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1. Pick an idea that you are really passionate about.
2. Ideas can come from anywhere don't be afraid to use crazy ideas
3. if you are commited to something, you can  break the rules a little
4. Keep it simple easier to make a film the simpler it is.
5. do NOT rely on improv
6. stay in the world of the movie, dont go off topic.
7. hundreds of drafts to ensure max superiority.

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pg. 7 “When I first started out I was just putting a vision on a paper.” after this he was making the dream into a reality by fixing the spelling capitalization and then writhing in the extra details that would make the story better. After that he went over again and again to fix his writing, he even had other people go over his writing.
pg. 8

Not everything you write will sell so sometimes you just have to keep moving on.

We’ve never turned in a draft where we felt it couldn’t go into production the next day. There is such a thin membrane between done and worth doing. It takes certain insanity to achieve the needed level of denial and believe what you’re doing is worth the pain,

I like to feel with absolute certainty that the fundamental idea for the film is, without a doubt, an exceptional premise

Nothing else matters, nothing will happen, no project will be begun or get anywhere or make any progress at all until the ending is known.

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 there will be ups and downs, but never be afraid of doing what you need to do to ensure your script is the best it can be.    

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 there will be ups and downs, but never be afraid of doing what you need to do to ensure your script is the best it can be.    

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stephen McFeely

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“Make the themes of your screenplay universal and relatable all over the world, but underneath make it more complex and surprise the audience."

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He starts off with writing and jotting down his ideas about the story in the notebook, everything, like plot, setting, characters, etc.

Then transfers those ideas to index cards. Then he as the process of ordering.

Dedicate a set time to write each day, without distraction. Helps the best and come up with ideas step by step

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Start with a compelling protagonist.
Never make your characters dumber than your audience.
Lure your audience into a sense of security.
Lay a trap with subtlety.
Have a deeper purpose.
Push boundaries.
Above all else — have fun!

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“It takes a long time to find your own voice; it takes a lot of reading things you love and seeing things you love and reading things you hate and seeing things you hate.

I think the beginning of your work as an artist, I think it begins when you imbibe art and you’re able to critically say why you love something or why you don’t love something and why something doesn’t work for you. In doing so, you figure out your own tastes and you figure out the kind of work you want to make.

And so I think in the early stages of everyone’s work you’re chasing your heroes, you’re chasing the literary styles of your heroes, the themes that your heroes explore because they’re the ones that resonate with you.

And in falling short of those, you eventually stumble into what you sound like, and the kind of art you create.”

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1. Spongebob should never get his driver's license no matter what he does

2. The identity of Pearl's mother shall never be revealed

3. The contents of the secret formula for the krabby patty shall never be revealed

4.SpongeBob should not have a romantic interest, so he made him able to reproduce asexually like real sea sponges.

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https://www.youtube.com/watch?v=R4ePVu8J-XY

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He writes during the day between 10:30-11:30 AM and stops between 4-7 PM when he stops writing he is either mid sequence of at the end of a sequence. After he goes in in pool and thinks about what he wrote and thinks about what he can add to it. When he figures out what he wants to add he gets out of his pool in writes notes about it, but he doesn't go back to writing he enjoys dinner and a peaceful evening.

Tips he has are to take old stories and let life complicate them, also write every page like it is a piece of literature, assimilate your characters to understand them better

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He tells stories that he wants to see. He says that's the secret.

The stories have to be personal

Make sure your allowed to use creative freedom.

Finds a good working environment.

What your taught can help, but In the end, you make all the decisions.

Don't immediately throw away an idea. Give it time to grow and really figure out if you like it or not.

Near the end you just have to let the already existing characters and story guide you.

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1. Finnish it

2. Structure

3. Have something to say

4. Everybody has a reason to live

5. Cut what you love

6. Listen

7. Tack the audience mood

8. Write like a movie

9. Don’t listen

10. Don’t sell out

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To prepare, get everyone aligned with your vision, and then simply jump in and begin.

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Jordan Peele starts with a compelling protagonist

He never makes his character dumber than his audience

Lure your audience into a sense of security

Lay a trap with subtently

Have a deeper purpose

Push boundaries

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Structure is the key to narrative. These are the crucial questions any storyteller must answer: Where does it begin? Where does the beginning start to end and the middle begin? Where does the middle start to end and the end begin?... Each of those things is entirely up to the writer. They are the hardest decisions for any writer to make about any story, whether fiction or nonfiction.