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Emerging in the mid 1950s in Britain and late 1950s in America, pop art reached its peak in the 1960s. It began as a revolt against the dominant approaches to art and culture and traditional views on what art should be. Young artists felt that what they were taught at art school and what they saw in museums did not have anything to do with their lives or the things they saw around them every day. Instead they turned to sources such as Hollywood movies, advertising, product packaging, pop music and comic books for their imagery.

In 1957 pop artist Richard Hamilton listed the 'characteristics of pop art' in a letter to his friends the architects Peter and Alison Smithson:

Pop Art is: Popular (designed for a mass audience), Transient (short-term solution), Expendable (easily forgotten), Low cost, Mass produced, Young (aimed at youth), Witty, Sexy, Gimmicky, Glamorous, Big business

Modernist critics were horrified by the pop artists' use of such 'low' subject matter and by their apparently uncritical treatment of it. In fact pop both took art into new areas of subject matter and developed new ways of presenting it in art and can be seen as one of the first manifestations of postmodernism.

American pop vs. British pop

Although they were inspired by similar subject matter, British pop is often seen as distinctive from American pop.

Early pop art in Britain was fuelled by American popular culture viewed from a distance, while the American artists were inspired by what they saw and experienced living within that culture.

In the United States, pop style was a return to representational art (art that depicted the visual world in a recognisable way) and the use of hard edges and distinct forms after the painterly looseness of abstract expressionism. By using impersonal, mundane imagery, pop artists also wanted to move away from the emphasis on personal feelings and personal symbolism that characterised abstract expressionism.

In Britain, the movement was more academic in its approach. While employing irony and parody, it focused more on what American popular imagery represented, and its power in manipulating people's lifestyles. The 1950s art group The Independent Group (IG), is regarded as the precursor to the British Pop art movement.

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Tate glossary definition for pop art: Name given to art made in America and Britain from the mid 1950s and 1960s that drew inspiration from sources in popular and commercial culture

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futurism is a style to reflect what is people's future. it is from three aspects to describe people, policy. economy and technology. so we want more focus on technology effect on people. basic this my keywords is unit, improve, technology and forward.

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simple shapes，silhouetttes

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people's history was created by people, and future is, we want to show more people's cooperation because of covid-19. Thus, in the future, people who are from different countries will be working and living together for improving our environment better, such as nature, animals, people's life.

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Something that represents Hope Wonder&Joy

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Something that represents Hope Wonder&Joy

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Trees, Birds, Lights, Starts, Water, Breeze, Sunrise, Flowers
Hot coffee, Relaxing afternoon, Puppy, ice cream, Celebration

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superematism resolved people societ and recombine them, that mean this is a way to describe people spirit in the future

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The background becomes dangerous, the emotions become angry, but enveloped by some greater warmth

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The background becomes dangerous, the emotions become angry, but enveloped by some greater warmth

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The beautiful world outside when the lockdown is lifted

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The beautiful world outside when the lockdown is lifted

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People at home imagine the safety of becoming a chrysalis or in the womb, in a space that provides a sense of security to survive outside threats

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People at home imagine the safety of becoming a chrysalis or in the womb, in a space that provides a sense of security to survive outside threats

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It's an abstract, fictional space that expresses the promise of a better future if we all work together to get through the blockade

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It's an abstract, fictional space that expresses the promise of a better future if we all work together to get through the blockade

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how public art interactive with  Chinese people
what relationship with people's hope of beautiful life

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China or Australia
future big bases manufacture, nature, space apply
past Chinese traditional art, shuimo printing, spirit printing
present city building, ethnic building and people work together with animals