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a category of artistic composition, as in music or literature, characterized by similarities in form, style, or subject matter.

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A camera obscura is a darkened room with a small hole or lens at one side through which an image is projected onto a wall or table opposite the hole.

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a small-format photographic film used in single-lens reflex cameras (SLRs), film cameras, rangefinders, and disposable cameras.

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a type of camera with two objective lenses of the same focal length.

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The gelatin silver print or gelatin developing out paper (DOP) is a monochrome imaging process based on the light sensitivity of silver halides.

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Photo curators collect, exhibit, research and maintain the photo collection at a museum.

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a public display of works of art or items of interest, held in an art gallery or museum or at a trade fair.

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a room or building for the display or sale of works of art.

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A building that displays art or artifacts for the public to see

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A room with backdrops for a photographer to take pictures of a model or artifacts

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An element of art defined by a point moving in space. Line may be two-or three-dimensional, descriptive, implied, or abstract.

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An element of art that is two-dimensional, flat, or limited to height and width.

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An element of art that is three-dimensional and encloses volume; includes height, width AND depth (as in a cube, a sphere, a pyramid, or a cylinder). Form may also be free flowing.

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The lightness or darkness of tones or colors. White is the lightest value; black is the darkest. The value halfway between these extremes is called middle gray.

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An element of art by which positive and negative areas are defined or a sense of depth achieved in a work of art.

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An element of art made up of three properties: hue, value, and intensity.

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An element of art that refers to the way things feel, or look as if they might feel if touched.

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the distribution of the visual weight of objects, colors, texture, and space.

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the part of the design that catches the viewer’s attention.

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the path the viewer’s eye takes through the work of art, often to focal areas.

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the repeating of an object or symbol all over the work of art.

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the feeling of unity created when all parts (sizes, amounts, or number) relate well with each other.

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created when one or more elements of design are used repeatedly to create a feeling of organized movement.

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the use of several elements of design to hold the viewer’s attention and to guide the viewer’s eye through and around the work of art.

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the feeling of harmony between all parts of the work of art, which creates a sense of completeness.

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symmetry around a central axis, as in a starfish or a tulip flower.

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the quality of being made up of exactly similar parts facing each other or around an axis.

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lack of equality or equivalence between parts or aspects of something; lack of symmetry.

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the fact of two things being seen or placed close together with contrasting effect.

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art that does not attempt to represent external reality, but seeks to achieve its effect using shapes, forms, colors, and textures.

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any color that is calm or soothing in nature

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any color that is vivid or bold in nature

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muted shades that appear to lack color but often have underlying hues that change with different lighting

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a color that combined with a given color makes white or black

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a color scheme that is comprised of variations of one color

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a set of colors arranged in a linear order

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helping to improve; promoting further development or advancement

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the practice of taking someone else's work or ideas and passing them off as one's own.

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relating to moral principles or the branch of knowledge dealing with these.

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Based on or influenced by personal feelings, tastes, or opinions. Objective: (of a person or their judgement) not influenced by personal feelings or opinions in considering and representing facts.

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Copyrights primarily protect the rights of people who create literary, dramatic, musical, artistic, and certain other intellectual works (like history tests, and software code). Trademarks protect the use of a company's name and its product names, brand identity (like logos) and slogans.

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a composition guideline that places your subject in the left or right third of an image, leaving the other two thirds more open.

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a compositional technique where human-made or natural lines lead the viewer's eyes through a photograph to the subject or the heart of the image

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The photograph is divided into nine rectangles along two horizontal and vertical lines according to the golden ratio.

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the empty space around the subject

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any part of the photo that jumps out from its surroundings

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a painting, especially an altarpiece, on two hinged wooden panels which may be closed like a book.

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an ancient Roman writing tablet with three waxed leaves hinged together

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projection of a single view of an object (such as a view of the front) onto a drawing surface in which the lines of projection are perpendicular to the drawing surface.

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a type of distortion wherein lines that are straight in real life appear to curve inwards

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distortion (as by an optical instrument or television receiver) in which the image of a straight line appears to be curved convexly toward the axis

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your camera's sensitivity to light as it pertains to either film or a digital sensor

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an arbitrary rating of film speed

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a sensor that detects and conveys information used to make an image

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the random optical texture of processed photographic film due to the presence of small particles of a metallic silver

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a certain type of visual distortion. It looks similar to grain found in film photography

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a space through which light passes in an optical or photographic instrument, especially the variable opening by which light enters a camera

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about how much light you allow to hit the sensor via the aperture opening

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The focal length of a lens is determined when the lens is focused at infinity

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the distance between the nearest and furthest elements in a scene that appear to be "acceptably sharp" in an image

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the effect of a soft out-of-focus background that you get when shooting a subject, using a fast lens, at the widest aperture, such as f/2.8 or wider.

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when the camera chooses the optimum shutter speed, aperture, ISO and flash settings for your shot

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one of the Creative Zone modes, though one with the least control over your exposure settings

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a full manual control of Aperture and Shutter Speed

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a setting on cameras that allows the user to choose a specific shutter speed while the camera adjusts the aperture to ensure correct exposure

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a camera mode dial, is a mode on some cameras that allows the user to set a specific aperture value (f-number) while the camera selects a shutter speed to match it that will result in proper exposure based on the lighting conditions

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It's the speed at which the shutter of the camera closes.

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an exposure setting that is used when seeking to use a shutter speed of more than 30 seconds.

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the purposeful streaking or blurring of an object in motion in a photo for visual effect

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accessories designed to support a camera

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the act of accidentally shaking a camera during shooting due to unsteady hands, which results in blurry images

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involves using a long-duration shutter speed to sharply capture the stationary elements of images

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the photographic technique of taking a sequence of frames at set intervals to record changes that take place slowly over time.

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a technique of image creation using light directly

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freezes objects in motion in a still frame.

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changes your camera from a single shot mode to a multi-shot sequence of images

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allows the camera to measure the light reflected from the person's face and expose properly for that, instead of adjusting exposure for the much brighter light around the hairline

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covers only the centre 6.2% of the frame in the viewfinder, thus providing precise metering only for the subject

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evaluates the light in the middle of the frame and its surroundings and ignores the corners

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the default metering mode on most cameras. It ensures that the camera will automatically adjust to the right exposure setting even when the ambient lighting shows greater contras

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mid-point between black and white on a logarithmic or exponential curve.

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Any photo that uses shadows as a prominent part of the composition — to enhance the contrast of a subject or as the subject itself

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A medium tone, one that is neither very dark nor very light.

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the lightest elements in an image

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a darker border - sometimes as a blur or a shadow - at the periphery of photos

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a chemical process that converts the metallic silver in the emulsion of a photographic print into a silver sulfide compound

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a specific part of the frame where the camera is able to focus on something.

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the process of shooting the same image, shot, or scene multiple times using different camera settings resulting in different exposures.

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number that represents a combination of a camera's shutter speed and f-number, such that all combinations that yield the same exposure have the same EV

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helps you override automatic exposure adjustments your camera makes in situations with uneven light distribution, filters, non-standard processing, or underexposure or overexposure.

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the process of removing unrealistic color casts, so that objects which appear white in person are rendered white in your photo

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allows you to switch between virtual desktops and display your workspace layout in your panel.

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a strip of icons used to perform certain functions.

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the entire range of colors that can be rendered by a digital device such as a camera LCD or a computer monitor.

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part of a browser or application window, typically at the top left side, that houses drop-down menus that allow the user to interact with the content or application in various ways.

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a horizontal menu at the top of the main Photoshop window that lets you customize a tool.

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to remove or adjust the outside edges of an image (typically a photo) to improve framing or composition, draw a viewer's eye to the image subject, or change the size or aspect ratio

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the proportional relationship between an image's width and height

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a measurement of the number of pixels -- picture elements or individual points of color -- that can be contained on a display screen or in a camera sensor

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DPI refers to the number of printed dots contained within one inch of an image printed by a printer. PPI refers to the number of pixels contained within one inch of an image displayed on a computer monitor