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Teiners The Younger, David
1660
This can be like school to show an art teacher making a painting with a student watching
The Prado

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Teiners The Younger, David
1631-1640
This fits the school theme because it is like a chemistry teacher in their class doing a lab.
The Prado

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1660
Teiners The Younger, David
this is like a picture of students in a classroom
the prado

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1825
This looks likes a student portrait photo.

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The possibility of studying psychological features by translating them into art was of great interest to Giovanni Fattori, who willingly grappled with the genre of portrait painting throughout his long artistic career

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Portrait of a Young Lady with a book Andrea del Sarto  

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Portrait of a Young Lady with a book Andrea del Sarto  

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1486-1530
this fits school because it looks like she is reading a book maybe for school.

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The young woman, shown in three-quarter view, is seated with her right arm on the back of the chair, while gazing out at the onlooker with a hint of an inviting smile. The dark background serves to highlight the wide-sleeved blue dress and white shirt, decorated with a floral pendant.. She is holding a 'petrarchino', a printed copy of the Canzoniere by Francesco Petrarca, a very popular type of book in the 16th century, due to the small size that made it suitable for the private enjoyment of reading. The woman shows us the page with sonnets 153 "Ite caldi sospiri al freddo core" [Go, warm sighs, to her frozen heart] and no. 154 "Le stelle, il cielo e gli elementi a prova" [The stars, the sky, the elements employed]. The first text is a reference to the disquiet of amorous feelings, and the second, in praise of the beloved's beauty, evoking her beautiful eyes and the intensity of her gaze. We do not know the name of the woman. According to some, it may be a portrait of Lucrezia, Andrea's wife, while for others, it is a portrait of Lucrezia's daughter from her first marriage, Maria del Berrettaio. In this intense portrait, with its rich palette of blues, Andrea draws on the closest examples of portraiture, not only Florentine, but also Roman, from Raphael to the Venetians, such as Sebastiano del Piombo, or Lotto, from whom he takes the freer, more intimate style of interpretation. The painting was displayed in the Tribuna from 1589 and attributed to Pontormo.

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Portrait of a Young Lady with a Book | Artworks | Uffizi Galleries

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The young woman, shown in three-quarter view, is seated with her right arm on the back of the chair, while gazing out at the onlooker with a hint of an inviting smile. The dark background serves to highlight the wide-sleeved blue dress and white shirt, decorated with a floral pendant..

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Stefano Ussi 1822-1901
This picture shows someone writing and the rest helping him think of ideas. kind of like group work.
the Uffitzi

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The subject of the painting takes its inspiration from an episode mentioned by Niccolò Machiavelli in his second book of Florentine Histories, about the expulsion of Walter of Brienne, Duke of Athens, in July 1343. The scene is set in a room in of the Bargello Palace, where the Duke, who had ruled despotically over Florence, is about to sign his resignation from government over the city. His expression matches the grim face of the perfidious councillor, Cerretieri Visdomini standing behind him, and also provides a contrast to the stationary attitudes of the characters on the left, identified as the figures behind the plot: Archbishop Acciaioli and representatives of the aristocracy and of the people. The ferment in the background culminates with the figure of the soldier on the right who, with his gestures, seems to urge the Duke to make this difficult choice, while through the window, it is possible to notice the celebrations already taking place in the city.

The painting dates back to 1860 and was likely intended to commemorate the recent events of the liberation of Italy from oppressive foreign rule: first and foremost, the Austrian Empire. In fact, it was Tuscany that expelled its Grand Duke, Leopold II of Habsburg-Lorraine to join the newly formed Kingdom of Italy.

This large canvas was a triumph at the 1861 National Exhibition in Florence, and at the 1867 Paris Exhibition, where it was awarded first prize and a gold medal respectively. The lengthy time for its creation can be seen in a series of preparatory drawings, now in the Departments of Prints and Drawings, and a sketch preserved at the Gallery of Modern Art in Pitti Palace. The theatrical setting of the scene, which is typical of the historic genre, has been enhanced by the identification of physiognomies and individual expressions. Presumably some of the artist's friends posed for the main figures in the painting and the figure of the armiger with the bandaged head is Ussi himself.

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Expulsion of the Duke of Athens | Artworks | Uffizi Galleries

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The official website of the Uffizi Galleries. Opening hours, prices, tickets, subscriptions and information for the Uffizi, Pitti Palace (Palatine Gallery, Royal Apartments, Gallery of Modern Art, Treasury of the Grand Dukes, Museum of Costume and Fashion) and Boboli Gardens

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Rembrandt Harmenszoon van Rijn
1669
This fits the topic School because it shows a scholar studying in a room.
The Uffitzi

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If there has ever been a key to enter into the enchanted dimension that emanates from Rembrandt's engravings, it is the understanding of his prodigious ability to dose bright landscapes on the plate, and to express dazzling light using only black and white means. In this respect, this print is one of the artist's most important, since it interprets the symbolic, mystical value of light according to an iconography that is still shrouded in mystery. A great deal has been said on the actual subject of the scene and on the meaning behind its single compositional elements, interpreting it as the figure of an alchemist, intent on his experiments, or as a representation of Faust in the moment in which a vision is persuading him not to make any deals with the devil, according to a widely accepted interpretation. Others have instead sought the solution in esoteric contexts, intending the writing in the luminous apparition to be a reference to the Kabbalists of Hebrew mysticism, referring to the people Rembrandt would meet with in the Amsterdam ghetto. Others have interpreted the work as an allegory of Christian faith that guides human knowledge, represented by the old scholar, towards divine knowledge, of which it can be but a pale reflection, visible as if in a mirror.

The composition is based on two pictorial traditions: the iconography of "the scholar in an interior" and that of the "saint struck by a vision". Whatever the real significance of the scene, what fascinates us is Rembrandt's almost magical ability to master the rendering of light and to use it to convey a strongly emotional message.

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A Scholar in his Study by Rembrandt | Artworks | Uffizi Galleries

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The composition is based on two pictorial traditions: the iconography of "the scholar in an interior" and that of the "saint struck by a vision". Whatever the real significance of the scene, what fascinates us is Rembrandt's almost magical ability to master the rendering of light and to use it to convey a strongly emotional message.

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William Kentridge, 2013
This fits school because it it is like a zoom call when a teacher is showing slides.
The Broad

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Jean‐Michel Basquiat, 1983

This fits school because it is like watching a teacher take notes with a lot of information.
The Broad

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Portrait of a Scholar-Official in a Pink Robe

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Portrait of a Scholar-Official in a Pink Robe

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Korea, Korean, Joseon dynasty (1392-1910), 19th century.
this painting fits the school theme because it is a school photo.
lacma.