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What’s moving you right now — in your body, in your emotions, in your life?

Looking back, what parts of making have brought you the most joy or curiosity so far?

Could you spend an hour or two in the library, letting yourself be drawn to a few artists whose work really resonates with you?

Which materials or processes do you feel naturally drawn to — what feels good in your hands, or speaks to you through touch or texture?

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-Manipulate audience's view on the work, make the viewer experience the manipulation

-Inspiration from Bertolt Bretch

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Futur.Shock Presents: An Interview with Eddie Peake

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How gesture's are readable i.e: Dropping out of art.

Gesture as a behaviour in paintings

Performing Image, book by Isobel Harbison

A purpose outside of aesthetic

Confronting and confusing environment

'I may have the weak and feeble body of a woman but I have the liver of an ox' art work by Josephine Pryde

An interpretation in front of the painting.

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Lecture by Andrew Chescher: Interpretation 20,Oct

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Lecture by Andrew Chescher: Interpretation 20,Oct

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What roles Interpretation and sensory experience play in our understanding and experience of art.

'I experience what i can interpret'

Interpretation has to settle on one thing. Create something interpretable, then add a meaning.

'Against Interpretation' book by Susan Sontag

Eva Hesse: suggests something bodily, organic, beyond literal, unlike other artist colleagues like Robert Morris. She changes the language of sculpture. Beyond the format of dimensions of art.

Clement Greenberg: A well known art critic from the 60s-90s, 'Paintings are there to give us an optical phenomenon'. (but that's just his interpretation) We can link this quote to Kenneth Nolan's art. However, Nolan believed his art was more of a psychological view, rather than just something to look at.

Is the artist's interpretation more important than the one of the critic or the audience's?

Is the artist's view a priority?

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My lecturer, Luca George, drilled a hole through my trainers to help in showcasing my finished piece.

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Grayson Perry at The Wallace Collection 

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Grayson Perry at The Wallace Collection 

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Lecture by Ben Fitton: Images are objects

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Lecture by Ben Fitton: Images are objects

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- Shittyfication of internet

- Hito Steyerl: 'Strike, Strike!'

- Dean Kissick: 'Vulgar' images, they will come to define our current historical moment.

How a good image is kept well due to other factor, it's a chain making this work. People from down the chain work, like hand picking lithium in under developed countries so we can have iphone in more developed countries.

Audience as co-authors of poor image, someone taking a selfie with the monalisa.

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Painting, sound & cross modality.

'Do not resist to the elements' you can make art from anything and anywhere.