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The distribution of the visual weight of objects, colors, texture, and space.
If the design was a scale, these elements should be balanced to make a design feel
stable.

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A category of artistic composition, as in music or literature, characterized by similarities in form, style, or subject matter.

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A common type of image sensor format that's used in film photography.

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A twin-lens reflex camera is a type of camera with two objective lenses of the same focal length.

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A camera obscura is a darkened room with a small hole or lens at one side through which an image is projected onto a wall or table opposite the hole.

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The gelatin silver process is the most commonly used chemical process in black-and-white photography, and is the fundamental chemical process for modern analog color photography.

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A keeper or custodian of a museum or other collection.

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A public display of works of art or items of interest, held in an art gallery or museum or at a trade fair.

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A room or building for the display or sale of works of art.

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A building in which objects of historical, scientific, artistic, or cultural interest are stored and exhibited.

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The workshop of a photographer, which may include the retail sale of portraits and/or photographs produced by the photographer and a photography shop.

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An element of art defined by a point moving in space. Line may be two-or three-dimensional, descriptive, implied, or abstract.

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An element of art by which positive and negative areas are defined or a sense of depth achieved in a work of art .

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An element of art that is two-dimensional, flat, or limited to height and width.

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An element of art that is three-dimensional and encloses volume; includes height, width AND depth (as in a cube, a sphere, a pyramid, or a cylinder). Form may also be free flowing.

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An element of art made up of three properties: hue, value, and intensity.

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The lightness or darkness of tones or colors. White is the lightest value; black is the darkest.

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An element of art that refers to the way things feel, or look as if they might feel if touched.

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Repeating of an object or symbol all over the work of art.

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The use of several elements of design to hold the viewer’s attention and to guide the viewer’s eye through and around the work of art.

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The feeling of unity created when all parts (sizes, amounts, or number)
relate well with each other.

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The path the viewer’s eye takes through the work of art, often to focal areas.

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The feeling of harmony between all parts of the work of art, which creates a sense of completeness.

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The part of the design that catches the viewer’s attention.

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A symmetry around a central axis, as in a starfish or a tulip flower.

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The quality of being made up of exactly similar parts facing each other or around an axis.

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When a photo is asymmetrical, it has unequal visual weight on either side.

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Combining two or more elements in the same picture, highlighting the interesting contrast between them, to create an eye-catching and thought-provoking image.

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Images created using photography materials and equipment that don't have an immediate association with the physical world.

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The phrase cool color is used to describe any color that is calm or soothing in nature.

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The phrase warm color is used to describe any color that is vivid or bold in nature.

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Neutral colors are muted shades that appear to lack color but often have underlying hues that change with different lighting.

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Complementary colors are pairs of colors which, when combined or mixed, cancel each other out by producing a grayscale color like white or black.

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Monochromatic colors are all the colors of a single hue.

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A smooth blending of shades from light to dark or from color to color.

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A “constructive critique” is a critique which is constructive– it informs the photographer how to improve.

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Copying media (especially images) from other websites to paste them into your own papers or websites.

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Applying concepts like responsibility, power, and dignity to how we we take and share photographs.

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Objective photography is an impersonal image not influenced by feelings, interpretations or prejudice.

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The subject is simply the object (or person or critter) that is shown in the image.

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You own the photo you created.

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A trademark can be a word, phrase, symbol or image unique enough to register as a business' exclusive brand.

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A composition guideline that places your subject in the left or right third of an image, leaving the other two thirds more open.

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A compositional technique where human-made or natural lines lead the viewer's eyes through a photograph to the subject or the heart of the image.

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A composition guide.

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It emphasizes not just the subject, but the empty space around the subject.

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The actual subject you are shooting.

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A blacklight, also called a UV-A light, Wood's lamp, or ultraviolet light, is a lamp that emits long-wave (UV-A) ultraviolet light and very little visible light.

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Light that's filtered by something. Sunlight through a sheer curtain is diffused.

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Light a photographer or cinematographer did not bring to the shoot.

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A renaissance painting technique which literally means “light-dark” in Italian.

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A solid, dark image of a subject against a brighter background.

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A set of two photos you can use to tell a story and emphasis contrast.

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A group of 3 separate images displayed together.

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Representing three-dimensional objects in two dimensions.

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A type of distortion wherein lines that are straight in real life appear to curve inwards (like the walls of a barrel).

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An image magnification increases with the distance from the optical axis.

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Your camera's sensitivity to light as it pertains to either film or a digital sensor.

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The ASA (American Standards Association) scale is an arbitrary rating of film speed; that is, the sensitivity of the film to light.

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An image sensor is a device that allows the camera to convert photons – that is, light – into electrical signals that can be interpreted by the device.

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The visible silver crystals in a film negative's emulsion.

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Image noise is random variation of brightness or color information in images, and is usually an aspect of electronic noise.

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The “f” in f-stop stands for the focal length of the lens. While focal length itself refers to the field of view of a lens, f-stop is about how much light you allow to hit the sensor via the aperture opening.

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Aperture refers to the opening of a lens's diaphragm through which light passes.

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In photography, bokeh is the aesthetic quality of the blur produced in out-of-focus parts of an image.

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The depth of field is the distance between the nearest and the furthest objects that are in acceptably sharp focus in an image captured with a camera.

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The focal length of an optical system is a measure of how strongly the system converges or diverges light; it is the inverse of the system's optical power.

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A technique in which the camera's shutter is left open during a somewhat lengthy period of time.

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A cinematography technique in which a photographer will take a series of still images of the same frame at regular intervals over a period of time, then play through the entire sequence rapidly.

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A photographic technique where light is “painted” or “drawn” into the photograph using a hand held light source during a long exposure.

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Panning photography freezes objects in motion in a still frame.

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A shooting mode in still cameras where several photos are captured in quick succession by either pressing the shutter button or holding it down.

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When the camera chooses the optimum shutter speed, aperture, ISO and flash settings for your shot.

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Requires the photographer to make all the decisions that determine an image's exposure

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A or Av on a camera mode dial, is a mode on some cameras that allows the user to set a specific aperture value while the camera selects a shutter speed to match it that will result in proper exposure based on the lighting conditions as measured by the camera's light meter.

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Setting on cameras that allows the user to choose a specific shutter speed while the camera adjusts the aperture to ensure correct exposure.

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The camera selects and sets both the shutter speed and the aperture.

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Allows the camera to measure the light reflected from the person's face and expose properly for that, instead of adjusting exposure for the much brighter light around the hairline.

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Covers only the centre 6.2% of the frame in the viewfinder, thus providing precise metering only for the subject.

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Like using Evaluative metering with a centre AF point.

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The default metering mode on most cameras.

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Mid-point between black and white on a logarithmic or exponential curve.

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shutter speed or exposure time is the length of time that the film or digital sensor inside the camera is exposed to light when taking a photograph.

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The Bulb setting on camera shutters is a momentary-action mode that holds shutters open for as long as a photographer depresses the shutter-release button.

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Motion blur is the apparent streaking of moving objects in a photograph or a sequence of frames, such as a film or animation. It results when the image being recorded changes during the recording of a single exposure, due to rapid movement or long exposure.

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A tripod has three legs (that's the “tri”). A monopod is a camera support that has one leg (that's the “mono”).

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The act of accidentally shaking a camera during shooting due to unsteady hands, which results in blurry images.

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A preset layout for the various elements that make up Photoshop's interface.

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Where Photoshop holds the many tools we have to work with.

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Groups of tools used to edit and manipulate your image.

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Where you'll access different commands to use in Photoshop.

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A horizontal menu at the top of the main Photoshop window that lets you customize a tool.

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“to trim” or “cut back”.

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The proportional relationship between an image's width and height.

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PPI describes the resolution in pixels of a digital image whereas DPI describes the amount of ink dots on a printed image.

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Describes the sharpness, or clarity, of an image or picture.

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“Straight Out Of Camera”

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A medium tone, one that is neither very dark nor very light.

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The lightest elements in an image.

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The dark areas where a light source is blocked by an object.