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The portrait as an artistic expression appears in the 5th century BC on the coins of the Persian kings. Its use expanded especially since the death of Alexander the Great. It reached a considerable development during the Roman period. The first portraits in history were sculptures.

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The camera is almost on the same line as the shoulders and sees the cheek on the back side and the two sides of the front and three of the four parts of the face are visible. The hidden ear is not seen but the eye on the narrow side is shown. In this example the broad side is the right cheek.

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The face is taken from the model's back. Only the profile is visible.

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The human face is asymmetrical in small proportions and that is why everyone has a "good profile" and a "bad" one, this should be our first mission, to choose the best profile and thus know which side to position the model.

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The orientation of the face in classical portraiture

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The orientation of the face in classical portraiture

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One is always slightly more forward than the other, forming a small foreshortening.

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A portrait is never taken with the shoulders facing the camera.

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Position of the subject in front of the camera

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Position of the subject in front of the camera

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The classic portrait focuses on the human face and especially on the gaze, but it is equally applicable to the different planes that make up this photographic discipline, which we will discuss later.

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Creating unnatural poses that look more like a contortionist's exercise than a portrait.

# data[].attributes.body
The portrait as an artistic expression appears in the 5th century BC on the coins of the Persian kings. Its use expanded especially since the death of Alexander the Great. It reached a considerable development during the Roman period. The first portraits in history were sculptures.

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Painters capture the physical features and expressions of the model, to show its external aspect but also its interior if possible, with the most desired goal by humans, which is to immortalize themselves.

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Consists of describing together the physical and external features of a person, and his or her psychic or moral character.