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Cereal is a biannual, travel & style magazine based in the United Kingdom. Each issue focusses on a select number of destinations, alongside engaging interviews and stories on unique design, art, and fashion.

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#44 BERLIN ISSUE - STUDIO RENTAL GUIDE
Editorial
Most people know close to nothing about Berlin's economy. The one thing everyone can agree on is the fact that the average wage of Berlin is significantly lower than any other cities in Germany, and that Berlin city government has suffered from deficit spending year after year. Truth be told, it was none other than reasonable living costs and rents that pushed Berlin to become the powerhouse of creativity. However, at this point, things are not as they used to be. Some argue that the surge of rent prices over the past few years will fundamentally change the city's nature of cultural ecology.

Nevertheless, Berlin is still considered as one of the most desirable cities to move in for young creators. Berlin is more like a natural organic body; various forms of cultural events co-exist, and each of its districts reflects the daily life of immigrants from different parts of the world. An ever-increasing energy comes out of exhibition openings held by over 300 independent cultural organizations on a daily basis-this is not even counting events hosted by city-run museums and large art galleries. Street walls covered in posters-a process and a result of both cultural and economic activity-also reveal the lively side of Berlin.

Here are some questions that arise. How does this diagnosis reflect the reality of Berlin? Or is it just a prejudice or a superficial bias? Is there any opportunity left in Berlin? What does it mean to be Berlin? Is it still valid?

Over the past few months, we got together with different studios and their members to talk about the situation that gives rise to such questions: from those located in Kreuzberg, where most design studios are set up, to those in Charlottenburg, the richest region of the old West Berlin; and from Berlin's iconic studios to lesser-known practices. They all shared with us rich stories about Berlin as viewed from their standpoints. It is about what has changed and what hasn't changed, and, at the same time, expectations and worries. It's also about preconceptions and realities.

We deeply appreciate the 14 studios' sharing of their frank views on Berlin and their design practices. We would also like to show our gratitude to Node's Serge Rompza and writer Madeleine Morley, who developed an interesting conversation about Berlin's graphic design history, and Martin Conrads, who wrote an insightful text on Berlin's poster culture. Our thanks also go out to all those who participated as contributors.

We hope this issue will help those who are curious about Berlin's graphic design culture. In addition to detailing design practices of studios that work in the field, we also touched on other relevant issues including rent rise and gentrification. That's why this issue's subtitle "studio rental guide" is actually something more than mere rhetoric. Willkommen in Berlin!

CONTRIBUTORS
Büro Bum Bum
David Benski
Dinamo
Eps51
Fehras Publishing Practices
FM Aussenwerbung
Ham Minjoo
Kim Jungyun
Kulturplakatierung
Madeleine Morley
Martin Conrads
preggnant
Rimini Berlin
Ruohan Wang
Schick Toikka
Serge Rompza (NODE)
Stahl R
Studio Pandan
Studio Santiago da Silva
Studio Yukiko

Planned, Edit & designed by
Bernd Grether, Kim Young Sam, Lee Aram, Shin Dokho

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44 BERLIN ISSUE - STUDIO RENTAL GUIDE Editorial Most people know close to nothing about Berlin's economy. The one thing everyone can agree on is the fact that the average wage of Berlin is significantly lower than any other cities in Germany, and that Berlin city government has suffered from deficit spending year after year.

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@oujuca

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@oujuca

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Are.na is a platform for connecting ideas and building knowledge.

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Are.na is a platform for connecting ideas and building knowledge.

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Are.na is a platform for connecting ideas and building knowledge.

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Are.na is a platform for connecting ideas and building knowledge.

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IDEA No.382 Fragments of Graphism: An Alternative History of Graphic Design in Japan

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@kooollektoor from #repost #alwaysrebellious x Documentary your lives via footsteps and heartbroken. #design#brillian...

210 Likes, 3 Comments - KLUB (@kooollektoor) on Instagram: "@kooollektoor from #repost #alwaysrebellious x Documentary your lives via footsteps and..."

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@kooollektoor from #repost #alwaysrebellious x Documentary your lives via footsteps and heartbroken. #design#brillian... - Are.na

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@kooollektoor from #repost #alwaysrebellious x Documentary your lives via footsteps and heartbroken. #design#brillian... 210 Likes, 3 Comments - KLUB (@kooollektoor) on Instagram: "@kooollektoor from #repost #alwaysrebellious x Documentary your lives via footsteps and..."

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Are.na is a platform for connecting ideas and building knowledge.

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Originally released in 2009, Graphik has quickly become a modern classic. With a rational grid composed of nine weights in eight different widths, the Graphik Collection is created for maximum flexibility in communication. Inspiration for Graphik came from designer Christian Schwartz's enduring interest in the expressive possibilities found in ordinary sans serif typefaces. This stems from his early exposure to Modernist graphic design, particularly posters, from the mid-twentieth century. The purposeful, elegant plainness and wide range of widths allow the Graphik collection to move effortlessly between being a central design element or playing a supporting role in editorial design, corporate branding, video and broadcast design, websites, apps, and user interfaces.

SPECIMENS (13)

RELATED NEWS

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Originally released in 2009, Graphik has quickly become a modern classic. With a rational grid composed of nine weights in eight different widths, the Graphik Collection is created for maximum flexibility in communication. Inspiration for Graphik came from designer Christian Schwartz's enduring interest in the expressive possibilities found in ordinary sans serif typefaces.

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Milieu Grotesque is an independent publisher and distributor of typefaces and related products.

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BORSHCH #1 - Rita Matos and Tiago Biscaia

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Not even the largest, but certainly the most meta type specimen... by Benoît Bodhuin

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OH no Type Co. Retail and custom typefaces. Life’s a thrill, fonts are chill!

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Are.na is a platform for connecting ideas and building knowledge.

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Switzerland-based online publication for design, culture and visual creation.

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Following the release of Theinhardt Pan in 2018, Optimo is now adding two new families with wider widths to expand the Theinhardt Collection. Theinhardt SemiExtended and Extended are the result of a detailed and precise study in search of perfect complementary widths. Each style has been masterly drawn and individually crafted.

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A new type foundry from Czech Republic producing high quality typefaces melding tongue-in-cheek conceptualism with a contemporary finish.

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Aperçu عربي Aperçu Condensed Aperçu Archive Basis Grotesque Arabic Basis Grotesque Brick Burgess Castledown CENTRAL ave Coign Fann Grotesque Fortescue Goodall Guida La Fabrique Leroy Lisbon Lydia Mabry MAD Sans MAD Serif Marché Monosten Montefiore Nib Pantograph PDU Peggs Pep Perfin PIN Rais

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Poster for ENTKUNSTUNG - Edition of 10 stamped and numbered on the back, printed on 160g high white paper, 50 x 70 cm.

Poster for Pli 05 - Obsession

Typographic specimens: Brutal, Standard and GroteskRemix - riso printed by Quintal Éditions, 2 colors, Munken Print White 90gr paper, folded A5, open A3.

GroteskRemix - remix of a Grotesk typeface in 6 styles (thin - light - regular - medium - bold - black)
language: all latin glyphs

Elastik - grotesk typeface with elastic punctuation & diacritical mark.
in 4 weights: Light, regular, Medium and Bold
by 4 styles: A (small diacritical), B (normal diacritical), C (hight diacritical) and D (very hight diacritical)

language: all latin glyphs

Single style: 45 €
Pack 4 styles or 4 weights: 120 €
Pack 16 fonts: 300 €
Variable font (2 axis): 300 €

italic regular italic - t-shirts, long sleeves and sweatshirts (Black on white or White on black), with Pickle-Standard typeface.

Sudokube for Étapes 250

Panneaurama - posters about landscapes, at the médiathèque Hermeland and around. Curated by Super Terrain and the médiathèque Hermeland and comissioned by Saint Herblain city.

Copy - A1 poster for Iocus posters curated by Pedro Ajo and Carlos Mayo.

Side A - pointy typeface Bauhaus-inspired in 3 sizes (unit - half - third)
UPDATED

Put your car in trash - 2 colors poster (black and fluo - A3) for riso exhibition curated and printed by Quatre par trois
15 € + shipping

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benoît bodhuin - visual research, type design and teaching

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Poster for ENTKUNSTUNG - Edition of 10 stamped and numbered on the back, printed on 160g high white paper, 50 x 70 cm. Poster for Pli 05 - Obsession Typographic specimens: Brutal, Standard and GroteskRemix - riso printed by Quintal Éditions, 2 colors, Munken Print White 90gr paper, folded A5, open A3.

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Oh hi there.
Do you feel the creative world is missing doper typefaces? Do you think young designers should finally get a platform that highlights their work? Well, dinner is served babe. Typelab was created by one of you, for you.

TYPELAB is a type design service offering design software and bespoke type design for diverse clients.

TYPELAB is also a collection of the wildest, finest typefaces recently produced by young artists across the globe. We celebrate typefaces that have a whole personality and see design not as an aesthetic tool but a real medium for sharing emotions and informations.

Since 2018, fighting to push forward the new generation of designers for their creativity, inspirations and boldness, we developed a digital place to sell their typefaces, and we are working hard to make the TYPELAB Gang a real community!

Fonts hunter, delightfully cheeky

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Oh hi there. Do you feel the creative world is missing doper typefaces? Do you think young designers should finally get a platform that highlights their work? Well, dinner is served babe. Typelab was created by one of you, for you. TYPELAB is a type design service offering design software and bespoke type design for diverse clients.

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F37 is an award-winning font foundry established by design studio Face37 in London.

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Klim Type Foundry is an independent typeface design studio led by Kris Sowersby and is based in Wellington, New Zealand. They sell a wide range of fonts online and undertake custom typographic work for international clients.

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Emergence

Emergence is collective intelligence artwork / typeface developed in collaboration with artist Agnieszka Kurant.

Launched at Home Cooking as a profit-sharing-based poster project crowdsourced to artists, writers and thinkers.
Read more

© 2001-2020 RP Digital Type Foundry, Lÿno © 2009-2020 KN & RP. All rights reserved, including the right of reproduction in whole or in part in any form.
All typefaces designed by RP between 2001 and 2020. Lÿno designed by Karl Nawrot and Radim Peško between 2009 and 2012.
Please do not distribute fonts illegally. Terms of Service

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Emergence Emergence is collective intelligence artwork / typeface developed in collaboration with artist Agnieszka Kurant. Launched at Home Cooking as a profit-sharing-based poster project crowdsourced to artists, writers and thinkers. Read more © 2001-2020 RP Digital Type Foundry, Lÿno © 2009-2020 KN & RP.

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Annual bilingual magazine about the art and the design of books. Find all the books featured in the magazine through its virtual library online.

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Gama Revista - Identidade, cultura e reflexão

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Uma revista sobre diferentes modos de viver e as possibilidades do mundo hoje. Reportagens, entrevistas e colunas de opinião. Nova publicação do grupo do Nexo Jornal

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We design fonts like we would design everything else: with our own artistic gesture and sensibility.

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View this post on Instagram

A post shared by Poster Reposter (@poster.reposter)

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View this post on Instagram

A post shared by KLab (@kooollektoor)

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O laboratório explora, ainda, métodos digitais de análise e visualização de dados no campo das humanidades. A experimentação de diferentes linguagens, metodologias e perspectivas conceituais na produção e na divulgação das nossas pesquisas busca tornar o laboratório permeável às urgências políticas e sociais do presente.

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Entre-fora é um ensaio sobre o traçado da cidade; sobre a energia corrente no cotidiano e os infinitos ciclos de inscrições e obliterações, de dentro pra fora, de fora pra dentro, de fora pra fora. Um ensaio abstrato, encriptado, sobre formas de vida imaginadas. Um exercício sobre janelas, transparências e sobreposições. Um gesto que planifica o espaço numa linguagem rítmica, tão prosaica quanto enigmática, contorcendo-se nas possíveis maneiras de ver e responder ao que nos cerca; nas experimentações do dia-a-dia que se dão no limite entre o interior e o exterior, entre o sujeito e a paisagem, entre a ideia e a matéria, entre o que é dito e o que é inexprimível, entre o que é concreto e o que é simbólico. Uma atitude que se dá nas fendas que se abrem à experiência, em todo e qualquer lugar.

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o site é horrível, mentira não é horrível, mas o conteúdo é muito interessante. São textos escritos em sincronia com o momento. Acho que é difícil perceber o que estamos vivendo quando estamos passando por isso, é um série de suposições do mergulho enquanto mergulho qdo só existe o mergulho, mas acho que investigar pessoas diferentes que estão fazendo isso ao mesmo nos obrida a observar de outros olhares.

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o site é horrível, mentira não é horrível, mas o conteúdo é muito interessante. São textos escritos em sincronia com o momento. Acho que é difícil perceber o que estamos vivendo quando estamos passando por isso, é um série de suposições do mergulho enquanto mergulho qdo só existe o mergulho, mas acho que investigar pessoas diferentes que estão fazendo isso ao mesmo nos obrida a observar de outros olhares.

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https://casadopovo.org.br/programacao/#nossa-voz
jornal da casa do povo, a última edição tem o tema "o comum" e diferentes aproximações ao redor do assunto por escritores diferentes. Acho que eles tem um jeito muito prático e limpo de colocar notas e refs

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Pentagram has designed 2016's edition of Circular, the Journal published by The Typographic Circle. This issue is the twelfth designed by Pentagram and marks the 40th anniversary of the volunteer-run and not-for-profit organisation, which aims to bring designers with an interest in type and typography together.

Circular is designed to be an advert-free typographic onslaught, and is filled with oversized typography and foiled page numbers. Its freedom from the restrictions of advertisers means that each issue can be totally unique both in its design and content.

For Issue 19, Pentagram invited some of the world's most influential design and cultural editors to choose a subject which is self-indulgently of interest to them for Circular's readership to enjoy. These included Jeremy Leslie (MagCulture), Laura Bradley (Dazed Media), Tony Chambers (Wallpaper*) and Adrian Shaughnessy (Unit Editions).

The design of the issue therefore had a slightly disruptive execution with page numbers bouncing around in different sizes and positions against an instructed grid and title layout. Pentagram restricted the typography to a few typefaces and core colours resulting in the final design, reflecting the ambition of the issue (and the organisation) for its mainly design and typographic audience.

This issue has been released with four different covers, each featuring overlaid composites of the articles within the issue, bringing its theme from the inside out. A set of three posters were produced to accompany the project with metallic type over-printing running sheets from the journal.

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Pentagram has designed 2016's edition of Circular, the Journal published by The Typographic Circle. This issue is the twelfth designed by Pentagram and marks the 40th anniversary of the volunteer-run and not-for-profit organisation, which aims to bring designers with an interest in type and typography together.

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Visual & syntactic materialities in written language - Elena Etter

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Archiv Peace Newspaper vol 10, 2015 - Jin Dallae & Park Woohyuk

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works by jonathan castro –– @jonacthan jonacthan@gmail.com

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A SILENT, SEALED, AND BLIND AUCTION ON ETHEREUM

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Press and features

Workshops, Lectures & Exhibitions

Forward Festival - 02-03.07.2020

Millerntor Stadion
Hamburg, DE

Demo festival - 09.11.2019

Amsterdam Central Station
Amsterdam, NL

Us by Night Festival - 26-28.09.2019

Waagnatie Expo & Events
Antwerp, BE

AGI Open 2019 - 24.09.2019

Walhalla Kantine
Rotterdam, NL

The Big Flat Now - 12.09.2019
Getreidemarkt 14
Vienna, AU

Adherente Festival - 11-14.07.2019
Culturales IGA
Ciudad Guatemala, GT

Biennale Internationale de Design Graphique - 23-25.05.2019
Le Signe - Centre National du Graphisme
Chaumont, FR

Surface Design - Collective Exhibition - 28.04.2019
California College of the Arts
California, USA

Golden Hour Group Show - 23.11.2018
Arcola Street Studio
London, UK

Offprint - 8-11.11.2018
École Nationale des beaux-arts de Paris
Paris, France

Lecture & Workshop - 1-3.11.2018

Typojanchi
Seoul, Korea

Transient Space - 12-24.10.2018
Design Manchester Festival
Manchester, UK

Entercourse Of The New Age - 11.10.2018
Le Quartier des Bains
Geneva, Switzerland

AMPM Night Club Poster Show - 8.9.2018
GRID Grafisch Museum
Groningen, The Netherlands

Lecture & Workshop - 04-07.09.2018
Captcha Design Festival
Mannheim, Germany

Roaringwild's 18AW - 1.09.2018
Fasicart
Shangai, China

Cruel Letter Exhibition - 12.08.2018
Клуб "Mosaique"
St.Petersburg, Russia

Live music performance - 2.08.2018
Butcher's Tears
Amsterdam, The Netherlands

New Rave Exhibition - 27.07.2018
Affenfaust Gallery
Hamburg, Germany

032c: The Big Flat Now Exhibition - 18.07.2018
Ssense
Montreal, Canada

Motif Exhibition- 03.07.2018

Zwei Drei Raum
Berlin, Germany

Lecture - 17.05.2018
Central Saint Martins
London, UK

Art Sale - 19.05.2018
Offprint at Tate Modern
London, UK

Lecture - 2018
Flags of Peace Opening Night
Amsterdam, The Netherlands

Opening: Aloardi Exchange Programme - 2017
Het Wilde Weten
Rotterdam, The Netherlands
1 Euro Cinema - 2017
De School
WORM
Amsterdam & Rotterdam, The Netherlands

Before power was man: The Rubber Fever - 2016
United Notions Collaborative Exhibition
St. Petersburg, Russia
Moscow, Russia

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Forward Festival - 02-03.07.2020 Millerntor Stadion Hamburg, DE Demo festival - 09.11.2019 Amsterdam Central Station Amsterdam, NL Us by Night Festival - 26-28.09.2019 Waagnatie Expo & Events Antwerp, BE AGI Open 2019 - 24.09.2019 Walhalla Kantine Rotterdam, NL The Big Flat Now - 12.09.2019 Getreidemarkt 14 Vienna, AU Adherente Festival

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Trend List - Documenting visual trends in graphic design since 2011.

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Documenting visual trends in graphic design since 2011.

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# kooollektoor 17 - Kristine H. Kawakubo

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kooollektoor 17 2017 Project Selected Collection Portfolio 17 x Selected Project Collection which includes from the basic concept development to the journey of project generation. It has challenging the forms and convention knowledge as...