keeping the same color pattern. In the middle of the image is a person holding an umbrella. The umbrella has the nebula colors as the background, is shaped like a mushroom, and is shaded black. Below, the person is walking away from the viewer. The hair is shoulder length and black, the dress frames around the waist and pleats out, which is in grayscale.

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The painting is gold with many colors and shapes. The large figure humans are mostly gold filled with colorful rectangles or flowers. There are more vivid colorful flowers. This painting uses a combo of curves and straight lines.

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The painting uses only black and white to contrast with each other. The shapes of the painting are abstract and vaguely outline a person in the middle. The painting uses mostly curved lines.

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The predominant pattern is circular shapes, some concentric and others slightly off-center from the concentric ones. Many groups of circular patterns occur on the canvas, with a light grey color emanating from the center, becoming lighter to the upper left and somehow more maroonish to the lower right. Some have shadows, and others do not. The centers of each circular pattern looks a bit like a blurry light bulb.

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This figure is constructed with light blue, dark blue, green, and brown color. The figure is placed in the center. The figure has organic, curved lines. There is plain background in the upper two third of the picture and the rest one third is in yellow color.

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The work uses almost exclusively curvy lines. The long figure in the foreground is curvy as well. The sky is given a fiery red color and the colors are very dull, including the figure, who looks a deathly grey. Two figures are off in the background as onlookers and depicted as silhouettes.

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The bright yellow space of the background consists of a value set of yellow. This background contrasts with the green and blue figure that is placed in the center. The figure has organic, curved lines and funky, oversized features. The figure in the artwork displays movement like he is dancing. His body is curved like he is leaning back. The figure is turned to the side and we see only one eye, two arms by his side, two legs spread apart, and a large nose that protrudes into the yellow background.

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This picture has a mixture of colours, each fraction has it's own lines mostly curved lines, the basic colour foundation of the picture is warm so it brings a feeling of warm

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Melissa's vivid description of a vibrant New York City painting was accidently deleted.