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Tom Cruise started his career in a few smaller roles in the early 1980s alongside more recognisable stars at the time, as well as other up and coming young stars.

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Here Cruise plays the minor role of 'Billy', a wild and eccentric boy who is friends with Mark Hewitt's 'David'.

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Tom Cruise First Movie Role as Billy in "Endless Love" 1981

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Another of Cruise's earlier supporting roles in which he plays the militant and stern 'Cadet Captain David Shawn'. This role in a military drama may have helped lead him to playing 'Maverick' in 'Top Gun' later in his career.

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Co-Starring as the crazy greaser 'Steve Randall', Cruise's role in 'The Outsiders' allowed him to become associated with the 'Brat Pack' era of the 1980s.

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In this interview for 'Taps', Cruise discusses his commitment to his role, and the work he put in to ensure his portrayal of the character was authentic and believable, which is a sentiment Cruise would carry throughout his career, especially prevalent in his later involvement in the 'Mission Impossible' franchise.

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Rewind: 19-year-old Tom Cruise interview from 1981 movie, "Taps."

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Following these smaller roles, Cruise made his mark with Risky Business, a funny display of adolescence which perfectly aligned with Cruise at this time, as a closely aligned member of the 'Brat Pack', a group of young actors who conveyed immaturity and youthfulness in their performances.

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Tom Cruise's star power is evident from this interview as a Hollywood sweetheart, his youth allowing for him to represent him himself as humble and excitable, which allowed for this star image of a young man out of his comfort zone and in the spotlight to be created.

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Tom Cruise • Interview (Risky Business) • 1983 [Reelin' In The Years Archive]

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This chapter supports the idea of Cruise's earlier characters being a vessel for adolescent relation, with his rebellious and and loss-of-virginity nature. Whilst Cruise in real life at this time was quite different, in a sense that he was more sensible than his on screen counterpart, his unsuspecting and green nature in the acting world certainly would identify with his characters.

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'TOP GUN' was the prize role of Cruise's early career, in a light hearted military action/adventure film. Playing the cheeky and arrogant 'Maverick', it would help Cruise to shed his 'Brat Pack' attributes, and advance to a greater stardom, with him becoming more of a sexual icon, with a greater public interest in his love life coming to fruition.

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This interview displays Cruise's early star image, with him becoming more mature. However, it does demonstrate how the media has strayed away from asking questions regarding his film making, and instead has began asking more personal questions regarding relationships.

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FLASHBACK! 23-Year-Old Tom Cruise Coyly Addresses Being a Sex-Symbol on 'Top Gun' Set!

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To celebrate the success of 'Mission Impossible - Rogue Nation', let's head back to 1985 when ET caught up with Tom Cruise on the set of 'Top Gun.'

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During the early 80's Cruise garnered the image of the 'All-American' ideologies of the rebellious and untameable bad boy due to his association with the 'Brat Pack', despite acting completely different in interviews. However, by the time he had finished 'Top Gun' and moved on to other films with Martin Scorsese, he was able to shake this star image, and instead was considered mature and polite, with his trajectory into Hollywood stardom seeming inevitable, as he looked to transcend the 'Brat Pack' label he had been given.

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This interview sparked a a great disruption in Cruise's star image, as he seemed to venture from the mature and polite image he had created for himself, into something else entirely, as he giddily jumped around, and expressed his love for his current partner, a complete turnaround from the more reserved interviews that he'd had in the past.

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Περισσότερα στο www.flix.gr

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The Oprah interview really did rock the star image which Cruise had accumulated over the course of his career, and that was largely down to the widespread media attention it attained, with the new media landscape taking it and running with it. 'Lainey Gossip', a popular gossip blog attributed this interview as the catalyst which pushed the idea of gossip blogs to the forefront of the media landscape.

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In the spring of 2005, an unknown 20-something in California uploaded a 19-second video of himself to the internet. "Me at the zoo," the first YouTube video, featured cofounder Jawed Karim rambling about animals. "The cool thing about these guys is that they have really, really, really long trunks," a man said, gesturing toward an elephant enclosure. It was boring, but it was the beginning of something.

That same spring, Karim's YouTube quickly found one of its first hits. Its origins were far less obscure than a tech guy on a field trip. At the time, Tom Cruise had a more-than-reasonable claim to the title of biggest celebrity in America. He was the movie star, a leading man with mom-approved handsomeness, a nimble physicality, and a gung-ho intensity that played on the big screen as magnetic instead of disturbed. He counted Top Gun, Jerry Maguire, and two Mission: Impossible movies among the idol-making roles under his small belt. Meanwhile, Oprah Winfrey had already established herself as not only the biggest celebrity on daytime television, but the biggest celebrity in media. She'd made the careers of Drs. Phil and Oz. She'd debuted O, the Oprah Magazine. She'd hollered "You get a car!" to a euphoric crowd. Cruise's May 2005 interview on The Oprah Winfrey Show seemed destined to be yet another fluffy meeting of monstrously famous minds. Instead, traditional media's powerhouse duo was about to provide the new video-uploading service with a clip that would demonstrate the format's growth potential far better than a rinky-dink recording of a random dude musing about zoos.

Before Cruise came out on stage that day, the crowd at Chicago's Harpo Studios had already hyped itself into an ecstatic frenzy, whooping and clapping and jumping in overwhelmed pleasure at being in the presence of Winfrey, in her space, living their best lives. By 2005, Oprah had transformed her daytime talk show from a variation on Phil Donahue's talk theme into something new, something that took the voyeuristic thrills of seeing televised confessions and elevated them with the language of self-help seminars and the polish of Hollywood. "Oprah is sitting in the throne of American pop culture," said WBEZ anchor Jenn White on the podcast Making Oprah, describing Oprah's cultural cachet in the early aughts. "She commands a regular worldwide audience of tens of millions. She can turn a book into a bestseller, a product into a trend, and people into stars." At that point, Christianity Today had identified Oprah as "one of the most influential spiritual leaders in America." Her audiences resembled gaga congregants.

Cruise was in Chicago to talk about his upcoming movie, Steven Spielberg's remake of War of the Worlds. Instead of sticking to the promotional script, though, the compact action star gushed about his new girlfriend, actress Katie Holmes. "You're gone," Oprah said, searching for words to describe Cruise's over-the-top infatuation. Within 15 minutes, Cruise had leapt onto Oprah's couch in a spontaneous outburst of enthusiasm for his personal life. Cruise's offbeat showboating was memorable in part because of its unusual setting; The Oprah Winfrey Show was where celebrities traipsed to shine up their reputations and get a warm embrace from a sympathetic fellow star. Oprah would polish, not grill. But Oprah, usually so masterful at empathizing with her guests, appeared to be at a loss. "You're gone," she repeated. The charismatic preacher had been sidelined by an even more earnest proselytizer.

People hated it. More importantly, they loved to hate it. Mostimportantly, they loved to talk about hating it. Divorced from its context and remixed into YouTube clips and GIFs, Cruise's couch outburst looked far more bizarre than it had during the episode, when at least the studio audience had been equally hyped up and Oprah had encouraged him to talk about his personal life. Within the context of the episode, Cruise's behavior was strange but not outrageous. On the internet, isolated and amplified into a single furniture-leaping moment, it looked like an A-list meltdown. The most popular spoof was called "Tom Cruise Kills Oprah," where Cruise appeared to kill Oprah with lightning. Family Guy parodied it. Even Sesame Street eventually parodied it. But the couch clip went beyond launching parodies and viral videos. The response to the Cruise episode signaled a changing of the guard in Hollywood media, from a pecking order where publicists and studios could strike deals with access-hungry press toward a more democratic and chaotic media landscape. Even though Cruise had been in a terrific mood during his Oprah appearance, it was appropriate that his tomfoolery was reframed to look far more aggressive than it was. The internet and the media were about to get much sharper.

"Tom's couch-jumping coincided with the rise of gossip blogs," Matt James, who runs the celebrity gossip site Pop Culture Died in 2009, told The Ringer. "The entire incident became a testament to the way public opinion could form online in the pre-Twitter era, and how damaging it could be in the long run."

Longtime Hollywood gossip blog Lainey Gossip also credited Cruise's leap onto Oprah's couch with galvanizing the media landscape. "This rise of the gossip blog quickly accelerated," site creator Elaine Lui wrote in 2015. "Celebrities were not being contained the way they used to be. And the PEOPLE and Entertainment Tonight coverage just wasn't cutting it anymore. Not when these illusions were so quickly being destroyed. This incident became one of the most critical chapters in the Origin Story of Internet Gossip." The intense online response to Cruise's convention-breaking presaged a shift in how celebrity freakouts were covered, as it was one of the first major entertainment-world meltdowns to saturate the blogging world. "There was something so personal, so oversharey, so necessarily engaged with the audience in Cruise's couch-jumping that it set the tone for the kind of one-person media circus we'd expect and enjoy in the years to come, to varying degrees of sadness (Britney Spears), amazement (Charlie Sheen) and despicableness (Chris Brown)," Gawker's Rich Juzwiak wrote in 2012. While the word "meme" hadn't yet entered the mainstream lexicon, Cruise's furniture leap went viral. "Culturally, it was, in my mind, one of the first celebrity memes," Brandon Ogborn, the writer behind The TomKat Project, an excellent play examining Tom Cruise's reputation, told The Ringer."That clip was reenacted so many times. It was kind of a watershed moment for internet culture."

Along with memes came a cascade of internet commentary on Cruise's behavior, most of it overwhelmingly negative. While Oprah's studio audience had been pleased with his effusiveness, the story line soured in the digital world. "Now, whenever something happens in the news, we can go online and quickly find the tide in which public opinion is turning. In the early days of the internet, it wasn't that distinct," James said. "That changed with Tom. The people who watched Tom's appearance and felt it was maybe even the slightest bit heartwarming went online to find that the majority opinion was Tom had lost his mind."

It was an exciting time for bloggers, and terrible timing for Cruise. He had fired his longtime publicist, Pat Kingsley, in March 2004. Kingsley was a powerhouse with a viselike grip on the dicks of traditional outlets. "She was adamant about keeping Cruise out of the tabloids. At press junkets, she demanded that journalists sign contracts swearing not to sell their quotes to the supermarket rags," film critic Amy Nicholson wrote for LA Weekly in 2014, arguing that internet culture was to blame for Cruise's fall from grace. "Then Kingsley expanded her reach and insisted that all TV interviewers destroy their tapes after his segment had aired." Without Kingsley, Cruise didn't have his usual PR fixer at hand to tell him what not to do, to tell him how to course-correct once the backlash began, or to tell the press to lay off. Instead, Cruise had replaced the flinty Kingsley with his sister, Lee Anne DeVette, a fellow Scientologist. The public reaction to his romance with Holmes was no good even before The Incident. According to a People poll, the majority of respondents saw the relationship as a publicity stunt. "We can't get enough of the TomKat show because eventually the paint will start to chip and we will hopefully see all the ugliness as openly as we've been shoved the lovey-dovey bullshit," Perez Hilton wrote. Cruise's past habit of keeping his private life to himself and manicuring his public image had given him an idyllic but distinctly artificial sheen, one that may have counterintuitively exacerbated the response when he finally stepped out of line. "He had never done anything publicly wrong before," Nicholson told The Ringer. "He'd always been so perfect." Cruise's over-the-top display of hyper-public affection, possibly made more intense by his desire to prove that his love was real, backfired. Instead of making people think he was a romantic, Cruise just made people think he was weird.

He quickly got weirder, and darker. Shortly after his couch leap, Cruise started a feud with Brooke Shields by dismissing her experience with postpartum depression. He went on Today to go even further, insisting that psychiatry and psychiatric medicine were dangerous. While Cruise was a longtime Scientologist, he had never openly advocated for the abusive group's more controversial beliefs so publicly before. "It was a time when he really just let himself go, and let his freak flag fly. And it was also a time when he was really proselytizing for Scientology. I think it was a huge explosion of press that was bad press, because the Tom Cruise machine just stopped," Ogborn said. "He said, This is who I am, I'm going to jump on that couch, I'm going to tell Matt Lauer he's glib. "

In less than a year, Cruise contorted his reputation from a hard-working, eccentric leading man into Hollywood's premiere guileless kook. "Cruise: I will eat the placenta," a 2006 Daily Mail headline, is a good example of the sort of news he generated. When California banned the sale of ultrasounds for personal use that year, it was known as the "Tom Cruise law" because Cruise had publicly purchased an ultrasound machine to view his daughter in the womb. South Park went for the jugular, as expected, but ridicule came from all over. Noah Baumbach wrote a New Yorker piece where the joke was that his dog was stupid and enthusiastic ... just like Tom Cruise. Even Lauren Bacall dissed him to reporters. People still showed up for Cruise movies. War of the Worlds had a huge opening, but studios feared that Cruise's bankability was tainted after Mission: Impossible III made nearly $150 million less worldwide than its predecessor. Cruise's reputation was undeniably threatened. His Q rating, used to measure celebrity appeal, dropped 40 percent. "From that point on, we all accepted Tom Cruise was crazy," James said. "It was a done deal."

Cruise's uninhibited media blunder bender cost him a lucrative, long-term production deal with Paramount. His behavior was blamed for the deal's destruction. "His recent conduct has not been acceptable to Paramount," Viacom chairman Sumner M. Redstone told The Wall Street Journal. The Oprah Winfrey Show, meanwhile, continued on as an unstoppable cultural force. From all accounts, as much as the couch-jumping episode yoked Oprah and Cruise together for eternity as a punch line, it also ruffled feathers at Harpo. "She was not invited to his wedding, and he was not invited for a very long time to come interview with her," Ogborn pointed out, noting that Harpo employees would frequently come talk to him after the Chicago run of The TomKat Project to discuss that period of time. "They said she was fucking pissed when it happened."

Regardless of Oprah's personal opinion of Cruise's behavior, the interview didn't hurt her professionally. A mock set from the show is now on display in the Smithsonian's National Museum of African American History and Culture as part of an exhibit on Winfrey. There was no lasting damage to her legacy. (Curators declined to comment on the role of the interview in her cultural history.) If anything, the couch-jumping episode only provided a bolstering example of Oprah presiding over must-watch TV. The show's guiding ethos focused on going big and doing the best, resulting in ever-more-elaborate gift giveaways and surprises for the audience. While Cruise's antics might have thrown off the dynamic between guest and host that Oprah preferred, his interview ultimately fit the bill for the gripping, unexpected, and wholly memorable. "Tom's televised freakout was just another notch in her belt," James said. Talk-show hosts now manufacture segments specifically to do well on YouTube and other online platforms, but it was Oprah who generated the first viral talk-show clip.

The incident certainly did not kill Cruise's career, either. In 2008, his comic turn in Tropic Thunder helped undercut his reputation for unrelenting self-seriousness. (The same year, Cruise reunited with Oprah for a much calmer interview.) Cruise maintained his career throughout his reputational turmoil by sticking with Mission: Impossible and thematically similar films. "He's always done such great work with this franchise, but he's almost clinging to it nervously, like he's afraid to let go and take a real risk," Nicholson said. "He'll take risks inside the film with stunts, but he's not taking risks inside his own career, like doing the dramatic work that marked a lot of what he did in the '80s, or by chasing an Oscar, which is something he gave up on." Although he never quite regained his status as a Hollywood golden boy, he has mellowed into an aging statesman of action flicks-and anyway, his divorce from Katie Holmes and continued association with Scientology have left a longer-lasting stink on his name than his exuberant talk-show appearance. In 2015, GQ heralded "Cool Tom Cruise." This summer, he is starring in the sixth Mission: Impossible movie. The critical response to both the film and Cruise's performance has been overwhelmingly positive. "What's always been so ironic to me about the Tom Cruise quote-unquote backlash is that it seemed to me that audiences still really loved him, even if newspapers were telling them that they didn't," Nicholson said. "I feel like he's proving something that never needed to be proven."

The real legacy of the couch-jumping incident has almost nothing to do with Cruise or Oprah specifically and everything to do with how people reacted online to the moment. Tom and Oprah's strange conversation, and the reaction it provoked, is now preserved as thousands of digital artifacts, emblematic of how information traveled in the early aughts. Rewatching the episode and the viral videos it spawned feels quaint now. The bloggy media cycle that produced Cruise memes has been replaced by a cesspool of broken newsfeeds smushing conspiracy theories and branded content against real news and irrational presidential tweets with such velocity that it seems deeply unlikely that Cruise's hop onto a loveseat would provoke much at all in 2018. However, it's even less likely that Cruise would've been able to make it so far into his career without finding his kooky personality exposed as he did in 2005.

Up-and-comers have learned to respond to a different and less controllable form of media attention. There is a whole brand of celebrity in which the famous are expected to engage with fans on social media. Celebrity PR disasters don't often happen in such glossy settings anymore; instead, they are frequently facilitated by social media and accelerated by fans and detractors who dig up old tweets. The last time a daytime talk-show guest created a media supernova after their appearance, it was Danielle Bregoli, a.k.a. Bhad Bhabie, a.k.a. "Cash Me Ousside" Girl, who parlayed a viral moment shit-talking on Dr. Phil into a viable rap career. I doubt Bregoli knows about Tom Cruise's Oprah appearance, but her own twist on the daytime meme underscores how much has changed since Cruise took his happy hop. Performative, contrived freakiness in front of a live studio audience can be an asset now. The big leap is figuring out how to navigate internet criticism without spinning out-a frequently impossible mission.

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Tom Cruise's 2005 appearance on 'The Oprah Winfrey Show' was an iconic episode of television-and a turning point for how we discuss and understand celebrities

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Mission Impossible allowed Cruise to return to the action film genre that he so thrived in, like when he starred in 'Top Gun'. Cruise would star as well as be credited as a producer, which would be a only the beginning of his heavy involvement with the making of this franchise.

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Cruise has starred in all of the Mission Impossible films, so has been a part of the franchise for 27 years. It has become a staple of his career and has helped keep him in the forefront of Hollywood.

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With this interview, we are able to see Cruise come full circle with his star image. Like in the interview for 'Taps', he discusses his complete interest in the practice of filmmaking and authenticity to ensure the best experience for the audience. Though here, he does seem to encapsulate confidence and experience, as opposed to the greener Tom Cruise of the early 80's.

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Tom Cruise on Mission: Impossible - Fallout | Film4 Interview Special

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With the Mission Impossible franchise, Tom Cruise was able to cement the idea in 'all nodes of the media ecosystem' he displays an ethos of passion and commitment to filmmaking and the processes of Hollywood. This allows for himself to conduct his own respectable star image, and has helped in obscuring and disregarding the public issues that he has had in the past.

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Cruise's carefully constructed star image, which displayed thoughtfulness and politeness unfortunately had a slip in the early 2000s. With the emergence of gossip media forms, Cruise was under the spotlight, and with every misstep came a wave of article and blogs full of backlash. The question arising asks: can a star that big with such longevity be toppled by poor media presence and depiction?

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In addition, Cruise has a continued relation to the church of scientology. A religion taken up by many stars, which the mediascape has constantly frowned upon for being cult-like.

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Tom Cruise has spent this year flying high, literally.

At CinemaCon in April, when Mission: Impossible 7 screened its first trailer for theater owners, Cruise sent along a video intro that he'd filmed while standing on top of a biplane flying over a canyon in South Africa. It ended with him launching into a barrel roll. When he arrived at the premiere of Top Gun: Maverick in San Diego in May, he flew there in a helicopter he piloted himself, emblazoned with his own name and the title of his film.

He's also flying high on a metaphorical level. Cruise turned 60 on July 3, and he shows no signs of slowing down. Top Gun: Maverick has made over $1 billion since it came out in May, the first film of Cruise's career to do so and just the second film to manage the feat since the pandemic began in 2020. (The first was Spider-Man: No Way Home.)

In the pandemic era, a lot of movies are making only the most cursory appearance in theaters before they hit streaming, if they make it to theaters at all. Not Tom Cruise movies. The idea of Top Gun: Maverick premiering on streaming instead of in theaters? "Never going to happen," Cruise said at Cannes in May, even though the completed film languished for two years before seeing the light of day. When Paramount told Cruise that Mission: Impossible 7 would play in theaters for only 45 days instead of the three months Cruise was used to, Cruise hired a lawyer.

For his efforts, Cruise is being hailed as the savior of the cinematic experience.

"Can Tom Cruise save the old-fashioned blockbuster?" asked the Telegraph.

Empire magazine described Cruise's fight as "the battle to save cinema," with "the biggest movie star in the world" at the vanguard.

"Cruise is here to remind us that the industry will not die on his watch. Not if he can help it," said the LA Times. "And honestly, who among us won't be thrilled if Cruise triumphs in life as in the movies?"

It seems clear that Cruise sincerely sees himself as the savior of the big screen, and all the jobs that depend on it. (Or at the very least, he sees himself as the savior of Tom Cruise movies appearing on the big screen.) During the pandemic, he told audiences at Cannes, he called up theater owners to say, "Please, I know what you're going through. Just know we are making Mission: Impossible, and Top Gun is coming out." In December 2020, leaked audio footage from the set of Mission: Impossible 7 showed Cruise upbraiding crew members who violated Covid social distancing policies.

"They're back there in Hollywood making movies right now because of us," Cruise can be heard to shout on the footage. "Because they believe in us and what we're doing. I'm on the phone with every fucking studio at night, insurance companies, producers, and they're looking at us and using us to make their movies. We are creating thousands of jobs, you motherfuckers."

"That's what I sleep with every night," Cruise concluded: "the future of this fucking industry!"

By now we should know: Tom Cruise is the hero of a movie that never ends. It's one where he always, always saves the day.

That wasn't always the case. Cruise's stock plummeted in the 2000s after Oprah's couch and Brooke Shields' antidepressants. Yet today, Cruise is once again considered a bankable and iconic star. He is no longer a publicity liability for a movie studio.

There's only one thing that Cruise might not be able to save. That's the nagging, persistent sense that if the movie were ever to stop, when the lights came up, there would be nothing left of Tom Cruise at all.

"Cruise's own laugh," concluded Alex Pappademas in the New Yorker this May, "is the best Tom Cruise impression you've ever heard."

But who says the movie ever has to stop?

Tom Cruise saves chivalry

"I like treating a woman the way that she deserves to be treated." Tom Cruise to Oprah Winfrey, 2005.

Here's an oddity in the latest spree of killer Tom Cruise publicity: For once, the press is really into the way he's interacting with women.

Over the course of his Top Gun press tour, Tom Cruise has been handed one positive headline after another for his chivalrous habit of taking charge of all ladies present, from Kate Middleton to his co-stars. If there is a woman in the same space as he is, Cruise will escort her up and down stairs and through doorways, present her to the camera, and make sure she is taken care of. It makes for incredible press. In her coverage of Cannes, gossip maven Elaine Lui remarked on how carefully Cruise looked after Top Gun co-star Jennifer Connelly. "I'm told he was never not attentive," Lui wrote, "always focused on making sure she was looked after, never not ready with a hand to guide her from one place to another, never missing an opportunity to talk about how spectacular she looked, seemingly enthralled by her so that the cameras would pick up on his eyeline and transfer their focus to her."

This display of "chivalry," Lui concluded, was "very Tom Cruise."

Chivalry is part of the old-fashioned action-hero masculinity Tom Cruise has long represented: the hero with the square jaw and faultless manners, kind and attentive to everyone around him. It's also been central to Tom Cruise's personal mythology for a long time, in both good ways and bad.

On the good side, Cruise used to be in the press on a regular basis for rescuing regular people: saving a family from a burning sailboat; getting the victim of a hit-and-run to the hospital and then paying her medical bills. Every actor who's ever worked with him seems to have a Tom Cruise story about him making them some impossibly thoughtful gesture or gift.

On the bad side, quoth Elaine Lui, "Remember how he used to 'present' Katie Holmes?"

Cruise's 2005 marriage to Katie Holmes was marked by its public displays of affection. Cruise was constantly presenting Holmes to the camera, cuddling up to her in public, proclaiming his love for her in ever more enthusiastic ways. Even before he jumped up and down on Oprah's couch and sent his career into a precipitous downslide, he told Oprah that he covered a hotel room in rose petals for Holmes, and that he took her on a motorcycle ride on the beach.

"I'm a romantic, okay?" Cruise said at the time. "I like treating a woman the way that she deserves to be treated."

Romantic or not, that marriage also represented a low point in Cruise's professional life. In the wake of his couch moment with Oprah, Cruise's popularity plummeted, his reputation took a hit, and he almost lost the Mission: Impossible franchise.

Then came the enormous and damaging wave of publicity in 2012, when Katie Holmes divorced Cruise. Stories rolled out by the day: that Holmes had planned the divorce for two years in order to make sure she would retain custody of the couple's daughter, Suri; that she had to orchestrate the whole thing with burner phones and secret laptops and lawyers in multiple states; that she had done it all - developed this whole two-year master plan - because that was how badly she wanted full custody of Suri. Specifically, the story went, Holmes wanted to save Suri from Scientology.

Cruise has since worked diligently to move past the so-called TomKat years. He's been so effective that all his gentlemanly gestures on his current press tour tend to read as charming, not creepy. But there's a clear and strong connection between Cruise's love of chivalry then and his love of chivalry now. They are part and parcel of what appears to be a driving force behind Tom Cruise's quest to be a hero, win the girl, and save the world: Scientology.

Tom Cruise saves mankind (from thetans)

"That's what drives me: is that I know we have an opportunity to really help, for the first time, effectively change people's lives. And I am dedicated to that. I am absolutely, uncompromisingly dedicated to that." Tom Cruise, Scientology recruitment video, 2004.

The controversial Church of Scientology, founded by the science fiction writer L. Ron Hubbard in 1953, appeals to the sort of worldview Cruise embodies. The world is under attack from evil forces, Scientology teaches, and all that stops them is one good man who's not going to let petty rules get in his way.

Scientology is also, despite the number of celebrities it boasts among its ranks, a publicity liability. It's widely suspected of being a pyramid scheme at best and at worse alleged to be an abusive cult profiting from forced labor and human trafficking, according to lawsuits and reports from former members. Its central cosmology, which teaches that human beings are plagued by immortal alien souls called thetans brought to Earth by the galactic emperor Xenu billions of years ago, is ripe for mockery.

The reporting that exists on Cruise's connection to the church is both lengthy and damning. In September 2012, Vanity Fair published an exposé by Maureen Orth on the way Cruise outsourced management of his romantic life to the church. Tony Ortega, the closest thing there is to a beat reporter on Scientology, has a dedicated Tom Cruise tab on his website. In 2013, celebrated New Yorker reporter Lawrence Wright expanded his existing Scientology reporting into the book Going Clear, which prominently delved into Cruise's status in the church. In 2015, Going Clear was adapted into an Emmy-winning HBO documentary by the director Alex Gibney, again featuring plenty of Cruise stories. The story they told is dramatic, and it plays heavily on Cruise's apparent understanding of himself as a savior figure. (The Church of Scientology has strongly denied all these accounts, describing them as lies from disgruntled former members and journalists with grudges.)

Cruise joined the Church of Scientology during his first marriage to Scientologist Mimi Rogers, after Top Gun had already made him a star. According to now-defected former church officials, allegedly he began to drift away from active practice during the '90s and his marriage to Nicole Kidman, only to drift back as that marriage foundered in the late '90s. The clincher came, those former Scientologists say in Going Clear, when Cruise said he wanted to tap Kidman's phone, and the Church of Scientology obliged.

Keeping Cruise happy apparently became a priority for the Church of Scientology. When Cruise needed a new love interest, the church reportedly recruited a young member for the job, gave her a makeover to Cruise's specifications, and then broke up with her for him after he tired of her. When the woman told a friend what had happened to her, the church reportedly sentenced her to months of menial labor in punishment.

Around the same time that Cruise was making his grand return to the church, he fired his longtime Hollywood publicist, allegedly because she told him to stop talking about Scientology so much when he was on the publicity trail for The Last Samurai. He brought on his Scientologist sister to manage his image instead.

As Cruise was becoming more and more committed to the church, the tabloid industry was beginning to go rabid. By 2004, Us Weekly had gone from monthly trade magazine to weekly gossip rag, pitting itself against People magazine. In Touch Weekly, Life & Style Weekly, and OK! had all emerged. These magazines thrived on an endless diet of outrageous celebrity soundbites, and as Tom Cruise made the publicity rounds for The War of the Worlds, he kept offering them up, one after another.

"Some people, well, if they don't like Scientology, well, then, fuck you," he told Rolling Stone. "Really. Fuck you. Period."

Citing Scientology's distrust of psychiatry, Cruise criticized Brooke Shields for taking antidepressants to treat her postpartum depression, and then told Matt Lauer he was being "glib" when Lauer suggested he might have overstepped his bounds.

Cruise's public behavior became more and more erratic. On the same War of the Worlds publicity tour, Cruise infamously jumped up and down on Oprah's couch, enthusiastically declaring his love for Katie Holmes.

Holmes seemed to be getting caught up in the Scientology swirl herself. A W magazine profile of Holmes saw her conduct an interview with a "Scientology chaperone," who prompted Holmes with phrases about how much she adored Cruise when she seemed to fumble for words.

The spree of outré quotes took their toll. In 2006, one report found that between the spring and summer of 2005, Cruise fell from 11th most-liked celebrity in the US to 197th.

Fox News predicted the end of Cruise's career. "It will be all but impossible now for a new generation of film fans to see past his erratic public behavior, the Oprah couch shenanigans, the decrying of psychiatry and now the rejection of Catholicism for a religion invented by a science-fiction writer," they opined.

Cruise, seeing the writing on the wall, veered away from talking about his religion during his movie publicity tours. But for the next 10 years, Scientology would continue to haunt his public image.

In 2008, a video leaked to the press that was reportedly a Scientology conversion effort, filmed in 2004. It featured Cruise glassy-eyed and grinning in a black turtleneck, talking about all the ways Scientology has changed his life. "Being a Scientologist, when you drive past an accident, it's not like anybody else," he explains. "You know you have to do something about it."

"Let me put it this way," said Gawker, which broke the news of the video: "if Tom Cruise jumping on Oprah's couch was an 8 on the scale of scary, this is a 10."

In 2012, the Cruise-Holmes divorce cracked open the door of Tom Cruise Scientology stories. A host more came pouring out - and not just in the tabloids, but in legacy print magazines and prestige cable shows: Vanity Fair, the New Yorker, the Village Voice, HBO.

According to former Scientology officials, the Church has continued to manage Cruise's life. Reportedly, it's granted him the full benefits of its more unsavory enterprises, including the Church's alleged use of slave labor.

Former Scientologist John Brousseau says the church has custom-built luxury vehicles and sound systems for Cruise and provides the staff who manage his many homes. Because this labor is provided by the Church, it's done through Sea Org, the Scientologist association that's been accused of human trafficking and forced labor. ( The Church has described these claims as "both scurrilous and ridiculous.") According to Ortega, Sea Org members who worked on Cruise's property "were paid only about $50 a week by the church, even though their hours could reach 100 a week." Cruise has a net worth estimated at $600 million.

The picture painted of Cruise by former members of the church is not flattering. They tend to describe Cruise as a well-meaning man who, fundamentally, is not curious, and who is happy to have beautiful things handed to him without looking at their cost. Scientology is attractive to Cruise, in this account, because it makes his life easier while simultaneously flattering his ego with the belief that he is a hero.

But as damning as those stories are, they have largely faded out of public memory. In the 10 years since his divorce from Katie Holmes, Tom Cruise has been working hard to change the narrative.

Can Tom Cruise save Tom Cruise?

"People can create their own lives. ... I decided that I'm going to create, for myself, who I am, not what other people say I should be. I'm entitled to that." Parade, 2006.

Cruise is currently experiencing a late-career renaissance. Cannes Film Festival feted him in May, awarding him an honorary Palme d'Or and marking the occasion with a red carpet air show. The press loves him again. Top Gun: Maverick is a major success, and the next slew of Mission: Impossible films are bound to be as well.

He's even rumored to have a new girlfriend. If, as the tabloids claim, Cruise actually is (or was) dating his Mission: Impossible co-star Hayley Atwell, she would be his first public girlfriend since his divorce from Holmes 10 years ago.

So did he do it? How did Tom Cruise go from America's 197th favorite celebrity to a bankable superstar once again?

The answer seems to be deceptively simple: He kept working, and he stopped talking - about Scientology, and about almost everything else too.

Cruise's PR nadir came during a period of oversharing. Since then, he's become known for his intense desire for privacy. "When was the last time paparazzi captured Tom Cruise on the street or anywhere but a film set or premiere?" wondered the New York Post in May 2022. He heavily restricts the questions journalists are allowed to ask him before he agrees to an interview, and both his religion and his family life tend to be off-limits.

Meanwhile, Cruise has kept making movies. Tropic Thunder in 2008 and Rock of Ages in 2012 together proved he had a sense of humor. Edge of Tomorrow in 2014, which saw Cruise ceding much of the spotlight to co-star Emily Blunt, proved he knew how to share the screen with another star. And the Mission: Impossible franchise has churned out hit after reliable hit. "I can attest that I am alarmed at the extent to which I suddenly love Tom Cruise," admitted GQ entertainment editor Ashley Fetters in 2015, as Cruise publicized Mission: Impossible - Rogue Nation.

Cruise has also benefited from the current cultural shame surrounding the tabloid culture of the 2000s. As the world agrees that tabloid targets like Britney Spears were hard done by in the heady, tacky days of Y2K, everything from the era has been painted with the same shade of remorse. Vilifying Tom Cruise for jumping on Oprah's couch can feel like the same toxic impulse that led to a decade of mocking Spears for having her mental breakdown in public, even though what Cruise has been accused of abetting within the Church of Scientology is far worse than anything Spears has ever been accused of.

In most ways, this strategy has been successful. The tabloid spectacle of Tom Cruise, Scientologist has been covered over by four decades of hard work from Tom Cruise, one of the last great movie stars.

But it's not clear that Cruise can ever again reach the heights of public adoration he enjoyed in 2003. There's a persistent strangeness around Tom Cruise's image that has never quite resolved itself, a sort of falseness that he's never been entirely able to weed out. It's a falseness that's rooted not in his Scientology but in his movie star core. From the beginning, the world has refused to believe Tom Cruise when he breaks out his giant movie star smile. It especially refuses to believe him when he laughs.

In an early pan of 1983's Risky Business, Cruise's breakout film, New York magazine took aim at the young star's mannerisms. "Cruise has a slight, undeveloped voice and a nervous smile, which he relies on whenever the script reveals one of its innumerable holes," the review ran.

In HBO's Going Clear, footage of Tom Cruise laughing in his Scientology recruitment video plays while one ex-Scientologist declares, "Scientologists are all full of shit."

A 2004 Rolling Stone profile devoted paragraph after paragraph to the oddness of "the famous Tom Cruise laugh."

"It comes on just fine, a regular laugh by any standards. You will be laughing too," wrote Neil Strauss. "But then, when the humor subsides, you will stop laughing. At this point, however, Cruise's laugh will just be crescendoing. And he will be making eye contact with you."

It's as though there's a hollowness at the center of Cruise's image, some sort of vacancy that he is forever restlessly seeking to fill. As though if he can only save enough people, enough industries, enough worlds - maybe then, at last, he can finally be whole. But can anyone, even Tom Cruise, do that much saving?

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How Tom Cruise went from superstar to laughingstock and back again.

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Cruise came under fire by many in the German community, as they had issues with him playing a respected German General from World War 2 in the 2007 film 'Valkyrie'. This reading discusses the accusations of the church, and why it is so frowned upon by the media, for one instance being the apparent corruption of the religion, due to the tax evasion of its leader in the late 90s. Cruise's association with this religion is one of the larger factors in the publics distrust in him, and it dampens the well thought out star image Cruise has constructed.

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Fellow actor Russel Crowe speaks on scientology, and helps Cruise's star image by explaining how despite of his association, he is still the polite and amicable. The interviewers even try to make subtle comments about how the media feels different. But for another member of the industry, who is well respected, to make comments in support of Cruise's character, it allows for the media to gain a greater idea of how Cruise really is behind the scenes.

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Russell Crowe on Twitter, Scientology and Tom Cruise

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Similar to Crowe, Cruise's co-star Simon Pegg jumps to defend him, dispelling any comments about his religion or other controversies, and instead directing the focus to Cruise's commitment to film and lack of stunt doubles, saying ' You know he risks his life for the audience'. This again allows for Cruise's star image to be diverted from the gossip that concerns him, to his professional life.

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Tom Cruise ‘Appreciates the Ridiculousness’ of His Public Persona, Says Simon Pegg

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The “Mission: Impossible: Dead Reckoning” actor addressed co-star Cruise’s larger-than-life celebrity status, saying “it energizes him and spurs him on.”

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Library of medicine condemns Cruise, and calls him irresponsible for using his great platform to misinform.

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Tom Cruise is dangerous and irresponsible

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Yes, even the JCI can weigh in on celebrity gossip, but hopefully without becoming a tabloid. Rather, we want to shine a light on the reckless comments actor Tom Cruise has recently made that psychiatry is a “quack” field and his belief…

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With one of the most socially active Cruise has been, back in 2005 he insulted Brooke Shields for taking depressants, and insinuated he didn't believe in taking them and that she didn't have enough knowledge about psychiatry and personal health. This feud was terrible for his star image, as he came across rude and judgmental, which was something his typical star image strayed far away from, with past interviews and perceptions labelling him as nothing but polite and grounded.

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Brooke Shields’ savage reply to Tom Cruise as he slams her for anti-depressants

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Tom Cruise and Brooke Shields became embroiled in a highly publicised feud back in 2005 after he slammed her for taking antidepressants to help with her postpartum depression

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Another clear example of Cruise shedding his past controversies by focussing on his stuntman/actor/producer star image, with his commitment to cinema and film making. He comes across jovial and thankful, similarly to his early career interviews as opposed to his mid 2000's star image. In addition, Cruise acts as the main advertisement for this film, as he has turned his star image into a commodity that can help sell the projects he is in.

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This is why the recovery of Tom Cruise's star image was so important, as it affects the power he has to promote and sell. By attaining a respectable star image once again, he is able to use it as a commodity and by just appearing on screen with the projects name next to his, it automatically does more than any big budget advertisement.

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Before the cataclysmic eruption of his star image in the mid 2000s, Cruise shows in this interview his ethos of commitment and passion for filmmaking, as well as the charming and polite character that had been on display throughout his earlier career. The key difference is that he wasn't afraid to divulge into his personal life, which may have been an early foreshadowing of how he would eventually open up later in his career, which would allow for the media to attack him.

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From the archives: Tom Cruise talks "Mission: Impossible," fatherhood in 1996 interview

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Tom Cruise grew up in a poor household with an often abusive father, and essentially came from nothing. He struggled with dyslexia and for that was bullied. It's interesting to note his background because it does explain his humble beginnings in acting, and how his early star image was created; as a child born unlucky but a hard worker and thankful every day. It also may explain the outbursts he has had throughout his career, as Hollywood and fame was something he was thrust into as a teenager.

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Fame and fortune bring with them many perks: freedom from want, tickets to anywhere in the world, the adoration of millions, and immense power in one's chosen field. Tom Cruise has enjoyed his fair share of them all. Described by France24 as the last survivor of the age of the movie star, Cruise has retained his status as an internationally beloved actor for decades, and per the Hollywood Reporter, that has translated into a great deal of authority over the movies he stars in. Couple that kind of success with genuine acting talent and endearing good looks even as he enters his 60s, and it's easy to think that Cruise hasn't a care in the world.

But fame and fortune aren't a cure-all. They can't blot out humble beginnings or past tragedies. They aren't a safeguard against heartbreak and loss. In the publicity-mad world of Hollywood, particularly in the age of the internet, fame and fortune can buy some privacy and security, but not enough to blot out controversy. For all that a four-decade career as an actor has brought him, a closer look reveals that Cruise hasn't always lived such a charmed existence.

He's had to work since he was 8

Lots of kids pick up odd jobs around the neighborhood. Maybe they take them on for a lark, or maybe they aim to pick up a little spending money for candy, games, or outings. For a young Tom Cruise, odd jobs were how he paid for movie tickets, which were a passion of his from age 4 on, according to People (via CNBC). In the days before home video, YouTube, and streaming, the only way to take in the movies was at the theater, so a portion of Cruise's income from mowing lawns, delivering papers, and other bits of work went to the box office.

Circumstances wouldn't allow him to sink all his earnings into movie tickets, however. Money was so tight for Cruise's household that, on one occasion, they forwent Christmas presents and gave each other poems instead. Cruise's mother attempted to keep up with multiple jobs, but any contribution her children could make was welcome and often needed. So a portion of Cruise's income from his neighborhood tasks went toward the necessities of life.

His dreams of priesthood were undone by vice

These days, Tom Cruise can hardly be mentioned without some reference to the Church of Scientology, of which he is so prominently - and so controversially - a part. But Cruise grew up in a traditional Catholic household, and well into his college years, Catholicism is where he sought spirituality. For a time, according to Andrew Morton's " Tom Cruise: An Unauthorized Biography," Cruise entertained the idea of becoming a Franciscan priest. To that end, he enrolled in the St. Francis Seminary of Cincinnati, though the appeal wasn't entirely a matter of faith. "We didn't have the money back then, and I went for the education for a year, and it was free," Cruise later explained.

The experience of seminary was apparently a happy one for Cruise. Sports, hobby shops, and even the discipline of boarding school life appealed to him. Maintaining that discipline proved a challenge, however, when there was no shortage of local girls. Cruise, even then, possessed the gift of charm. He would later say that women were too appealing to sacrifice even to the Franciscan order, and he and the seminary have claimed that he left voluntarily.

But a friend from St. Francis, Shane Dempler, insisted to the Cincinnati Seminal that Cruise's priestly ambitions were genuine. The real end to that dream, said Dempler, came when he and Cruise were caught robbing the Franciscans of their booze.

His father's unhappy end

The abuse that Thomas Cruise Mapother III inflicted on his family came to a head in 1974. This, writes Andrew Morton in " Tom Cruise: An Unauthorized Biography," is when Mapother's verbal attacks, secret drinking, and instability became too much for his wife Mary Lee. In a momentous decision for a devout Catholic woman of her generation, she took the children, left Mapother, and filed for divorce. It was a significant financial gamble as well as a personal upheaval; Mapother was not prepared to provide child support.

Tom Cruise, 12 at the time, did not mourn his father's absence from home. When Mapother followed his family to Kentucky and attempted to reach out to his son, Cruise firmly rejected him. Morton writes that, when Mapother remarried, Cruise put in a dutiful appearance at the ceremony. Once it was over, he abstained from all contact with his father, his new stepmother, and his stepsiblings.

Some effort at reconciliation was made in the 1980s, after Cruise's acting career had begun. By then, Mapother was gravely ill, wasting away from cancer in his late 40s. He imposed a condition on the reunion: no questions about the past. Cruise accepted his father's terms and met with him in the hospital. Later, he could only describe the final encounter as "sad."

Scientology brought down his second marriage

Tom Cruise was deeply in love with Nicole Kidman when they first met and worked together (per The Daily Beast) and the Church of Scientology was there to fan the flames. Journalist Tony Ortega is quoted by the Beast as saying that the organization's leaders felt their romance would be a passing fancy, a way to separate Cruise from his then-wife Mimi Rogers and her family of disreputable church members. Cruise becoming so committed to Kidman that he eventually married her was unexpected - and unwelcome.

Like Cruise, Kidman came from a Catholic background and once entertained a lifetime of service within a Catholic order. But Kidman's father was also a prominent psychologist, a profession that is among the great evils inflicting humanity according to Scientology's teachings. Even worse was her stepping into Scientology, leaving, and taking Cruise with her. Sources have claimed that church head David Miscavige personally ordered an operation to sink Cruise and Kidman's marriage and get the star back in the church.

The lengths Scientology went to break up the couple included sending private investigators after Kidman, tapping her phones (allegedly on Cruise's wish), and subjecting Cruise himself to relentless "auditing." This practice, a thorough drilling of a subject on intimate details about their lives, is among Scientology's most powerful tools for retaining control over its members according to HuffPost. The church's efforts came together just as they had in Cruise's relationship with Rogers; he filed for divorce in 2001.

He and Nicole Kidman lost a child

After filing for divorce from Nicole Kidman, Tom Cruise insisted to Vanity Fair (via E! News), "She knows why, and I know why." But according to Andrew Morton's " Tom Cruise: An Unauthorized Biography," Cruise's request - delivered by a third party - was a shocking turn for his wife. She tried to enter marriage counseling, as offered by the Church of Scientology according to Lawrence Wright's " Going Clear," but Cruise was not receptive. Complicating matters for Kidman was her learning that she was pregnant with the child of the man so coldly leaving her.

Early on in their marriage, according to Kidman in a Marie Claire interview, she and Cruise were expecting. But it was an ectopic pregnancy, a condition where the fertilized egg attaches outside the uterus. It was a devastating experience for Kidman, and per Morton, doctors suggested that the couple should avoid trying for another baby. Years later, at the end of her relationship with Cruise, Kidman miscarried. Cruise, writes Morton, "sent flowers but did not visit her at the hospital."

Anger and trauma have disrupted his relationships

Divorce and childhood trauma can breed deep unhappiness in people, affecting their ability to emote and connect. Eileen Berlin, Tom Cruise's first personal manager from 1980 to 1983, suspects that to be true of her former client. In an interview with the Daily Mail in 2012, she remembered the Cruise she first met as an explosive young man. Though he could be, in her words, "sweet, respectful, and mannerly to a fault," Cruise was also prone to flying off the handle. As innocuous a gift as a photo album with clippings from fan magazines could set him off.

Cruise's anger didn't always come out fast and hot. Sometimes he made constructive use of it, as in his early role in "Taps." At other times, it manifested as a wall of resistance. "He was so private," said Berlin. "He couldn't show his true feelings. You would get so far and he would close down." For Berlin, who put Cruise up in her apartment for several months in 1980, the most obvious source of this reserve and her client's mood swings was lingering resentment toward his father. It was the same issue, says Berlin, that opened Cruise up to the overtures of Scientology.

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The Tragic Real-Life Story Of Tom Cruise - Grunge

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For all that a four-decade career as an actor has brought him, a closer look reveals that Cruise hasn't always lived such a charmed existence.

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This interview almost shows Cruise to be attempting to teeter between two different star images he has for himself; the more reserved and polite Cruise we had seen throughout his career, and the more recent hot headed and rogue Cruise that had been stirring up controversy the past year. Due to this, his image was largely affected, as he almost seems unsure of what direction to go. Whilst attempting to still only show interest in the creative aspect of filmmaking, the interviewer, who acts as almost a mouthpiece for the media and gossip blogs that had been talking about Cruise, brings him back to talking about controversy and gossip.

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Tom Cruise's Heated Interview With Matt Lauer | Archives | TODAY