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This sweet, quirky title sequence shows Audrey Tautou's introverted heroine as a child. A girl with overprotective parents, and consequently no friends, Amelie is introduced to us via a montage of the different ways her childhood self fills her time. It's through this montage that we catch a glimpse of her imagination at work, giving us an idea of what the grown-up Amelie will be like as a character.

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Le fabuleux destin d'Amélie Poulain (2001) Opening Cut

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《Amélie》(艾蜜莉的異想世界) 電影開頭剪輯。 1080p

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Why is Kyle Cooper's title sequence to the film seven so effective?

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Why is Kyle Cooper's title sequence to the film seven so effective?

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It's effective because the sequence succeeded in interesting the audience before the film started. The sequence introduced the genre and the title sequence felt like a movie on it's own. Yet the whole opening sequence integrated well with the theme and movie.

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Explain why 'a good beginning must make the audience feel that it doesn't know nearly enough yet, and at the same time make sure that it doesn't know too little.'

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Explain why 'a good beginning must make the audience feel that it doesn't know nearly enough yet, and at the same time make sure that it doesn't know too little.'

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A balance must be established. As the audience needs to understand a good proportion of what they see at the beginning, in order for it to make sense. However, too much of an understanding may lead to there being no point of watching the rest of the movie. Overall, the beginning should introduce the start and make the audience want to watch more.

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According to Directer Jean Jacques Beineix, what are the risks of 'instant arousal'? 

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According to Directer Jean Jacques Beineix, what are the risks of 'instant arousal'? 

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Instant arousal: Is the risk of leaving nothing else for an audience to look forward to.

He challenges the view of grabbing an audience's attention right away. As he prefers it when a narrative is built up to arouse an audience.

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The Good the Bad and the Ugly (1966) title sequence

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What does Thomas Sutcliffe mean when he says "Films need to seduce their audience into long term commitment . While there are many types of seduction, the temptation to go for instant arousal is almost irresistible." 

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What does Thomas Sutcliffe mean when he says "Films need to seduce their audience into long term commitment . While there are many types of seduction, the temptation to go for instant arousal is almost irresistible." 

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He is saying that the beginning of a film is significant because it has the power to make or break a film. If the beginning can grab the attention of an audience the likelihood of them watching till the end is high. Film makers like to start off with a bang, which makes it likely that their audience will stick around.