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Ceramic sculpture after reduction firing

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Oxide wash using copper carbonate, rutile and red iron oxide, white glaze applied inside and then sprayed all over with transparent glaze to be reduction fired.

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Recycled and repurposed dinosaur sculpture using different techniques including origami and welding

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Juxtaposition between hard solid metal dinosaur horn and fragile, delicate paper origami dinosaurs

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Origami dinosaurs made in variety of sizes and colours using recycled paper

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Dinosaur horn made from repurposed scrap metal rods welded together and filed down to create horn shape to display origami pieces

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Welding process to create a metal dinosaur horn that will support and add structure to origami sculpture

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Making origami triceratops from recycled paper in different sizes/colours

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Still to be bisque fired and glazed with a clear glaze. Slight damage to the sculpture meant I had to improvise and add extra detail to leg and horn.

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I mixed different colours of glaze together to create a unique shade and added high and lowlights to pick out areas of detail

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Glaze applied before bisque firing

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Utilitarian dinosaur clay sculpture with the view of being used to house a plant or succulent. Before applying glaze

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Clay dinosaur vessel made using slab building techniques with armatures, frill and face added using slip and score method.

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Large scaled dinosaur head

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Large scale clay and wax Triceratops, horns made from wax using candle bending techniques and carved at the ends to give sharp point

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hollowing out space horns and added more detail to eyes and surface texture

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Large scale clay sculpture, hand carving detail to please emphasis on rough texture dinosaur skin

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Large scale clay sculpture, building the frill from slabs and combining additive and subtractive techniques to create basic shape.

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final tier attached, spire thrown on pottery wheel attached

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second tier attached, supporting roof whilst drying to ensure it doesn't collapse

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Figures and bowl with lids, oxide wash and sprayed with transparent glaze

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After reduction, using copper carbonate, copper oxide, cobalt, rutile, red iron oxide, black iron oxide and manganese oxide with transparent glaze sprayed over 

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Making table smaller, wood filler to fill any holes and sanded back to prepare for painting

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After turning

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Second batch off the wheel turned with surface decoration 

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Experimenting with coloured slip and surface decoration

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First attempt throwing lids off the hump and turning on a chuck

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First batch of glazed pieces using white, blue and tenmoku studio glazes.

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Tea bowl and plate, white glaze and decorated with underglaze

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Sakura tea set after reduction, white glaze with blue pigment wash and underglaze painted on surface. Next time I would use less white glaze to prevent crawling

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celadon glaze made in workshop with David

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Pots with lids, Celadon glaze made with David and Tenmoku from workshop

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Glaze testing for electric and gas kilns

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Raku-ware kintsugi inspired vessels, waxed and gilded with gold leaf

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raku pot using raku specific crackle glaze, underglaze and copper

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horse hair raku and crackle slip technique

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Finish witches bottle after clear glaze and fired in electric kiln

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Decorated with underglaze before final firing in electric kiln

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Bisque fired and decorated with underglaze, oxide and engobe

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Witches bottle, Workshop with Lisa, two different clays to give marble effect with added sprigs