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Theory of Semiotic/ The Pedestrian Crosswalk Sign

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Theory of Semiotic/ The Pedestrian Crosswalk Sign

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Youve done a nice job expressing your understanding of Gestalt concepts.

For your semiotic image, i dont see a commentary on the semiotics in the image.   I would suggest that a picture of a sign is not really the semiotic interrogation i was hoping for.

Some of our remaining images are quite good.

The "Lead Line"  image does not have a strong subject matter or point of interest.   No need to experiment with all the concepts, as discussed in class i was looking for mostly an understanding or rule of thirds and visual weight.

Over all, if you would like to try this again, and integrate my feedback,  I will reconsider your grade.

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Thank you for your detailed feedback. I am grateful for the opportunity for reassessment and assure you that I will diligently apply your feedback to enhance my future work. 

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Thank you for your detailed feedback. I am grateful for the opportunity for reassessment and assure you that I will diligently apply your feedback to enhance my future work. 

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Reflecting Unity: Capturing the Gestalt principle of 'similarity,' this image showcases objects both in their physical form and their mirror reflections, emphasizing how the mind naturally groups them together as a unified whole.

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Reflecting Unity: Capturing the Gestalt principle of 'similarity,' this image showcases objects both in their physical form and their mirror reflections, emphasizing how the mind naturally groups them together as a unified whole.

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Cohesive Harmony: This photo embodies the Gestalt concept of 'closure,' where the mind seamlessly combines the wooden panels on the ceiling and walls to create a unified perception of the balcony.

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Cohesive Harmony: This photo embodies the Gestalt concept of 'closure,' where the mind seamlessly combines the wooden panels on the ceiling and walls to create a unified perception of the balcony.