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Hello! My name is A'inul Syamilah Binti Zainuddin. I'm 22 years old. I'm from Teluk Intan Perak. I'm a diploma holder in accounting information system (AIS) at Uitm Tapah, Perak

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Will be discuss on what is printmaking and the history of the printmaking.

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Will be discuss on what is the major printmaking techniques which is relief and silkscreen printing

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Printmaking is a form of art that involves transferring ink into paper and capable of making multiple copies of the same artwork

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1. Print/Impression: each individual copy.
2. Edition: set of prints.
3. Limited Edition: signed and numbered set of prints.
4. Matrix: Prints made from single original plate/surface. (plates of metal, stone, wood, blocks, linoleum, and fabric plates).

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4 types of printmaking:

1. PLANOGRAPHIC:
A prints that is drawn on the printing plate, eg: Lithography.

2. RELIEF PRINTING:
A prints that is left of the original surface of the printing plate, eg: Woodcut Engraving, Metalcut, Linocut.

3. INTAGLIO PRINTING:
A print that beneath the original surface of the printing plate, eg: Engraving, Drypoint, Etching Aquatint, Mezzotint.

4. SERIGRAPHY:
A print that open on the printing screen, eg: Screenprinting, Stencil.

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-Printmaking history from 105 ad until 1900.
-During the gothic and renaissance period of art, relief printing became very popular in Europe.

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Here is the leading exponents were the old masters:
1. Albrecht Durer

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Here is the leading exponents were the old masters:
2. Martin Schongauer

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Here is the leading exponents were the old masters:
3. Rembrandt

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Here is the leading exponents were the old masters:
4. Winslow Homer

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Will be discuss on what is printmaking collagraph.......

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Relief printing is one of the traditional families of printmaking techniques, along with the intaglio and planographic families.

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Here are some of the tools in relief printing:
1. Dabber
2. Roller
3. Woodcutting knives
4. Rocker
5. Burnisher
6. Needle

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-An image is imposed on a screen of silk or other fine mesh with blank areas coated with an impermeable substance and ink is forced through the mesh onto the printing surface
-Also called serigraphy or screen printing.

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Screen printing is essentially forcing ink to flow through openings of a block-out material and depositing the ink on the printing surface according to the cut design.

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Process of attaching and glue material on the board(plate).

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Process of applying ink to the collage using rolling method.

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Process of applying ink to the collage using daubing method.

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Will be discuss on what is the major printmaking techniques which is intaglio and lithography printing

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What is Basic Steps and Categories of Intaglio Printmaking

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What is Basic Steps and Categories of Intaglio Printmaking

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Types of Processes and Techniques in Intaglio Printmaking

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Types of Processes and Techniques in Intaglio Printmaking

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- In traditional method, artist covers plate with protective ground then scratches through the ground to create fine lines. and finally immerses the plate in a mordant such as acid/ ferric chloride.
-Mordant eats into metal wherever it is exposed, creating lines and marks that correspond to the lines drawn through the ground.

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-The process is similar to hard ground, but the ground used is softer/ more sensitive and will lift off the plate at the touch of a finger or fabric.
-It is used to create pencil-like lines and to impress textures.

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- This technique also used a mordant but it creates a tonal area.
-Artist cover plate with a fine dusting of spray paint/ a sprinkling of rosin dust melted onto the plate.
-When the plate is immersed in the mordant, the mordant bites around the pain/ rosin particles, creating a tone instead of a line.

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-Artist draw directly into plate, creating a shallow line with a ridge of metal/ plexiglass on one side.
-This ridge, called the burr, is the metal/ plexi that is displaced as the line is drawn(similar to the furrow of soil thrown up by a plow).
-The ragged surface of the burr catches more ink than the shallow line beside it and the burr prints a velvety darl line which characteristic beauty of drypoint.

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- The entire surface of the plate is covered with pits (the traditional method uses a tool called a rocker) but aquatint, softground and sandblasting are commonly used today.
-If a print were pulled at this point, it would be almost solid back.
-To create an image, the artist uses burnishers and scrapers to smooth the rough metal down for areas that will not catch ink.
- In the other words, the mezzotint artist is creating a white image on the dark ground

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-Artist uses tool called burin to remove lines of metal from plate.
-The line created by the burin is the most clear and clean of the intaglio lines.

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-Lightweight paper is cut/ torn into desired shapes, glue is applied and then placed on the inked plate, glue side up, on the press bed.
-The full sheet of printing paper is placed over this and run through the press.
-The smaller pieces of paper adhere to the larger sheet with the inked image over both.

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-Usually created with multiple plates, in much the same way as multiple blocks are used to create color woodcuts.
-A separate plate is used for each individual color/ the plate are constructed to facilitate color mixing on the printed paper
-It is also possible to add color by hand (or more accurately by finger or small rags, called daubers) to selected areas of a plate before it is printed.

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-Lithography was invented in 1798 by Alois Senefelder.
-He used the technique to print sheet music. One year later, Senefelder even had it patented in Munich.

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https://hozroprintshop.com/blogs/news/the-tools-i-use-to-create-my-lithographs

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Will be discuss on what is editioning and numbering, artist proof and what types of paper to choose in printing.

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- Since the late nineteenth century the number of prints produced from a single plate or printing surface has usually been restricted and declared as a 'limited edition'
- Before this prints were often produced in as many numbers as the process would allow.
- The plate wears out but more commonly it is restricted by the artist or publisher, in which case the printing surface is usually destroyed.
-Editioned prints are usually signed, numbered and often dated by the artist.

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- Numbering usually use the x/y format (y is total number is the whole edition and x is individual number of print)
- Eg: edition of 10 prints would be labelled 1/10, 2/10, 3/10.....
-Prints are not necessarily numbered in the order in which prints were taken(signing and numbering often done when the whole edition is finished)

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Most papers for use in printmaking are manufactured in the traditional way, in rolls of 100% cotton or with a high percentage of this natural material, they are assembled without acid and are available with an alkaline base to guarantee a maximum life.

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Will be discuss on what is linocut, tools to be used and step by step in creating linocut print.

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-Linoleum does not have a grain like wood does, meaning there is no need to cut in one direction
-It is much easier to cut than wood, especially when heated.
-It can make several linocuts to be used to make a print including colour and in some cases (dependent on the ink and paper used).
-Linocut print can be coloured after wards with your medium of choice.

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Will be discuss on what are the printmaking tools and substrates, ways to make fine art prints, what is litho stones and plates and what is etching acids and plates

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-Relief and intaglio printing are done from three-dimensional matrices.
-In intaglio printing, ink fills grooves of varying depths and is pulled out by damp paper under the pressure of a printing press, and in relief the ink is taken from the top surfaces.
-In planographic and stencil printing, the matrix is flat, two dimensional.

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This is the most common method of commercial printing, also used for fine art printing.

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Acid etching was and is still used in the reproduction of high quality works of art.

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-Ferric chloride is mixed with water in one to one ratio, and this will form hydrochloric acid in solution.
-Hydrochloric acids is commonly used to etch copper, and it also works well on stainless steel.
-Copper sulfate is used to etch mild steels rather than stainless steel
-Nitric acid is best mixed in a ratio of 1 part nitric acid to 3 parts clean water.

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Will be discuss on types of mdd and woodblocks, types of ink and types of tools.

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- Perhaps the best wood for woodcut printmaking is plywood.
- However, plywood panels at that size can be very expensive.
- Mdf, another manufactured option, is a great alternative
- It's cheap, sold in large panels, and available just about everywhere.

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The best value wood for woodblock printmaking

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Budget pick wood for woodblock printmaking.

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High-end choice wood for woodblock printmaking.

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Beginner-friendly wood for woodblock printmaking.

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-The color black is generally obtained from an organic pigment, carbon black, derived from the incomplete combustion of oils or of natural gas.

-Colored pigments are inorganic compounds of chromium (yellow, green, and orange), molybdenum (orange), cadmium (red and yellow), and iron (blue).

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Will be discuss on what is digital art, timeline of digital art and types of digital art.

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Digital Arts are created using various digital tools and technologies as the main construction of the presentation more than just the traditional mediums, which has revolutionized the way of producing and experiencing arts.

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Will be discuss on digital art timeline, what is digital art and the types of digital art

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-It is an overarching term that refers to all mechanized or computer-based art i.e., art generated with the aid of digital technology.
-Any form of artwork that is produced or manipulated through digital medium

(Softwares, graphics and renderers).

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Will be discussed on what is digital print and the types of digital print

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Will be discuss on what is colour printing, what is subtractive and subtractive and the different between subtractive and additive

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- In printmaking, relief printing is a subtractive printing process (in black and white only)
- Once the plate is inked and printed, the carved away areas appear white, and uncharted areas appear black

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-In printmaking, there are two types of relief printing that used additive printing process which is collagraph and reductive print (linocut etc.)

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Different Between Additive & Subtractive.

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Different Between Additive & Subtractive.

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-Located in Patro Resort, Tanjung Tualang, Perak.

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TITTLE : "RUMAH HUTAN"

YEAR : 2022

SUBJECT MATTER : NATURE

DIMENSION : 270mm x 420mm

MEDIUM : PAPER, WATERCOLOUR.

TECHNIQUE : WATERCOLOUR TECHNIQUE

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TITTLE : "RUMAH HUTAN"

YEAR : 2022

SUBJECT MATTER : NATURE

DIMENSION : 270mm x 420mm

MEDIUM : PAPER, PEN(INK).

TECHNIQUE : HATCHING, CROSS HATCHING, CONTOUR, CROSS CONTOUR, STIPPLING AND SCUMBLING

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-Located in Patro Resort, Tanjung Tualang, Perak.

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TITTLE : "RUMAH HUTAN"

YEAR : 2022

SUBJECT MATTER : NATURE

DIMENSION : 270mm x 420mm

MEDIUM : PAPER, MANMADE, LINO INK.

TECHNIQUE : COLLAGRAPH PRINTMAKING