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Zoom is the leader in modern enterprise video communications, with an easy, reliable cloud platform for video and audio conferencing, chat, and webinars across mobile, desktop, and room systems. Zoom Rooms is the original software-based conference room solution used around the world in board, conference, huddle, and training rooms, as well as executive offices and classrooms. Founded in 2011, Zoom helps businesses and organizations bring their teams together in a frictionless environment to get more done.

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Zoom is the leader in modern enterprise video communications, with an easy, reliable cloud platform for video and audio conferencing, chat, and webinars across mobile, desktop, and room systems. Zoom Rooms is the original software-based conference room solution used around the world in board, conference, huddle, and training rooms, as well as executive offices and classrooms. Founded in 2011, Zoom helps businesses and organizations bring their teams together in a frictionless environment to get more done.

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" There the grown serpent lies; the worm that's fled hath nature that in time will venom breed, no teeth for the present"
Act 3, scene 4 line 178

In this quote Macbeth is comparing Banquo to a snake with no teeth and his son Fleance to a worm that in time will prove venomous.

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dramatic irony, a literary device by which the audience's or reader's understanding of events or individuals in a work surpasses that of its characters. Dramatic irony is a form of irony that is expressed through a work's structure: an audience's awareness of the situation in which a work's characters exist differs substantially from that of the characters', and the words and actions of the characters therefore take on a different-often contradictory-meaning for the audience than they have for the work's characters. Dramatic irony is most often associated with the theatre, but examples of it can be found across the literary and performing arts.

Dramatic irony abounds in works of tragedy. In Sophocles' Oedipus Rex, for example, the audience knows that Oedipus's acts are tragic mistakes long before he recognizes his own errors. Western writers whose works are traditionally cited for their adept use of dramatic irony include William Shakespeare (as in Othello's trust of the treacherous Iago in the play ), Voltaire, Jonathan Swift, Henry Fielding, Jane Austen, Thomas Hardy, and Henry James, among many others. Dramatic irony can also be found in such works as O. Henry's short story "The Gift of the Magi" and Anton Chekhov 's story "Lady with the Dog."

Dramatic irony is frequently contrasted with verbal irony. The former is embedded in a work's structure, whereas the latter typically operates at the level of words and sentences that are understood by audiences or readers to carry meanings different from the words themselves when interpreted literally. (Sarcasm can be considered a form of verbal irony.) Dramatic irony is also sometimes equated with tragic irony, situational irony, or structural irony; all those terms are also sometimes understood to exist within a hierarchy that establishes narrow differences of meaning among themselves.

The Editors of Encyclopaedia Britannica Adam Augustyn.

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dramatic irony, a literary device by which the audience's or reader's understanding of events or individuals in a work surpasses that of its characters.

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" There the grown serpent lies; the worm that's fled hath nature that in time will venom breed, no teeth for the present"
Act 3, scene 4 line 178

In this quote Macbeth is comparing Banquo to a snake with no teeth and his son Fleance to a worm that in time will prove venomous.

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Analysis:  This quote shows the change of Macbeths morals. Macbeth explains that before all of this happened he was whole and innocent, the thought to kill never entered his mind. But now after sudden events he is living in fear that everyone will soon find out the truth.

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Lilo and Nani don't know that Stitch is an alien criminal, but the audience does.

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Act 3, Scene 4, Lines 68-69

Quote: "Why do you make such faces? When all's done, / You look but on a stool."

Analysis: Only the audience and Macbeth know that Macbeth sees Banquo's ghost and know that it was Macbeth that had him killed.

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Act 3, Scene 4, Lines 21-24.
Quote: "Then comes my fit again. I had else been perfect; Whole as the marble, founded as the rock, as broad and general as the casing air. But now I am cabined, cribbed, confined, bound in to saucy doubts and fears."