# data[].attributes.body
There needs to be someone to manage the creative process, which is where an individual comes up with seemingly simple and random thoughts, and combine, manipulate and transform them into something useful or, in terms of business, profitable. To manage the creative process, as per Wallas' book The Art of Thought, you must be prepared and identify any problems and their solutions, once that is do, data needs to be gathered. Next is the incubation step, where a problem will be worked through thoroughly; then comes the 'illumination' stage where the mind will come up with several ideas for a creative response. Finally, you get verification where the insights and ideas are able to meet the criteria that has been set during the first stage. There will also be a technical director who is the one to act as the most senior technical manager in the company; they identify new processes and production techniques, manage staff, and work with customers and suppliers. A technical director must have significant knowledge of textiles and how they are produced, understand customer markers, know about fabric design, good leadership skills, and extensive experience in a relevant technical role such as the ones previously mentioned. Employers will expect a technical director to be education at HND or degree standard for this specific role.

# data[].attributes.body
A technical director is the one who acts as the most senior technical manager in a company, they will identify new processes and production techniques, manage staff and work with customers and suppliers. A technical director must have in depth knowledge of textiles and how they are produced, understand customer markets know about fabric design, have good communication, management and leadership skills, have good IT skills and extensive experience in a relevant technical role.

Employers will expect you to be educated at a level, HND or a degree standard for this job but it can be accomplished in a variety of ways.

# data[].attributes.body
A location manager will find ideal locations for a film shoot, negotiate fees, terms and permissions, and manage the location during the shoot. It is important that a location manager has plenty of initiative, good negotiating skills, be able tow work within budgets and an understanding of location fees, and have good communication and problem solving skills.

You do not need any formal qualification to become a location manager, however it is helpful if you have done a health and safety training course. It is best to begin as a runner to gain experience and progress from there.

# data[].attributes.attachment_link.title
How to Become a Location Scout & Location Manager

# data[].attributes.attachment_link.description
Dale Dreher shows you what it's like to be a Location Scout and Location Manager, why he loves his job and what steps you need to take if you would like to be a Location Scout and Location Manager too!

# data[].attributes.body
Legal risk can be defined as significant legal consequences, or as risk originating in legal work product. Standard risk management processes involves risk identification, the assessment of likelihood/impact of a risk, and the assessment and implementation of mitigation and reduction measures.

# data[].attributes.body
Directors are responsible for the look and the sound of a production and its technical standards, and enhancing, refining and realising original ideas into finished products.
It is important that a director is able to translate a writers and producers video into a coherent, marketable programme, understand all aspects of television production, be able to lead a team and motivate actors and crew member, pay precise attention to detail, have budgeting and financial skills, and understand different technical and creative techniques.

You do not need to have a specific qualification to become a director, however a degree in a media-related subject will give you a good grounding. You will need a lot of experience and training within the production process.

James Cameron has directed many big films such as Titanic and Avatar, and is the fourth highest grossing director by worldwide box office.

# data[].attributes.body
A producer sets the situation for the production of a television show or movie. It is the producers that do the work to make a film happen: they hire the crew, gather money that pays for the film to be made, they are responsible for anything affecting the budget, they organise shooting schedules, supervise the progress of the project from production to post production, and they  commission writers or secure the rights to novels.

Degrees or HND's in broadcasting, communication and media studies, photography and information technology may help with chances of landing a job as a producer, however it is not always necessary.
You will need to have certain skills to be a good producer, including confidence, strong communication, presentation and pitching skills, creating ability and leadership skills.

Chances of getting a producing job can be improved with work experience as they are expected to have years of knowledge and experience so that they have a thorough understanding of how to do the job.

Steven Spielberg is one of the most famous producers, as well as a director and screenwriter, producing big films such as E.T and Jurassic Park.

# data[].attributes.body
A camera operator will prepare and operate the camera and all its equipment, they will work with the director and director of photography to achieve the visual style of the film, and manage other camera department staff and communicating with actors. A camera operator will need to know how to operate the camera expertly, have good knowledge of all camera equipments, have artistic ability, be able to pay precise attention to detail, work as part of a team and have physical co-ordination and strength.

No specific qualifications are needed but you can study at a higher level for degrees in media, film and tv production and cinematography.

On average, camera operators earn just under $50,000 per year according to the Bureau of Labour Statistics.

# data[].attributes.body
A sound recordist records sound on location or in a studio, usually in synchronisation with the camera, to enable the highest quality 'real' sound to be recorded. A sound recordist will need to pay close attention to detail and concentrate for long periods of time, be able to think creatively and problem solve, have excellent balance, agility, sense of timing and hearing, and have good communication skills when working with artists and crew members.

It is not necessary to have any qualifications but it may help to have a HND or degree in sound technology, audio engineering, acoustics, and music recording.

# data[].attributes.body
A set designer will analyse the script and list all the things needed for the film set, find, hire or commission props, and keep detailed records before and during shoots and returning all props when they're no longer needed. A set designer will need to know the history of design and decoration, have contacts with a range of prop hire companies, be able to see a broader picture and co-ordinate effectively, have a good sense of colour and form, and have a good eye for detail.

You can study a degree in art, interior or 3d design for a good basis in the skills needed, and you can also take a specialist course in film production design. After training, it is important to get on the job experience in the department.

# data[].attributes.body
Lighting operators programme lighting desks, carry out repairs, and operate on automated moving lights. A lighting Operator will need to have a good understanding of computers, have the creativity to visualise the required lighting effects from plans, be willing to work long and irregular hours and to travel, have good communication, presentation and organisational skills, and be able to work in a team.

Although you do not need a degree, you will need good grounding in electrical engineering with the relevant vocational qualifications and experience to become a lighting operator.

# data[].attributes.attachment_link.entities[].name
Simple Cinematic Lighting Setups for Filmmakers

# data[].attributes.attachment_link.description
"The gaffer is basically the cinematographer's right-hand man. He is in charge of the lighting crew to illuminate exteriors and interiors." Yves Bernadet, Gaffer The Lighting or Electric Department is responsible for the lighting of any scene. The Lighting Department is also responsible for supplying power to the filming unit while it is on location.

# data[].attributes.body
A data wrangler is responsible for the transfer of data from the internal working of a digital camera, backing up cards and ensuring there is no data loss; they should keep a log of who has received what and track all the copies of the footage captured. A data wrangler should have good communication skills, good IT skills, a technical understanding of cameras, time management, and be able to work well under pressure.

# data[].attributes.body
Riggers install and assemble rigging gear such as scaffolding, cables and ropes, they take instructions and work as a team and under pressure to meet deadlines. To be a rigger, it is important you have a wide knowledge of rigging, good communication skills, good stamina and co-ordination, be comfortable working at heights, be prepared to work long hours, and work well as a team.

You will need an accredited qualification for rigging or scaffolding, such as an NVQ or SVQ. You should also spend a few years with a reputable scaffolding company to gain valuable experience and training.

# data[].attributes.body
A journalist will research new stories and leads for a newspaper, magazine or other news-based service. They will write up articles based on the research before submitting to an editor. A journalist will need to be organised and good at meeting deadlines, be able to research quickly and precisely, establish a list of contacts within an industry that can be relied on, be able to write quickly to record facts whilst covering events or interviewing people, be able to collate a large amount of research and data into and article, and have confidence in your work.

A degree in journalism or English will help improve chances of a journalism job, or a qualification in the specialist subject you wish to be writing about.

Piers Morgan is a British journalist who has worked for the Daily Mail, The Sun, Daily Mirror, and News of the World. He was also an editor for these newspapers too but started off as the main writer in the Suns show business column.

Despite technology being more advanced than ever, a lot of people will still read newspapers and hard copies of books, in fact on a survey done by Vividata, 46% of people used printed copies only compared to the 9% who used mobiles and computers only, and 80% of the total used newspapers as well as other methods.

# data[].attributes.body
A sub-editor will make sure articles are accurate and do not break copyright laws, they may help by re-writing articles to make them shorter, sending complete pages to printers and making sure articles follow house style. A sub-editor will need to have excellent English grammar and spelling, headline writing skills, have excellent attention to detail, and good IT and research skills.

A sub-editor will need a degree in English, Journalism or Media Studies, and it will help to have work experience as a reporter or editorial assistant as it helps to have contacts.

# data[].attributes.body
A picture editor, often known as a photo editor, will collect, review and choose photographs or illustrations for publication to magazines, books, newspapers and art galleries. They have to take into account their publications standards, needs and budget and stay in alignment with any guidelines given. They need to have good knowledge about photography despite not being the ones to take the photos, and a good sense of business, the ability to have great vision but re-evaluate or change it when necessary and be flexible in your hours.

It would help to have a dree in photography or any other relevant subject such as visual arts or digital media in order to become a picture editor.

# data[].attributes.body
An editor will work closing with the director to craft a finished film, they will work in an edit suit for long hours and run a team of assistants and trainees on bit productions. An editor will need to have technical aptitude, be familiar with a variety of computer editing equipment, understand dramatic storytelling to create rhythm, pact and tension, have highly developed aesthetical visual awareness, and good organisation and attention to detail.

It is useful to have a film production qualification in higher education and lots of experience. Traditionally, an editor would begin as a runner, then move to a trainee, then a second assistant, then to a first assistant, and finally to becoming an editor.

Dede Allen was an American film editor who edited big films such as The Addams Family (1991) and The Breakfast Club.

# data[].attributes.body
A marketing assistant will work with the marketing and publicity manager to create plans and campaigns, and they will co-ordinate market research projects. A marketing assistant will need to understand the requirements of distribution, understand marketing campaigns and priorities, be good at problem solving and micro-managing projects, be able to adapt and respond quickly to changing situations and needs, have awareness of developments and trends in the film industry, and have a good understanding of all media platforms.

To become a marketing assistant, you will need higher education in marketing, PR or business related subjects, however it is also possible with a film production course.

# data[].attributes.body
A team leader is someone who provides direction, instructions and guidance to a group of individuals, to achieve a certain goal. An effective leader will know their team members' strengths, weaknesses and motivations. A team leader must be effective with their communication, both verbally and written, they must be organised and maintain order, they should have confidence in their abilities and the abilities of their team, they must be fair and respectful, and utilize negotiation skills to achieve results and reach an understanding in an event.

# data[].attributes.body
Managing logistics in part of a management chain that plans, implements and controls the efficiency of moving and storing information, good and services. They help to reduce expenses and enhance customer service. It is important when working in managing logistics to plan ahead and make sure there is minimal chance of failure or a breakdown in the chain, you should be able to keep a cool head and not panic if you are losing control or a situation happens, you should be able to cultivate strong relationships along the supply chain and learn from mistakes.

# data[].attributes.body
Legal compliance is the process to ensure that an organisation follows relevant laws, regulations and business rules. For example, in film production, you must ensure your crew working complies with any relevant laws, including having permission for filming on location, the hours the crew are working and the risks for stuntmen etc. Different laws will apply to different job roles and it is down to managers, directors and producers to ensure legal compliance.

# data[].attributes.body
Someone managing permissions may be in charge of copyright and location permissions for example when working on a film. this prevents any legal problems occurring when you have permissions on film production, it also minimises the chances of any legal action being taken.

# data[].attributes.body
A finance controller is in charge of managing all aspects of the finances of a company or large film production, they prepare budgets, manage cash flow, accounting tax and raising finance, and they oversee the accounts team. A finance controller will need to have experience of commercial and film accounting, know about finance and tax regulations, have excellent analytical and problem solving skills, be able to negotiate effectively and have good IT skills.

To become a finance controller, you will need a BA degree in Accountancy and have a number of years of experience ideally in film production or media.

On average, the films with the highest budget according to the IMDB database are animated film, and so to work for the finance team on that type of film you will need more years of experience.

# data[].attributes.body
A production Accoutant is in charge of managing finances and keeping records up to date during film productions, preparing schedules and budgets with the production team, and handling everyday accounting and checking the spending against the budget. They make sure that payments are made in time and correspond with agreements and approved budgets, they manage payroll and are responsible for the health and safety of the accountant team. It is important that a production accountant has bookkeeping and accountancy skills, has a wide knowledge about the processes in film production, be skilled in scheduling and finance software, understand guild, tax, union and other relevant regulations, and be organised.

To become a production account, you must have a BA in accounting and a number of years of experience within the film industry, the level of your degree and experience needed will differ on the size and scale of each production.

# data[].attributes.body
A marketing and publicity manager will oversee the creating and planning of marketing campaigns for films, and they will liaise with distributors, film studios and film makers. They will need to be able to think strategically and tactically, have a thorough knowledge of film marketplaces, have awareness of current and cultural trends, understand costs and budgets, be adaptable and able to respond to changing demands or events, have a broad knowledge of film, and be able to manage to a team.

In order to become and marketing and publicity manager you will need a higher level qualification in marketing, PR or a business related course.

The average production budget of a major studio film in 2007 was $106 million and marketing uses up a huge chunk, that year was around $35.9 million on average.