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Two Bishops (lower register) 1858 - Isisdor Pils

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Two Bishops (lower register) 1858 - Isisdor Pils

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Pils uses white, black, and red chalk to convey value in this study for wall paintings of Chapel of Saint Remi, Saint-Clotilde.

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Architecture c. 17th century - Michelangelo Colonna

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Architecture c. 17th century - Michelangelo Colonna

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Pen and Brown Ink drawing of an unknown location. Shading is done using a wash on sheet.

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Waltham Abbey, Essex c. 1840 - Peter De Wint

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Waltham Abbey, Essex c. 1840 - Peter De Wint

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De Wint shows exemplary precision and control of watercolor, depicting Waltham Abbey, one of the oldest monasteries in the United Kingdom.

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Nocturne: The Thames at Battersea 1878 – James McNeill Whistler

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Nocturne: The Thames at Battersea 1878 – James McNeill Whistler

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Nocturne is a perfect example of the versatility of Lithography.

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Boats and boating--Equipment and supplies

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Studies for the Libyan Sibyl (recto) c. 1510 – Michelangelo Buonarroti

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Studies for the Libyan Sibyl (recto) c. 1510 – Michelangelo Buonarroti

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Another depiction of Michelangelo's drafting process, this time the drafting of the Libyan Sibyl (Sistine Chapel Ceiling Frescoes)

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Zelfportret met Saskia 1636 - Rembrandt van Rijn

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Zelfportret met Saskia 1636 - Rembrandt van Rijn

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Great use of value to distinguish foreground from background.

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Study of a Young Woman c. 1483 – Leonardo Da Vinci

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Study of a Young Woman c. 1483 – Leonardo Da Vinci

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A window into Da Vinci's drafting process for "Madonna of the Rocks" (1486) and a depiction of Angel Uriel.

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Christ in the Storm on the Sea of Galilee 1633 -  Rembrandt van Rijn

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Christ in the Storm on the Sea of Galilee 1633 -  Rembrandt van Rijn

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This famous Rembrandt painting was last in the Elizabeth Stewart Gardner Museum, before being stolen in 1990.

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"Cyclops" depicting Polyphemus searching for the nymph Galatea.

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Studies for a Holy Family 1505 - Michelangelo Buonarroti

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Studies for a Holy Family 1505 - Michelangelo Buonarroti

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"Studies for a Holy Family" allows us an unparalleled insight into the creative process of Michelangelo.

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Something capturing about the use of the negative in this artwork.

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Le Viaduc de L'Estaque 1908 - Georges Braque

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Le Viaduc de L'Estaque 1908 - Georges Braque

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One of his multiple different paintings utilizing unique perspectives of the Viaduct at L'Estaque.

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The colors Picasso used help to portray a "melancholy" scene.