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Paul Winstanley is a modern artist who was born in Manchester in 1954 who creates works which show vast spaces of tone with a close observation of form and colour which creates a stillness. One of the ways that Winstanley was inspired is through the abstract modernism art movement which shows understandings of the abstraction of shapes and forms can be adapted to create a conceptual meaning. This can be shown in Winstanley’s work as his art is open to interpretation creating a contemporary quality which is in contrast to less contemporary artwork which has a distinctive narrative which can be shown through a portrait or a image which represents religious events. Although Winstanley shows the idea of isolation the interoperation of these ideas can be interpreted in different ways.One of the ways in which this can be shown is through the art critic Paul Carey Kent where he sees the passing of time through the images. The similarities between abstract modernism and Winstanley’s work can be shown through his abstraction of form which Winstanley often illustrates through his abstraction of formal shapes which are illustrated in his photos and oil paintings.  This oil painting above “veiled lobby” depict a space where no person is there creating a loneliness to this painting. I get an emotional response to this image and makes me think of the meaning behind Winstanley’s work. As an artist I also want to touch people in a deep way. This emotional response I feel is further suggested through his tonal colour palette which does a good job a presenting this mondain spaces. Winstanley creates a great sense of place which we as the viewer can pear into the image. It’s clear from Winstanley’s work that he’s inspired by the old masters through he’s observations  of tone and form which a true to life quality to his work. His understanding of art can be shown through his use of composition as he shows depth through the appliance of the background, midground and foreground which helps to create depth in the image this is also shown through the compositional lines which are shown through the use of the golden ratio and the planes of glass which help give the image structure. The importance of composition helps create an image that bit more appealing to the viewer. This isolation Winstanley illustrates in his work can similarly be shown with Edward Hooper who also shows the importance of tonal understanding. Although Winstanley is a contemporary artist his work also shows a stillness of form which can relate to renaissance art.

Artists Writing: Paul Winstanley - FAD Magazine

About (paulwinstanley.com)

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Whilst I went to the National Gallery, I was interested by this self-portrait by Gwen John which shows a impressionistic quality through the use of mark making. This paintings interests through the subtle variation of tone without going into too much detail.

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Gwen John was a Welsh artist who was born in 1876 and died in 1939 who would often create art in isolation and was not appreciated in her lifetime. Johns first introduction into the art world was at slade which had an academical tradition which started with drawing and would lead to copying the old masters which helped her understanding of paintings immensely. Although the artist was born in Wales she moved to France in her late 20s, but kept a traditional way of applying tonal qualities which resonates closely to English painting in contrast to French art. John gained inspiration by James Whistler in her earlier years which relates closely to her academical practises at the slade .“Girl with a cat” shows Johns subtle use of tonal variation which creates a atmospheric quality which is also shown through the appliance of paint shown on the canvas.This atmospheric quality makes me feel a spiritual quality to her work. A cohesiveness has been achieved through the limited application of brush strokes which also describes the dimensionality of human form, this is very hard to achieve. Gwen John also illustrates her understanding of the importance of colour which is shown through her subtle use of colour which can be seen in the background of the painting as the contrasting colour of red and green can be seen. The use of red in the background can also be contrasted through the foreground of the girl through the green of her sleaves. This allows john to show a extra layer of depth. Johns understanding of colour can further be shown through the blue of her dress is contrasted with the yellow glow of her face. This can also be shown through the whole image which helps to show why the image has an atmospheric quality. Gwen John also shows a great understanding of composition through the central placement of the eye 7/8s on the canvas. The central use of compositional lines can also be shown through shoulders of the girl. This immense understanding of colour and form helps to create the viewer feel absorbed in the painting. This is something I try to show this in my paintings.

Gwen John by Cecily Langdale

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Gwen John, in full Gwendolen Mary John, (born June 22, 1876, Haverfordwest, Pembrokeshire, Wales-died September 18, 1939, Dieppe, France), Welsh painter who was known for her self-portraits, quiet domestic interiors, and portraits of other women and who was until the late 20th century all but lost to history.

After the death of her mother, an amateur painter, in 1884, John and her three siblings and father moved to the small town of Tenby, Wales. In 1895 she moved to London to live with her younger brother and fellow painter, Augustus John, and to join him at the Slade School of Fine Art, where he had been studying since 1894. Her drawing skills were acknowledged with a prize for figure composition in 1898, her final year at the school. Despite that recognition of her exceptional talent, she was overshadowed-and would continue to be for the greater part of the next century-by Augustus's larger-than-life personality as well as his highly regarded artwork. Between 1898 and 1899 John lived in the Montparnasse section of Paris and studied with James Abbott McNeill Whistler at his Académie Carmen. About 1900 John created one of her best-known paintings, a three-quarter-length self-portrait in which she wears a billowy bronze-toned blouse, holds her hands to one hip, and confidently looks out at the viewer. That self-portrait has been noted for its likeness to those by Baroque painters Rembrandt, Diego Velázquez, and Anthony van Dyck, whose work she would have seen at museums or galleries and at the National Gallery in London, where she was registered as a copyist. John returned to London for a few years and exhibited her work for the first time in 1900 at the New English Art Club. She also participated in a joint exhibition with her brother in 1903 at the Carfax Gallery in London, where she showed just three paintings, compared with his 45. She left London for good in 1904 to live in France and ultimately settled in Meudon on the outskirts of Paris.

During her first summer in Paris in 1904, she began modeling for other artists based in Paris so that she could support herself and her art. One of her modeling jobs was for sculptor Auguste Rodin, and she soon became his lover as well. It was an intense relationship that lasted for about a decade. Through Rodin she met poet Rainer Maria Rilke, with whom she forged a close friendship that lasted until his death. Beginning in 1910, American lawyer and art collector John Quinn became John's sole patron. Until his death in 1924, he bought any work she was willing to part with. She suffered a great deal of financial hardship when he died. Her diary details her devastation when, two years later, Rilke died. That year, in 1926, she began an obsessive relationship with her neighbor Vera Oumançoff, sister-in-law of philosopher Jacques Maritain. Her published letters and notebooks tell in detail of this relationship and other, more supportive, friendships that she had with several women artists.

After the end of her relationship with Rodin and her subsequent conversion to Roman Catholicism about 1913, John created many portraits of nuns at a local convent in Meudon, including a commissioned series of pictures (1913-21) of the convent's founder, Mère Marie Poussepin. Using an image of her on a prayer card, John created at least eight three-quarter-length portraits of the nun, who had died some 200 years earlier. Quiet but expressive interiors and portraits continued to be the subjects of her paintings and drawings. She exhibited a handful of times in Paris, including multiple times at the Salon d'Automne, beginning in 1919.

John's creative output is said to have decreased after 1924 when her patron, Quinn, died. It is commonly thought that she stopped painting entirely after 1933 and took to gardening. In 1939, in poor health and with the war at her doorstep, she left Paris for the French coast but collapsed and died at age 63, just one week after arriving in Dieppe.

In her lifetime John was well respected but hardly to the level achieved by her brother. Following her death, she fell further into obscurity, and the whereabouts of her grave were unknown until 2014, when her death record was at last discovered at the Janval Cemetery in Dieppe. In the early 21st century she was recognized as one of the foremost British artists of the Post-Impressionist period, and her artistic talent was often regarded by critics as far surpassing that of her brother.

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Gwen John, in full Gwendolen Mary John, (born June 22, 1876, Haverfordwest, Pembrokeshire, Wales-died September 18, 1939, Dieppe, France), Welsh painter who was known for her self-portraits, quiet domestic interiors, and portraits of other women and who was until the late 20th century all but lost to history.

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Started with painting on a 30 by 40 cm which I ambonded because I felt that the size didnt do the picture justice.So moved up to a 90 by 67.5cm which created a more true to life form which I have now completed the first blocking in stage

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The kinks are the village green perservervation society 

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The kinks are the village green perservervation society 

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I have been listening a lot to The kinks are the village green perseveration society which its most primary subject represents the Americanisation of British society in the 60s and the drawbacks which will happen in the coming decades due to globalisation. The album celebrates British culture through representing culture tropes which creates a romanticised view of British culture. This inspired my idea to create work which represents a different view of the world which goes against dull modern culture. These ideas were shown in my work at the first half of the year.

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working with layers It help me create tone and dimensionality, espically through the use of glasers which also creates a dimentanality

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I tried to explore the ways I can show my technicue using diffrent compoasations.

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The main reason an artist works with a gallery is to exhibit their work to potential buyers. Through the representation of a gallery an artist can also gain respect from a potential buyer due to the high regard being placed on the gallery. Another benefit is that with the gallery the viewer can best see the beauty of the art. Through working with a gallery there is lots of opportunities for networking which can create more opportunities in the art world although there are benefits from using gallery representation  there can be downsides such as the gallery taking a commission from a sold artwork but the artist may have found it hard to sell the painting otherwise.

I see the ways that art is sold historically as outdated. Although historically the gallery is seen as being important through the advent of social media it has created more control to the artist. Social media can be used as content stream to a larger amount of people creating a more immediate way of showing a artist’s work and selling artwork which reflects the fast paced modern world which we live in.

I have created my own content stream which keeps up to date with paintings through posts and use of stories. This will  help the exposure of my work. I can also gain expose through the understanding of hashtags and the timing of posts

https://agifineart.com/advice/benefits-of-gallery-representation/

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Instagram @ethans.paintings

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(1839-1906) Through Cezanne’s work he relates to the impressionist movement through his use of colour and form this understanding was first established through his time he spent working with Camille Pissarro the so-called father of impressionism Camille Pissarro. Through Pissarro’s stewardship Cezanne lightened up his palette using a impressionistic paint such as viridian, French ultramarine blue and red lake. The two artists would go on plein air sketches together painting the same motifs which was a departure from Cezanne’s earlier work which was darker images which took inspiration from romanticism which was a much more traditional way of creating painting. This led Cézanne to create his most recognisable work. Cezanne differs from the impressionist movement as he wants to create an everlasting depiction of an image which contrasts the impressionist ideology which wants to create there first vizierial impression of a place. Through Cézanne’s art he tries to create a unification of an image and a balance which creates a sense of place and time. This is something I want to show in my work. Cézanne creates a unification of forms which often illustrates forms of shape which led to the start of the cubist movement. This shows Cezanne’s importance to modern art as cubist art is vital to the understudying’s of contemporary art movements today. This abstraction of shape was inspired through the appliance of camara obscure which helped Cézanne create images with a distorted use of perspective. The painting “mount Sainte-victourie” shows Cezanne’s trademark use of geomatic abstraction of paint which he often painted. The image shows Cezanne’s great understanding of perspective which he expertly illustrates through his evaluation of tonal qualities creating great depth. The image shows the formulaic appliance of paint as Cezanne’s paintings as he adds repetitive rectangular strokes which are shown in foreground. This repetitiveness is also seen through the application of colour where the use of green is used in the midground and the background this makes the bounce around the canvas creating a more aesthetically pleasing image to the eye. Cézanne also shows an interesting image to the viewer as he uses a strong composition through the horizon on the painting and the use of the mountain which creates a balance. Cézanne also creates different perspectives in his images this can be seen as Cezanne’s images from a distance shows a form that relates that reflects reality but Cézanne pulls you into the picture and as you do so you see his distortion of abstract form.

The painter who revealed how our eyes really see the world - BBC Culture

Paul cezane by tashen

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through thease images I didn't feel I created images which didnt crete a intreseting use of colour but enjoyed the use of loose brush strokes

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A artist can use modern technology to there advantage through a website. A website allows the artist to showcase their own talents and sell their work. This is something I would like to further understand through research and making my own website. As I feel this is a hole in my knowledge.

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found this image hard to create this as I found It hard to decifer the colour and tone which I think is down to the use of lighting of the photo. I was able to see the tone clearer through expermenting with wallace syemour flake led white alternative .

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Through the artist Andrew Tischler he creates a wide array of processes where his art can be made profitable this is shown on his website through his selling of tutorial videos which can be sold separately as well as being sold with a subscription service which creates different options for the consumer. These tutorial videos have been given value through Tischler's free videos which is shown on his YouTube channel which are of great understanding. The quality of these tutorials is through not only the content which creates a in depth technical understanding but great production value. Tischler puts great importance on representing his art this is shown in the design of his website which creates a sleek user interface which uses a simplistic design which creates a easy way for the consumer to understand the information. This website also helps to create credibility by showing the great quality of his work and information about the artist himself. Through Tischers charismatic nature of his tutorial videos and hes great skill he shows makes interesting viewing. The consumer is not just investing in the art but the artist himself also.

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Portrait of a Man, Possibly Nicolaes Pietersz Duyst van Voorhout (born about 1600, died 1650) - Frans Hals - Google Arts & Culture

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Fran Hals (1582-1666) was a Dutch baroque artist who represents true to life images this is through Hal's expert understanding of form and tone which also blends the looseness of brush strokes which is reminiscent of impressionism making Frans Hals ahead of his time. Fran Hals lived through the Dutch golden age where the Dutch republic went through a period of having a flourishing economy helping to create great strides in trade, science and art. This helped create great Dutch masters in this period as well as Frans Hals there was Vermeer and Rembrandt etc. Hals was a part of the Dutch golden age and used a similar understanding most predominately the use of subtle earth tones which helps to create great depth and roundness of form which creates great dimensionality of form which was helped through his understandings of Caravaggio and the renaissance. Hals contrasts his contemporaries through the looseness of marks where the latter used more concise tight marks with more of reliance on glazing. These understandings are show in Hal’s painting Portrait of Nicolaes Pietersz Duyst van Voorhout made between 1636-38. This painting shows a great understanding of form this is through Hals abstraction of form which still leaves a volume and depth of form. This creates a movement which is shown throughout the image. The movement which is shown in the image can also be created through the linear mark making which shows great understanding of form through the appliance of brush strokes which realistically resembles form which can be shown through the roughness of the face to the subtle use of strokes of the hair which helps to create a presentence to the painting. The use of linear strokes makes the eye bounce around the image which is most reminiscent of the strokes of van Gogh. Hals also creates a compositional understanding which can be shown as the eye is centrally placed ¾ on the image, a golden ratio is shown through the right side of the face and the face is placed on ½ to 3/4. These compositional understandings  is also subtly shown which creates a aesthetically pleasing image. Hals uses a limited use of colour which uses a great use of black which is subtly used to create great depth. Hals simple palette is also shown in this painting as Hals uses the simplistic use of the contrast of green and red to create affect which creates great harmony through the image.

Fran Hals : style and substance by Walter Lieedtke

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Portrait of a Man, Possibly Nicolaes Pietersz Duyst van Voorhout (born about 1600, died 1650) - Frans Hals - Google Arts & Culture

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Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online.

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Van Gogh was a Dutch artist who was born in 1853 in holland and is known for his use of movement and luminosity of colour which creates a vibrancy which is achieved through the impasto of bight vibrant paint this deeply inspires my own work. Van Gogh’s work has a distinctive linear mark making which creates a looseness which also shows a understanding of form which is shown in the painting above “La Mousme” which is shown through the harshness of the background through the wall to the smoother layers of the dress and shadow. One of Van Gogh’s inspirations can be seen in this painting through Japanese prints this can be seen in van Gogh’s work through the simplification of form and use of Japanese perspective which helps to create a vastness of space. Van Gogh’s love of Japonisme can be shown in a letter he sent to his brother, Theo saying “My studio’s quite tolerable, mainly because I’ve pinned a set of Japanese prints on the walls that I find very diverting. You know, those little female figures in gardens or on the shore, horsemen, flowers, gnarled thorn branches”. Although Van Gogh is a post-impressionist, he gains great inspiration from post impressionists through the use of bright, bold colours. Van Gogh’s inspiration of colour can also be shown through the impressionistic idea of creating a impression of a moment instead of a more true to life depiction of reality like the old masters.  This can be shown through Van Gogh’s use of loose bold brush strokes which he sees to create distinctive patterns creating great movement within the picture but also through his use of impasto helps to create a freshness of paint due the masses of paint applied helps create strength to the paint stopping it from being damaged. Van Gogh’s understanding of colour is shown through his use of colour which creates vividness through his understanding of contrasting and complementing colours which can be seen through la mousme’s dotted dress which has the contrast of blue and orange and also relates to Japonisme prints through the use of patterns. This can also be shown through the contrast of red on la mousme’s dress which contrast the emerald green of the background which helps to create the image more appealing to the viewer. Van Gogh’s art shows a simplification of form which relates to a modern audience as the viewer knows how the art is achieved which helps us understand to why Van Gogh relates to wider society  not only relate to the art lover.

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Vincent van Gogh 1888

View in Augmented Reality

National Gallery of Art, Washington DC
Washington, DC, United States

Details

Title: La Mousmé

Creator: Vincent van Gogh

Date Created: 1888

External Link: For more information about this and thousands of other works of art in the NGA collection, please visit http://www.nga.gov/

Medium: oil on canvas

Object Credit: Chester Dale Collection

Dimensions: overall: 73.3 x 60.3 cm (28 7/8 x 23 3/4 in.) framed: 99 x 86.3 x 10.1 cm (39 x 34 x 4 in.)

Classification: Painting

Artist School: Dutch

Artist Nationality: Dutch

Artist Details: Dutch, 1853 - 1890

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La Mousmé - Vincent van Gogh - Google Arts & Culture

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Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online.

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I feel this portrait was made easier than others prevousely. I feel this is through the strength of the under painting which gave me the bassesto create value in the painting

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Van Gogh met the Belgian painter Eugène Boch (1855-1941) in mid-June 1888, while Boch was spending a few weeks near Arles. Around 8 July, Vincent mentioned Boch in a letter to his brother Théo: "I very much like the looks of this young man with his distinctive face, like a razor blade, and his green eyes".On 11 August, his idea began to take shape: "I should like to paint the portrait of an artist friend, a man who dreams great dreams, who works like the nightingale sings, because it is his nature to do so. This man will be blond. I would like to convey in the picture my appreciation, the love that I have for him. So I will paint him just as he is, as faithfully as I can [...].

Behind his head, instead of painting the ordinary wall of this shabby appartment, I will paint infinity, I will do a simple background of the richest blue, the most intense blue that I can create, and through this simple combination of the bright head against this rich, blue background, I will obtain a mysterious effect, like a star in the depths of an azure sky".

Two weeks later, Boch sat for Van Gogh. "Well, thanks to him I have at last the first sketch of this painting that I have dreamt of for so long - The Poet. He sat for me. His fine head with his green eyes stands out in my portrait against a starry sky of deep ultramarine; he wears a short, yellow jacket, a collar of unbleached linen and a colourful tie".

Although he only considered it to be a "sketch", Van Gogh framed this work, which he called The Poet. We know that it hung for some time on the wall of his bedroom in the Yellow House, because it appears in the first version of The Bedroom (Amsterdam, Van Gogh Museum).

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Eugène Boch - Vincent van Gogh - Google Arts & Culture

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Van Gogh met the Belgian painter Eugène Boch (1855-1941) in mid-June 1888, while Boch was spending a few weeks near Arles.

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Camille Pissarro  (1830-1903) was known for his importance in the impressionist movement this can be seen through Pissarro working closely with artists who embraced the impressionist movement such as Cézanne , degas and Monet. These artists mentioned took part in the “impressionist” exhibitions which took place in the 1870s and 1880s which help to give routinity to the art movement. The movement went against the contemporary art of the time which was represented by the French Academy of fine arts which showed a Adamical way of creating form which showed a true to life quality. This allows us to understand that the art critics at the time did not like impressionism at the start of the movement due to the vast contrast to contemporary practices. Pissarro was one of the artists that show a use of bright colour and an understanding of spontaneity of the feeling of a place. This creates a self-expression which relates to contemporary art movements. This is in contrast to art movements before impressionism which showed art which referred to a true to life painting style. A way in which the impressionists was able to achieve the great sense of expression is through painting on plien air which help to create a spontaneity of a image and the blurred the lines of a study and a final painting. The technology of the time helped the impressionists through the advent of paint tubes. Paint tubes allowed the artist to be able to create paintings in a more accessible way because all the painter needed  to do is to  squeeze paint from the tube. This made it a lot easier for the artist to carry paint when plein air painting. This is in contrast to previous ways for the artist to paint where they  would need to be by pigment and make paint themselves. The painting "A corner of the meadow at ergnay" shows the themes that the impressionist movement through the looseness of brushstrokes which helps to create a sense of place. I like Pissarro’s use of controlled colour where he creates great sense of depth and dimensionality through the use of the expert use of tone which has been used using modern paint mixing using French ultramarine blue and rose madder which enables Pissarro to create tone. This combination of French ultramarine and rose madder is shown throughout the painting which helps to create a unification of his paintings. This is something I would like to achieve in my paintings.

book is (pissaro the father of impresonism)

What is Impressionism, History of Impressionism and Impressionists, start of impressionism movement.

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Caravaggio was an Italian painter (1571-1610). Whose paintings create a dramatic depiction of mostly religious images. Caravaggio created art which created reality in such a accurate way. Caravaggio was able to produce this through his use of complex compositions which creates a dramatic image as well as an aesthetically pleasing image to the viewer creating a presentence to his images. Another way in which Caravaggio creates reality is through his use of dramatic light called chiaroscuro which is an Italian word when translated into English means black to white. Chiaroscuro allows Caravaggio to create a three dimensionality and a roundness of form through the use of tonality. Although Caravaggio is seen to be a baroque artist, he’s paintings are differentiated from other artists of the art movement through his use of more naturalistic paintings which represents a humanisation of biblical stories which was achieved by basing his paintings from sitting models. Caravaggio also helps represent a realistic use of form through careful use of tone in the background creating depth as well as the naturalistic use of objects which is in contrast to other painters of the baroque such as Peter Paul Rubens which represents a composition using a bold representation of colour. Caravaggio was not only known for his paintings but by his personality as he was known to being in trouble as he had been brought to trail on 11 occasions including killing a man other a disagreement over tennis. Caravaggio first learned his artistic trade by Simone Peterzano who was pupil of Titian. Through learning the teachings of Titan, Caravaggio was able to start to understand the ways he can construct an oil painting through the understanding of layering paint and adding tone to create three dimensionality. Although there were great advocates for Caravaggio’s dramatic, intense artwork was also seen to be controversial which was shown after his death when Nichols poussin an artist said “He came close to destroying art” because of the blurred lines which Caravaggio illustrated between heaven and earth. Through the years after he was forgotten about until the 20th century when curators took note of the talent of Caravaggio which has helped his art inspire modern culture. This can be shown through Martin Scorsese appreciation of Caravaggio’s work through the directness of his scenes which can be predominantly shown through the bar scene in mean streets.

Carravagio tashen by Giles Lambert

https://www.bbc.com/culture/article/20161010-why-caravaggio-was-a-shocking-as-his-paintings

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Joaquin Sorella is a Spanish artist who was born in 1863 and 1923 which paintings have been inspired through impressionism through Sorella use of bright loose brushstrokes. Sorella was inspired when visiting painters such as Edward manet and John Singer Sargent. Sorolla home city of a Valencia in the south coast of Spain has a bold intense use of light which Sorella expertly capturers through his famous use of light. This is shown through Sorolla’s (Verano) 1904 (shown above). which painting doesn’t just show impressionistic qualities but a understanding of representable form which closely shows a understanding of form which relates to the old masters, more closely to Spanish masters such as a Diego Velazquez and Francesco Goya through the placement of marks and the use of tone which creates an atmospheric quality. Sorella shows great interest in Velazquez this can be shown through copying at least 15 painting of the old master. Soreallas love for Velazquez can be shown through his painting The errazuris family which references Velazquez les mineas which shows a similar use of composition which shows great depth. Sorella differs from his contemparys through the use of colour where he shows radiant colour in contrast to the old masters through the importance placed on tonal pieces. The Verano shows a great understanding of composition which is shown through the use of the golden ratio of the girl shown in the foreground which creates a appalling painting to the viewer. Another way in which Sorella does this is through the use of different places through the foreground midground and background which helps to create depth another way in which this is achieved is through the wave which flows through the centre of the painting at a 45 degree which helps to show further space. The angle of the wave also helps creates a balance. Sorella shows a expert understanding of balance which is shown through the use of colour which is predominately shown through the contrast of yellow and blue which is then complimented  through the contrast of yellow and violet. Sorolla also shows hints of red which is subtly contrasted with the use of green tones in shadows. I really enjoy Sorella’s use of freedom and looseness of strokes and the ways in which he is able to articulate form whilst having a freedom of mark making this is  something I would like to achieve in my work.

Sorolla spanish master of light by the national gallery

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The Artist Stan Prokopenko uses his website to advertise he’s courses for drawing. He sells his courses through bundles which has multiple lessons for a specific genre such as portrait drawing fundamentals or comic book drawing. Proko allows the consumer to understand the content of the lessons by giving free lessons. This makes the consumer believe in the product as Proko wouldn't give away free lessons if he didn't believe in the product. Proko also shows understanding of connecting to their consumer which can be shown through the community page which showcases the quality of art which is shown  by the practitioners of the lessons. I would like to create a close connection to my consumer as I fell this would help the business.

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I like the use of strokes in this image it creates a vivvidnes and movement.

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After doing some research I desighned my work through the software squarespace. As I could create great customization.

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Through his practices Asbestos looks most prominently through themes of pop art and  the work of Warhol and the ways in which this infiltrated mainstream culture .Through his earlier work he created more traditional paintings but felt that he was not able to create a cohesive body of work. In 2018 he was able to create work best suited to him through using a wide array of media through his fashion runways, sculpture pieces or videogames. Through his new art he creates a populist attraction through his art use of bright bold colours and pop culture themes. Although I don't enjoy Asbestos's work as I don't connect in a meaningful way, I find Asbestos purpose of trying to connect to mainstream culture dilutes the quality and authenticity of his work. I was interested though through the ways that asbestos marketed them self and the ways in which Asbestos can profit from their work which helped me think about my professional studies into website design

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Artwork By Artist Bruce Asbestos, Including Catwalks, Video Games, Social Media Projects, Paintings and Curatorial Projects.

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I really enjoyed going to the national gallery as I got to see the vast amount of amazing old masters. I could see the expert understanding of artistry which gave me great inspiration to try create to the highest quality. Through going up close and personal to the paintings it allowed me to understand the paintings with more clarity in contrast to other ways of consuming art such as electronically or through books where this clarity is not present.

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Through going to this exhibition I was interested in the ways in which Ellen cooper intertwined her art with other artist and the similarities and differences without containing a coherent theme . This exhibition differs from most exhibitions which has less of a abstract theme.

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https://lilac-raspberry-hxam.squarespace.com/

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I feel through learning website design it has helped me understand the ways in which a artist can make money through art and the content streams which can be achived and learnt that its not as simplistic as just selling paintings. I feel that I have also learnt the subtle nuances of web design as little details on a page can make that bit more appealing to the consumer. Although I feel my website is quite simplistic in design, it works quite well practically and gives me the ground to add to the website by not only design preferences but through other content streams in the future.