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Rodolfo O. Cuellar, Screenprint on paper, 1976

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Humor in Xhicano Arte 200 Years of Oppression 1776-1976

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Humor in Xhicano Arte 200 Years of Oppression 1776-1976

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Rodolfo O. Cuellar emphasis a young Indigenous person chained with a padlock with the writing "Made in USA." Representing the oppression many Mexican-Americans faced creating a confusion in identity and thus resulting in the rise of the Chicano movement.

https://americanart.si.edu/exhibitions/chicano-graphics/online/humor-xhicano-arte

Stephanie Lopez

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Mario R. Gonzalez, Rubén A. Reyna, 1973, Medium: Mural, University of Houston, Houston TX

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Vividly portrays the struggles and aspirations of the Chicano Movement. The left side illustrates Mexico's rich history, including Aztec heritage and revolutionary figures like Emiliano Zapata. The right side transitions to contemporary civil rights leaders such as César Chávez, highlighting ongoing fights against racial and social injustices. Central to the mural is a young Chicano man at a crossroads, symbolizing the choice between assimilation and cultural pride. This artwork serves as a powerful testament to the Chicano community's resilience and pursuit of equality.

https://publicartuhs.org/artwork/la-marcha-por-la-humanidad-march-for-humanity/

Raymond Huertero

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This art piece by Faith Ringgold is a map that specifically reflects on prison issues with racial injustice. Ringgold made this to spread awareness on the protests happening for basic human rights. Minorities were protesting because their living conditions were so poor. Ringgold creates this map image to place messages, similar to a protest speaking for a change.

https://whitney.org/collection/works/44678

Alex Huynh

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David Alfaro Siqueiros, 1932, Medium: 98 Foot wide Mural, Los Angeles, California.

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Painted in Los Angeles by the famed Mexican muralist, this controversial mural depicts an Indigenous man crucified under an American eagle, an overt critique of U.S. imperialism and racial oppression. It was whitewashed for decades due to its radical message.

https://en.wikipedia.org/wiki/Am%C3%A9rica_Tropical:_Oprimida_y_Destrozada_por_los_Imperialismos

Raymond Huertero

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John Biggers, 1950, Medium: Conte crayon on paper board, Houston, Texas, (56.9 x 54.6 cm)

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This artwork depicts the different stages of life, including a baby, toddler, child, and elderly adult. This relates to racial injustice because the children displayed are dark, African Americans who at the time would have been slaves. The picture also reminds viewers that after your whirlwind of fun, love, care, and dedication, you will still bear the world's weight.

The Cradle | All Works | The MFAH Collections

Joyelle Mayo

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This is a photolithograph that was a similar like to a protest or a final fight against racial injustice at this time. Verwoerd was a evil person who enforced unfair rules against people of color. This photo was meant to raise awareness against Verwoerd hence the name of the artwork being "Stop it Verwoerd" and text on the mans back calling Verwoerd a racist.

https://emuseum.mfah.org/objects/110201/stop-it-verwoerd

Alex Huynh

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Jacob Lawrence, 1975, Medium: Screenprint, America,  (49.5 x 66 cm)

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This painting represents the march in Selma, Alabama, by unarmed protesters in response to the denial of African Americans' right to vote. Mr. Lawrence symbolized the brutality of the attack by including the outraged dog on the left of the painting.

Confrontation on the Bridge | Cleveland Museum of Art

Joyelle Mayo

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Pablo O'Higgins, 1904-1983, Medium: Mural, Kane Hall, University of Washington, Seattle

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The Struggle Against Racial Discrimination

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The Struggle Against Racial Discrimination

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Commissioned by Seattle’s interracial Ship Scalers Union, this mural depicts workers of diverse backgrounds uniting against racism, fascism, and economic oppression. It features figures like Abraham Lincoln and Franklin D. Roosevelt, alongside imagery of workers breaking chains and smashing symbols of hate, symbolizing solidarity and the collective fight for justice.

https://depts.washington.edu/civilr/mural.htm?utm_source=chatgpt.com

Raymond Huertero

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Jamaal Barber, 2017,  Carved wood block, 22 x 30 inches, Private collection; exhibited in Atlanta, GA

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This woodblock print shows a Black man standing firm as white hands pull at him, symbolizing the constant pressure and obstacles placed on Black people by systemic racism. The bold lines and raw texture reflect the emotional and physical struggle of resisting a society built to hold people down based on race.

https://www.artsatl.org/solo-show-artist-jamaal-barber-presents-black-true-its-bright/

Ashley Eckerle

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David Hammons, Injustice Case, 1971. Body Print and American flag

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This artwork was created to show the corruptness of a specific court trial of a man named Bobby Seale. This piece meant to raise awareness for Seale who was bounded and gagged until told to speak during trial. This was a straight act of racial injustice, which Hammons shows by forming the chair Seale was tied on in his artwork.

https://cshockart.com/2020/02/05/artist-a-day-david-hammons-2/

Alex Huynh

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Emory Douglas, 1969, Poster: Lithograph on paper, 52.2 x 35.2 cm 

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Emory Douglas was a member of the Black Panthers, a large activist group fighting for civil rights. The poster illustrates three men in casual clothes holding weapons and, one wearing a pin of a baby. Portraying the growing civil unrest for change and the push for social equality. The pin demonstrating the fight for change is not only for them, but also for the younger generations to come as suffering has gone on for too long.

https://mcbcollection.com/campaigns/view-campaign/QShxvdSvuRMa5lzsdC_EIAU4Ga0sB0UgtuhjHwMVaLsC_NPvRsBU5NCDDl1yZADtLIBV2P8ffIgmLp-4oNAHG4GRI-53dUi1

Stephanie Lopez

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Diego Rivera, Between 1929 and 1935, Medium: Mural, National Palace, Mexico City.

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This massive mural series covers Mexico’s history from pre-Columbian times through the revolution, emphasizing Indigenous oppression under colonization and capitalist exploitation. Rivera uses visual storytelling to expose systemic racial and class injustices.

https://en.wikipedia.org/wiki/The_History_of_Mexico_(mural)

Raymond Huertero

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Gordon Bennett, 1988, acrylic on canvas, 290.5x179.5cm, Queensland Art Gallery, Brisbane, Australia

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This painting features a decapitated Indigenous figure searching for a new head, symbolizing the loss of identity and culture due to colonization. Bennett critiques Australia’s romanticized colonial history, exposing the marginalization and dehumanization of Indigenous Australians.

https://rachelditton2015.weebly.com/gordon-bennett-response.html

Ashley Eckerle

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Gordon Park, Washington D.C., 1942, Photograph

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Gordon Park travelled to Washington D.C. to work for the Farm Security Admission where he faced backlash and experienced racism on a different level showing the racial line between the North and South. He soon met Ella Watson and photographed the American Gothic, illustrating the complexity of personal life and domestic state affairs. Park is able to show a humanistic prospective on Black American life demonstrating their struggles in his series illustrating that Washington D.C. is not the beauty it seems to be.

https://www.gordonparksfoundation.org/publications/gordon-parks/american-gothic-gordon-parks-and-ella-watson

Stephanie Lopez

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Artist: Horace Pippin, Date: 1943, Medium: Oil on canvas, Source: Philadelphia Museum of Art

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Pippin's work addresses the racial tensions and prejudices prevalent during World War II. The painting serves as a commentary on the contradictions of fighting for freedom abroad while discrimination persisted at home.

https://philamuseum.org/collection/object/76592

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Artist: Faith Ringgold, Date: 1967, Medium: Oil on canvas, Source: National Gallery of Art

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Ringgold's painting portrays the American flag bleeding, symbolizing the nation's deep-seated racial wounds. It confronts the viewer with the stark reality of racial violence and injustice in America.

https://www.nga.gov/artworks/224010-american-people-series-18-flag-bleeding

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Tam Joseph, 1983, acrylic on paper, 200 x 200 cm

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This painting shows a joyful Black carnival dancer boxed in by police holding riot shields, turning a celebration of culture into a scene of tension and control. It captures the racial injustice of how Black communities in the UK were criminalized and policed even during cultural events meant to honor their heritage.

https://artuk.org/discover/artworks/spirit-of-the-carnival-338823

Ashley Eckerle

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Pablo Picasso raw depiction on the Spanish Civil War viewed by many as a plea to end the terrors and barbarity of war. The deliberate use of grey tones to signify the extreme tragedy the country was facing, and the protagonist being representations of animals and humans fighting. The painting represents the anguish of fighting for your rights and the chaos of rising against those in power.

https://www.museoreinasofia.es/en/collection/artwork/guernica

Stephanie Lopez

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Faith Ringgold. 1967, Medium: Oil on Canvas, two panels, 182.9 x 365.8 cm 

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This frenzied artwork showcases a riot that broke out in the United States. The artists include people wearing business attire as well as fashionable dress to show that there was no exclusion on how racial antagonisms can take over American society, no matter the wealth bracket.

Faith Ringgold. American People Series #20: Die. 1967 | MoMA

Joyelle Mayo

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Horace Pippin, 1944, Medium: oil on canvas, West Chester, Pennsylvania, 8 1/2" x 6 1/2"

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This painting was created to showcase the stereotypes that black men are under in America. Mr. Pippin draws attention to the dark eyes, big nose, and big lips to display the general idea that racists in the country think that we look like as a people. The stereotypes are seen in the eyes of African Americans as a symbol of deep hidden admiration.

Horace Pippin | Self-Portrait II | The Metropolitan Museum of Art

Joyelle Mayo

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Charles Willson Peale, 1819, Oil on canvas

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This is a portrait of a formerly enslaved man named Yarrow Mamout who gained freedom after 44 years of captivity. Mamout earned respect in a town named "Georgetown" for his faith, bravery and a symbol of hope for other captive Africans.

https://philamuseum.org/collection/object/319114

Alex Huynh

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Norman Rockwell, 1964, Oil on canvas, The Kennedy Center

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This painting depicts six-year-old Ruby Bridges being escorted into an all-white school amidst racial slurs and threats. It starkly illustrates the challenges of desegregation and the courage required to confront systemic racism.

https://www.kennedy-center.org/education/resources-for-educators/classroom-resources/media-and-interactives/media/visual-arts/norman-rockwell--the-problem-we-all-live-with/?utm_source=chatgpt.com

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Dana Schutz, 2016, oil on canvas, 39 x 53 inches, Whitney Museum of American Art, New York, 

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This painting shows the open casket of 14 year old Emmett Till, a Black boy who was lynched in Mississippi in 1955 after being falsely accused of offending a white woman. By showing the disfigured body his mother insisted the world see, the artwork forces us to confront the brutal legacy of racial violence and the deep historical wounds it left behind.

https://www.aaihs.org/another-look-into-dana-schutzs-open-casket/

Ashley Eckerle

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Artist: Jacob Lawrence, Date: 1940–1941, Medium: Casein tempera on hardboard, Source: MoMa

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Lawrence's series narrates the mass movement of African Americans from the oppressive South to the North in search of better opportunities. It highlights the systemic racial injustices that prompted this significant migration.

https://www.moma.org/collection/works/78556?classifications=any&date_begin=Pre-1850&date_end=2025&include_uncataloged_works=false&on_view=false&q=jacob+lawrence+&recent_acquisitions=false&with_images=true