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Tatreez in Time - The Metropolitan Museum of Art

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The memory, meaning, and makers of Palestinian embroidery.

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Block Printing: Pakistan’s Living Heritage

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Block printing, a centuries-old textile craft, is one of Pakistan’s most cherished traditions. Passed down through generations, this art form transforms simple fabrics into vibrant works of cultural significance. Rooted in regions like Sindh and Punjab, block printing has become synonymous with both heritage and style.

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How was it made? Carving a Printing Block

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Koel, Block Printing in Pakistan: Conscious Consumption and Ethical Fashion in Pakistan

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Women Who’ve Made Gee’s Bend Quilts Are Finally Receiving Their Due | Sunday TODAY

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Bisa Butler on Portraits and The Black Experience

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This hour-long webinar will focus on Mathematical Modelling. In this webinar, we will explore in detail what the mathematical modelling process looks like and how it is truly new to the curriculum. We hope to deepen educators' understanding of what Mathematical Modelling is and how it can be woven into a math program. Sample tasks will be discussed.

Available in the

for this webinar:

the slides for this presentation, in Google Slides format.

links and resources document, "Resources for Curriculum Context Webinar 3", comprising links to research, videos, audio, and websites which may be of use to you as you continue to learn more about the Mathematical Modelling process.

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Webinar Support Files

Available in the

for this webinar:

the slides for this presentation, in Google Slides format.

links and resources document, "Resources for Curriculum Context Webinar 3", comprising links to research, videos, audio, and websites which may be of use to you as you continue to learn more about the Mathematical Modelling process.

Note: The files in a Google Folder are in View Only mode. If desired, you can use File → Download, or File → Make a copy, to save a version for yourself.

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This hour-long webinar will focus on Mathematical Modelling. In this webinar, we will explore in detail what the mathematical modelling process looks like and how it is truly new to the curriculum. We hope to deepen educators’ understanding of what Mathematical Modelling is and how it can be woven into a math program. Sample tasks will be discussed.

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Famed Gee’s Bend Quilters are now on the runway and online

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Pakistan’s textile industry’s battle with global environmental challenges

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History of Gee’s Bend — Visit Gee’s Bend

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A HISTORY OF GEE’S BEND FROM 1816 TO THE PRESENT From the settlement of a cotton plantation by Joseph Gee in 1816 through the front lines of the Civil Rights Movement to celebrated exhibitions at major art museums worldwide, this timeline explores key moments in the history of the storied community

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Daniel Jarvis (Author), Irene Naested (Author) Format: Kindle Edition

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Exploring the Math and Art Connection: Teaching and Learning Between the Lines

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Exploring the Math and Art Connection: Teaching and Learning Between the Lines eBook : Jarvis, Daniel, Naested, Irene: Amazon.ca: Kindle Store

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David Stocker (Author), Minnow Holtz-Carriere (Illustrator)

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Maththatmatters 2: A teacher resource linking math and social justice

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Maththatmatters 2: A teacher resource linking math and social justice : Stocker, David, Holtz-Carriere, Minnow: Amazon.ca: Books

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Tatreez Tips & Tricks: How to stitch a diagonal line

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Start creating your screens here, no account needed.

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Navajo quilter Susan Hudson, QUILTS episode

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What is Indigenous Mathematics? -  Dr. Edward Doolittle

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A story of the Cook Islands and her people

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Tivaevae or tivaivai ( Cook Islands Māori: tīvaevae) in the Cook Islands, tifaifai in French Polynesia, is a form of artistic quilting traditionally done by Polynesian women. The word literally means "patches", in reference to the pieces of material sewn together. The tivaevae are either made by one woman or can be created in groups of women called vainetini. The vainetini use this time together to bond, sing and catch up on village news.

Tivaevae are often given on very special occasions either to important visitors, as birthday and wedding gifts or used to cover the body of a loved one who has died. They are often displayed during important events like the traditional boys' hair-cutting ceremonies, birthdays and weddings.

By custom, a tivaevae is not measured by monetary value nor production cost. Its value is said to be reflected by the love and patience that the creator(s) have put into making a stunning work of art. Cook Islands women often described their tivaevae as being "something from the heart".

Tivaevae are rarely seen for sale on the islands. The Atiu Fibre Arts Studio on Atiu is the only place in the Cook Islands where they are commercially produced and available for purchase.

The tivaevae's origins are uncertain. Rongokea (1992) believes it to be an imported art form, and cites two sets of Christian missionaries in the 19th century as possible origins. While it is known that these female missionaries taught the indigenous women how to sew, it is not certain that they taught them the craft of quilting or making bed coverlets. The appliqué style of tivaevae quilting appears to have been influence by Pennsylvanian German scherenschnitte or Victorian folded paper-cutting traditions. Multiple origins and influences thus seem likely.

As an art form, tivaevae replaced barkcloth production in Tahiti and the Cook Islands by the late 19th century: the function and nature of barkcloth production was transferred to tivaevae.

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Tivaevae or tivaivai ( Cook Islands Māori: tīvaevae) in the Cook Islands, tifaifai in French Polynesia, is a form of artistic quilting traditionally done by Polynesian women. The word literally means "patches", in reference to the pieces of material sewn together. The tivaevae are either made by one woman or can be created in groups of women called vainetini.