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Buat olahan lakaran perkembangan idea bagi tujuan mencorak

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Buat olahan lakaran perkembangan idea bagi tujuan mencorak

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Bab Perkembangan Idea ni, paling susah nak cerita kat korang semua. Fuh! Jap cikgu nak tarik nafas panjang-panjang sikit.. tarikkkk.. lepassss ......

Sepanjang karier jadi guru ni, bukan main susah bila masuk bab ni. Anak murid buat muka blurrr... dah habis kelas, dok mai tanya lagi. Ada yang terus berhenti buat folio! Tu yang jadi kerja last minute!

Apa-apapun, demi perjuanganku dalam bidang seni (ceh wahh), cikgu cuba la sedaya upaya terangkan kat korang. Kalau tak faham lagi,, tanya kat facebook sebelah tu, ramai nak tolong jawab, ok?. Tanpa membuang masa lagi , cikgu tarik nafasss lagi. (rasa nak semput la pulak!)

Apa dia Perkembangan Idea?

Pada pendapat cikgu, proses perkembangan idea dalam Seni Visual penting untuk membezakan antara pengkarya dengan penciplak. Penciplak tu, tukang tiru, bulat-bulat dia tiru karya orang lain. Pengkarya pula, menghasilkan karya seni dengan idea-idea yang baru, segerrr (segar bak kata Salleh Yaacob dalam versi Jawa). Bagaimana nak hasilkan karya yang baru dan segar? Haa.. tu lah, kena la ikut proses PERKEMBANGAN IDEA!

Perkembangan Idea merupakan satu PROSES. Bila sebut proses, mestilah makan masa yang lama dan banyakkk... ikutlah langkah-langkah ni.

Secara asanya, terdapat dua cara penghasilan Perkembangan Idea :

2. secara menyenaraikan Motif

Yang pertama : Olahan Motif maksudnya, mengubah rupa asal 'subject matter' anda secara 'slow motion' macam video clip dari filem Harry Potter ni.

Daripada video clip Harry Potter di atas, dapat disaksikan bagaimana Prof. Lupin jadi werewolf langkah demi langkah ( transformation) . Kaki manusia, berubah jadi lebih panjang, leher, mata hidung berubah sedikit demi sedikit. Kalau boleh, pause dua-tiga kali dan lukis transformation tu. Tengok, apa yang diTAMBAH , apa yang diKURANGkan dalam lukisan tu. 'Tambah' dan 'kurang' dalam setiap lakaran transformation itulah perkembangan idea! Dalam bahasa seni visual disebut stailisasi/pengayaan.

Proses mengurang imej dan menokok nambah imej untuk hasilkan idea lakaran supaya terhasil satu motif yang baru.

Contoh perkembangan idea jenis olahan motif ini ialah:

CONTOH 1 : Olahan Motif untuk Arca (3D)

Anak panah digunakan untuk menunjukkan bagaimana transformasi imej berlaku langkah demi langkah. Sedikit catatan mengenai bahgian yang dibuang atau yang ditambah membantu menerangkan proses kajian dengan lebih jelas.

CONTOH 2: Olahan Motif corak (sesuai untuk soalan 1 dan 3)

Lihat bagaimana pada langkah 1, subject matter dilukis secara realistik (dengan mengekalkan kesan cahaya dan bayang), langkah 2 dilukis secara RUPA sahaja, langkah 3 mengalami pengurangan rupa manakala langkah empat dan akhir mengalami penambahan RUPA.

Begitulah kira-kiranya menghasilkan motif baharu daripada 'subject matter' (objek ciptaan Tuhan atau ciptaan manusia)

Yang KEDUA, secara menyenaraikan motif. Lepas dah hasilkan Olahan Motif dalam tiga atau empat helai (paling kurang tuh, ) tentulah banyak lagi idea-idea baharu motif yang dapat dicipta. Kalau nak buat stail yang ada anak panah tu, jenuh juga rasanya. Jadi korang lukis ja banyak-banyak idea dalam kepala korang tu! Lebih kurang cam video clip Micheal Jackson ni, banyaknya 'wajah' dia!

Contoh Perkembangan Idea jenis 2 :

walaupun Noh ada letak anak panah pada Perkembangan idea di atas, transformasi langkah demi langkah tidak berlaku, sebaliknya beliau lebih terarah kepada MENYENARAIKAN idea-idea beliau yang banyak tu.. Akhirnya dapat satu idea yang beliau rasa relevan dengan nilai kemanusiaan mengikut tema yang diberi oleh soalan.

sedikit lagi lakaran idea...

Lihat bagaimana Noh apply idea akhirnya dalam Karya Akhir beliau. Tapi, sebelum buat yang final ni, ADA lagi langkah Perkembangan idea yang korang kena buat! Tu lah, memang susah Bab Perkembangan Idea ni. Tapi markah dia pun banyakk kat sini. Korang tak payah la tampal gambar-gambar dari internet tu banyak sgt, buang masa ja.

Contoh Perkembangan Idea Jenis 2 (untuk soalan 3 dan 1)

lihat ada ditulis MOTIF PILIHAN...

menarikk..

kalau nak hasilkan arca (3D), lakaran pun 3D juga.. baru jelas bentuknya.

Di atas ni, contoh perkembangan idea untuk muka taip bagi soalan 1 dan 3

Harap korang faham jugak la sikit-sikit berkaitan langkah-langkah buat Perkembangan Idea ni.

Daripada senarai lakaran yang dibuat, pilihlah beberapa untuk dihasilkan pada karya akhir. Selepas ini, langkah Perkembangan idea yang seterusnya adalah Kajian Komposisi/Rekaletak.

Tapi cikgu buat post lainlah di lain kali. Kalau tak, fenin kepala korang...

Di sini, penghargaan cikgu kepada guru-guru dari Wilayah Persekutuan Tahun 2007. Selain daripada lakaran Noh dan Fakhrur Razi (pelajar cikgu), lakaran-lakaran yang lain tu, dia orang la yang buat. Terima kasih!

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Bab Perkembangan Idea ni, paling susah nak cerita kat korang semua. Fuh! Jap cikgu nak tarik nafas panjang-panjang sikit.. tarikkkk.. lepassss ...... Sepanjang karier jadi guru ni, bukan main susah bila masuk bab ni. Anak murid buat muka blurrr... dah habis kelas, dok mai tanya lagi. Ada yang terus berhenti buat folio!

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Kajian terperinci subjek dipilih dengan cara menghasilkan lakaran dari pelbagai sudut dan kedalaman subjek

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Kajian terperinci subjek dipilih dengan cara menghasilkan lakaran dari pelbagai sudut dan kedalaman subjek

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"Sesiapa yang tinggal berdekatan pantai sila bawa beberapa jenis kulit siput minggu depan". Itulah arahan yang cikgu keluarkan minggu lepas.

Hari ini, terdapat lebih dari 10 jenis cengkerang yang dibawa oleh murid. Kami akan melukis kulit siput ini untuk mengkaji struktur, garisan, jalinan dan bentuknya.

Lukisan kajian biasanya dibuat untuk menjana idea bagi menghasilkan bentuk seni yang lain. Objek yang ditiru disebut subject matter, iaitu subjek yang menjadi asas kepada perkembangan idea seterusnya.

Perhati, fokus dan lukis......

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"Sesiapa yang tinggal berdekatan pantai sila bawa beberapa jenis kulit siput minggu depan". Itulah arahan yang cikgu keluarkan minggu lepas. Hari ini, terdapat lebih dari 10 jenis cengkerang yang dibawa oleh murid. Kami akan melukis kulit siput ini untuk mengkaji struktur, garisan, jalinan dan bentuknya.

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Mengenal rupa asas pada setiap objek. Rupa organik dan geometri

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Mengenal rupa asas pada setiap objek. Rupa organik dan geometri

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Unsur-unsur Seni - RUPA

Rupa ialah hasil daripada pertemuan hujung garisan dengan permulaannya.

Rupa boleh dihasilkan daripada garisan, warna dan jalinan.

pertemuan antara permulaan dan penghujung sesuatu garisan menghasilkan rupa

Rupa terdiri daripada 2 jenis iaitu:

1. Rupa Geometri

Rupa Geometri ialah rupa yang mempunyai sudut seperti bulatan, tiga segi, empat segi dan lain-lain rupa yang bersudut.

dicipta dengan menggunakan alatan khas iaitu pembaris, set geometri dengan ukuran-ukuran tertentu

2. Rupa Organik

Rupa organic merujuk kepada rupa bebas yang tidak dapat diukur sudutnya seperti rupa daun, rupa orang, rupa ikan dan sebagainya.

Dihasilkan secara sepontan

C. Rupa Positif dan Rupa Negatif

Rupa positif ialah rupa sesuatu objek yang terletak di dalam satu kawasan tertentu.

Rupa negatif ialah ruang di sekeliling rupa objek tersebut.

D. Rupa dalam Aktiviti Mencorak

Rupa boleh berubah dan mewujudkan rupa yang lain dengan cara tindanan, tambahan atau luakan ( pengurangan ).

Rupa dalam aktiviti mencorak, merupakan susunan rupa yang berulang-ulang dengan jarak dan kedudukan tertentu.

Rupa akan menghasilkan kesan corak daripada perlawanan rupa positif dengan rupa negatif.

Hasilan corak akan lebih menarik apabila rpa disusun berulang-ulang dalam susunan tertentu.

Jenis-jenis Susunan dalam Mencorak

1. susunan selang-seli
2. Susunan turun separa
3. Susunan batu-bata
4. Susunan orgee
5. susunan cerminan
6. Susunan sisik ikan

E. Rupa dan Lambang / logo

Rupa boleh diolah menjadi lambang atau simbol kepada sesebuah syarikat, persatuan dan pertubuhan.

Rupa juga boleh menjadi jenama kepada sesuatu barangan.

F. Rupa dan Muka Taip

Muka taip ialah jenis-jenis rupa berbentuk huruf.

Rupa muka taip boleh menghasilkan pelbagai gaya.

Rupa muka taip boleh terdiri daripada muka taip serif ( berekor ) dan san serif( tidak berekor ).

contoh-contoh rekaan rupa muka taip

contoh-contoh rekaan rupa muka taip

contoh-contoh rekaan rupa muka taip

contoh-contoh rekaan rupa muka taip

contoh-contoh rekaan rupa muka taip

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Unsur-unsur Seni - RUPA Rupa ialah hasil daripada pertemuan hujung garisan dengan permulaannya. Rupa boleh dihasilkan daripada garisan, warna dan jalinan. pertemuan antara permulaan dan penghujung sesuatu garisan menghasilkan rupa Rupa terdiri daripada 2 jenis iaitu: 1. Rupa Geometri Rupa Geometri ialah rupa yang mempunyai sudut seperti bulatan, tiga segi, empat segi dan lain-lain rupa yang bersudut.

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ROHAIZAD SHAARI'S GELAGAT SERIES
BY MAHZAN MUSA

In August 2009, Rohaizad Shaari will launch his second solo exhibition. After his successful first solo exhibition in October 2003, Rohaizad Shaari continues to move forward with his creative output by producing watercolour paintings that to this day does not appear to be ending. With the current global economic challenge, Rohaizad is still committed and brave enough to continue with his professional career as a full time artist.

Rohaizad Shaari's second solo exhibition appears to be a continuation of the Gerek series of watercolour paintings which he started exploring in the first decade of the 2000 millennium. Rohaizad seemed to be experimenting with the images of the bicycle or gerek in the Kedah Malay dialect when he first started depicting the bicycle image in his works. It appeared that this experiment with the bicycle image was successful and a hit with the collectors which led to the launch of his first solo exhibition, the Gerek series. Today, what is there in an old bicycle except to the antique collectors? More so in an old junk bicycle, backwards in many ways given the sophistication of today's modern bicycle invention. That is the perception of most people. However, for Rohaizad Shaari as an artist, the old bicycle is no ordinary bicycle. He is excited with his bicycle images. His sensitivity prompted him to think beyond ordinary reach. The old bicycle, dilapidated and out of date is made the subject matter of his paintings. This is where Rohaizad has the advantage. He is overwhelmed with the old bicycle.

Aristotle once said that an artist produces art works by copying reality. There is truth to this statement, but Rohaizad's copying of reality is not simply a mere act of copying. The copying by Rohaizad is a creative process which is not unlike that of a visual photographic recording. More importantly, the paintings from his second solo exhibition is a visual depiction of human lives and condition. The old bicycle as a metaphor, relates to the actions of man with numerous manners, behaviours and actions.

Living in the 2000 millennium is clearly becoming more challenging. From globalisation, world without boundary and sophisticated developments in the field of ICT have tremendously transformed our lifestyles which were unimaginable ten or twenty years ago. There are those who managed to adapt themselves and even welcome those changes. However, there are some who felt oppressed and found it difficult to face the ever changing modern lifestyles of today. Hence, there are those who are still shackled and comfortable with their outdated lifestyle, and are therefore left out and marginalised. This is the concept that forms the foundation of both the Gelagat and Gerek series.

From the Gelagat series of artworks in this second solo exhibition, a painting entitled Krisis displays an image of an old bicycle resting against a signboard post that faces towards a petrol station. As we are well aware, a bicycle does not need to be filled with petrol. However for those who possessed a motor vehicle surely there is a different. This is where the 'crisis' arises - cars will incur costs, amongst others, the cost of petrol. Bicycle only needs the use of ones energy by peddling it but of course this appears rather outmoded.

The image depicted in the painting entitled Hutang is obviously referring to the owner of the old bicycle resting against a big tree with an advertisement offering an opportunity to obtain financial loan from the loan sharks which currently, is infamously known as 'Ah Long', pasted on the big tree's trunk. In a desperate situation, due to poverty, one is forced to obtain loans from these 'Ah Longs'. However, to those who are unable to settle their debts, they will be forced to run away but they will continue to be hunted down by these 'Ah Longs'. Hence, they became fugitives from these 'Ah Longs'. Briefly, the creative compositions of Rohaizad's paintings revolve around the pressures of living, poverty and limited options in life.

In the Harap painting, Rohaizad questions whether Vision 2020 can be enjoyed by the poor and those living in the rural areas. This painting clearly shows the differences of status between an owner of a luxury vehicle and an old bicycle. A question is hereby raised as to who is more powerful or more comfortable and contented with life, between the two owners of the vehicles? Powerful in the material sense? Comfortable with the old bicycle that is out dated? Do ponder on these issues.

The arrangement of the formalistic elements of the watercolour paintings from the 2009 Gelagat series at Rohaizad's second solo exhibition emphatically shows the ability of Rohaizad in arranging the images of his artworks. Rohaizad's fine artwork is getting more refined in creating beauty. Detailed arrangements as to the interplay of light and shadows in his paintings enable us to categorise these artworks as hyper realist. The images of the paintings make his artworks appear to be serious, laden of messages and social criticism.
Other works from the second solo exhibition, such as Sandaran, Utusan, Orang Kampung, Keringat and Beban are still focus on the traditional life of the farmers in the paddy fields, farms and plantations. These are Rohaizad's trademarks since the Pemandangan series at the beginning of his appearance as a full time artist ie as soon as he completed his studies in fine art at UiTM in 1992.

The depiction of images of village sceneries and all forms of endeavours to eke out a living are reflections of Rohaizad's true self. As an artist, he employed his own background of being brought up in a farmer's family as the subject matter of his artworks. Today he still resides in Jitra, located in the northern part of Kedah. Rohaizad relates in visual language his own background, living experience, his observation of the physical surroundings and the farmer's lifestyle that are very close to his heart. His experience in life became the aesthetics of his paintings and together they forge his identity as one of the outstanding artist of the fourth generation in the country.

The social criticism issues together with the formalistic elements of fine art imbued his paintings from the Gelagat series with a sense of seriousness, laden with messages and criticism on the conditions and lifestyles of the farmers in the rural villages. At the same time, there are many among us who are too absorbed with surfing the world without frontiers while oblivious to the frontier that is closest to us.

Mohd Mahzan MusaPsychology and Counselling Graduates' Department

UUM College of Arts and Sciences
Universiti Utara Malaysia
21 July 2009

Bebanan, 74cm x 107cm, cat air. SOLD

Name :
Rohaizad Bin Shaari
Born : Jitra, Kedah, Malaysia in 1969
Studied : Fine Art Department, School of Art and Design
Medium : Water colour

Pameran Amal Palestin 2009, Balai Seni Lukis Negara, Kuala Lumpur.

2008
Pertandingan Cat Air Putrajaya, Annex Gallery, Sentral Market, K.L

Pertandingan Cat Air Putrajaya, Balai Seni Lukis Negara, Kuala Lumpur

Citra Terengganu, Muzium Kuala Terengganu, Terengganu.
2003
Pameran Sempena Ulang Tahun Hari Pentabalan Kebawah Duli Sultan
Kedah, Balai Besar Alor Star, Kedah.
Pameran Solo (Gerek) Metro Fine Art, Kuala Lumpur.

Pameran Sempena Pelancaran Galeri PENA, PENA Gallery, Kuala Lumpur

Treasures of Rainforest, Rusli Hashim Fine Art, Artist Colony, Taman
Bunga Raya, Lake Gardens, Kuala Lumpur.
The Journey of Malaysian Art, An Art Exhibition in Conjunction APEC
Business Summit, Putra World Trade Center, Kuala Lumpur.

Elok Bistari Santapan di Mata, Nyata Pasti Tertusuk di Jiwa, Alunan
Seni Mahligai di Kalbu...", Pelita Hati Gallery and Petronas Gallery,Kuala Lumpur
Malaysian Images, Art Exhibition in Conjunction with The G15 Summit,
The Mines Resort City, Sg. Besi, Kuala Lumpur.
Open Show '97, Shah Alam Gallery, Shah Alam.

Inspiration I, Group Show, Metro Art & Isetan Gallery, Kuala Lumpur.
From The Rainforest, Sculpture and Painting Exhibition, Petronas Gallery,Kuala Lumpur
Open Show '96, Shah Alam Gallery, Shah Alam.

Shah Alam Open Show, Shah Alam Gallery, Shah Alam.
Lembaran '95, Malaysian Artist Association (MAA), Petronas Gallery,Kuala Lumpur
Landskap dan Seni Bina Indah Selangor, Drawing Exhibition, Shah Alam Gallery
The Young Ones, An Exhibition Introducing Eleven of the Country's
Most primising Young Artist, Nanyang Gallery of Art, Kuala Lumpur.

On Our Own, Tradition And Change, Ilham '95, ITM & Petronas Gallery, Kuala Lumpur

Malaysian Open Show, National Art Gallery, Kuala Lumpur.
Selangor Open Show, Shah Alam Gallery, Shah Alam.
APS Open Show, Kuala Lumpur.
Boat Show, Shah Alam Gallery, Shah Alam.

Open Show, National Art Gallery, Kuala Lumpur.
Selangor Open Show, Shah Alam Gallery, Shah Alam.

Young Contemporeries, National Art Gallery, Kuala Lumpur.
Isetan, National Day Art Competition, Isetan, Kuala Lumpur.

Keluarga Bahagia / Negara Sejahtera, National Art Gallery, Kuala Lumpur
Open Show, National Art Gallery, Kuala Lumpur.
Young Contemporeries, National Art Gallery, Kuala Lumpur.

Malaysian Landscape Exhibition.
Open Show, National Art Gallery, Kuala Lumpur.
Kelantan Open Show, Kelantan Art Gallery, Kelantan.

Kedah Open Show, Kedah Art Gallery, Kedah.

Keputeraan Sultan Kedah Exhibition, Kedah Art Gallery, Kedah.

Kedah Open Show, Kedah Art Gallery, Kedah.

Abdul Majid
Amron Omar
Datuk Hamzah Datuk Dr. Mohd Salleh
Datuk Mohd Khamil Jamil
Lim Edin Nom
Mohd Tarmizi & Sabariah
Pakhruddin & Fatimah Sulaiman
Tan Sri Dato' Azman Hashim
Zulkifli Tahmali
Hong Leong Bank Berhad
Malaysian Timber Council
National Art Gallery
Shah Alam Gallery

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ROHAIZAD SHAARI'S GELAGAT SERIES BY MAHZAN MUSA In August 2009, Rohaizad Shaari will launch his second solo exhibition. After his successful first solo exhibition in October 2003, Rohaizad Shaari continues to move forward with his creative output by producing watercolour paintings that to this day does not appear to be ending.

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detailed patterns of Indonesia batik cloth

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Download this Batik photo now. And search more of iStock's library of royalty-free stock images that features Batik photos available for quick and easy download.

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Mixed Media Art Postcard -  Just Breathe