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Nurhidayatul Farhana binti A Halim (2017485466)

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Nurhidayatul Farhana binti A Halim (2017485466)

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Muhammad Amirul Amin Bin Abdul Rahim 2017485462

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Muhammad Amirul Amin Bin Abdul Rahim 2017485462

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Wanderer Above the Sea of Fog by Caspar David Friedrich.docx

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The name of the painting is Kelambu by Dzulkifli Buyong.docx

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The Calling of Saint Matthew

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Memetik Daun Tembakau Di Kelantan, 1962..docx

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UNTITLED - KAZIMIR MALEVINCH 1916

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NORUL JANNAH BINTI AB MANAFF ( Number 2)

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NORUL JANNAH BINTI AB MANAFF ( Number 2)

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NURUL AFIQAH BINTI MD NOH (ARTWORK 3).docx

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PIERRE-AUGUSTE RENOIR 1841-1919

Dance at Le Moulin de la Galette 1876 finished by Pierre-Auguste Renoir 1841-1919. This painting uses oil on canvas. Pierre-Auguste Renoir used vibrantly coloured brushstrokes in this complex work to convey the lively atmosphere of a moving crowd. Shown at the third impressionist exhibition of 1877, the painting garnered both praise and criticism. One reviewer noted that it caught perfectly the raucous and rather bohemian atmosphere of this open-air dance hall, another commentator thought that the figures appeared to be dancing on a surface that look like purplish clouds. A masterpiece of early impressionism, it depicts young people enjoying a Sunday afternoon dance in the dappled sunlight of the garden of the Moulin de la Galette an old windmill in Montmartre, Paris, lately converted into a café and dance hall.

My first impression of the artwork is first Flirtatious Atmosphere, Renoir captures the flirtatious atmosphere of the dance. A man in a straw boater rests his hand on a tree trunk, learning forward, as if trying to gain the attention of the girl with her back against the tree. Almost hidden between them, a seated girl gazes towards a man in the foreground. Second cropped figure in the bottem left corner of the painting a young women sits on a bench talking to a little girl, whose inclusion adds an air of innocence to the scene. The women face is cropped by the edge of the canvas. The crop reflects the influence of snapshot photography and adds to the sense of immediacy and informality. Renoir deliberately creates the impression that this scene is not posed and that this scene is not posed and that it continues beyong the borders of the picture frame.