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One strength of this source type is that is secondary, meaning it has the benefit of hindsight. This means that the men could reflect on their actions. This could be a limitation as they may reflect upon the situation inaccurately adding in extra bias. Another strength of this source is that both of the men involved speak on the situation.

A limitation of this source is that there is no opinion from other people. This eliminates the opportunity for perspective.

Since this is an extract, the whole source can not be seen, meaning that key points and context could be left out.

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Source 6, a stature from a 2019 New York art exhibition, was created by a Brazilian artist Paulo Nazareth. The statue depicts Tommie Smith during is protest at the 1968 Olympic games.

The nature of artworks as sources, is that they can be powerful and emotive representations of events. This statue depicts Smith standing in a powerful position on the podium. The over-size of the statue effectively conveys what a powerful action it was on the podium that day. The artwork shows the back gloved fist in the air which was accurate to the protest.

A strength of this source is that it is secondary, meaning it has the benefit of hindsight. Another strength of this source type is that it is visual, making it easier to comprehend for a wider audience.

A limitation of this source type is that it lack detailed information. The artwork appears to have no information panel, meaning that viewers lack deeper knowledge of the context. As an artwork, bias needs to be taken into account because the statue is just one person's interpretation and isn't necessarily intended to be balanced or accurate.

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Source 6 is a sculpture of Tommie Smith by a Brazilian artist, exhibited in 2019. As sch it is a secondary source.