# data[].attributes.body
mindfulness presence (Mario Blanco);

developing mindfulness through CI, attention amplification (Liza Andreyeva);

meditation in movement (Fleur Mathet);

connection between CI and meditation (Nima Ghomeshi);

energetic resources of the present moment in the dance (David Leung);

the ways breathing and silence evolves and creates movement (Anabel Pestaña);

keeping momentum (chiara mignani).

# data[].attributes.body
contemplative dance practice as a daily routine (Jennie Zimmermann);

improvisation, like a way to learn different dance techniques (Julian M. Elizari Romeo);

experimential anatomy into dancing (Jennie Zimmermann);

nature contemplation and relation (Mario Blanco);

supporting self-learning (Frederic Holzwarth)

how new populations will contribute to the form and it’s evolution (Erica Kaufman);

coincidences of the CI experiences in Ukraine and Guatemala, by their political history (Alejandra Garavito);

the eyes and how they refocuse the movement (Lisa Nelson's work) (Alejandra Garavito).

# data[].attributes.body
emotional work (Fleur Mathet);

exploring an intimate, emotional connection using somatic practice (Dan Farberoff);

consent in CI (Nicole Halse, Kaisa Kukkonen);

boundaries, conflict, conflict avoidance, conflict resolution (Mario Blanco).

taking care of yourself (Liza Andreyeva).

# data[].attributes.body
bringing the bodymind into a state where spherical sensing and attention comes natural (Ann Kristin Holten);

philosophy of mind/body (Frederic Holzwarth);

rediscover a direct relationship to the physical and natural world through embodiment and rewilding (Dan Farberoff);

consent + improvisation + art in CI (Kaisa Kukkonen);

nature contemplation and relation (Mario Blanco);

how emotions in dance may be resource and inspiration (Dmitry Usov);

physical, emotional, mental limits (Jan Lee);

the state of creation in a physical world (Alex Postnikov);

being completely unpredictable to myself (Alex Postnikov);

improvisation state of mind while dancing (Havrylova Kateryna);

trusting the bodies intelligence, self care, radical acceptance, and presence (Alistair Edmunds).

What is beyond CI. How can we play with physics, presence, contact with language we already know from the form of contact improvisation and still be open for re-invention our own contact improvisation (Yuriy Kuzin).

# data[].attributes.body
pedagogics (Maren Henein);

how to teach the relations with the fear, the risk, and the control of the body in any situation (Sergio Palomares Vicente);

letting in more and more play, free discovery into my teaching (Frederic Holzwarth);

teaching by jamming (Havrylova Kateryna);

non-verbal teaching (Havrylova Kateryna).

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"How to create the atmosphere in which you can expand awareness of your body senses, intuition, awaken physical memory and imagination" (Aiste)

# data[].attributes.body
human relations (Mario Blanco);

non-verbal encounter (Fleur Mathet);

micro-conversation (Nicole Halse);

witnessing and seeing each other (Jan Lee)

non "tradicional" CI gathering formats (Mario Blanco).

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"To move at the speed of my and my partners attention" (Barbara Wyss)

"How to influence my dance in a way I can fully do what I need without pushing my partner(s) in any direction"  (Jo Bruhn)

# data[].attributes.body
ci + feldenkrais (Noa Dar);

ci + performance / stage activity (Sergio Palomares Vicente, Noa Dar, Michal Ratajski);

dancing + massage (Filip Wencki);

ci + inner chinese techniques (Ekaterina Andreeva);

playfight (Fleur Mathet);

ci + martial arts (Michal Ratajski);

taichi chuan (Anabel Pestaña);

ci + somatics / embryology (Daria Sedova, Alistair Edmunds);

ideokinesis approach (Elina Katerinka);

BMC (Charles le Maire);

instant composition (Aiste, Anabel Pestaña);

ci photo and video material and performance (Daria Andreeva).

# data[].attributes.body
effortless flying  (Jo Bruhn);

more softness possible in the most extreme movements (Sergio Palomares Vicente);

learning dynamics (Frederic Holzwarth);

release unnecessary tension and tones (Nicole Halse);

crazily interested in rolling on the ground and fascinated about how hard it is to teach it (Kaisa Kukkonen);

pattern movement vs improvised movement (Mario Blanco);

small dance, the listening and the heavy weight and connection between bodies while dancing (Baciu Simona);

biomechanical ease and movement identity (David Leung);

going back to the classic -lifts and figures (Andreas Wegrath);

bones, structure, fluidity, resistence, dynamic (Nica Portavia);

softness, fluidity, flowability, ease, integrity, presence (Elina Katerinka);

allowing for additional movement patterns and points of weight sharing beyond hip to hip contact (Ryan Deluz);

flow and effortlessness through subtle listening of the directions of the movement (Daniele Sardella);

playing with space (Daria Voronina).

# data[].attributes.body
creating safe and welcoming jam spaces (chiara mignani);

improving jam frame (Charles le Maire);

using scores during jams (Jennie Zimmermann);

using music during jams (Charles le Maire);

UNDERSCORE structure (Daria Andreeva, David Leung);

organizing events (Jo Bruhn);

developing local community (Baciu Simona, Liza Andreyeva);

dancing outdoors in the nature (Jennie Zimmermann).