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Very good. Remember that each website or source is a single source, even if you use a variety of articles. So the Heilbrunn Timeline is one source, however many articles you consult. Same for Grove Art.

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Artist: Salvador Dalí. (Spanish, 1904-1989)
Date: 1931
Media: Oil on Canvas

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Artist: Lucien Pissarro (February 20, 1863, Paris, France - July 10, 1944, Somerset, United Kingdom)
Date: 1894
Media: Oil on Canvas

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Artist: Georges Seurat (December 2, 1859, Paris, France - March 29, 1891, Paris, France)

Date: 1809
Media: Oil on Canvas

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Artist: Kees van Dongen (January 26, 1877, Rotterdam, Netherlands - May 28, 1968, Monte Carlo, Monaco)
Date: 1910
Media: Oil on canvas

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Artist: Henri Matisse (December 31, 1869, Le Cateau-Cambrésis, France - November 3, 1954, Nice, France)
Date: 1905–1906
Media: Oil paint

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Artist: Pierre-Auguste Renoir (February 25, 1841, Limoges, France - December 3, 1919, Cagnes-sur-Mer, France)

Date: 1880–1881
Media: Oil on canvas

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Very good. Just a couple of points.

Principle 1 is "based on reality" and principle 2 is "reflect real life objectively." It seems to me that if these two principles are not identical, the are still very close. I suggest you think about how they are different in your mind and make that difference clear to the reader.

Your bibliography is fine--and goes all the way to principle 5! Remember, however, that Grove Art is a single source. You may be using several articles from it, but it's just one very large publication. Same for something like the Heilbrunn Timeline on the Metropolitan Museum website. One publication, many articles.

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Illusion is a strong feature in Modernism which appears less in other period of time in art history.

Homburg, Cornelia, Paul Smith, Laura D. Corey, Simon Kelly, Noelle C. Paulson, and Christopher Riopelle. 2014. Neo-Impressionism and the dream of realities: painting, poetry, music.

According to the book, there are some relationships between Neo-Impressionism artists and Symbolism writers. They all focus on inner thoughts and emotions of the mind rather than the outside world in their works. The main idea is to express the sprit and go beyond the reality.

Néret, Gilles, and Salvador Dalí. 2001. Salvador Dalí, 1904-1989. New York: Barnes & Noble Books.

Surrealism originated in the late 1910s and it was a movement for writers and artists to release their imagination from their brain. Salvador Dalí, Spanish artist, one of the leader of surrealism, created great influence for other artist in Surrealism period by his dreamlike fantastic paintings.

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Many paintings were more vibrant in color comparing with the art before modernism period.

Samu, Author: Margaret. "Impressionism: Art and Modernity | Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art." The Met's Heilbrunn Timeline of Art History. Accessed April 16, 2017. http://www.metmuseum.org/toah/hd/imml/hd_imml.htm.

Impressionism is a good example of using saturated color. According to the article, many Impressionist used bright color or even pure unblended colors to show the light and shadow in their paintings. This use of color was a huge change from the classic academic painting.

Rewald, Author: Sabine. "Fauvism | Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art." The Met's Heilbrunn Timeline of Art History. Accessed April 16, 2017. http://www.metmuseum.org/toah/hd/fauv/hd_fauv.htm.

Fauvism was known for the high-keyed, vibrant colors directly from the tube. Painting by using Vibrant color is a way to show artist's emotion in their artworks.

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Artist：Claude Monet （November 14, 1840, 9th arrondissement of Paris, Paris, France -  December 5, 1926, Giverny, France）
Date：1903
Media：Oil on Canvas

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Artist: Walker Evans (November 3, 1903, St. Louis, MO - April 10, 1975, New Haven, CT)
Date: 1928
Media: gelatin silver print

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Artist: Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands)
Date: 1891
Media: oil on canvas

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Travel is also an important part for Modernism. Many artists referred different cultures from their observation during travel, into their artworks, and created a special or erotic style.

Constance W. Glenn. "Evans, Walker." Grove Art Online. Oxford Art Online. Oxford University Press, accessed April 3, 2017, http://www.oxfordartonline.com/subscriber/article/grove/art/T027081.

Walker Evans was an American photographer and photojournalist best known for his work for the Farm Security Administration (FSA) documenting the effects of the Great Depression. He traveled to a lot of various ares in America, also many other countries in the world to capture the mood and condition of different people.

Thomson, Belinda. 1987. Gauguin. New York, N.Y.: Thames and Hudson.

Gauguin's travel to Tahiti is really famous and created a considerable influence for his artwork. The primitive sprit of the place influences his color and forms in his artworks.

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Coming along nicely. The problem is with the bibliography. I am looking for books and articles that help you think about modernism in general. You are providing information about the specific works, and that is fine, but you need more general works you locate in Decker Library, too. Ask a librarian for help. I will give you partial credit on what you have.

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The Grasshoppers and the Ants: A Souvenir of Martinique, from the Volpini Suite: Dessins lithographiques

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The Grasshoppers and the Ants: A Souvenir of Martinique, from the Volpini Suite: Dessins lithographiques

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Artist: Paul Gauguin (French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands)

Date: 1889

Medium: Zincograph on chrome yellow wove paper; first edition

Annotation: From this article I found that the women in the painting are met by Gauguin by the sea in Martinique. Gauguin saw this women everyday when he was in Martinique and these gestures interested him considerably. From my point of view, this painting shows a local costume behavior in Martinique with a exotic style comparing with what Gauguin experienced and made when he was in France.

Citation: "The Grasshoppers and the Ants: A Souvenir of Martinique, from the Volpini Suite: Dessins lithographiques | Paul Gauguin | 22.82.2-4 | Work of Art | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art." The Met's Heilbrunn Timeline of Art History. Accessed March 05, 2017. http://www.metmuseum.org/toah/works-of-art/22.82.2-4/.

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2.A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?)

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2.A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?)

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Artist: Edgar Degas (French, Paris 1834–1917 Paris)
Date: 1865

Medium: Oil on canvas

Annotation: The article is a brief introduction of the painting from the Met Museum. In this painting there is a woman sitting next to a table and a huge vase of flowers. She is gazing to something to her left with a casual gesture. This painting is a simple moment in life but it is still looks delectable and moving.

Citation: "Edgar Degas | A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?) | The Met." The Metropolitan Museum of Art, i.e. The Met Museum. Accessed March 05, 2017. http://metmuseum.org/art/collection/search/436121.

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The Gleaners
Artist: Jean-Francois Millet (French，October 4, 1814 – January 20, 1875, French)
Date: 1857
Media: Oil on canvas

Annotation: This article gives me some information about the background about the artist's intention. Millet likes to capture the people from the rural life, reflecting the poverty and dignity rather than the wealthy and rich in France. From this way, the the life of underprivileged people can be shown truly.

Citation："Jean-François Millet | The Gleaners (1857) | Artsy." Artsy - Discover, Research, and Collect the World's Best Art Online. Accessed March 05, 2017. https://www.artsy.net/artwork/jean-francois-millet-the-gleaners.

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The second principle for Modernism is that the artworks are tend to reflect real life of people objectively. Comparing with classical paintings, which might be more idealized, the modernist paintings encourage viewers to think deeper of the real life.

Geneviève Monnier. "Degas, Edgar." Grove Art Online. Oxford Art Online. Oxford University Press, accessed April 2, 2017, http://www.oxfordartonline.com/subscriber/article/grove/art/T021805.

Degas treated himself as a "Realism" painter rather than "Impressionist". He likes to capture the natural positions and break down movement of people by his observation from daily life.

Heather McPherson. "Millet, Jean-François." Grove Art Online. Oxford Art Online. Oxford University Press, accessed April 2, 2017, http://www.oxfordartonline.com/subscriber/article/grove/art/T058295.

Many of Millet's paintings also contained the idea of  peasant scenes. These paintings integrate the current social preoccupations and artistic traditions. The Gleaners is an example for showing the realities of rural life in that period of time in France.

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Fine job, Yifan! Remember that bibliography can be general as well as specific. You don't just have to focus on the specific artists and works you mention. You can also refer to general essays that seem interesting to you.

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A Burial at Ornans
Artist: Gustave Courbet ( French, 10 June 1819 – 31 December 1877)
Date: 1849-1850
Media: oil on canvas

Annotation: This article provides me the historical background about this painting and the meaning of different elements.Courbet started this huge painting at 1849, and it caused strong conflict in salon in 1850-1851. The dark and sad atmosphere, the grave, cross and bones make people think about the human living condition in that period of time.

Citation: "Gustave Courbet A Burial at Ornans." Musée d'Orsay: Gustave Courbet A Burial at Ornans. Accessed February 12, 2017.
http://www.musee-orsay.fr/index.php?id=851&L=1&tx_commentaire_pi1%5BshowUid%5D=130.

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Meeting Of Thirty-Five Heads Of Expression

Artist: Honore Daumier ( French, February 26, 1808 – February 10, 1879 )
Date: unknown
Media: Oil on Canvas

Annotation: This article describes many different Daumier's paintings and analyzed detailedly about the connection between his work, thoughts and the society.This painting showing the various expression of people gathering together. Some of them look painful, and some of them look like in sorrow. None of these face are cheerful. Most of them are suffered, which represents the piercing truth, issues of social problems, political corruption, and psychological turmoil in his period of time in society.

Citation: Bdoyle. "WORD: Honoré Daumier, ‘meeting of thirty-five heads of expression’." Bencodydoyle. June 24, 2015. Accessed February 12, 2017. https://bencodydoyle.wordpress.com/2014/07/21/word-honore-daumier-meeting-of-thirty-five-heads-of-expression/.

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The first principle for Modernism is that the artworks are based on reality. The main purpose for artists are expressing the real society and the truth of people's daily life no matter it is happy or suffered.

J. H. Rubin. "Realism." Grove Art Online. Oxford Art Online. Oxford University Press, accessed April 2, 2017, http://www.oxfordartonline.com/subscriber/article/grove/art/T070996.

Gustave Courbet's paintings are definitely a good example for showing the condition of different level of people in society.

Nochlin, Linda. Realism. Harmondsworth, Middlesex,: Penguin Books, 1978.

Starting with Courbet's painting of peasant life,  realism movement is a way to present the role between "reality" and artworks, which is different from the idealism and classical paintings and sculptures at the past.

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Look at that! You have been busy! Great start. Just as a suggestion, it is a good idea to identify by artist, title and date every image. You will need that information later and so it is easiest to include it when you post an image.

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Young Man in the Costume of a Majo

Artist: Édouard Manet (French, Paris 1832–1883 Paris)

Date: 1863
Media: Oil on Canvas

Annotation: This article has a brief introduction from Met Museum about this painting. A portrait of a young Spaniards known as majos. Rejected by salon in1863. Its brushstroke and color has been appreciated by many artists.

Citation: "Young Man in the Costume of a Majo | Édouard Manet | 29.100.54 | Work of Art | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art." The Met's Heilbrunn Timeline of Art History. Accessed February 12, 2017. http://www.metmuseum.org/toah/works-of-art/29.100.54/.