# data[].attributes.body
Step 1: At bottom
Step 2:  There are trees everywhere and at the bottom is branches with orange on top. The sun is shining through the trees and revealing fog. The trees are almost black. The photo is a little blurry too.
Step 3: The artist used line as the element of design. The sun rays through the fog lead the eye to the ground and the trees. From the ground the eye follows the trees and back to the whole image.
The artist used unity as the principle of design. The image incorporates many objects, but the photo is looked at as a whole first. There is a tree in the middle that could be looked at first individually. However, the view doesn't see the tree first, they look at the photo as a whole before individual elements.
Step 4: An early morning when you can see the sun rays through the fog in between the trees. The beauty in multiple elements coming together to create one. There is also a tone of mystery. Represented by the dark coloring of the trees and the fog creeping in through them.
Step 5: The photo up close is a little blurry, but not close to it, it doesn't appear blurry. The photo represents nature in a mysterious tone, which is cool. The fog coming through the trees with the sun beaming down creates the mysterious tone. It kinda looks like a place where something unfortunate might happen.

# data[].attributes.attachment_link.readable_text
A collection of Suffolk landscape photography that showcases Suffolk's pleasurable subtleties and unique quiet beauty. The Suffolk landscape has been at the heart of my landscape practice since i first started my journey in photography. The Suffolk landscape is where i feel at home and it offers a deep sense of nostalgia which is an important factor to my landscape photography.

This collection of Suffolk landscape photography is an ever growing portfolio of shots that range in many different styles, from long exposures, sunsets, sunrises to creative focus photography and all taken at different times of the year. Some of my favourite times to shoot the Suffolk landscape are during the later spring months and early summer, when the fields are full of crops. Suffolk's coastline is enjoyable during the later summer and early autumn months, i prefer the dusk light in the evenings and the positioning of the sun.

# data[].attributes.attachment_link.title
Suffolk Landscape Photography By Liam Frankland

# data[].attributes.attachment_link.description
A collection of Suffolk landscape photography that showcases Suffolk's pleasurable subtleties and unique quiet beauty. The Suffolk landscape has been at the heart of my landscape practice since i first started my journey in photography. The Suffolk landscape is where i feel at home and it offers a deep sense of nostalgia which is an important factor to my landscape photography.

# data[].attributes.attachment_link.readable_text
Law 3: Don't always use wide-angle lenses
Be aware of the possibilities zoom or telephoto lenses can give you, and you'll end the day with more creative images
Many landscape photographers shoot 80 per cent of their landscapes with a wide-angle lens, but it's still worth taking along a longer lens for capturing those distant details that are impossible to shoot with anything else. For that other 20 per cent of images, around half are shot using the longer focal length setting of a standard zoom, the other half with a telephoto lens.

On location

Shooting details from a distance means that you get the classic compressed perspective effect, where the foreground and the background appear to be very close together. The further you are from the subject, the more pronounced the effect will be, which means you'll also need a long focal length to fill the frame with these very distant subjects.
Stitched up
The other occasion where a longer focal length lens comes in is if you're shooting a panorama. A wide-angle lens often distorts at least part of the image, making a sequence harder to stitch together. Using a telephoto lens keeps the perspective of the final result looking more natural.

Law 4: Don't use an ND grad for every shot
Sometimes filters can cause problems rather than fix them, so get to know the tricks that can help you out
Normally, we would advise getting the shot right in-camera: it saves time and effort adjusting and manipulating images later on. We'd much rather use an ND grad filter to capture detail in both the sky and the landscape of a sunset or sunrise shot than use fancy software techniques. But there are situations where it's better to leave the ND grad filter in your bag and use other photographic techniques to balance the exposure.

The classic case is when there are mountains, buildings or trees above the horizon in your shot, and the sun is low in the sky. In these conditions, it's impossible to keep detail in both the brightest and the darkest areas of the scene in a single exposure. But if you use an ND grad filter, any part of the scene above the horizon is darkened, making its use obvious.

Top tip

The preferred method in these situations is to take two shots: one exposed for the sky and brighter areas, the other for the land and darker areas. Open them as two separate layers in Photoshop, and use a layer mask to paint in the correctly exposed areas in each layer.

HDR-Free

High-dynamic-range (HDR) processing is an option, but many people find that HDR rarely produces a natural-looking result, so we don't tend to use it for landscapes. The latest digital SLRs, and improved raw-processing software such as Lightroom 6, mean that you can often reclaim a lot of the highlight and shadow detail.

# data[].attributes.attachment_link.description
Be aware of the possibilities zoom or telephoto lenses can give you, and you'll end the day with more creative images Many landscape photographers shoot 80 per cent of their landscapes with a wide-angle lens, but it's still worth taking along a longer lens for capturing those distant details that are impossible to shoot with anything else.

# data[].attributes.body
1. I can take pictures of different landscapes
2. I can edit my photos to look semi undisturbed photo.