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The importance of this lecture, amid myself partaking in the formation of collectives, brought up key parts in the process and ideally the main focuses. In order to discuss and digress the issues and subjectivity faced across society, challenge the seemingly lack of in the artistic space as well being a support to communities in response to the the disparities faced, a practice is formed around these topics for a response and message.

Questions raised from this lecture:
Does the process of individualism seem to be hindered ?
Does the practice Necessarily have to relate to the overall collective?

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Lecture series : collective imaginings seminar 

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Lecture series : collective imaginings seminar 

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The discussions of the purpose of forming collectives and their importance towards communities through response and communication was intriguing. Being in which, these collectives provide a sense of communal space and support in areas that the govt seem to deprive from, the idea of collectives being responsible for change wether it’s providing or responding towards certain world elements is also crucial, but does that blend into social work more, rather than the therapeutic representation art is perceived to be?.

Wether art should inherit social influxes or be the spiritual gathering to heal certain relative elements is completely judged on the preference, however with the way society is evolving it seems to be part of the artist’s responsibility to confront and challenge certain views. Certain fears alludes to art being “too simplistic, than valued for challenge and truthfulness”,wether that hinders the individualism of the work is to be seen.
It’s important to note the importance of collectives is to communicate and converse certain issues.

Phrases collected from the session:
“Is art formatting into social work?”
“Is it an artist’s responsibility to be the change for the world in a post pandemic world?”

“Does the idea of art need to be disruptive towards others rather than the procedural process of showcase?”

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Lecture series : collaboration and Authorship

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Lecture series : collaboration and Authorship

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As the link to the previous discussions of collectives, the idea of collaboration can take shape in many forms, such as the partnership of artists and galleries, ideal collectives as well as the collaboration of artist and specialists in other forms of subject criteria.

Collaboration is looked at as an act of activation, creating a sense of urgency and response through mainly looked at performative practices. Audience members / the public are primarily involved in the process for a communal aspect and perspective, creating a sense of social engagement.

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lecture series: collaboration and authorship seminar 

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lecture series: collaboration and authorship seminar 

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a series of discussions continuing the aspects of working as a collective, what it brings in terms of the positive contributions as well as some underlying factors. some points to add on the criteria of collaboration, is that it brings a sense of new energy and dynamic in the way of working with new perspectives and visions. As well as what was said before the aspects of bringing such communal values in practices in order to pursue and allow certain conversations.

but what is the limit into social gratification, in some instances certain acts seems to be a visage for that "acceptance" with no further expanditure on that specific target.

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a concise presentation, showing aspects of research , enquiry as well as prior influences. formatted in a 20 sec schedule in 20 slides creating a space where all relevant information is made to the point without the fear of overloading the viewer/reader with too much information. an opportunity to be explorative as well as experimental in the sense of the layout of the presentation with use of mixed media as such as visual imagery, sound and moving images.

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Lecture series: collaboration of body and site 

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Lecture series: collaboration of body and site 

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Considering the relation of memory and the body towards site, with the idea of using archival imagery to give the practice a sense of new life.

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In response to social discourse and societal prejudices, with the formation of a collective style organisation different from institutions and less focus on marketing. Being primarily independent, democratic and anti- commercialised this idea of engaging art in a less institutionalised culture gives it a more communal aspect, but when does the line cross with the idea of artist led slowly merging into institutional influences.

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Lecture series: let’s dream about communities

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Lecture series: let’s dream about communities

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Somewhat more an informal session that discusses the aspects of community wether in an engaging collective or a response to certain values. Fundamentally a critical aspect in the process of practices, since an element of understanding and communication between diverse perspectives through conversations can degrade certain barriers and prejudices thought earlier.

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Lecture series: Whats t like to be a human or a  subject of something? ( part one) 

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Lecture series: Whats t like to be a human or a  subject of something? ( part one) 

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The idea of subjects being an inanimate objects or ephemeral status, where as the masses constitutes the experience and consciousness of another entity.

This simplicit idea of humanity with its authorships and ideas, with discussions of the philosophical and institutional effects.

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It’s contextual exploration through the means of space in an artistic practice I.e. composition as well as refining the concept and modern definition of “space” being the existence of an empty environment. A conversation of space in a hegemonic sense being the inclusion of social context and belonging.