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Our dances will be in a mix range of styles Including; Hip-Hop, for the dynamic expressive movements to add the modern and edgy feel, Contemporary which allows creative freedom and help to convey the complex emotions within the scenes and Modern which is often explored in themes of technology and human experience, adding depth. Which appropriately fits with the themes and characters in BMC.

There will be a choreographer who will create the routines and sequences, and to communicate their ideas during the team meetings.

With a instructor to teach the techniques in rehearsals and a dance coach who will improve others on the technique and performance skills.

With a costume designer who creates pieces for practicality and the vision for the performance and a lighting designer to enhance the visual impact for the performance.

Finally the stage manger who coordinates the aspects of the dance production ensuring safe and smooth run throughs.

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To start the production its important to annotate the script finding the themes in the scenes, to talk about in the production meetings, helping to connect the dances with the storyline and highlighting key moments.

Start date= 27/1/25 completed by 31/1/25

After a team meeting on the roles and overall ideas, ill start with the opening scenes and first find key moments.

Blocking down stage lefts & rights and Que lines, as well as for singing, To annotate when to sing as well as harmony's for Altos

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As I am apart of the ensemble, going through the first act of Be More Chill, I will be writing down the blocking of every stage lefts and rights for the characters, and highlight moments of ensemble possibilities.

I will annotate my Libretto and Vocal book during each rehearsals.

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A team meeting to talk about our goals, and plan a dance idea for the up coming rehearsal, having these will Keep our proposal ideas & archive the overall vision. Meanwhile being organised setting dates.

As well as keeping on track of the ensemble pieces.

I will write down the team minutes and positive negatives and what we want to archive and to keep on track of our rehearsal schedule. I think to have these every Wednesday will help us debrief the outcomes and achievement's and help us keep track of the progress and give us enough time to develop on the ideas shared for our next rehearsal and to have a smooth run.

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Have a tracked schedule of our process for dance, With a goal target.

Keeping up to date with our annotations in the scenes and key moments.

With video evidence of the work and for individual rehearsal, applying feedback from the instructor and dance coach during upcoming sessions and keeping track.

Create a file every Wednesday from our team meeting and update on the success., as well as recording our rehearsals for songs.

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Has to be sent 6weeks in advance to the financial team.

create a mood board at the start of team meetings of the style of dance and themes in the scenes, how to work with costume changes happening, and with the idea of re-wearing costumes, to minimise stress and the budget. To include the use of the themes and characters in costume for the performance. As well as finding a budget and enough time to find costume fittings(sizes).

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Have note of the costumes for each scenes, Find breathable fabrics and think of easy changeovers.

Start to explore a couple months before show week.

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Run through of dances with chosen special effects if annotated and agreed upon with the team including the lighting to see if it fits with the vison and any changes that might need to happen. With the checks of costume comfort.

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When translating the stage lefts and rights for the scenes, to have backstage clear, to minimise accidents. To keep prop tables on stage left and right for pre-sets. Count the timings of going up the decking and down, to keep it smooth for transitions. Translation into the theatre can start on the first week of may.

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Mindful of the space, gain awareness of the set, find the health and safety risks, including the actors and props. To have a dance run through with the set and actors.