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Man is a father who is trying to get his life back together. He's a recovering alcoholic, who has been sober for 6 months. During this time, he has been separated from his family because of domestic abuse charges brought against him, for hitting his wife. Man now lives alone haunted by his past. This story follows the day Man finally breaks and takes a drink again. The audience gets to see the crumbling of Man.

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This short film follows a man who is haunted by his alcoholism and violent nature.

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The ending of Meshes of the Afternoon is sort of ambiguous, and so I sort of wanted to embody that in this piece. Pasolini's classification of the image-sign was a topic that really resonated with me throughout the semester - and so I also wanted to incorporate that into this piece. Dreams and Memories play a major part in the story.

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My short film is majorly inspired by “Meshes of the Afternoon”. Meshes of the Afternoon was by far my favorite piece we watched during this semester. It's unlike anything I've ever seen before! The shots, editing, and plot are very unique and I really want to try to create something that speaks on something of significance, but isn't so cut and dry.

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The character "Man" is loosely inspired by Shia Labeouf's father in Honey boy. An alcoholic father who abuses his family because he's unable to deal with his own short comings of being a man.

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Lastly, "Man" is inspired by the Joker's father in The Dark Knight. I thought of Heath Ledger's character when writing the treatment. The Joker's father has similarities to the main character of this short film.

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Played by Tom Hanks.

He has no name. He’s a father who suffers from the addiction of alcoholism. He’s also a violent man who has been arrested for domestic abuse. Man is trying to change but is haunted by his past.

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This is a place holder for the actual cast, but she is the wife of man. She is seen at the dinner table with the children.

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This is a place holder for the actual cast, but these are the children of Man. They are seen at the dinner table.