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Jan van Eyck, The Arnolfini Portrait, 1434

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Iconography, genre scene, portrait

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Pietro Perugino, Christ Delivering the Keys to St. Peter, 1482

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Perspective, classical architecture

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Symmetry with linear perspective

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Landscape, chiaroscuro, poetic atmosphere

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Parmigianino, Madonna with the Long Neck, 1535

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Distortion of proportions, unusual compositions, religious subject matter

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Pieter Bruegel the Elder, Hunters in the Snow, 1565

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Dramatic colors and stylization, non-religious

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Michelangelo Merisi da Caravaggio, Crucifixion of St. Peter, 1601

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Dramatic, dark, realistic

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Gerard van Honthorst, The Supper Party, 1620

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Genre scene, realism

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Anthony van Dyck, Charles I Dismounted, c. 1635

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Portrait, contrast in values

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Nicolas Poussin, The Burial of Phocion, 1648

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Horizontal composition, idealized figures

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Diego Velázquez, Maids of Honor/Las Meninas, 1656

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Dramatic lighting, non-religious subject matter

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Jean Honore Fragonard, from The Progress of Love (1771-73) series: The Swing

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Pastel coloring, idealism

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William Hogarth, from Marriage à la Mode (c. 1745) series: The Breakfast Scene

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Representation of immorality, feathery brushstrokes

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Jacques-Louis David, Oath of the Horatii, 1784

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Simple and traditional, antiquity

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Angelica Kauffman, Cornelia Presenting Her Children as Her Treasures, c. 1785

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Tight brushstrokes, classical style, moral theme

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Figure of the war god Ku-ka’ili-moku, probably 1790-1810

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Textured, stylized figure, symbolic of Hawaiian culture

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Francisco Goya, The Third of May 1808, 1814

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Rebellious attitude, violence

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Caspar David Friedrich, Abbey in the Oak Forest, 1810

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Spooky, intense, escapist

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Theodore Gericault, Raft of the Medusa, 1818-19

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Escapist, movement, diagonal lines

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Katsushika Hokusai, The Great Wave off Kanagawa, from Thirty-six Views of Mount Fuji, ca. 1826-33

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Solid lines, flattened canvas

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Charles Barry and A.W.N. Pugin, Houses of Parliament, London, 1836 

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Gothic styling, numerous spires and points

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Joseph M. W. Turner, War. The Exile and the Rock Limpet, c. 1842

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Political, dreary, loose brushstrokes

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William-Adolphe Bouguereau, The Haymaker, 1869

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Everyday subject matter, photo-like rendering

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Loose brushstrokes, exaggerated coloring and rendering

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Takahashi Yuichi, Orian (Grand Courtesan), 1872

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European and classical influence, portrait

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C.C.A. Christensen, Handcart Pioneers' First View of Salt Lake Valley, 1890 

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Church history subject matter

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Paul Signac, Place des Lices, St. Tropez, 1893

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Fantastical stylization of both coloring and proportions

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Excessively distorted and bold, shows idea of something

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Juan Gris, Portrait of Pablo Picasso, 1912

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Geometric and fragmented representations

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Extremely irreverent and nonsensical, testing art's limits

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Piet Mondrian, Composition in Red, Blue, and Yellow, 1930

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Mathematical, geometric, primary colors

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Salvador Dali, The Persistence of Memory, 1931

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Dreamlike, impossible, confusing

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Interesting shapes, site-specific

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Jackson Pollock, Number 1 (Lavender Mist), 1950

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Non-representational subject matter

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Bold colors and repeated textures and patterns

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Shapes and colors rather than representational subjects

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Triangular feminist symbolism, respectful toward women

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Christo and Jeanne-Claude, Surrounded Islands, 1980-83

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Gargantuan scale, 3D space

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Frank Gehry, Guggenheim, Bilbao, Spain, 1997

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Inventive, unconventional

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Jaune Quick-To-See Smith, State Names, 2000 

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Native North American Art from the Flathead Nation

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Native North American Art from the Flathead Nation

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Conveys a message, supports Native North Americans, blurs territorial lines