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The Appearance to Mary Magdalene at the Empty Tomb to Sydney and Jasiyah

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The Appearance to Mary Magdalene at the Empty Tomb to Sydney and Jasiyah

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Title: Resurrection
Artist: Sir Edward Coley Burne-Jones
Created time: 1882
The painting isn't very accurate, as two angels were added in. Mary and Jesus are in the painting and two angels. The angels looked shocked and concerned, while Mary looks sad and surprised. Most characters are static, but one angel is in motion. The message it conveys is that Jesus has resurrected.The image captures the shock and relief of Jesus' resurrection.

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It was painted by Duccio di Buoninsegna between 1308-11. It is currently being shown in a museum in the Province of Siena, Italy. It depicts the moment after Jesus's resurrection where the all the Apostles believed him, but Thomas. Thomas said he wouldn't believe Jesus has come back until he touches the wounds Jesus had when he died. This painting is a depiction of that moment.
This painting accurately depicts the Bible Scripture, as it represents all the essential moments in the scripture, the wounds Jesus suffered, Thomas touching those wounds and Apostles acting as witness.
This painting also attempts to depict the anxiousness of Thomas and the Apostles.
The theological meaning this painting tries to convey is how Jesus is portraying himself as God and human simultaneously.
This painting depicts Jesus, the Word of God by God prophesying that he will send a Messiah onto Earth to die for others and come back. This painting, which shows the moment after Jesus has been resurrected, shows that God's word has come true.

https://docs.google.com/document/d/1lC7-QYWLf12WJyZ_C1WXNWsdd07Z0Dcw_bi8Y_9F7sU/edit?usp=sharing

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The title of the piece is St Thomas. It was created in the 16th century by Giovanni Serodine. It is located in National Museum in Warsaw. The picture accurately depicts the interaction between Jesus and Thomas. It shows Thomas inspection Jesus's hand and appearing in shock. It also accurately shows other's surrounding Jesus in a way that is accurate to that of the Bible. There are several people depicted in these pictures, but the main two are Thomas and Jesus. Jesus is depicted confident, and is showing Thomas that he is alive. Thomas appears shocked in excited as he looks at Jesus to see if he is real. Everyone else is surrounding Jesus, looking at him with disbelief in their eyes. Jesus seems to be static and uprights, while all the other characters appear to be moving and looking around at Jesus. This painting expresses the message that people should believe in God and remain faithful through all circumstances. It also tells people to trust in God. This picture does a good job of depicting themes in the Gospel of John. It shows themes like trust and faithfulness well, which are prevalent in the Gospel of John.

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The Appearance of Mary Magdalene at the Tomb (20: 11-18)

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The Appearance of Mary Magdalene at the Tomb (20: 11-18)

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*What is the title of the piece? (Indicate if it is “untitled.”)

Noli Me Tangere

*Where is the piece located? (For example, is it in a museum or church? It is fine to say “unknown.”)

Convent of San Marco, Florence

*Who is the artist? (It is fine to say “anonymous/unknown.”
Guido di Pietro

*When (approximately) was it created?
1400-55

*How accurately does the image depict the biblical story on which it is based? What, if anything, is missing? What has been added?

- It accurately shows that Mary Magdalene has seen the Lord after he was resurrected, but what is missing is the 2 angels telling her to not weep for him. Something that was added was that the resurrected Jesus was now blonde and has an axe.

How are the characters in the image depicted? With what emotions? What attitude is reflected in their body positioning? Are they static or in motion?

- Mary Magdalene is crouched down before Jesus and looks startled. Jesus looks as if he is reassuring her about what is happening.  They looks as if they are moving because their hands appear to be gesturing something.

*What spiritual, theological, or Christological message or meaning does the image convey?

- The spiritual message that the image shows is how the angels from God’s kingdom, came to the weeping woman to tell her that Jesus has been resurrected and that she must not weep for him. It also shows how when she sees that the Lord is there in spirit; her faith grows and she goes back to her town to preach about how she has seen the Lord.

*To what extent does the image capture the particular themes and emphases of John’s Gospel?

- This captures the main theme of “the word of God” pretty well because it depicts Jesus in spirit telling Mary to not weep for him and that he will always be there and remain with her in Holy Spirit. It’s vague if you don’t know the context/bible passage about it, but it shows that Jesus is there even after he was persecuted.

By: Anela & Erin

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Priyana and Penny
Location: Brooklyn Museum
Artist: James Tissot
It was made in 1886-1894

*How accurately does the image depict the biblical story on which it is based? What, if anything, is missing? What has been added?

It depicts more of the reaction of his disciple who he states is “Mary’s son.” There is the two Marys as stated in the verse. The setting looks pretty accurate and the people are depicted as sorrowful.

How are the characters in the image depicted? With what emotions? What attitude is reflected in their body positioning? Are they static or in motion?

The are sorrowful and sad. They are shown as respecting of his wishes and they look static and they are mourning over Jesus.

*What spiritual, theological, or Christological message or meaning does the image convey?

It conveys the theme of the effect that Jesus’s death had made on the people he knew the most. That God provides because Jesus gave Mary a son so that even when he’s dead she will still have someone to turn to for love and support.

*To what extent does the image capture the particular themes and emphases of John’s Gospel?

It presents a more solemn and holy Jesus. It’s a very sad depiction of the passion.

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By: Zoe and Jacob

Title: The Crucifixion
Location: Musée d'Unterlinden, Colmar

Artist: Grünewald, Matthias

Date: b. 1470/80
The picture most accurately depicts the biblical story which is based on the crucifixion of Jesus, but the depiction of the moment of piercing. More characters had been added to the painting such as Mary, St. John and St. Mary Magdalene.

Mary’s emotion of agony reflects Jesus’ suffering as she is fainting into the arm of Saint John the Baptist. Saint John is seen as empathetic, while Mary Magdalene is seen praising Him. Most characters in the picture are in motion except for Jesus. Jesus is presented as static as his body is deceased. The image shows Mary's belief in God after her son died because no anger is shown toward Pilate or the soldiers. We felt that the image greatly captured the particular theme of John, Jesus the word of God because his crucifixion proved the testimony true.

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Image result for James Tissot (French, 1836-1902). Woman, Behold Thy Son (Stabat Mater), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 11 11/16 x 6 in. (29.7 x 15.2 cm). Brooklyn Museum, Purchased by public subscription, 00.159.300 (Photo: Brooklyn Museum, 00.159.300_PS2.jpg) James Tissot (French, 1836-1902). Woman, Behold Thy Son (Stabat Mater), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 11 11/16 x 6 in. (29.7 x 15.2 cm). Brooklyn Museum, Purchased by public subscription, 00.159.300 (Photo: Brooklyn Museum, 00.159.300_PS2.jpg) James Tissot (French, 1836-1902). Woman, Behold Thy Son (Stabat Mater), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 11 11/16 x 6 in. (29.7 x 15.2 cm). Brooklyn Museum, Purchased by public subscription, 00.159.300 (Photo: Brooklyn Museum, 00.159.300_transp5932.jpg) James Tissot (French, 1836-1902). Woman, Behold Thy Son (Stabat Mater), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 11 11/16 x 6 in. (29.7 x 15.2 cm). Brooklyn Museum, Purchased by public subscription, 00.159.300 (Photo: Brooklyn Museum, 00.159.300_bw.jpg) DOWNLOAD Woman, Behold Thy Son (Stabat Mater)

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Image result for James Tissot (French, 1836-1902). Woman, Behold Thy Son (Stabat Mater), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 11 11/16 x 6 in. (29.7 x 15.2 cm). Brooklyn Museum, Purchased by public subscription, 00.159.300 (Photo: Brooklyn Museum, 00.159.300_PS2.jpg) James Tissot (French, 1836-1902). Woman, Behold Thy Son (Stabat Mater), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 11 11/16 x 6 in. (29.7 x 15.2 cm). Brooklyn Museum, Purchased by public subscription, 00.159.300 (Photo: Brooklyn Museum, 00.159.300_PS2.jpg) James Tissot (French, 1836-1902). Woman, Behold Thy Son (Stabat Mater), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 11 11/16 x 6 in. (29.7 x 15.2 cm). Brooklyn Museum, Purchased by public subscription, 00.159.300 (Photo: Brooklyn Museum, 00.159.300_transp5932.jpg) James Tissot (French, 1836-1902). Woman, Behold Thy Son (Stabat Mater), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 11 11/16 x 6 in. (29.7 x 15.2 cm). Brooklyn Museum, Purchased by public subscription, 00.159.300 (Photo: Brooklyn Museum, 00.159.300_bw.jpg) DOWNLOAD Woman, Behold Thy Son (Stabat Mater)

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Image result for James Tissot (French, 1836-1902). Woman, Behold Thy Son (Stabat Mater), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 11 11/16 x 6 in. (29.7 x 15.2 cm). Brooklyn Museum, Purchased by public subscription, 00.159.300 (Photo: Brooklyn Museum, 00.159.300_PS2.jpg) James Tissot (French, 1836-1902). Woman, Behold Thy Son (Stabat Mater), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 11 11/16 x 6 in. (29.7 x 15.2 cm). Brooklyn Museum, Purchased by public subscription, 00.159.300 (Photo: Brooklyn Museum, 00.159.300_PS2.jpg) James Tissot (French, 1836-1902). Woman, Behold Thy Son (Stabat Mater), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 11 11/16 x 6 in. (29.7 x 15.2 cm). Brooklyn Museum, Purchased by public subscription, 00.159.300 (Photo: Brooklyn Museum, 00.159.300_transp5932.jpg) James Tissot (French, 1836-1902). Woman, Behold Thy Son (Stabat Mater), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 11 11/16 x 6 in. (29.7 x 15.2 cm). Brooklyn Museum, Purchased by public subscription, 00.159.300 (Photo: Brooklyn Museum, 00.159.300_bw.jpg) DOWNLOAD Woman, Behold Thy Son (Stabat Mater)

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Jesus Washing the Disciples' Feet (Howard and Sunny)

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Jesus Washing the Disciples' Feet (Howard and Sunny)

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Title: Jesus Washes the Feet of the Apostles
Location: In a church called Scrovegni Chapel
Artist: Ambrogio Bondone
Date written: 1267-1337
How accurately does the image depict the biblical story on which it is based? What, if anything, is missing? What has been added?The image is accurate in depicting the biblical story as it clearly represents Jesus washing the apostles' feet.
How are the characters in the image depicted? With what emotions? What attitude is reflected in their body positioning? Are they static or in motion?
Some of the characters are distressed that Jesus is washing their feet and others are looking in interest. The apostles are static except for Jesus who is washing their feet.
What spiritual, theological, or Christological message or meaning does the image convey?
The image’s meaning is to be humble and to help others and to always be kind.
To what extent does the image capture the particular themes and emphases of John’s Gospel?
This pictures emphasizes the word of God through humbleness and helpfulness. To help others just as they would help you.

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Jesus Washing the Disciples' Feet (Katelyn and Jerry)

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Jesus Washing the Disciples' Feet (Katelyn and Jerry)

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Title: Small Passion: 9 . Christ Washing Peter’s Feet

Located: British museum, London

Artist: Dürer, Albrecht

Created: 1511

Biblical Accuracy: The image is an accurate representation of the story. There a minor differences, such as the fact that in the story, Jesus dries their feet with the towel from around his waist; but in the artwork Jesus is fully clothed.

Characters and Setting: The art piece takes place in a crowded room with many characters overlooking Jesus and the man who is getting his feet washed. They are all in shock and chattering amongst themselves about the event taking place. They all appear to be in motion, talking or cleaning. All of the characters in the image appear to be familiar and close to each other.

Spiritual Message: The image conveys the idea that no one is above anybody else and it is important to treat others with the attitude and respect they deserve, through both actions and words.

Connection to John’s Gospel: The image embodies the theme of John’s Gospel and demonstrates how Jesus is a reflection of God’s word and who encourages others to follow the word of God with him.

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The Beloved Disciple and the Women at the Cross                       Matthew and Ariella

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The Beloved Disciple and the Women at the Cross                       Matthew and Ariella

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Ariella de Sousa and Matthew Quiambao

4.11.19

THEOLOGY

Event: The Beloved Disciple and the Women at the Cross
Art Piece: Mary and John before the Man of Sorrow

Author: Hans Süss von Kulmbach
Date Created: ca. 1514

Location: Nuremberg (Possibly, not certain

Analysis:

Q: How accurately does the image depict the biblical story on which it is based? What, if anything, is missing? What has been added?

A: It is partially accurate, aside from the fact that the location is slightly different, along with the note that there were more people present in the event, and the cross was not on a stone bridge.

Q: How are the characters in the image depicted? With what emotions? What attitude is reflected in their body positioning? Are they static or in motion?

A: The characters in the image appear static, in a sense that they are simply mourning for Jesus

Q: What spiritual, theological, or Christological message or meaning does the image convey?

A: The message was to show the people that saw the pictures that in that circle of light there are only three people, Jesus, Mary, and John. Jesus loved Mary and John the most, and this is why they are standing with him, in life and in death.

Q: To what extent does the image capture the particular themes and emphases of John’s Gospel?

A: We believe that this image does not capture the theme of Jesus the Savior since the story was intended to show how Mary is our saving mother. The image above gives us a message that doesn’t align with the message of the story.