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The very first image in this thread was from Cornelius Cardew's epic "Treatise": a score consisting of 193 pages of beautiful compositions. The one at the top of the thread is from page 183. Later I also posted pages 29, 134 and two other images, which I am not certain of page numbers. I only have 25 images from the set, and continue searching for more. I would love to have a book with the whole score, but have never found one (if you have recommendation for a book that has the complete set in it, please let me know).

I think "Treatise" score is really among the most amazing examples of experimental music notation, and even though (or maybe even because) Cardew eventually "disowned" it, I find it inspiring and historically important.

So, I will continue adding pages from "Treatise" here, as we continue expanding the collection. Here are a few more. Pages 131, 133, and 137:

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The very first image in this thread was from Cornelius Cardew's epic "Treatise": a score consisting of 193 pages of beautiful compositions. The one at the top of the thread is from page 183. Later I also posted pages 29, 134 and two other images, which I am not certain of page numbers.

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La partition dans l'espace, mais ce n'est pas exactement une partition graphique.

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Pierre Boulez - Domaines -  Alain Damiens clarinette

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https://www.youtube.com/watch?v=71hNl_skTZQ

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Musique à partir d'une notation animée

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My first experiment with animated notation in March 2008 involved 50 people vocally interpreting moving shapes on a screen. They performed in isolation without hearing any other interpretations. The results threw up questions I'm still trying to answer and for me opened up a new possibilities in making music. It was good fun too.

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Candas Sisman

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More info: http://www.csismn.com/SYN-Phon

Graphical notation and composition by Candas Sisman
Barabás Lőrinc: Trumpet
Ölveti Mátyás: Cello
Candas Sisman: Electronics and Objects

Curator and program director: Bianca Halaseh 

Budapest Art Factory (BAF) is pleased to present to you SYN-Phon; sound performance based on graphical notation by Candaş Şişman featuring Barabás Lőrinc & Ölveti Mátyás. Candaş Şişman resided at BAF for the month of June as part of its cross-cultural fertilization residency program. SYN-Phon will be exhibited to act, as a visual linguistic delivery through a cogitation segment followed by the sound performance on June 29th. 

www.csismn.com
www.budapestartfactory.com
www.barabaslorinc.com
www.accordquartet.hu

Coming about to understand the human nature of comprehending linguistics is that of a complex take –on. The constituent elements of language, in general content, bring forward the theory of other minds sharing, with intentioned communication. 

Thought varies with the use and absence of language that comes to be found in line with the development of thinking and impulses from our daily surrounding. Eventually language creates our point of view just as much as our ideas and perception of matters, individualistically. 

Art plays a crucial role in demolishing the boarders of our comprehension our mindset is framed into by literate language. Human language serves as a rather conservative form of communication when comparison to musical language; where the freedom of space employs as a resort for that broad horizon of that, that in search of cutting-edge form of broadcast. 

Candas’s trials of combing various forms don’t necessarily imply the mere creation of a pioneering flash but rather the use of the endless possibilities in associating the known and unknown. Through the unknown, we come about with a new way of thinking that tries to substitute and make space for a new tool of self-expression. Conclusively the graphical notation gives liberate opportunity in creating one’s personal language that holds its basis on feeling the visual and sound in parallel. 

Phonation, in accordance to Candas is the presence of sound language in SYN- Phon where the structure is supported by the synthesis itself. Music in its myriad forms extends to exploiting a communicative human language, thereby making the conceptual idea much more of significant importance than the actual tool. For Candas the presence of music in positively charged negatives spaces is a key element for substitution of the unknown seeking to be expressed. By the happening of SYN-Phon the line of musician will be crossed into a rather freely inflicted composer. Lőrinc and Mátyás as the musical inputs , on trumpet and cello respectively, of the performance will attain free expression 
rightfully to the impulses in line of creating a new language.

SYN-Phon sound performance will demonstrate an articulation based on Candas’s intimate collective findings of Budapest during the month of June. Buda and Pest in the separate geographical allocation hold different quintessence natures, in addition to the anecdote of recent flooding events of Duna the performance is meant to reach out to the audience as a sensual expressive language. The sound performance will include sounds, constructed and picked up in Budapest recorded by Candas himself. 
The whole bulk graphical notation will be available in print form to be part of the introductory assimilation.

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Johnson, Tom

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Johnson - Failing: A Very Difficult Piece for String Bass

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Cornelius Cardew

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TREATISE Cornelius Cardew. KYMATIC ensemble