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PRADO MUSEUM, A COLLECTION FOR MYTHOLOGICAL CHARACTERS IN EUROPE

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PRADO MUSEUM, A COLLECTION FOR MYTHOLOGICAL CHARACTERS IN EUROPE

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https://www.museodelprado.es/coleccion/obras-de-arte?search=mitolog%C3%ADa&ordenarPor=pm:relevance

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Explora la colección de "mitología". Consulta los 348 Explora la colección de Museo Nacional del Prado

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From the rooftop of the Círculo de Bellas Artes there is a wonderful panoramic view of the beginning of the Gran Vía, just where, at the intersection with Calle de Alcalá, stands the Metrópolis Building, inaugurated in 1911 as the headquarters of the La Unión y el Fénix insurance company. Its most characteristic feature is the slate dome with gold inlay. Above it was originally a bronze allegorical statue in honour of the Phoenix, a long-lived bird which, according to Greek mythology, regenerates itself from the ashes of its predecessor. Above it was a human figure with raised arm representing Ganymede, a handsome Trojan prince abducted by Zeus to become cupbearer to the gods.

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It is the least known of the three that decorate the Paseo del Prado, and yet it is right in the middle, which is no coincidence. From its central position, Apollo, the Greek god of the fine arts and light, watches over the population as if he were Charles III himself, who was unable to see the work completed as it was delayed due to a lack of stone for its construction. Designed by Ventura Rodríguez, it was executed by Alfonso Giraldo Bergaz (Apollo) and Manuel Álvarez El Griego (the rest of the figures). It was inaugurated in 1803, during the reign of Charles IV, to celebrate the marriage of his son, the future Ferdinand VII, to Maria Antonia of Naples.

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The Cibeles fountain was not originally located in the centre of the square that bears its name, but next to the Palacio de Buenavista, at the entrance to the Paseo de Recoletos, facing the other great fountain designed by Ventura Rodríguez, that of Neptune, originally located on the slope of the Carrera de San Jerónimo. The Roman god of the sea appears in it on a shell pulled by hippocampuses (horses with fish tails), with a coiled serpent in his right hand and a trident in his left. Seals and dolphins swim around the chariot, spouting water from a great height.

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https://www.esmadrid.com/madrid-mitologico

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The city of Italica is a must-see not far from Seville (7 km) and will undoubtedly surprise visitors both for the quality of what has been preserved as well as the magnitude of the city. The city was founded in 206 BC by Publius Cornelius Scipio Scipio, the African, as a place to recuperate wounded troops as well as a place of residence for his war veterans. It was the birthplace of the emperors Trajan and Hadrian.
Under the emperor Augustus, the city developed into what was called the nova urbs. A new city that came to have sewers, services... in other words, one of the most advanced cities in the Roman world at the time.
It remained in use until the Muslim period when it became a quarry for materials and was then known as Seville the old.

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This is not the only occasion on which Greek mythology has set one of its scenes in the Canary Islands, but it is perhaps the most famous of them all. On the one hand because the Garden of the Hesperides is one of the most popular mythological elements. On the other hand, because the islands can be, like this garden, a paradise. The point is clear. The Hesperides, also known as Daughters of the Sunset or goddesses of the Sunset, were the nymphs in charge of looking after a garden of wonders in "the far West", as the Greeks understood this corner of the world. The end for them. Tradition has always placed this garden somewhere near the Atlas Mountains in North Africa. Pliny the Elder, to mention a prominent author of the time, thought so.

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N-632a, 33158 Cudillero, Asturias, España

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Llamado también Basojaun, su nombre significa “señor salvaje” o “señor de los bosques”. Es un gigante de más de dos metros de altura que con su larga cabellera —le llega hasta las rodillas, cubriéndole por delante el rostro, el pecho y el vientre— y su corpulenta constitución se presenta como un terrible enemigo.

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Hercules' adventure in the Iberian Peninsula, as well as his journey before reaching Eriteia, was prodigal in struggles of all kinds, to the extent that "to commemorate his exploits, columns were erected to separate Europe from Africa". Two columns, located in the Strait of Gibraltar, marked the limit of the known world, the last frontier for the ancient navigators of the Mediterranean. The northern column (formerly Kalpe or "Calpe") is identified with the Rock of Gibraltar. However, the identity of the southern column (formerly "Abila" or "Abila") has been disputed between Mount Hacho in Ceuta (Spain) and Mount Musa (Morocco).

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Also called Chronos, he was a Persian god, whose origins go back to the mountains of Iran. It seems that under the present-day bullring Mithra and the rest of the Eastern divinities had a temple dedicated to them. Mithraism was a religion for men only. They were the
It was the famous Roman legionaries who introduced these cults in Augusta Emerita, as the army was very mobile. The followers of this type of cult were, in particular, the soldiers. In the following photograph, we can see a possible representation of the god Mithras, belonging to the National Museum of Roman Art in Mérida.

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Hercules is the Latin form for Heracles, the most celebrated hero of Greek mythology. After murdering his family in a fit of rage, caused by the goddess Hera in the shadows, the Delphic sibyl told Hercules that he had to carry out a series of twelve labours as penance for his execrable deeds. And the tenth task brought the Greek hero to the Iberian Peninsula to steal the cattle of the giant Geryon.

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This creature is the personification of evil, cruelty and brutality. Originally from Cantabria, it is a wild and fierce creature that lives in the most hidden places of the mountain caves, concealed by large rocks and undergrowth. The culture tells us that the gorges and ravines in the area have been formed by the action of these unique creatures.

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Monstrous being typical of Cantabrian mythology. Its shape is similar to that of a person, with two legs with which it walks, arms without hands, black skin, five rows of teeth, a horn and between one and three eyes on its head. It is a creature that regularly attacks livestock and steals babies from cradles. The only protection for infants is to place oak wood or holly leaves in the cradle to repel the invader.

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The basilisk also has a strong presence in Spain. Of Greek origin, it took on the morphology by which we now know it in the Middle Ages. It is supposed to be a cock with reptilian wings and a snake's tail. In Cantabria there is the legend of the black cock, which is born from the carcass of a kite hatched from an egg incubated once every century. It is also found in the Catalan Pyrenees as the protector of the tombs of those who were buried with their riches, as well as in Malaga and Toledo.

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Casares de las Hurdes, 10628, Cáceres, España

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The bogeyman is a malevolent, nocturnal being. At night, he comes to the houses of children who misbehave, sneaks into their rooms and puts them in his sack to take them away. It is not clear what he does with them once he has taken them away, but it is better not to find out. Related to the bogeyman is the sacamantecas, a character who abducts children and women to remove their fat. He uses them to make ointments, oils and soaps. His origin could be the Middle Ages, since during those years body fat was highly valued.

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El gamusino es un animal fantástico de forma incierta, que se usa para gastar bromas a los niños, cazadores o excursionistas que salen de la ciudad. Viven en los bosques y en los campos, y se le dice a quienes no lo conocen que deben buscarlo: “me tienes que traer un gamusino”. Son, claro, imposibles de encontrar.

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El personaje de Martinico, es el de un duende que forma parte de la mitología española. Su mito proviene específicamente de la región de Andalucía.

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MARTINICO

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According to mythology and legends, Drekavac is an undead creature, like a vampire. It originated from a deceased unbaptized child who wanders in the dark and screams because of the pain known only to unbaptized souls who stand at the crossroads between heaven and hell.

They say Drekavci attack people who find themselves late at night near a cemetery, river, lake or forest, by jumping on their backs and forcing them to walk all night. Most people who have researched this mythical creature in detail say that only the people who dreamed of him can see him.

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Vampires are mythological creatures that represent walking corpses who hunt living people at night and use their sharp fangs to drain and drink blood from victim through the victim’s neck.

Vampires are attributed with some other characteristics such as: immortality, hypersensitivity to the sun, hypnotic abilities, powers of transformation and flying. Also, the feature that is represented in the myths about vampires is that they don’t have a reflection in the mirror.

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Marko Kraljević is a mythological being. In the songs, he is presented as fearless. According to him, the people were encouraged, and at that time the people needed it the most because they were surrounded by war. Marko had his horse named Sharac, and wolf fur around his neck.

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ATATURK ANATOLIAN HIGH SCHOOL

Asena is the name of a she-wolf associated with the Oghuz Turkic foundation myth. The ancestress of the Göktürks is also a she-wolf, mentioned yet unnamed in two different "Wolf Tales" recorded by Chinese chroniclers.
The legend of Asena tells of a young boy who survived a battle; a female wolf finds the injured child and nurses him back to health. The she-wolf, impregnated by the boy, escapes her enemies and then gives birth to ten half-wolf, half-human boys

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Delfí, Δελφοί

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Delfí, Δελφοί

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Delfí, Δελφοί

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Πηγές Αχέροντα, Πάργα

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Αρχαία Τροία, Kalafat/Çanakkale Merkez/Επαρχία Τσανάκκαλε, Τουρκία

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Ulysses is the hero we have decided to deal with in this project. He is a character from Greek mythology and he is described by Homer in the Iliad and in the Odyssesy. Ulysses is famous for his smartness because thanks to a trap designed by him the Achaeans succeeded in setting Troy.

During his long journey back to Ithaca, Ulysses also arrives in Sicily, where the hero experienced some of his most famous adventures.

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Museo Archeologico Eoliano L. Bernabo' Brea', Via Castello, Lipari, ME

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Museo Archeologico Eoliano L. Bernabo' Brea', Via Castello, Lipari, ME

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Museo Archeologico Eoliano L. Bernabo' Brea', Via Castello, Lipari, ME

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Calyx-Crater with red figures on dark background 4th century BC.

The scene represents Ulysses while Maron, priest of Apollo, is giving the wineskin, which will serve to get Polyphemus drunk,  as it is told in Book 9 of Odyssey by Homer.

This crater was maybe inspired by a satirical drama, since the figures seem to be on a stage.

This work of art can be admired in the Archaeological museum “Luigi Bernabò Brea” of Lipari.

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The escape of Ulysses from Polyphemus has been portrayed by the duo INTERESNI KAZKI (Aleksei Bordusov aka AEC and Vladimir Manzhos aka Waone), both born in Ukraine. The project aims at the rebirth of the industrial area.

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Via Lungomare Marchesana, Terme Vigliatore, ME

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Via Lungomare Marchesana, Terme Vigliatore, ME

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Via Lungomare Marchesana, Terme Vigliatore, ME

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In 2019 the teens of the National Civil Service of Terme Vigliatore painted the stones of the Marchesana seafront with impressive Sicily themed images. Among these decorative patterns there is also Aeolus blowing the wind.

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The project DistrArt started in 2015, in order to decorate walls and tram shelters in Messina. The artist Marco Anna, known as ICS, has drawn Ulysses and the mermaids. The blue background symbolises the link between the town and the sea.

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Ulysses accepts the advice of Circe, a sorceress. Therefore, he starts again his journey to Ithaca. One of the difficulties is to overtake two sheer rocks. Not even a bird may slip unhurt. Here waves are strong and dangerous. These two cliffs are identified with the present-day Pietra Lunga and Pietra Menalda, in the channel between the two Aeolian islands Lipari and Vulcano.

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Polyphemus was a cyclops with a single eye. Homer narrates that Ulysses, while trying to return to Ithaca from Troy, landed in the land of the Cyclops. He and his companions were captured by the giant. To escape, Ulysses offered the giant a strong wine, and while he was sleeping they blinded him with a wooden stick. The next morning they fled hiding among the sheep, but Polyphemus discovered them and threw stones against them. Ulysses made a mistake because while mocking the Cyclops he revealed his real identity. So Polyphemus begged his father, Poseidon, not to let him go home. These rocks today characterize the coast of Aci Trezza, a fishing village near Catania.
Cyclops islands are named after the legend of Polyphemus who would have thrown at Ulysses big rocks, today the so-called Faraglioni. In reality, they are lava stones, which formed due to an intense volcanic activity about a year and a half ago. Today the Cyclops archipelago is a marine protected area.

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Odysseus reaches Aeolus, the keeper of the winds, who gives him a sack full of unfavourable winds. During his voyage back to Ithaca, his crew open the bag, because they think that it contains a treasure, so the winds escape and drive him back to Aeolus again. Now, Ulysses asks for another possibility. The island of Aeolia, where Homer set the scene, is identified with the present-day Lipari belonging to the Aeolian archipelago, off the coast of Sicily.

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Odysseus reaches Aeolus, the keeper of the winds, who gives him a sack full of unfavourable winds. During his voyage back to Ithaca, his crew open the bag, because they think that it contains a treasure, so the winds escape and drive him back to Aeolus again. Now, Ulysses asks for another possibility. The island of Aeolia, where Homer set the scene, is identified with the present-day Lipari belonging to the Aeolian archipelago, off the coast of Sicily.

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Odysseus reaches Aeolus, the keeper of the winds, who gives him a sack full of unfavourable winds. During his voyage back to Ithaca, his crew open the bag, because they think that it contains a treasure, so the winds escape and drive him back to Aeolus again. Now, Ulysses asks for another possibility. The island of Aeolia, where Homer set the scene, is identified with the present-day Lipari belonging to the Aeolian archipelago, off the coast of Sicily.

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After leaving the Aeolian islands Odysseus has to face two sea monsters living in the Strait of Messina. On Circe’s advice, he chooses to sail for Scylla, a six-headed sea serpent rather than Charybdis, a giant whirlpool. He thought it was better to sacrifice six of his men to feed Scylla instead of having the whole ship destroyed. According to the myth, the currents in the Strait of Messina were explained with the presence of these monsters.

The fountain in the photo was commissioned to Giovan Angelo Montorsoli in  1557. This Michelangelo’s favourite created a new type of fountain with the central statue of Neptune, who originally turned his back on the sea and protected the town with his arm. Due to the bombings in 1848, both statues of Neptune and Scylla have been replaced by two copies, whereas the original ones are housed in Regional Museum of Messina now. Scylla is chained and is screaming, she is desperately tearing her hair out.

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He's the head god, the creator. His father is Gök Tengri, the first god. She doesn't have a mother. Except for the Sky Tengri, he created all the gods. It's sort of like the other gods are his angel. The othe (1)