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a category of artistic composition, as in music or literature, characterized by similarities in form, style, or subject matter.

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The standard photographic film format for analog single lens reflex (SLR) still cameras and motion picture cameras.

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A twin-lens reflex camera (TLR) is a type of camera with two objective lenses of the same focal length.

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Large format cameras use sheet film sized 4x5" or larger with the most common film sizes being 4x5" and 8x10".

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a keeper or custodian of a museum or other collection.

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a public display of works of art or items of interest, held in an art gallery or museum or at a trade fair.

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framing is the presentation of visual elements in an image, especially the placement of the subject in relation to other objects.

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a room or building for the display or sale of works of art.

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the exclusive legal right, given to an originator or an assignee to print, publish, perform, film, or record literary, artistic, or musical material, and to authorize others to do the same.

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a mark with greater length than width. Lines can be horizontal, vertical, or diagonal; straight or curved; thick or thin.

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a closed line. Shapes can be geometric, like squares and circles; or organic, like free-form or natural shapes. Shapes are flat and can express length and width.

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s light reflected off of objects. Color has three main characteristics: hue (the name of the color, such as red, green, blue, etc.), value (how light or dark it is), and intensity (how bright or dull it is).

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the surface quality that can be seen and felt. Textures can be rough or smooth, soft or hard.

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the degree of perceivable lightness of tones within an image.

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three-dimensional shapes expressing length, width, and depth.

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the area between and around objects. The space around objects is often called negative space; negative space has shape. Space can also refer to the feeling of depth.

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the distribution of visual weight, space, colors, or texture.

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use of different elements to create interest.

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Tropical and subtropical coniferous forests

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the repeating of an object or symbol all over the work of art.

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the visual size and weight of the objects or elements composition.

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the movement of a viewer’s eye across a work.

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the visual relationship between elements in a photograph.

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the center of interest in an image.

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symmetry around a central axis.

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made up of exactly similar parts facing each other or around an axis.

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having parts which fail to correspond to one another in shape, size, or arrangement.

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the fact of two things being seen or placed close together with contrasting effect.

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containing or using only one color.

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existing in thought or as an idea but not having a physical or concrete existence.

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the soothing tones found in nature.

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those that tend to advance in space and can be overwhelming.

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any two colors which are directly opposite each other

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beige, ivory, taupe, black, gray and shades of white appear to be without color

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guideline which applies to the process of composing visual images

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a term used to describe how elements within a piece of art can be placed in the most aesthetically pleasing way.

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a technique of composition where the viewer of your photos attention is drawn to lines that lead to the main subject of the image

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the area or part of an artwork's composition that the subject occupies.

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the space around and between the subject

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a form of illumination used in liquid crystal displays.

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light that which is not harsh and direct, it has been softened in some way.

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the light that is already present in a scene, before any additional lighting is added.

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created when a light source is placed behind your subject, with little to no light in front of your subject.

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the use of contrast in light and shading across an entire image composition.

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not influenced by personal feelings or opinions in considering and representing facts.

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based on or influenced by personal feelings, tastes, or opinions.

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the process of offering valid and well-reasoned opinions about the work of others, usually involving both positive and negative comments, in a friendly manner rather than an oppositional one.

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the practice of taking someone else's work or ideas and passing them off as one's own.

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a symbol, word, or words legally registered or established by use as representing a company or product.

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relating to moral principles or the branch of knowledge dealing with these.

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two images combined into a single frame or presented together.

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three images combined into a single frame or presented together.

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the smallest controllable element of a picture represented on the screen.

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golden hour is the period of daytime shortly after sunrise or before sunset, during which daylight is redder and softer than when the Sun is higher in the sky.

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the period of twilight when the Sun is at a significant depth below the horizon and residual.

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A file format is a standard way that information is encoded for storage in a computer file.

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a commonly used method of lossy compression for digital images.

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A raw file is a collection of unprocessed data.

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a computer file format for storing raster graphics images, popular among graphic artists.

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an image editing friendly format that supports multiple image layers and various imaging options.

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a reddish-brown color associated particularly with monochrome photographs of the 19th and early 20th centuries.

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where light from a light source is blocked by an opaque object.

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the surface area between the Highlights and the Shadows and they represent an area of surface that simply has less light than the Highlights.

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the brightest area in a photo.

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image processing methods used in video playback devices, and video players software and transcoding software.

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the smallest controllable element of a picture represented on the screen.

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a long-duration shutter speed to sharply capture the stationary elements of images while blurring, smearing, or obscuring the moving elements.

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a technique whereby the frequency at which film frames are captured is much more spread out than the frequency used to view the sequence.

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an imaging technique that uses a moving light source to add light to an under-illuminated subject while taking a long-exposure photograph.

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swivelling a still or video camera horizontally from a fixed position.

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The amount of detail that the camera can capture is called the resolution, and it is measured in pixels.

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A digital single-lens reflex camera is a digital camera that combines the optics and the mechanisms of a single-lens reflex camera with a digital imaging sensor.

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a set of data that describes and gives information about other data.

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reduced-size versions of pictures or videos, used to help in recognizing and organizing them

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an abbreviation of the photography term “Straight Out Of Camera”, simply meaning that an image can be good enough to print straight from the camera without further processing.

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an image stabilization technology that minimizes blur caused by camera shake.

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is when the camera chooses the optimum shutter speed, aperture, ISO and flash settings for your shot.

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you have full control over a surprising number of settings, including ISO and white balance, which are unavailable to you in Auto.

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a setting on some cameras that allows the user to set a specific aperture value while the camera selects a shutter speed to match it that will result in proper exposure based on the lighting conditions

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a semi-manual mode that allows the photographer to choose the shutter speed, while the camera balances out the exposure by automatically adjusting the remainder of the exposure settings.

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it lets you manually control shutter speed, aperture, and ISO.

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what type of film your camera is using so it can adjust accordingly.

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ISO sensitivity is a measure of the camera's ability to capture light.

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the random optical texture of processed photographic film due to the presence of small particles of a metallic silver

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is random pixels scattered all over the photo.

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is a sensor that detects and conveys information used to make an image.

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is a hole or an opening through which light travels.

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is the ratio of the system's focal length to the diameter of the entrance pupil.

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is the aesthetic quality of the blur produced in out-of-focus parts of an image.

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is the distance between the closest and farthest objects in a photo that appears acceptably sharp.

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tells us the angle of view—how much of the scene will be captured—and the magnification—how large individual elements will be.

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the length of time camera shutter is open, exposing light onto the camera sensor.

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a shutter speed option that you can select in Manual mode on your camera.

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the apparent streaking of moving objects in a photograph.

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visible movement of the camera.

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a three-legged stand for supporting a camera or other apparatus.

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a digital single-lens reflex camera with a 35 mm image sensor format.

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an image sensor format approximately equivalent in size to the Advanced Photo System film negative in its C format.

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the ratio of the dimensions of a camera's imaging area compared to a reference format; most often, this term is applied to digital cameras.

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a fixed focal length photographic lens, typically with a maximum aperture from f2.8 to f1.2.