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 'I bought a little city' by Donald Barthelme

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 'I bought a little city' by Donald Barthelme

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Title: The Short Stories of H. G. Wells (1927)
Author: H. G. Wells
* A Project Gutenberg of Australia eBook *
eBook No.: 0609221h.html
Language:  English
Date first posted: August 2007
Date most recently updated: August 2007

* * *

PRODUCTION NOTES:

'The Beautiful Suit' is also known as 'A Moonlight Fable'.

'The Red Room' is also known as 'The Ghost of Fear'.

'In The Modern Vein: An Unsympathetic Love Story' is also known as 'A
Bardlet's Romance'. In this story I have replaced "published on three
several occasions" with "published on three separate occasions".

'The Sad Story of a Dramatic Critic' is also known as 'The Obliterated Man'.

'The Reconciliation' is also known as 'The Bulla'.

'The Man Who Could Work Miracles' is also known as 'The Miracle Maker'.

Subtitles that appear before the titles such as 'Story The First,'
'Story the Second,' and so on, have been removed.

* * *

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by

H G Wells

CONTENTS

THE TIME MACHINE
1.
The Time Traveller (for so it will be convenient to speak of him) was expounding a recondite matter to us. His grey eyes shone and twinkled, and his usually pale face was flushed and animated. The fire burned brightly, and the soft radiance of the incandescent lights in the lilies of silver caught the bubbles that flashed and passed in our glasses. Our chairs, being his patents, embraced and caressed us rather than submitted to be sat upon, and there was that luxurious after-dinner atmosphere, when thought roams gracefully free of the trammels of precision. And he put it to us in this way--marking the points with a lean forefinger--as we sat and lazily admired his earnestness over this new paradox (as we thought it) and his fecundity.

"You must follow me carefully. I shall have to controvert one or two ideas that are almost universally accepted. The geometry, for instance, they taught you at school is founded on a misconception."

"Is not that rather a large thing to expect us to begin upon?" said Filby, an argumentative person with red hair.

"I do not mean to ask you to accept anything without reasonable ground for it. You will soon admit as much as I need from you. You know of course that a mathematical line, a line of thickness nil, has no real existence. They taught you that? Neither has a mathematical plane. These things are mere abstractions."

"That is all right," said the Psychologist.

"Nor, having only length, breadth, and thickness, can a cube have a real existence."

"There I object," said Filby. "Of course a solid body may exist. All real things--"

"So most people think. But wait a moment. Can an instantaneous cube exist?"

"Don't follow you," said Filby.

"Can a cube that does not last for any time at all, have a real existence?"

Filby became pensive. "Clearly," the Time Traveller proceeded, "any real body must have extension in four directions: it must have Length, Breadth, Thickness, and--Duration. But through a natural infirmity of the flesh, which I will explain to you in a moment, we incline to overlook this fact. There are really four dimensions, three which we call the three planes of Space, and a fourth, Time. There is, however, a tendency to draw an unreal distinction between the former three dimensions and the latter, because it happens that our consciousness moves intermittently in one direction along the latter from the beginning to the end of our lives."

"That," said a very young man, making spasmodic efforts to relight his cigar over the lamp; "that...very clear indeed."

"Now, it is very remarkable that this is so extensively overlooked," continued the Time Traveller, with a slight accession of cheerfulness. "Really this is what is meant by the Fourth Dimension, though some people who talk about the Fourth Dimension do not know they mean it. It is only another way of looking at Time. There is no difference between time and any of the three dimensions of space except that our consciousness moves along it. But some foolish people have got hold of the wrong side of that idea. You have all heard what they have to say about this Fourth Dimension?"

"I have not," said the Provincial Mayor.

"It is simply this. That Space, as our mathematicians have it, is spoken of as having three dimensions, which one may call Length, Breadth, and Thickness, and is always definable by reference to three planes, each at right angles to the others. But some philosophical people have been asking why three dimensions particularly--why not another direction at right angles to the other three--? And have even tried to construct a Four-Dimension geometry. Professor Simon Newcomb was expounding this to the New York Mathematical Society only a month or so ago. You know how on a flat surface, which has only two dimensions, we can represent a figure of a three-dimensional solid, and similarly they think that by models of thee dimensions they could represent one of four--if they could master the perspective of the thing. See?"

"I think so," murmured the Provincial Mayor; and knitting his brows, he lapsed into an introspective state, his lips moving as one who repeats mystic words. "Yes, I think I see it now," he said after some time, brightening in a quite transitory manner.

"Well, I do not mind telling you I have been at work upon this geometry of Four Dimensions for some time. Some of my results are curious. For instance, here is a portrait of a man at eight years old, another at fifteen, another at seventeen, another at twenty-three, and so on. All these are evidently sections, as it were, Three-Dimensional representations of his Four-Dimensioned being, which is a fixed and unalterable thing.

"Scientific people," proceeded the Time Traveller, after the pause required for the proper assimilation of this, "know very well that Time is only a kind of Space. Here is a popular scientific diagram, a weather record. This line I trace with my finger shows the movement of the barometer. Yesterday it was so high, yesterday night it fell, then this morning it rose again, and so gently upward to here. Surely the mercury did not trace this line in any of the dimensions of Space generally recognized? But certainly it traced such a line, and that line, therefore, we must conclude was along the Time-Dimension."

"But," said the Medical Man, staring hard at a coal in the fire, "if Time is really only a fourth dimension of Space, why is it, and why has it always been, regarded as something different? And why cannot we move in Time as we move about in the other dimensions of Space?"

The Time Traveller smiled. "Are you sure we can move freely in Space? Right and left we can go, backward and forward freely enough, and men always have done so. I admit we move freely in two dimensions. But how about up and down? Gravitation limits us there."

"Not exactly," said the Medical Man. "There are balloons."

"But before the balloons, save for spasmodic jumping and the inequalities of the surface, man had no freedom of vertical movement."

"Still they could move a little up and down," said the Medical Man.

"Easier, far easier down than up."

"And you cannot move at all in Time, you cannot get away from the present moment."

"My dear sir, that is just where you are wrong. That is just where the whole world has gone wrong. We are always getting away from the present movement. Our mental existences, which are immaterial and have no dimensions, are passing along the Time-Dimension with a uniform velocity from the cradle to the grave. Just as we should travel down if we began our existence fifty miles above the earth's surface."

"But the great difficulty is this," interrupted the Psychologist. "You can move about in all directions of Space, but you cannot move about in Time."

"That is the germ of my great discovery. But you are wrong to say that we cannot move about in Time. For instance, if I am recalling an incident very vividly I go back to the instant of its occurrence: I become absent-minded, as you say. I jump back for a moment. Of course we have no means of staying back for any length of Time, any more than a savage or an animal has of staying six feet above the ground. But a civilized man is better off than the savage in this respect. He can go up against gravitation in a balloon, and why should he not hope that ultimately he may be able to stop or accelerate his drift along the Time-Dimension, or even turn about and travel the other way?"

"Oh, this," began Filby, "is all--"

"Why not?" said the Time Traveller.

"It's against reason," said Filby.

"What reason?" said the Time Traveller.

"You can show black is white by argument," said Filby, "but you will never convince me."

"Possibly not," said the Time Traveller. "But now you begin to see the object of my investigations into the geometry of Four Dimensions. Long ago I had a vague inkling of a machine--"

"To travel through Time!" exclaimed the Very Young Man.

"That shall travel indifferently in any direction of Space and Time, as the driver determines."

Filby contented himself with laughter.

"But I have experimental verification," said the Time Traveller.

"It would be remarkably convenient for the historian," the Psychologist suggested. "One might travel back and verify the accepted account of the Battle of Hastings, for instance!"

"Don't you think you would attract attention?" said the Medical Man. "Our ancestors had no great tolerance for anachronisms."

"One might get one's Greek from the very lips of Homer and Plato," the Very Young Man thought.

"In which case they would certainly plough you for the Little-go. The German scholars have improved Greek so much."

"Then there is the future," said the Very Young Man. "Just think! One might invest all one's money, leave it to accumulate at interest, and hurry on ahead!"

"To discover a society," said I, "erected on a strictly communistic basis."

"Of all the wild extravagant theories!" began the Psychologist.

"Yes, so it seemed to me, and so I never talked of it until--"

"Experimental verification!" cried I. "You are going to verify that?"

"The experiment!" cried Filby, who was getting brain-weary.

"Let's see your experiment anyhow," said the Psychologist, "though it's all humbug, you know."

The Time Traveller smiled round at us. Then still smiling faintly, and with his hands deep in his trousers pockets, he walked slowly out of the room, and we heard his slippers shuffling down the long passage to his laboratory.

The Psychologist looked at us. "I wonder what he's got?"

"Some sleight-of-hand trick or other," said the Medical Man, and Filby tried to tell us about a conjurer he had seen at Burslem; but before he had finished his preface the Time Traveller came back, and Filby's anecdote collapsed.

The thing the Time Traveller held in his hand was a glittering metallic framework, scarcely larger than a small clock, and very delicately made. There was ivory in it, and some transparent crystalline substance. And now I must be explicit, for this that follows--unless his explanation is to be accepted--is an absolutely unaccountable thing. He took one of the small octagonal tables that were scattered about the room, and set it in front of the fire, with two legs on the hearth rug. On this table he placed the mechanism. Then he drew up a chair, and sat down. The only other object on the table was a small shaded lamp, the bright light of which fell upon the model. There were also perhaps a dozen candles about, two in brass candlesticks upon the mantel and several in sconces, so that the room was brilliantly illuminated. I sat in a low armchair nearest the fire, and I drew this forward so as to be almost between the Time Traveller and the fireplace. Filby sat behind him, looking over his shoulder. The Medical Man and the Provincial Mayor watched him in profile from the right, the Psychologist from the left. The Very Young Man stood behind the Psychologist. We were all on the alert. It appears incredible to me that any kind of trick, however subtly conceived and however adroitly done, could have been played upon us under these conditions.

The Time Traveller looked at us, and then at the mechanism. "Well?" said the Psychologist.

"This little affair," said the Time Traveller, resting his elbows upon the table and pressing his hands together above the apparatus, "is only a model. It is my plan for a machine to travel through time. You will notice that it looks singularly askew, and that there is an odd twinkling appearance about this bar, as though it was in some way unreal." He pointed to the part with his finger. "Also, here is one little white lever, and here is another."

The Medical Man got up out of his chair and peered into the thing. "It's beautifully made," he said.

"It took two years to make," retorted the Time Traveller. Then when we had all imitated the action of the Medical Man, he said: "Now I want you clearly to understand that this lever, being pressed over, sends the machine gliding into the future, and this other reverses the motion. This saddle represents the seat of a time traveller. Presently I am going to press the lever, and off the machine will go. It will vanish, pass into future Time, and disappear. Have a good look at the thing. Look at the table too, and satisfy yourselves there is no trickery. I don't want to waste this model, and then be told I'm a quack."

There was a minute's pause perhaps. The Psychologist seemed about to speak to me, but changed his mind. Then the Time Traveller put forth his finger towards the lever. "No," he said suddenly. "Lend me your hand." And turning to the Psychologist, he took that individual's hand in his own and told him to put out his forefinger. So that it was the Psychologist himself who sent forth the model Time Machine on its interminable voyage. We all saw the lever turn. I am absolutely certain there was no trickery. There was a breath of wind, and the lamp flame jumped. One of the candles on the mantel was blown out, and the little machine suddenly swung round, became indistinct, was seen as a ghost for a second perhaps, as an eddy of faintly glittering brass and ivory; and it was gone--vanished! Save for the lamp the table was bare.

Everyone was silent for a minute. Then Filby said he was damned.

The Psychologist recovered from his stupor, and suddenly looked under the table. At that the Time Traveller laughed cheerfully. "Well?" he said, with a reminiscence of the Psychologist. Then, getting up, he went to the tobacco jar on the mantel, and with his back to us began to fill his pipe.

We stared at each other. "Look here," said the Medical Man, "are you in earnest about this? Do you seriously believe that, that machine has travelled into time?"

"Certainly," said the Time Traveller, stooping to light a spill at the fire. Then he turned, lighting his pipe, to look at the Psychologist's face. (The Psychologist, to show that he was not unhinged, helped himself to a cigar and tried to light it uncut.) "What is more, I have a big machine nearly finished in there--" he indicated the laboratory-- "and when that is put together I mean to have a journey on my own account."

"You mean to say that, that machine has travelled into the future?" said Filby.

"Into the future or the past--I don't, for certain, know which."

After an interval the Psychologist had an inspiration. "It must have gone into the past if it has gone anywhere," he said.

"Why?" said the Time Traveller.

"Because I presume that it has not moved in space, and if it travelled into the future it would still be here all this time, since it must have travelled through this time."

"But," I said, "if it travelled into the past it would have been visible when we came first into this room; and last Thursday when we were here; and the Thursday before that; and so forth!"

"Serious objections," remarked the Provincial Mayor, with an air of impartiality, turning towards the Time Traveller.

"Not a bit," said the Time Traveller, and to the Psychologist: "You think. You can explain that. It's presentation below the threshold, you know, diluted presentation."

"Of course," said the Psychologist, and reassured us. "That's a simple point of psychology. I should have thought of it. It's plain enough, and helps the paradox delightfully. We cannot see it, nor can we appreciate this machine, any more than we can the spoke of a wheel spinning, or a bullet flying through the air. If it is travelling through time fifty times or a hundred times faster than we are, if it gets through a minute while we get through a second, the impression it creates will of course be only one-fiftieth or one-hundredth of what it would make if it were not travelling in time. That's plain enough." He passed his hand through the space in which the machine had been. "You see?" he said, laughing.

We sat and stared at the vacant table for a minute or so. Then the Time Traveller asked us what we thought of it all.

"It sounds plausible enough to-night," said the Medical Man; "but wait until to-morrow. Wait for the common sense of the morning."

"Would you like to see the Time Machine itself?" asked the Time Traveller. And therewith, taking the lamp in his hand, he led the way down the long, draughty corridor to his laboratory. I remember vividly the flickering light, his queer, broad head in silhouette, the dance of the shadows, how we all followed him, puzzled but incredulous, and how there in the laboratory we beheld a larger edition of the little mechanism which we had seen vanish from before our eyes. Parts were of nickel, parts of ivory, parts had certainly been filed or sawn out of rock crystal. The thing was generally complete, but the twisted crystalline bars lay unfinished upon the bench beside some sheets of drawings, and I took one up for a better look at it. Quartz it seemed to be.

"Look here," said the Medical Man, "are you perfectly serious? Or is this a trick--like that ghost you showed us last Christmas?"

"Upon that machine," said the Time Traveller, holding the lamp aloft, "I intend to explore time. Is that plain? I was never more serious in my life."

None of us quite knew how to take it.

I caught Filby's eye over the shoulder of the Medical Man, and he winked at me solemnly.
2.
I think that at that time none of us quite believed in the Time Machine. The fact is, the Time Traveller was one of those men who are too clever to be believed: you never felt that you saw all round him; you always suspected some subtle reserve, some ingenuity in ambush, behind his lucid frankness. Had Filby shown the model and explained the matter in the Time Traveller's words, we should have shown him far less scepticism. For we should have perceived his motives; a pork butcher could understand Filby. But the Time Traveller had more than a touch of whim among his elements, and we distrusted him. Things that would have made the frame of a less clever man seemed tricks in his hands. It is a mistake to do things too easily. The serious people who took him seriously never felt quite sure of his deportment; they were somehow aware that trusting their reputations for judgment with him was like furnishing a nursery with egg-shell china. So I don't think any of us said very much about time travelling in the interval between that Thursday and the next, though its odd potentialities ran, no doubt, in most of our minds: its plausibility, that is, its practical incredibleness, the curious possibilities of anachronism and of utter confusion it suggested. For my own part, I was particularly preoccupied with the trick of the model. That I remember discussing with the Medical Man, whom I met on Friday at the Linnaean. He said he had seen a similar thing at Tubingen, and laid considerable stress on the blowing out of the candle. But how the trick was done he could not explain.

The next Thursday I went again to Richmond--I suppose I was one of the Time Traveller's most constant guests--and arriving late, found four or five men already assembled in his drawing-room. The Medical Man was standing before the fire with a sheet of paper in one hand and his watch in the other. I looked round for the Time Traveller, and--"It's half past seven now," said the Medical Man. "I suppose we'd better have dinner?"

"Where's ----?" said I, naming our host.

"You've just come? It's rather odd. He's unavoidably detained. He asks me in this note to lead off with dinner at seven if he's not back. Says he'll explain when he comes."

"It seems a pity to let the dinner spoil," said the Editor of a well-known daily paper; and thereupon the Doctor rang the bell.

The Psychologist was the only person besides the Doctor and myself who had attended the previous dinner. The other men were Blank, the Editor aforementioned, a certain journalist, and another--a quiet, shy man with a beard--whom I didn't know, and who, as far as my observation went, never opened his mouth all the evening. There was some speculation at the dinner table about the Time Traveller's absence, and I suggested time travelling, in a half jocular spirit. The Editor wanted that explained to him, and the Psychologist volunteered a wooden account of the "ingenious paradox and trick" we had witnessed that day week. He was in the midst of his exposition when the door from the corridor opened slowly and without noise. I was facing the door, and saw it first. "Hallo!" I said. "At last!" And the door opened wider, and the Time Traveller stood before us. I gave a cry of surprise. "Good heavens! Man, what's the matter?" cried the Medical Man, who saw him next. And the whole tableful turned towards the door.

He was in an amazing plight. His coat was dusty and dirty, and smeared with green, down the sleeves; his hair disordered, and as it seemed to me greyer--either with dust and dirt or because its colour had actually faded. His face was ghastly pale; his chin had a brown cut on it--a cut half healed; his expression was haggard and drawn, as by intense suffering. For a moment he hesitated in the doorway, as if he had been dazzled by the light. Then he came into the room. He walked with just such a limp as I have seen in footsore tramps. We stared at him in silence, expecting him to speak.

He said not a word, but came painfully to the table, and made a motion towards the wine. The Editor filled a glass of champagne, and pushed it towards him. He drained it, and it seemed to do him good: for he looked round the table, and the ghost of his old smile flickered across his face. "What on earth have you been up to, man?" said the Doctor. The Time Traveller did not seem to hear. "Don't let me disturb you," he said, with a certain faltering articulation. "I'm all right." He stopped, held out his glass for more, and took it off at a draught. "That's good," he said. His eyes grew brighter, and a faint colour came into his cheeks. His glance flickered over our faces with a certain dull approval, and then went round the warm and comfortable room. Then he spoke again, still as it were feeling his way among his words. "I'm going to wash and dress, and then I'll come down and explain things... Save me some of that mutton. I'm starving for a bit of meat."

He looked across at the Editor, who was a rare visitor, and hoped he was all right. The Editor began a question. "Tell you presently," said the Time Traveller. "I'm--funny! Be all right in a minute."

He put down his glass, and walked towards the staircase door. Again I remarked his lameness and the soft padding sound of his footfall, and standing up in my place, I saw his feet as he went out. He had nothing on them but a pair of tattered bloodstained socks. Then the door closed upon him. I had half a mind to follow, till I remembered how he detested any fuss about himself. For a minute, perhaps, my mind was wool gathering. Then, "Remarkable Behaviour of an Eminent Scientist," I heard the Editor say, thinking (after his wont) in headlines. And this brought my attention back to the bright dinner table.

"What's the game?" said the Journalist. "Has he been doing the Amateur Cadger? I don't follow." I met the eye of the Psychologist, and read my own interpretation in his face. I thought of the Time Traveller limping painfully upstairs. I don't think any one else had noticed his lameness.

The first to recover completely from this surprise was the Medical Man, who rang the bell--the Time Traveller hated to have servants waiting at dinner--for a hot plate. At that the Editor turned to his knife and fork with a grunt, and the Silent Man followed suit. The dinner was resumed. Conversation was exclamatory for a little while, with gaps of wonderment; and then the Editor got fervent in his curiosity. "Does our friend eke out his modest income with a crossing? Or has he his Nebuchadnezzar phases?" he inquired. "I feel assured it's this business of the Time Machine," I said, and took up the Psychologist's account of our previous meeting. The new guests were frankly incredulous. The Editor raised objections. "What was this time travelling? A man couldn't cover himself with dust by rolling in a paradox, could he?" And then, as the idea came home to him, he resorted to caricature. Hadn't they any clothes-brushes in the Future? The Journalist too, would not believe at any price, and joined the Editor in the easy work of heaping ridicule on the whole thing. They were both the new kind of journalist--very joyous, irreverent young men. "Our Special Correspondent in the Day after To-morrow reports," the Journalist was saying--or rather shouting--when the Time Traveller came back. He was dressed in ordinary evening clothes, and nothing save his haggard look remained of the change that had startled me.

"I say," said the Editor hilariously, "these chaps here say you have been travelling into the middle of next week! Tell us all about little Rosebery, will you? What will you take for the lot?"

The Time Traveller came to the place reserved for him without a word. He smiled quietly, in his old way. "Where's my mutton?" he said. "What a treat it is to stick a fork into meat again!"

"Story!" cried the Editor.

"Story be damned!" said the Time Traveller. "I want something to eat. I won't say a word until I get some peptone into my arteries. Thanks. And the salt."

"One word," said I. "Have you been time travelling?"

"Yes," said the Time Traveller, with his mouth full, nodding his head.

"I'd give a shilling a line for a verbatim note," said the Editor. The Time Traveller pushed his glass towards the Silent Man and rang it with his finger nail; at which the Silent Man, who had been staring at his face, started convulsively, and poured him wine. The rest of the dinner was uncomfortable. For my own part, sudden questions kept on rising to my lips, and I dare say it was the same with the others. The Journalist tried to relieve the tension by telling anecdotes of Hettie Potter. The Time Traveller devoted his attention to his dinner, and displayed the appetite of a tramp. The Medical Man smoked a cigarette, and watched the Time Traveller through his eyelashes. The Silent Man seemed even more clumsy than usual, and drank champagne with regularity and determination out of sheer nervousness. At last the Time Traveller pushed his plate away, and looked round us. "I suppose I must apologize," he said. "I was simply starving. I've had a most amazing time." He reached out his hand for a cigar, and cut the end. "But come into the smoking-room. It's too long a story to tell over greasy plates." And ringing the bell in passing, he led the way into the adjoining room.

"You have told Blank, and Dash, and Chose about the machine?" he said to me, leaning back in his easy chair and naming the three new guests.

"But the thing's a mere paradox," said the Editor.

"I can't argue to-night. I don't mind telling you the story, but I can't argue. I will," he went on, "tell you the story of what has happened to me, if you like, but you must refrain from interruptions. I want to tell it. Badly. Most of it will sound like lying. So be it! It's true--every word of it, all the same. I was in my laboratory at four o'clock, and since then...I've lived eight days...such days as no human being ever lived before! I'm nearly worn out, but I shan't sleep till I've told this thing over to you. Then I shall go to bed. But no interruptions! Is it agreed?"

"Agreed," said the Editor, and the rest of us echoed "Agreed." And with that the Time Traveller began his story as I have set it forth. He sat back in his chair at first, and spoke like a weary man. Afterwards he got more animated. In writing it down I feel with only too much keenness the inadequacy of pen and ink--and above all, my own inadequacy--to express its quality. You read, I will suppose, attentively enough; but you cannot see the speaker's white, sincere face in the bright circle of the little lamp, nor hear the intonation of his voice. You cannot know how his expression followed the turns of his story! Most of us hearers were in shadow, for the candles in the smoking-room had not been lighted, and only the face of the Journalist and the legs of the Silent Man from the knees downward were illuminated. At first we glanced now and again at each other. After a time we ceased to do that, and looked only at the Time Traveller's face.
3.
"I told some of you last Thursday of the principles of the Time Machine, and showed you the actual thing itself, incomplete in the workshop. There it is now, a little travel-worn, truly; and one of the ivory bars is cracked, and a brass rail bent; but the rest of it's sound enough. I expected to finish it on Friday, but on Friday, when the putting together was nearly done, I found that one of the nickel bars was exactly one inch too short, and this I had to get remade; so that the thing was not complete until this morning. It was at ten o'clock to-day that the first of all Time Machines began its career. I gave it a last tap, tried all the screws again, put one more drop of oil on the quartz rod, and sat myself in the saddle. I suppose a suicide who holds a pistol to his skull feels much the same wonder at what will come next as I felt then. I took the starting lever in one hand and the stopping one in the other, pressed the first, and almost immediately the second. I seemed to reel; I felt a nightmare sensation of falling; and looking round, I saw the laboratory exactly as before. Had anything happened? For a moment I suspected that my intellect had tricked me. Then I noted the clock. A moment before, as it seemed, it had stood at a minute or so past ten; now it was nearly half past three!

"I drew a breath, set my teeth, gripped the starting lever with both hands, and went off with a thud. The laboratory got hazy and went dark. Mrs. Watchett came in and walked, apparently without seeing me, towards the garden door. I suppose it took her a minute or so to traverse the place, but to me she seemed to shoot across the room like a rocket. I pressed the lever over to its extreme position. The night came like the turning out of a lamp, and in another moment came to-morrow. The laboratory grew faint and hazy, then fainter and ever fainter. To-morrow night came black, then day again, night again, day again, faster and faster still. An eddying murmur filled my ears, and a strange, dumb confusedness descended on my mind.

"I am afraid I cannot convey the peculiar sensations of time travelling. They are excessively unpleasant. There is a feeling exactly like that one has upon a switchback--of a helpless headlong motion! I felt the same horrible anticipation too, of an imminent smash. As I put on pace, night followed day like the flapping of a black wing. The dim suggestion of the laboratory seemed presently to fall away from me, and I saw the sun hopping swiftly across the sky, leaping it every minute, and every minute marking a day. I supposed the laboratory had been destroyed and I had come into the open air. I had a dim impression of scaffolding, but I was already going too fast to be conscious of any moving things. The slowest snail that ever crawled dashed by too fast for me. The twinkling succession of darkness and light was excessively painful to the eye. Then in the intermittent darknesses, I saw the moon spinning swiftly through her quarters from new to full, and had a faint glimpse of the circling stars. Presently, as I went on, still gaining velocity, the palpitation of night and day merged into one continuous greyness; the sky took on a wonderful deepness of blue, a splendid luminous colour like that of early twilight; the jerking sun became a streak of fire, a brilliant arch, in space; the moon a fainter fluctuating band; and I could see nothing of the stars, save now and then a brighter circle flickering in the blue.

"The landscape was misty and vague. I was still on the hillside upon which this house now stands, and the shoulder rose above me grey and dim. I saw trees growing and changing like puffs of vapour, now brown, now green; they grew, spread, shivered, and passed away. I saw huge buildings rise up faint and fair, and pass like dreams. The whole surface of the earth seemed changed--melting and flowing under my eyes. The little hands upon the dials that registered my speed raced round faster and faster. Presently I noted that the sun belt swayed up and down, from solstice to solstice, in a minute or less, and that consequently my pace was over a year a minute; and minute by minute the white snow flashed across the world, and vanished, and was followed by the bright, brief green of spring.

"The unpleasant sensations of the start were less poignant now. They merged at last into a kind of hysterical exhilaration. I remarked indeed a clumsy swaying of the machine, for which I was unable to account. But my mind was too confused to attend to it, so with a kind of madness growing upon me, I flung myself into futurity. At first I scarce thought of stopping, scarce thought of anything but these new sensations. But presently a fresh series of impressions grew up in my mind--a certain curiosity and therewith a certain dread--until at last they took complete possession of me. What strange developments of humanity, what wonderful advances upon our rudimentary civilization, I thought, might not appear when I came to look nearly into the dim elusive world that raced and fluctuated before my eyes! I saw great and splendid architecture rising about me, more massive than any buildings of our own time, and yet, as it seemed, built of glimmer and mist. I saw a richer green flow up the hillside, and remain there, without any wintry intermission. Even through the veil of my confusion the earth seemed very fair. And so my mind came round to the business of stopping.

"The peculiar risk lay in the possibility of my finding some substance in the space which I, or the machine, occupied. So long as I travelled at a high velocity through time, this scarcely mattered; I was, so to speak, attenuated--was slipping like a vapour through the interstices of intervening substances! But to come to a stop involved the jamming of myself, molecule by molecule, into whatever lay in my way; meant bringing my atoms into such intimate contact with those of the obstacle that a profound chemical reaction--possibly a far-reaching explosion--would result, and blow myself and my apparatus out of all possible dimensions--into the Unknown. This possibility had occurred to me again and again while I was making the machine; but then I had cheerfully accepted it as an unavoidable risk--one of the risks a man has got to take! Now the risk was inevitable, I no longer saw it in the same cheerful light. The fact is that insensibly, the absolute strangeness of everything, the sickly jarring and swaying of the machine, above all, the feeling of prolonged falling, had absolutely upset my nerve. I told myself that I could never stop, and with a gust of petulance I resolved to stop forthwith. Like an impatient fool, I lugged over the lever, and incontinently the thing went reeling over, and I was flung headlong through the air.

"There was the sound of a clap of thunder in my ears. I may have been stunned for a moment. A pitiless hail was hissing round me, and I was sitting on soft turf in front of the overset machine. Everything still seemed grey, but presently I remarked that the confusion in my ears was gone. I looked round me. I was on what seemed to be a little lawn in a garden, surrounded by rhododendron bushes, and I noticed that their mauve and purple blossoms were dropping in a shower under the beating of the hailstones. The rebounding, dancing hail hung in a cloud over the machine, and drove along the ground like smoke. In a moment I was wet to the skin. 'Fine hospitality,' said I, 'to a man who has travelled innumerable years to see you.'

"Presently I thought what a fool I was to get wet. I stood up and looked round me. A colossal figure, carved apparently in some white stone, loomed indistinctly beyond the rhododendrons through the hazy downpour. But all else of the world was invisible.

"My sensations would be hard to describe. As the columns of hail grew thinner, I saw the white figure more distinctly. It was very large, for a silver birch-tree touched its shoulder. It was of white marble, in shape something like a winged sphinx, but the wings, instead of being carried vertically at the sides, were spread so that it seemed to hover. The pedestal, it appeared to me, was of bronze, and was thick with verdigris. It chanced that the face was towards me; the sightless eyes seemed to watch me; there was the faint shadow of a smile on the lips. It was greatly weather-worn, and that imparted an unpleasant suggestion of disease. I stood looking at it for a little space--half a minute perhaps, or half an hour. It seemed to advance and to recede as the hail drove before it denser or thinner. At last I tore my eyes from it for a moment and saw that the hail curtain had worn threadbare, and that the sky was lightening with the promise of the sun.

"I looked up again at the crouching white shape, and the full temerity of my voyage came suddenly upon me. What might appear when that hazy curtain was altogether withdrawn? What might not have happened to men? What if cruelty had grown into a common passion? What if in this interval the race had lost its manliness and had developed into something inhuman, unsympathetic, and overwhelmingly powerful? I might seem some old-world savage animal, only the more dreadful and disgusting for our common likeness--a foul creature to be incontinently slain.

"Already I saw other vast shapes--huge buildings with intricate parapets and tall columns, with a wooded hillside dimly creeping in upon me through the lessening storm. I was seized with a panic fear. I turned frantically to the Time Machine, and strove hard to readjust it. As I did so the shafts of the sun smote through the thunderstorm. The grey downpour was swept aside and vanished like the trailing garments of a ghost. Above me, in the intense blue of the summer sky, some faint brown shreds of cloud whirled into nothingness. The great buildings about me stood out clear and distinct, shining with the wet of the thunderstorm, and picked out in white by the unmelted hailstones piled along their courses. I felt naked in a strange world. I felt as perhaps a bird may feel in the clear air, knowing the hawk wings above and will swoop. My fear grew to frenzy. I took a breathing space, set my teeth, and again grappled fiercely, wrist and knee, with the machine. It gave under my desperate onset and turned over. It struck my chin violently. One hand on the saddle, the other on the lever, I stood panting heavily in attitude to mount again.

"But with this recovery of a prompt retreat my courage recovered. I looked more curiously and less fearfully at this world of the remote future. In a circular opening, high up in the wall of the nearer house, I saw a group of figures clad in rich soft robes. They had seen me, and their faces were directed towards me.

"Then I heard voices approaching me. Coming through the bushes by the White Sphinx were the heads and shoulders of men running. One of these emerged in a pathway leading straight to the little lawn upon which I stood with my machine. He was a slight creature--perhaps four feet high--clad in a purple tunic, girdled at the waist with a leather belt. Sandals or buskins--I could not clearly distinguish which--were on his feet; his legs were bare to the knees, and his head was bare. Noticing that, I noticed for the first time how warm the air was.

"He struck me as being a very beautiful and graceful creature, but indescribably frail. His flushed face reminded me of the more beautiful kind of consumptive--that hectic beauty of which we used to hear so much. At the sight of him I suddenly regained confidence. I took my hands from the machine."
4.
"In another moment we were standing face to face, I and this fragile thing out of futurity. He came straight up to me and laughed into my eyes. The absence from his bearing of any sign of fear struck me at once. Then he turned to the two others who were following him and spoke to them in a strange and very sweet and liquid tongue."

"There were others coming, and presently a little group of perhaps eight or ten of these exquisite creatures were about me. One of them addressed me. It came into my head, oddly enough, that my voice was too harsh and deep for them. So I shook my head, and pointing to my ears, shook it again. He came a step forward, hesitated, and then touched my hand. Then I felt other soft little tentacles upon my back and shoulders. They wanted to make sure I was real. There was nothing in this at all alarming. Indeed there was something in these pretty little people that inspired confidence--a graceful gentleness, a certain childlike ease. And besides, they looked so frail that I could fancy myself flinging the whole dozen of them about like nine-pins. But I made a sudden motion to warn them when I saw their little pink hands feeling at the Time Machine. Happily then, when it was not too late, I thought of a danger I had hitherto forgotten, and reaching over the bars of the machine I unscrewed the little levers that would set it in motion, and put these in my pocket. Then I turned again to see what I could do in the way of communication.

"And then, looking more nearly into their features, I saw some further peculiarities in their Dresden-china type of prettiness. Their hair, which was uniformly curly, came to a sharp end at the neck and cheek; there was not the faintest suggestion of it on the face, and their ears were singularly minute. The mouths were small, with bright red, rather thin lips, and the little chins ran to a point. The eyes were large and mild; and--this may seem egotism on my part--I fancied even that there was a certain lack of the interest, I might have expected, in them.

"As they made no effort to communicate with me, but simply stood round me smiling and speaking in soft cooing notes to each other, I began the conversation. I pointed to the Time Machine and to myself. Then hesitating for a moment how to express time, I pointed to the sun. At once a quaintly pretty little figure in chequered purple and white followed my gesture, and then astonished me by imitating the sound of thunder.

"For a moment I was staggered, though the import of his gesture was plain enough. The question had come into my mind abruptly: were these creatures fools? You may hardly understand how it took me. You see I had always anticipated that the people of the year Eight Hundred and Two Thousand odd {or so}, would be incredibly in front of us in knowledge, art, everything. Then one of them suddenly asked me a question that showed him to be on the intellectual level of one of our five-year-old children--asked me, in fact, if I had come from the sun in a thunderstorm! It let loose the judgment I had suspended upon their clothes, their frail light limbs, and fragile features. A flow of disappointment rushed across my mind. For a moment I felt that I had built the Time Machine in vain.

"I nodded, pointed to the sun, and gave them such a vivid rendering of a thunderclap as startled them. They all withdrew a pace or so and bowed. Then came one laughing towards me, carrying a chain of beautiful flowers altogether new to me, and put it about my neck. The idea was received with melodious applause; and presently they were all running to and fro for flowers, and laughingly flinging them upon me until I was almost smothered with blossom. You who have never seen the like can scarcely imagine what delicate and wonderful flowers countless years of culture had created. Then someone suggested that their plaything should be exhibited in the nearest building, and so I was led past the sphinx of white marble, which had seemed to watch me all the while with a smile at my astonishment, towards a vast grey edifice of fretted stone. As I went with them the memory of my confident anticipations of a profoundly grave and intellectual posterity came, with irresistible merriment, to my mind.

"The building had a huge entry, and was altogether of colossal dimensions. I was naturally most occupied with the growing crowd of little people, and with the big open portals that yawned before me shadowy and mysterious. My general impression of the world I saw over their heads was a tangled waste of beautiful bushes and flowers, a long-neglected and yet weedless garden. I saw a number of tall spikes of strange white flowers, measuring a foot perhaps across the spread of the waxen petals. They grew scattered, as if wild, among the variegated shrubs, but as I say, I did not examine them closely at this time. The Time Machine was left deserted on the turf among the rhododendrons.

"The arch of the doorway was richly carved, but naturally I did not observe the carving very narrowly, though I fancied I saw suggestions of old Phoenician decorations as I passed through, and it struck me that they were very badly broken and weather-worn. Several more brightly clad people met me in the doorway, and so we entered, I, dressed in dingy nineteenth-century garments, looking grotesque enough, garlanded with flowers, and surrounded by an eddying mass of bright, soft-coloured robes and shining white limbs, in a melodious whirl of laughter and laughing speech.

"The big doorway opened into a proportionately great hall hung with brown. The roof was in shadow, and the windows, partially glazed with coloured glass and partially unglazed, admitted a tempered light. The floor was made up of huge blocks of some very hard white metal, not plates nor slabs--, blocks, and it was so much worn, as I judged by the going to and fro of past generations, as to be deeply channelled along the more frequented ways. Transverse to the length were innumerable tables made of slabs of polished stone, raised perhaps a foot from the floor, and upon these were heaps of fruits. Some I recognized as a kind of hypertrophied raspberry and orange, but for the most part they were strange.

"Between the tables was scattered a great number of cushions. Upon these my conductors seated themselves, signing for me to do likewise. With a pretty absence of ceremony they began to eat the fruit with their hands, flinging peel and stalks, and so forth, into the round openings in the sides of the tables. I was not loath to follow their example, for I felt thirsty and hungry. As I did so I surveyed the hall at my leisure.

"And perhaps the thing that struck me most was its dilapidated look. The stained-glass windows, which displayed only a geometrical pattern, were broken in many places, and the curtains that hung across the lower end were thick with dust. And it caught my eye that the corner of the marble table near me was fractured. Nevertheless, the general effect was extremely rich and picturesque. There were perhaps, a couple of hundred people dining in the hall, and most of them, seated as near to me as they could come, were watching me with interest, their little eyes shining over the fruit they were eating. All were clad in the same soft and yet strong, silky material.

"Fruit, by the by, was all their diet. These people of the remote future were strict vegetarians, and while I was with them, in spite of some carnal cravings, I had to be frugivorous also. Indeed I found afterwards that horses, cattle, sheep, dogs, had followed the Ichthyosaurus into extinction. But the fruits were very delightful; one in particular, that seemed to be in season all the time I was there--a floury thing in a three-sided husk--was especially good, and I made it my staple. At first I was puzzled by all these strange fruits, and by the strange flowers I saw, but later I began to perceive their import.

"However I am telling you of my fruit dinner in the distant future now. So soon as my appetite was a little checked, I determined to make a resolute attempt to learn the speech of these new men of mine. Clearly that was the next thing to do. The fruits seemed a convenient thing to begin upon, and holding one of these up I began a series of interrogative sounds and gestures. I had some considerable difficulty in conveying my meaning. At first my efforts met with a stare of surprise or inextinguishable laughter, but presently a fair-haired little creature seemed to grasp my intention and repeated a name. They had to chatter and explain the business at great length to each other, and my first attempts to make the exquisite little sounds of their language caused an immense amount of amusement. However, I felt like a schoolmaster amidst children, and persisted, and presently I had a score of noun substantives at least at my command; and then I got to demonstrative pronouns, and even the verb "to eat." But it was slow work, and the little people soon tired and wanted to get away from my interrogations, so I determined, rather of necessity, to let them give their lessons in little doses when they felt inclined. And very little doses, I found they were before long, for I never met people more indolent or more easily fatigued.

"A queer thing I soon discovered about my little hosts, and that was their lack of interest. They would come to me with eager cries of astonishment, like children, but like children they would soon stop examining me and wander away after some other toy. The dinner and my conversational beginnings ended, I noted for the first time that almost all those who had surrounded me at first were gone. It is odd too, how speedily I came to disregard these little people. I went out through the portal into the sunlit world again as soon as my hunger was satisfied. I was continually meeting more of these men of the future, who would follow me a little distance, chatter and laugh about me, and having smiled and gesticulated in a friendly way, leave me again to my own devices.

"The calm of evening was upon the world as I emerged from the great hall, and the scene was lit by the warm glow of the setting sun. At first things were very confusing. Everything was so entirely different from the world I had known--even the flowers. The big building I had left was situated on the slope of a broad river valley, but the Thames had shifted perhaps a mile from its present position. I resolved to mount to the summit of a crest perhaps a mile and a half away, from which I could get a wider view of this our planet in the year Eight Hundred and Two Thousand Seven Hundred and One A.D. For that, I should explain, was the date the little dials of my machine recorded.

"As I walked I was watching for every impression that could possibly help to explain the condition of ruinous splendour in which I found the world--for ruinous it was. A little way up the hill, for instance, was a great heap of granite, bound together by masses of aluminium, a vast labyrinth of precipitous walls and crumpled heaps, amidst which were thick heaps of very beautiful pagoda-like plants--nettles possibly--but wonderfully tinted with brown about the leaves, and incapable of stinging. It was evidently the derelict remains of some vast structure, to what end built I could not determine. It was here that I was destined, at a later date, to have a very strange experience--the first intimation of a still stranger discovery--but of that I will speak in its proper place.

"Looking round with a sudden thought, from a terrace on which I rested for a while, I realized that there were no small houses to be seen. Apparently the single house, and possibly even the household, had vanished. Here and there among the greenery were palace-like buildings, but the house and the cottage, which form such characteristic features of our own English landscape, had disappeared.

"'Communism,' said I to myself.

"And on the heels of that came another thought. I looked at the half-dozen little figures that were following me. Then in a flash, I perceived that all had the same form of costume, the same soft hairless visage, and the same girlish rotundity of limb. It may seem strange perhaps, that I had not noticed this before. But everything was so strange. Now I saw the fact plainly enough. In costume, and in all the differences of texture and bearing that now mark off the sexes from each other, these people of the future were alike. And the children seemed to my eyes to be but the miniatures of their parents. I judged then, that the children of that time were extremely precocious, physically at least, and I found afterwards abundant verification of my opinion.

"Seeing the ease and security in which these people were living, I felt that this close resemblance of the sexes was after all what one would expect; for the strength of a man and the softness of a woman, the institution of the family, and the differentiation of occupations are mere militant necessities of an age of physical force; where population is balanced and abundant, much child-bearing becomes an evil rather than a blessing to the State; where violence comes but rarely and offspring are secure, there is less necessity--indeed there is no necessity--for an efficient family, and the specialization of the sexes with reference to their children's needs disappears. We see some beginnings of this even in our own time, and in this future age it was complete. This I must remind you, was my speculation at the time. Later I was to appreciate how far it fell short of the reality.

"While I was musing upon these things, my attention was attracted by a pretty little structure, like a well under a cupola. I thought in a transitory way of the oddness of wells still existing, and then resumed the thread of my speculations. There were no large buildings towards the top of the hill, and as my walking powers were evidently miraculous, I was presently left alone for the first time. With a strange sense of freedom and adventure I pushed on up to the crest.

"There I found a seat of some yellow metal that I did not recognize, corroded in places with a kind of pinkish rust and half smothered in soft moss, the arm-rests cast and filed into the resemblance of griffins' heads. I sat down on it, and I surveyed the broad view of our old world under the sunset of that long day. It was as sweet and fair a view as I have ever seen. The sun had already gone below the horizon and the west was flaming gold, touched with some horizontal bars of purple and crimson. Below was the valley of the Thames, in which the river lay like a band of burnished steel. I have already spoken of the great palaces dotted about among the variegated greenery, some in ruins and some still occupied. Here and there rose a white or silvery figure in the waste garden of the earth, here and there came the sharp vertical line of some cupola or obelisk. There were no hedges, no signs of proprietary rights, no evidences of agriculture; the whole earth had become a garden.

"So watching, I began to put my interpretation upon the things I had seen, and as it shaped itself to me that evening, my interpretation was something in this way. (Afterwards I found I had got only a half-truth--or only a glimpse of one facet of the truth.)

"It seemed to me that I had happened upon humanity upon the wane. The ruddy sunset set me thinking of the sunset of mankind. For the first time I began to realize an odd consequence of the social effort in which we are at present engaged. And yet, come to think, it is a logical consequence enough. Strength is the outcome of need; security sets a premium on feebleness. The work of ameliorating the conditions of life--the true civilizing process that makes life more and more secure--had gone steadily on to a climax. One triumph of a united humanity over Nature had followed another. Things that are now mere dreams had become projects deliberately put in hand and carried forward. And the harvest was what I saw!

"After all, the sanitation and the agriculture of to-day are still in the rudimentary stage. The science of our time has attacked but a little department of the field of human disease, but even so, it spreads its operations very steadily and persistently. Our agriculture and horticulture destroy a weed just here and there and cultivate perhaps a score or so of wholesome plants, leaving the greater number to fight out a balance as they can. We improve our favourite plants and animals--and how few they are--gradually by selective breeding; now a new and better peach, now a seedless grape, now a sweeter and larger flower, now a more convenient breed of cattle. We improve them gradually, because our ideals are vague and tentative, and our knowledge is very limited; because Nature too, is shy and slow in our clumsy hands. Some day all this will be better organized, and still better. That is the drift of the current in spite of the eddies. The whole world will be intelligent, educated, and co-operating; things will move faster and faster towards the subjugation of Nature. In the end, wisely and carefully we shall readjust the balance of animal and vegetable me to suit our human needs.

"This adjustment, I say, must have been done, and done well; done indeed for all Time, in the space of Time across which my machine had leaped. The air was free from gnats, the earth from weeds or fungi; everywhere were fruits and sweet and delightful flowers; brilliant butterflies flew hither and thither. The ideal of preventive medicine was attained. Diseases had been stamped out. I saw no evidence of any contagious diseases during all my stay. And I shall have to tell you later that even the processes of putrefaction and decay had been profoundly affected by these changes.

"Social triumphs too, had been effected. I saw mankind housed in splendid shelters, gloriously clothed, and as yet I had found them engaged in no toil. There were no signs of struggle, neither social nor economical struggle. The shop, the advertisement, traffic, all that commerce which constitutes the body of our world, was gone. It was natural on that golden evening that I should jump at the idea of a social paradise. The difficulty of increasing population had been met, I guessed, and population had ceased to increase.

"But with this change in condition comes inevitably adaptations to the change. What, unless biological science is a mass of errors, is the cause of human intelligence and vigour? Hardship and freedom: conditions under which the active, strong, and subtle survive and the weaker go to the wall; conditions that put a premium upon the loyal alliance of capable men, upon self-restraint, patience, and decision. And the institution of the family, and the emotions that arise therein, the fierce jealousy, the tenderness for offspring, parental self-devotion, all found their justification and support in the imminent dangers of the young. Now, where are these imminent dangers? There is a sentiment arising, and it will grow, against connubial jealousy, against fierce maternity, against passion of all sorts; unnecessary things now, and things that make us uncomfortable, savage survivals, discords in a refined and pleasant life.

"I thought of the physical slightness of the people, their lack of intelligence, and those big abundant ruins, and it strengthened my belief in a perfect conquest of Nature. For after the battle comes Quiet. Humanity had been strong, energetic, and intelligent, and had used all its abundant vitality to alter the conditions under which it lived. And now came the reaction of the altered conditions.

"Under the new conditions of perfect comfort and security, that restless energy, that with us is strength, would become weakness. Even in our own time certain tendencies and desires, once necessary to survival, are a constant source of failure. Physical courage and the love of battle, for instance, are no great help--may even be hindrances--to a civilized man. And in a state of physical balance and security, power, intellectual as well as physical, would be out of place. For countless years I judged there had been no danger of war or solitary violence, no danger from wild beasts, no wasting disease to require strength of constitution, no need of toil. For such a life, what we should call the weak are as well equipped as the strong, are indeed no longer weak. Better equipped indeed they are, for the strong would be fretted by an energy for which there was no outlet. No doubt the exquisite beauty of the buildings I saw was the outcome of the last surgings of the now purposeless energy of mankind before it settled down into perfect harmony with the conditions under which it lived--the flourish of that triumph which began the last great peace. This has ever been the fate of energy in security; it takes to art and to eroticism, and then come languor and decay.

"Even this artistic impetus would at last die away--had almost died in the Time I saw. To adorn themselves with flowers, to dance, to sing in the sunlight: so much was left of the artistic spirit, and no more. Even that would fade in the end into a contented inactivity. We are kept keen on the grindstone of pain and necessity, and it seemed to me, that here was that hateful grindstone broken at last!

"As I stood there in the gathering dark I thought that in this simple explanation I had mastered the problem of the world--mastered the whole secret of these delicious people. Possibly the checks they had devised for the increase of population had succeeded too well, and their numbers had rather diminished than kept stationary. That would account for the abandoned ruins. Very simple was my explanation, and plausible enough--as most wrong theories are!"
5.
"As I stood there musing over this, too perfect triumph of man, the full moon, yellow and gibbous, came up out of an overflow of silver light in the north-east. The bright little figures ceased to move about below, a noiseless owl flitted by, and I shivered with the chill of the night. I determined to descend and find where I could sleep.

"I looked for the building I knew. Then my eye travelled along to the figure of the White Sphinx upon the pedestal of bronze, growing distinct as the light of the rising moon grew brighter. I could see the silver birch against it. There was the tangle of rhododendron bushes, black in the pale light, and there was the little lawn. I looked at the lawn again. A queer doubt chilled my complacency. "No," said I stoutly to myself, "that was not the lawn. But it was the lawn. For the white leprous face of the sphinx was towards it. Can you imagine what I felt as this conviction came home to me? But you cannot. The Time Machine was gone!

"At once, like a lash across the face, came the possibility of losing my own age, of being left helpless in this strange new world. The bare thought of it was an actual physical sensation. I could feel it grip me at the throat and stop my breathing. In another moment I was in a passion of fear and running with great leaping strides down the slope. Once I fell headlong and cut my face; I lost no time in stanching the blood, but jumped up and ran on, with a warm trickle down my cheek and chin. All the time I ran I was saying to myself: 'They have moved it a little, pushed it under the bushes out of the way.' Nevertheless, I ran with all my might. All the time, with the certainty that sometimes comes with excessive dread, I knew that such assurance was folly, knew instinctively that the machine was removed out of my reach. My breath came with pain. I suppose I covered the whole distance from the hill crest to the little lawn, two miles perhaps, in ten minutes. And I am not a young man. I cursed aloud, as I ran, at my confident folly in leaving the machine, wasting good breath thereby. I cried aloud, and none answered. Not a creature seemed to be stirring in that moonlit world.

"When I reached the lawn my worst fears were realized. Not a trace of the thing was to be seen. I felt faint and cold when I faced the empty space among the black tangle of bushes. I ran round it furiously, as if the thing might be hidden in a corner, and then stopped abruptly, with my hands clutching my hair. Above me towered the sphinx, upon the bronze pedestal, white, shining, leprous, in the light of the rising moon. It seemed to smile in mockery of my dismay.

"I might have consoled myself by imagining the little people had put the mechanism in some shelter for me, had I not felt assured of their physical and intellectual inadequacy. That is what dismayed me: the sense of some hitherto unsuspected power, through whose intervention my invention had vanished. Yet for one thing I felt assured: unless some other age had produced its exact duplicate, the machine could not have moved in time. The attachment of the levers--I will show you the method later--prevented any one from tampering with it in that way when they were removed. It had moved, and was hid, only in space. But then, where could it be?

"I think I must have had a kind of frenzy. I remember running violently in and out among the moonlit bushes all round the sphinx, and startling some white animal that, in the dim light, I took for a small deer. I remember too, late that night, beating the bushes with my clenched fist until my knuckles were gashed and bleeding from the broken twigs. Then sobbing and raving in my anguish of mind, I went down to the great building of stone. The big hall was dark, silent, and deserted. I slipped on the uneven floor, and fell over one of the malachite tables, almost breaking my shin. I lit a match and went on past the dusty curtains, of which I have told you.

"There I found a second great hall covered with cushions, upon which, perhaps a score or so of the little people were sleeping. I have no doubt they found my second appearance strange enough, coming suddenly out of the quiet darkness with inarticulate noises and the splutter and flare of a match. For they had forgotten about matches. "Where is my Time Machine?" I began, bawling like an angry child, laying hands upon them and shaking them up together. It must have been very queer to them. Some laughed, most of them looked sorely frightened. When I saw them standing round me, it came into my head that I was doing as foolish a thing as it was possible for me to do under the circumstances, in trying to revive the sensation of fear. For, reasoning from their daylight behaviour, I thought that fear must be forgotten.

"Abruptly, I dashed down the match, and knocking one of the people over in my course, went blundering across the big dining-hall again, out under the moonlight. I heard cries of terror and their little feet running and stumbling this way and that. I do not remember all I did as the moon crept up the sky. I suppose it was the unexpected nature of my loss that maddened me. I felt hopelessly cut off from my own kind--a strange animal in an unknown world. I must have raved to and fro, screaming and crying upon God and Fate. I have a memory of horrible fatigue, as the long night of despair wore away; of looking in this impossible place and that; of groping among moonlit ruins and touching strange creatures in the black shadows; at last, of lying on the ground near the sphinx and weeping with absolute wretchedness. I had nothing left but misery. Then I slept, and when I woke again it was full day, and a couple of sparrows were hopping round me on the turf within reach of my arm.

"I sat up in the freshness of the morning, trying to remember how I had got there, and why I had such a profound sense of desertion and despair. Then things came clear in my mind. With the plain, reasonable daylight, I could look my circumstances fairly in the face. I saw the wild folly of my frenzy overnight, and I could reason with myself. 'Suppose the worst?' I said. 'Suppose the machine altogether lost--perhaps destroyed? It behoves me to be calm and patient, to learn the way of the people, to get a clear idea of the method of my loss, and the means of getting materials and tools; so that in the end, perhaps, I may make another.' That would be my only hope, perhaps but better than despair. And after all, it was a beautiful and curious world.

"But probably, the machine had only been taken away. Still I must be calm and patient, find its hiding-place, and recover it by force or cunning. And with that I scrambled to my feet and looked about me, wondering where I could bathe. I felt weary, stiff, and travel-soiled. The freshness of the morning made me desire an equal freshness. I had exhausted my emotion. Indeed as I went about my business, I found myself wondering at my intense excitement overnight. I made a careful examination of the ground about the little lawn. I wasted some time in futile questionings, conveyed, as well as I was able, to such of the little people as came by. They all failed to understand my gestures; some were simply stolid, some thought it was a jest and laughed at me. I had the hardest task in the world to keep my hands off their pretty laughing faces. It was a foolish impulse, but the devil begotten of fear and blind anger was ill curbed and still eager to take advantage of my perplexity. The turf gave better counsel. I found a groove ripped in it, about midway between the pedestal of the sphinx and the marks of my feet where, on arrival, I had struggled with the overturned machine. There were other signs of removal about, with queer narrow footprints like those I could imagine made by a sloth. This directed my closer attention to the pedestal. It was, as I think I have said, of bronze. It was not a mere block, but highly decorated with deep framed panels on either side. I went and rapped at these. The pedestal was hollow. Examining the panels with care I found them discontinuous with the frames. There were no handles or keyholes, but possibly the panels, if they were doors, as I supposed, opened from within. One thing was clear enough to my mind. It took no very great mental effort to infer that my Time Machine was inside that pedestal. But how it got there was a different problem.

"I saw the heads of two orange-clad people coming through the bushes and under some blossom-covered apple-trees towards me. I turned smiling to them and beckoned them to me. They came, and then pointing to the bronze pedestal, I tried to intimate my wish to open it. But at my first gesture towards this they behaved very oddly. I don't know how to convey their expression to you. Suppose you were to use a grossly improper gesture to a delicate-minded woman--it is how she would look. They went off as if they had received the last possible insult. I tried a sweet-looking little chap in white next, with exactly the same result. Somehow, his manner made me feel ashamed of myself. But as you know, I wanted the Time Machine, and I tried him once more. As he turned off, like the others, my temper got the better of me. In three strides I was after him, had him by the loose part of his robe round the neck, and began dragging him towards the sphinx. Then I saw the horror and repugnance of his face, and all of a sudden I let him go.

"But I was not beaten yet. I banged with my fist at the bronze panels. I thought I heard something stir inside--to be explicit, I thought I heard a sound like a chuckle--but I must have been mistaken. Then I got a big pebble from the river, and came and hammered till I had flattened a coil in the decorations, and the verdigris came off in powdery flakes. The delicate little people must have heard me hammering in gusty outbreaks a mile away on either hand, but nothing came of it. I saw a crowd of them upon the slopes, looking furtively at me. At last, hot and tired, I sat down to watch the place. But I was too restless to watch long; I am too Occidental for a long vigil. I could work at a problem for years, but to wait inactive for twenty-four hours--that is another matter.

"I got up after a time, and began walking aimlessly through the bushes towards the hill again. 'Patience,' said I to myself. 'If you want your machine again you must leave that sphinx alone. If they mean to take your machine away, it's little good your wrecking their bronze panels, and if they don't, you will get it back as soon as you can ask for it. To sit among all those unknown things before a puzzle like that is hopeless. That way lies monomania. Face this world. Learn its ways, watch it, be careful of too hasty guesses at its meaning. In the end you will find clues to it all.' Then suddenly the humour of the situation came into my mind: the thought of the years I had spent in study and toil to get into the future age, and now my passion of anxiety to get out of it. I had made myself the most complicated and the most hopeless trap that ever a man devised. Although it was at my own expense, I could not help myself. I laughed aloud.

"Going through the big palace, it seemed to me that the little people avoided me. It may have been my fancy, or it may have had something to do with my hammering at the gates of bronze. Yet I felt tolerably sure of the avoidance. I was careful however, to show no concern and to abstain from any pursuit of them, and in the course of a day or two things got back to the old footing. I made what progress I could in the language, and in addition I pushed my explorations here and there. Either I missed some subtle point or their language was excessively simple--almost exclusively composed of concrete substantives and verbs. There seemed to be few, if any, abstract terms, or little use of figurative language. Their sentences were usually simple and of two words, and I failed to convey or understand any but the simplest propositions. I determined to put the thought of my Time Machine and the mystery of the bronze doors under the sphinx as much as possible in a corner of memory, until my growing knowledge would lead me back to them in a natural way. Yet a certain feeling, you may understand, tethered me in a circle of a few miles round the point of my arrival.

"So far as I could see, all the world displayed the same exuberant richness as the Thames valley. From every hill I climbed I saw the same abundance of splendid buildings, endlessly varied in material and style, the same clustering thickets of evergreens, the same blossom-laden trees and tree-ferns. Here and there water shone like silver, and beyond, the land rose into blue undulating hills, and so faded into the serenity of the sky. A peculiar feature, which presently attracted my attention, was the presence of certain circular wells, several, as it seemed to me, of a very great depth. One lay by the path up the hill, which I had followed during my first walk. Like the others, it was rimmed with bronze, curiously wrought, and protected by a little cupola from the rain. Sitting by the side of these wells, and peering down into the shafted darkness, I could see no gleam of water, nor could I start any reflection with a lighted match. But in all of them I heard a certain sound: a thud--thud--thud, like the beating of some big engine; and I discovered, from the flaring of my matches, that a steady current of air set down the shafts. Further, I threw a scrap of paper into the throat of one, and instead of fluttering slowly down, it was at once sucked swiftly out of sight.

"After a time too, I came to connect these wells with tall towers standing here and there upon the slopes; for above them there was often just such a flicker in the air as one sees on a hot day above a sun-scorched beach. Putting things together, I reached a strong suggestion of an extensive system of subterranean ventilation, whose true import it was difficult to imagine. I was at first inclined to associate it with the sanitary apparatus of these people. It was an obvious conclusion, but it was absolutely wrong.

"And here I must admit that I learned very little of drains and bells and modes of conveyance, and the like conveniences, during my time in this real future. In some of these visions of Utopias and coming times which I have read, there is a vast amount of detail about building, and social arrangements, and so forth. But while such details are easy enough to obtain when the whole world is contained in one's imagination, they are altogether inaccessible to a real traveller amid such realities as I found here. Conceive the tale of London which a negro, fresh from Central Africa, would take back to his tribe! What would he know of railway companies, of social movements, of telephone and telegraph wires, of the Parcels Delivery Company, and postal orders and the like? Yet we, at least, should be willing enough to explain these things to him! And even of what he knew, how much could he make his untravelled friend either apprehend or believe? Then think how narrow the gap between a negro and a white man of our own times, and how wide the interval between myself and these of the Golden Age! I was sensible of much which was unseen, and which contributed to my comfort; but save for a general impression of automatic organization, I fear I can convey very little of the difference to your mind.

"In the matter of sepulture, for instance, I could see no signs of crematoria nor anything suggestive of tombs. But it occurred to me that, possibly, there might be cemeteries (or crematoria) somewhere beyond the range of my explorings. This again, was a question I deliberately put to myself, and my curiosity was at first entirely defeated upon the point. The thing puzzled me, and I was led to make a further remark, which puzzled me still more: that aged and infirm among this people there were none.

"I must confess that my satisfaction with my first theories of an automatic civilization and a decadent humanity did not long endure. Yet I could think of no other. Let me put {mention} my difficulties. The several big palaces I had explored were mere living places, great dining-halls and sleeping apartments. I could find no machinery, no appliances of any kind. Yet these people were clothed in pleasant fabrics that must at times need renewal, and their sandals, though undecorated, were fairly complex specimens of metal-work. Somehow such things must be made. And the little people displayed no vestige of a creative tendency. There were no shops, no workshops, no sign of importations among them. They spent all their time in playing gently, in bathing in the river, in making love in a half-playful fashion, in eating fruit and sleeping. I could not see how things were kept going.

"Then again, about the Time Machine: something, I knew not what, had taken it into the hollow pedestal of the White Sphinx. Why? For the life of me I could not imagine. Those waterless wells, too, those flickering pillars. I felt I lacked a clue. I felt--how shall I put it? Suppose you found an inscription, with sentences here and there in excellent plain English, and interpolated therewith, others made up of words, of letters even, absolutely unknown to you? Well on the third day of my visit, that was how the world of Eight Hundred and Two Thousand Seven Hundred and One presented itself to me!

"That day too, I made a friend--of a sort. It happened that, as I was watching some of the little people bathing in a shallow, one of them was seized with cramp and began drifting downstream. The main current ran rather swiftly, but not too strongly for even a moderate swimmer. It will give you an idea, therefore, of the strange deficiency in these creatures, when I tell you that none made the slightest attempt to rescue the weakly crying little thing which was drowning before their eyes. When I realized this, I hurriedly slipped off my clothes, and wading in at a point lower down, I caught the poor mite and drew her safe to land. A little rubbing of the limbs soon brought her round, and I had the satisfaction of seeing she was all right before I left her. I had got to such a low estimate of her kind that I did not expect any gratitude from her. In that however, I was wrong.

"This happened in the morning. In the afternoon I met my little woman, as I believe it was, as I was returning towards my centre from an exploration, and she received me with cries of delight and presented me with a big garland of flowers--evidently made for me and me alone. The thing took my imagination. Very possibly I had been feeling desolate. At any rate I did my best to display my appreciation of the gift. We were soon seated together in a little stone arbour, engaged in conversation, chiefly of smiles. The creature's friendliness affected me exactly as a child's might have done. We passed each other flowers, and she kissed my hands. I did the same to hers. Then I tried talk, and found that her name was Weena, which though I don't know what it meant, somehow seemed appropriate enough. That was the beginning of a queer friendship which lasted a week, and ended--as I will tell you!

"She was exactly like a child. She wanted to be with me always. She tried to follow me everywhere, and on my next journey out and about it went to my heart to tire her down, and leave her at last, exhausted and calling after me rather plaintively. But the problems of the world had to be mastered. I had not, I said to myself, come into the future to carry on a miniature flirtation. Yet her distress when I left her was very great, her expostulations at the parting were sometimes frantic, and I think, altogether, I had as much trouble as comfort from her devotion. Nevertheless she was, somehow, a very great comfort. I thought it was mere childish affection that made her cling to me. Until it was too late, I did not clearly know what I had inflicted upon her when I left her. Nor until it was too late did I clearly understand what she was to me. For by merely seeming fond of me, and showing in her weak, futile way that she cared for me, the little doll of a creature presently gave my return to the neighbourhood of the White Sphinx almost the feeling of coming home; and I would watch for her tiny figure of white and gold so soon as I came over the hill.

"It was from her too, that I learned that fear had not yet left the world. She was fearless enough in the daylight, and she had the oddest confidence in me; for once, in a foolish moment, I made threatening grimaces at her, and she simply laughed at them. But she dreaded the dark, dreaded shadows, dreaded black things. Darkness to her was the one thing dreadful. It was a singularly passionate emotion, and it set me thinking and observing. I discovered then, among other things, that these little people gathered into the great houses after dark, and slept in droves. To enter upon them without a light was to put them into a tumult of apprehension. I never found one out of doors, or one sleeping alone within doors, after dark. Yet I was still such a blockhead that I missed the lesson of that fear, and in spite of Weena's distress I insisted upon sleeping away from these slumbering multitudes.

"It troubled her greatly, but in the end her odd affection for me triumphed, and for five of the nights of our acquaintance, including the last night of all, she slept with her head pillowed on my arm. But my story slips away from me as I speak of her. It must have been the night before her rescue that I was awakened about dawn. I had been restless, dreaming most disagreeably that I was drowned, and that sea-anemones were feeling over my face with their soft palps. I woke with a start, and with an odd fancy that some greyish animal had just rushed out of the chamber. I tried to get to sleep again, but I felt restless and uncomfortable. It was that dim grey hour when things are just creeping out of darkness, when everything is colourless and clear cut, and yet unreal. I got up, and went down into the great hall, and so out upon the flagstones in front of the palace. I thought I would make a virtue of necessity, and see the sunrise.

"The moon was setting, and the dying moonlight and the first pallor of dawn were mingled in a ghastly half-light. The bushes were inky black, the ground a sombre grey, the sky colourless and cheerless. And up the hill I thought I could see ghosts. There several times, as I scanned the slope, I saw white figures. Twice I fancied I saw a solitary white, ape-like creature running rather quickly up the hill, and once near the ruins I saw a leash of them carrying some dark body. They moved hastily. I did not see what became of them. It seemed that they vanished among the bushes. The dawn was still indistinct, you must understand. I was feeling that chill, uncertain, early-morning feeling you may have known. I doubted my eyes.

"As the eastern sky grew brighter, and the light of the day came on and its vivid colouring returned upon the world once more, I scanned the view keenly. But I saw no vestige of my white figures. They were mere creatures of the half-light. 'They must have been ghosts,' I said; 'I wonder whence they dated.' For a queer notion of Grant Allen's came into my head, and amused me. If each generation die and leave ghosts, he argued, the world at last will get overcrowded with them. On that theory they would have grown innumerable some Eight Hundred Thousand Years hence, and it was no great wonder to see four at once. But the jest was unsatisfying, and I was thinking of these figures all the morning, until Weena's rescue drove them out of my head. I associated them in some indefinite way with the white animal I had startled in my first passionate search for the Time Machine. But Weena was a pleasant substitute. Yet all the same, they were soon destined to take far deadlier possession of my mind.

"I think I have said how much hotter than our own was the weather of this Golden Age. I cannot account for it. It may be that the sun was hotter, or the earth nearer the sun. It is usual to assume that the sun will go on cooling steadily in the future. But people, unfamiliar with such speculations as those of the younger Darwin, forget that the planets must ultimately fall back one by one into the parent body. As these catastrophes occur, the sun will blaze with renewed energy; and it may be that some inner planet had suffered this fate. Whatever the reason, the fact remains that the sun was very much hotter than we know it.

"Well, one very hot morning--my fourth, I think--as I was seeking shelter from the heat and glare in a colossal ruin near the great house where I slept and fed, there happened this strange thing: Clambering among these heaps of masonry, I found a narrow gallery, whose end and side windows were blocked by fallen masses of stone. By contrast with the brilliancy outside, it seemed at first impenetrably dark to me. I entered it groping, for the change from light to blackness made spots of colour swim before me. Suddenly I halted spellbound. A pair of eyes, luminous by reflection against the daylight without, was watching me out of the darkness.

"The old instinctive dread of wild beasts came upon me. I clenched my hands and steadfastly looked into the glaring eyeballs. I was afraid to turn. Then the thought of the absolute security in which humanity appeared to be living came to my mind. And then I remembered that strange terror of the dark. Overcoming my fear to some extent, I advanced a step and spoke. I will admit that my voice was harsh and ill-controlled. I put out my hand and touched something soft. At once the eyes darted sideways, and something white ran past me. I turned with my heart in my mouth, and saw a queer little ape-like figure, its head held down in a peculiar manner, running across the sunlit space behind me. It blundered against a block of granite, staggered aside, and in a moment was hidden in a black shadow beneath another pile of ruined masonry.

"My impression of it is, of course, imperfect; but I know it was a dull white, and had strange large greyish-red eyes; also that there was flaxen hair on its head and down its back. But as I say, it went too fast for me to see distinctly. I cannot even say whether it ran on all-fours, or only with its forearms held very low. After an instant's pause I followed it into the second heap of ruins. I could not find it at first; but after a time in the profound obscurity, I came upon one of those round well-like openings of which I have told you, half closed by a fallen pillar. A sudden thought came to me. Could this Thing have vanished down the shaft? I lit a match, and looking down, I saw a small, white, moving creature, with large bright eyes which regarded me steadfastly as it retreated. It made me shudder. It was so like a human spider! It was clambering down the wall, and now I saw for the first time a number of metal foot and hand rests forming a kind of ladder down the shaft. Then the light burned my fingers and fell out of my hand, going out as it dropped, and when I had lit another the little monster had disappeared.

"I do not know how long I sat peering down that well. It was not for some time that I could succeed in persuading myself that the thing I had seen was human. But gradually, the truth dawned on me: that Man had not remained one species, but had differentiated into two distinct animals: that my graceful children of the Upper World were not the sole descendants of our generation, but that this bleached, obscene, nocturnal Thing, which had flashed before me, was also heir to all the ages.

"I thought of the flickering pillars and of my theory of an underground ventilation. I began to suspect their true import. And what, I wondered, was this Lemur doing in my scheme of a perfectly balanced organization? How was it related to the indolent serenity of the beautiful Upper-worlders? And what was hidden down there, at the foot of that shaft? I sat upon the edge of the well telling myself that, at any rate, there was nothing to fear, and that there I must descend for the solution of my difficulties. And withal I was absolutely afraid to go! As I hesitated, two of the beautiful Upper-World people came running in their amorous sport across the daylight into the shadow. The male pursued the female, flinging flowers at her as he ran.

"They seemed distressed to find me, my arm against the overturned pillar, peering down the well. Apparently it was considered bad form to remark these apertures; for when I pointed to this one, and tried to frame a question about it, in their tongue, they were still more visibly distressed and turned away. But they were interested by my matches, and I struck some to amuse them. I tried them again about the well, and again I failed. So presently I left them, meaning to go back to Weena, and see what I could get from her. But my mind was already in revolution; my guesses and impressions were slipping and sliding to a new adjustment. I had now a clue to the import of these wells, to the ventilating towers, to the mystery of the ghosts; to say nothing of a hint at the meaning of the bronze gates and the fate of the Time Machine! And very vaguely there came a suggestion towards the solution of the economic problem that had puzzled me.

"Here was the new view. Plainly this second species of Man was subterranean. There were three circumstances in particular which made me think that its rare emergence above ground was the outcome of a long-continued underground habit. In the first place, there was the bleached look common in most animals that live largely in the dark--the white fish of the Kentucky caves, for instance. Then those large eyes, with that capacity for reflecting light, are common features of nocturnal things--witness the owl and the cat. And last of all, that evident confusion in the sunshine, that hasty yet fumbling awkward flight towards dark shadow, and that peculiar carriage of the head while in the light--all reinforced the theory of an extreme sensitiveness of the retina.

"Beneath my feet then, the earth must be tunnelled enormously, and these tunnellings were the habitat of the new race. The presence of ventilating shafts and wells along the hill slopes--everywhere, in fact except along the river valley--showed how universal were its ramifications. What so natural, then as to assume, that it was in this artificial underworld that such work, as was necessary to the comfort of the daylight race, was done? The notion was so plausible that I at once accepted it, and went on to assume the how of this splitting of the human species. I dare say you will anticipate the shape of my theory; though, for myself, I very soon felt that it fell far short of the truth.

"At first, proceeding from the problems of our own age, it seemed clear as daylight to me that the gradual widening of the present merely temporary and social difference between the Capitalist and the Labourer, was the key to the whole position. No doubt it will seem grotesque enough to you--and wildly incredible--! And yet even now there are existing circumstances to point that way. There is a tendency to utilize underground space for the less ornamental purposes of civilization; there is the Metropolitan Railway in London, for instance, there are new electric railways, there are subways, there are underground workrooms and restaurants, and they increase and multiply. Evidently I thought, this tendency had increased till Industry had gradually lost its birthright in the sky. I mean that it had gone deeper and deeper into larger and ever larger underground factories, spending a still-increasing amount of its time therein, till in the end--! Even now, does not an East-end worker live in such artificial conditions as practically to be cut off from the natural surface of the earth?

"Again, the exclusive tendency of richer people--due, no doubt to the increasing refinement of their education, and the widening gulf between them and the rude violence of the poor--is already leading to the closing, in their interest, of considerable portions of the surface of the land. About London, for instance, perhaps half the prettier country is shut in, against intrusion. And this same widening gulf--which is due to the length and expense of the higher educational process and the increased facilities for and temptations towards refined habits on the part of the rich--will make that exchange between class and class, that promotion by intermarriage which at present retards the splitting of our species along lines of social stratification, less and less frequent. So in the end, above ground you must have the Haves, pursuing pleasure and comfort and beauty, and below ground the Have-nots, the Workers getting continually adapted to the conditions of their labour. Once they were there, they would no doubt have to pay rent, and not a little of it, for the ventilation of their caverns; and if they refused, they would starve or be suffocated for arrears. Such of them as were so constituted as to be miserable and rebellious would die; and in the end, the balance being permanent, the survivors would become as well adapted to the conditions of underground life, and as happy in their way, as the Upper-World people were to theirs. As it seemed to me, the refined beauty and the etiolated pallor followed naturally enough.

"The great triumph of Humanity I had dreamed of took a different shape in my mind. It had been no such triumph of moral education and general co-operation as I had imagined. Instead I saw a real aristocracy, armed with a perfected science and working to a logical conclusion the industrial system of to-day. Its triumph had not been simply a triumph over Nature, but a triumph over Nature and the fellowman. This I must warn you, was my theory at the time. I had no convenient cicerone in the pattern of the Utopian books. My explanation may be absolutely wrong. I still think it is the most plausible one. But even on this supposition the balanced civilization that was at last attained must have long since passed its zenith, and was now far fallen into decay. The too-perfect security of the Upper-Worlders had led them to a slow movement of degeneration, to a general dwindling in size, strength, and intelligence. That I could see clearly enough already. What had happened to the Undergrounders I did not yet suspect; but from what I had seen of the Morlocks--that by the by, was the name by which these creatures were called--I could imagine that the modification of the human type was even far more profound than among the 'Eloi,' the beautiful race that I already knew.

"Then came troublesome doubts. Why had the Morlocks taken my Time Machine? For I felt sure it was they who had taken it. Why too, if the Eloi were masters, could they not restore the machine to me? And why were they so terribly afraid of the dark? I proceeded, as I have said, to question Weena about this Under World, but here again I was disappointed. At first she would not understand my questions, and presently she refused to answer them. She shivered as though the topic was unendurable. And when I pressed her, perhaps a little harshly, she burst into tears. They were the only tears, except my own, I ever saw in that Golden Age. When I saw them I ceased abruptly to trouble about the Morlocks, and was only concerned in banishing these signs of the human inheritance from Weena's eyes. And very soon she was smiling and clapping her hands, while I solemnly burned a match."
6.
"It may seem odd to you, but it was two days before I could follow up the new-found clue in what was manifestly the proper way. I felt a peculiar shrinking from those pallid bodies. They were just the half-bleached colour of the worms and things one sees preserved in spirit in a zoological museum. And they were filthily cold to the touch. Probably my shrinking was largely due to the sympathetic influence of the Eloi, whose disgust of the Morlocks I now began to appreciate.

"The next night I did not sleep well. Probably my health was a little disordered. I was oppressed with perplexity and doubt. Once or twice I had a feeling of intense fear for which I could perceive no definite reason. I remember creeping noiselessly into the great hall where the little people were sleeping in the moonlight--that night Weena was among them--and feeling reassured by their presence. It occurred to me even then, that in the course of a few days the moon must pass through its last quarter, and the nights grow dark, when the appearances of these unpleasant creatures from below, these whitened Lemurs, this new vermin that had replaced the old, might be more abundant. And on both these days I had the restless feeling of one who shirks an inevitable duty. I felt assured that the Time Machine was only to be recovered by boldly penetrating these underground mysteries. Yet I could not face the mystery. If only I had, had a companion it would have been different. But I was so horribly alone, and even to clamber down into the darkness of the well appalled me. I don't know if you will understand my feeling, but I never felt quite safe at my back.

"It was this restlessness, this insecurity perhaps, that drove me further and further afield in my exploring expeditions. Going to the south-westward towards the rising country that is now called Combe Wood, I observed far off, in the direction of nineteenth-century Banstead, a vast green structure, different in character from any I had hitherto seen. It was larger than the largest of the palaces or ruins I knew, and the facade had an Oriental look: the face of it having the lustre, as well as the pale-green tint, a kind of bluish-green, of a certain type of Chinese porcelain. This difference in aspect suggested a difference in use, and I was minded to push on and explore. But the day was growing late, and I had come upon the sight of the place after a long and tiring circuit; so I resolved to hold over the adventure for the following day, and I returned to the welcome and the caresses of little Weena. But next morning I perceived clearly enough that my curiosity regarding the Palace of Green Porcelain was a piece of self-deception, to enable me to shirk, by another day, an experience I dreaded. I resolved I would make the descent without further waste of time, and started out in the early morning towards a well near the ruins of granite and aluminium.

"Little Weena ran with me. She danced beside me to the well, but when she saw me lean over the mouth and look downward, she seemed strangely disconcerted. 'Good-bye, Little Weena,' I said, kissing her; and then putting her down, I began to feel over the parapet for the climbing hooks. Rather hastily, I may as well confess, for I feared my courage might leak away! At first she watched me in amazement. Then she gave a most piteous cry, and running to me, she began to pull at me with her little hands. I think her opposition nerved me rather to proceed. I shook her off, perhaps a little roughly, and in another moment I was in the throat of the well. I saw her agonized face over the parapet, and smiled to reassure her. Then I had to look down at the unstable hooks to which I clung."

"I had to clamber down a shaft of perhaps two hundred yards. The descent was effected by means of metallic bars projecting from the sides of the well, and these being adapted to the needs of a creature much smaller and lighter than myself, I was speedily cramped and fatigued by the descent. And not simply fatigued! One of the bars bent suddenly under my weight, and almost swung me off into the blackness beneath. For a moment I hung by one hand, and after that experience I did not dare to rest again. Though my arms and back were presently acutely painful, I went on clambering down the sheer descent with as quick a motion as possible. Glancing upward, I saw the aperture, a small blue disk, in which a star was visible, while little Weena's head showed as a round black projection. The thudding sound of a machine below grew louder and more oppressive. Everything save that little disk above was profoundly dark, and when I looked up again Weena had disappeared."

"I was in an agony of discomfort. I had some thought of trying to go up the shaft again, and leave the Under World alone. But even while I turned this over in my mind I continued to descend. At last, with intense relief, I saw dimly coming up, a foot to the right of me, a slender loophole in the wall. Swinging myself in, I found it was the aperture of a narrow horizontal tunnel in which I could lie down and rest. It was not too soon. My arms ached, my back was cramped, and I was trembling with the prolonged terror of a fall. Besides this, the unbroken darkness had had a distressing effect upon my eyes. The air was full of the throb and hum of machinery pumping air down the shaft.

"I do not know how long I lay. I was roused by a soft hand touching my face. Starting up in the darkness I snatched at my matches, and hastily striking one, I saw three stooping white creatures similar to the one I had seen above ground in the ruin, hastily retreating before the light. Living as they did, in what appeared to me impenetrable darkness, their eyes were abnormally large and sensitive, just as are the pupils of the abysmal fishes, and they reflected the light in the same way. I have no doubt they could see me in that rayless obscurity, and they did not seem to have any fear of me apart from the light. But so soon as I struck a match in order to see them, they fled incontinently, vanishing into dark gutters and tunnels, from which their eyes glared at me in the strangest fashion.

"I tried to call them, but the language they had was apparently different from that of the Overworld people; so that I was needs left to my own unaided efforts, and the thought of flight before exploration was even then in my mind. But I said to myself, 'You are in for it now,' and feeling my way along the tunnel, I found the noise of machinery grow louder. Presently the walls fell away from me, and I came to a large open space, and striking another match, saw that I had entered a vast arched cavern, which stretched into utter darkness beyond the range of my light. The view I had of it was as much as one could see in the burning of a match.

"Necessarily my memory is vague. Great shapes like big machines rose out of the dimness, and cast grotesque black shadows, in which dim spectral Morlocks sheltered from the glare. The place, by the by, was very stuffy and oppressive, and the faint halitus of freshly shed blood was in the air. Some way down the central vista was a little table of white metal, laid with what seemed a meal. The Morlocks at any rate were carnivorous! Even at the time, I remember wondering what large animal could have survived to furnish the red joint I saw. It was all very indistinct: the heavy smell, the big unmeaning shapes, the obscene figures lurking in the shadows, and only waiting for the darkness to come at me again! Then the match burned down, and stung my fingers, and fell, a wriggling red spot in the blackness.

"I have thought since how particularly ill-equipped I was for such an experience. When I had started with the Time Machine, I had started with the absurd assumption that the men of the Future would certainly be infinitely ahead of ourselves in all their appliances. I had come without arms, without medicine, without anything to smoke--at times I missed tobacco frightfully--even without enough matches. If only I had thought of a Kodak! I could have flashed that glimpse of the Under World in a second, and examined it at leisure. But as it was, I stood there with only the weapons and the powers that Nature had endowed me with--hands, feet, and teeth; these, and four safety-matches that still remained to me.

"I was afraid to push my way in among all this machinery in the dark, and it was only with my last glimpse of light I discovered that my store of matches had run low. It had never occurred to me until that moment that there was any need to economize them, and I had wasted almost half the box in astonishing the Upper-Worlders, to whom fire was a novelty. Now as I say, I had four left, and while I stood in the dark, a hand touched mine, lank fingers came feeling over my face, and I was sensible of a peculiar unpleasant odour. I fancied I heard the breathing of a crowd of those dreadful little beings about me. I felt the box of matches in my hand being gently disengaged, and other hands behind me plucking at my clothing. The sense of these unseen creatures examining me was indescribably unpleasant. The sudden realization of my ignorance of their ways of thinking and doing came home to me very vividly in the darkness. I shouted at them as loudly as I could. They started away, and then I could feel them approaching me again. They clutched at me more boldly, whispering odd sounds to each other. I shivered violently, and shouted again--rather discordantly. This time they were not so seriously alarmed, and they made a queer laughing noise as they came back at me. I will confess I was horribly frightened. I determined to strike another match and escape under the protection of its glare. I did so, and eking out the flicker with a scrap of paper from my pocket, I made good my retreat to the narrow tunnel. But I had scarce entered this when my light was blown out and in the blackness I could hear the Morlocks rustling like wind among leaves, and pattering like the rain, as they hurried after me.

"In a moment I was clutched by several hands, and there was no mistaking that they were trying to haul me back. I struck another light, and waved it in their dazzled faces. You can scarce imagine how nauseatingly inhuman they looked--those pale, chinless faces and great, lidless, pinkish-grey eyes--! As they stared in their blindness and bewilderment. But I did not stay to look, I promise you: I retreated again, and when my second match had ended, I struck my third. It had almost burned through when I reached the opening into the shaft. I lay down on the edge, for the throb of the great pump below made me giddy. Then I felt sideways for the projecting hooks, and, as I did so, my feet were grasped from behind, and I was violently tugged backward. I lit my last match...and it incontinently went out. But I had my hand on the climbing bars now, and kicking violently, I disengaged myself from the clutches of the Morlocks and was speedily clambering up the shaft, while they stayed peering and blinking up at me: all but one little wretch who followed me for some way, and well-nigh secured my boot as a trophy.

"That climb seemed interminable to me. With the last twenty or thirty feet of it a deadly nausea came upon me. I had the greatest difficulty in keeping my hold. The last few yards was a frightful struggle against this faintness. Several times my head swam, and I felt all the sensations of falling. At last, however I got over the well-mouth somehow, and staggered out of the ruin into the blinding sunlight. I fell upon my face. Even the soil smelt sweet and clean. Then I remember Weena kissing my hands and ears, and the voices of others among the Eloi. Then for a time, I was insensible."
7.
"Now indeed, I seemed in a worse case than before. Hitherto, except during my night's anguish at the loss of the Time Machine, I had felt a sustaining hope of ultimate escape, but that hope was staggered by these new discoveries. Hitherto I had merely thought myself impeded by the childish simplicity of the little people, and by some unknown forces which I had only to understand to overcome; but there was an altogether new element in the sickening quality of the Morlocks--a something inhuman and malign. Instinctively I loathed them. Before I had felt as a man might feel who had fallen into a pit: my concern was with the pit and how to get out of it. Now I felt like a beast in a trap, whose enemy would come upon him soon.

"The enemy I dreaded may surprise you. It was the darkness of the new moon. Weena had put this into my head by some at first incomprehensible remarks about the Dark Nights. It was not now such a very difficult problem to guess what the coming Dark Nights might mean. The moon was on the wane: each night there was a longer interval of darkness. And I now understood to some slight degree at least the reason of the fear of the little Upper-World people for the dark. I wondered vaguely what foul villainy it might be that the Morlocks did under the new moon. I felt pretty sure now that my second hypothesis was all wrong. The Upper-World people might once have been the favoured aristocracy, and the Morlocks their mechanical servants: but that had long since passed away. The two species that had resulted from the evolution of man were sliding down towards, or had already arrived at, an altogether new relationship. The Eloi, like the Carolingian kings, had decayed to a mere beautiful futility. They still possessed the earth on sufferance: since the Morlocks, subterranean for innumerable generations, had come at last to find the daylit surface intolerable. And the Morlocks made their garments, I inferred, and maintained them in their habitual needs, perhaps through the survival of an old habit of service. They did it as a standing horse paws with his foot, or as a man enjoys killing animals in sport: because ancient and departed necessities had impressed it on the organism. But clearly, the old order was already in part reversed. The Nemesis of the delicate ones was creeping on apace. Ages ago, thousands of generations ago, man had thrust his brother man out of the ease and the sunshine. And now that brother was coming back--changed! Already the Eloi had begun to learn one old lesson anew. They were becoming reacquainted with Fear. And suddenly there came into my head the memory of the meat I had seen in the Under World. It seemed odd how it floated into my mind: not stirred up as it were by the current of my meditations, but coming in almost like a question from outside. I tried to recall the form of it. I had a vague sense of something familiar, but I could not tell what it was at the time.

"Still, however helpless the little people in the presence of their mysterious Fear, I was differently constituted. I came out of this age of ours, this ripe prime of the human race, when Fear does not paralyse and mystery has lost its terrors. I at least would defend myself. Without further delay I determined to make myself arms and a fastness where I might sleep. With that refuge as a base, I could face this strange world with some of that confidence I had lost in realizing to what creatures night by night I lay exposed. I felt I could never sleep again until my bed was secure from them. I shuddered with horror to think how they must already have examined me.

"I wandered during the afternoon along the valley of the Thames, but found nothing that commended itself to my mind as inaccessible. All the buildings and trees seemed easily practicable to such dexterous climbers as the Morlocks, to judge by their wells, must be. Then the tall pinnacles of the Palace of Green Porcelain and the polished gleam of its walls came back to my memory; and in the evening, taking Weena like a child upon my shoulder, I went up the hills towards the south-west. The distance, I had reckoned, was seven or eight miles, but it must have been nearer eighteen. I had first seen the place on a moist afternoon when distances are deceptively diminished. In addition, one of my shoes was loose, and a nail was working through the sole--they were comfortable old shoes I wore about indoors--so that I was lame. And it was already long past sunset when I came in sight of the palace, silhouetted black against the pale yellow of the sky.

"Weena had been hugely delighted when I began to carry her, but after a while she desired me to let her down, and ran along by the side of me, occasionally darting off on either hand to pick flowers to stick in my pockets. My pockets had always puzzled Weena, but at the last she had concluded that they were an eccentric kind of vase for floral decoration. At least she utilized them for that purpose. And that reminds me! In changing my jacket I found..."

The Time Traveller paused, put his hand into his pocket, and silently placed two withered flowers, not unlike very large white mallows, upon the little table. Then he resumed his narrative.

"As the hush of evening crept over the world and we proceeded over the hill crest towards Wimbledon, Weena grew tired and wanted to return to the house of grey stone. But I pointed out the distant pinnacles of the Palace of Green Porcelain to her, and contrived to make her understand that we were seeking a refuge there from her Fear. You know that great pause that comes upon things before the dusk? Even the breeze stops in the trees. To me there is always an air of expectation about that evening stillness. The sky was clear, remote, and empty save for a few horizontal bars far down in the sunset. Well, that night, the expectation took the colour of my fears. In that darkling calm my senses seemed preternaturally sharpened. I fancied I could even feel the hollowness of the ground beneath my feet: could indeed, almost see through it the Morlocks on their ant-hill going hither and thither and waiting for the dark. In my excitement I fancied that they would receive my invasion of their burrows as a declaration of war. And why had they taken my Time Machine?

"So we went on in the quiet, and the twilight deepened into night. The clear blue of the distance faded, and one star after another came out. The ground grew dim and the trees black. Weena's fears and her fatigue grew upon her. I took her in my arms and talked to her and caressed her. Then as the darkness grew deeper, she put her arms round my neck, and closing her eyes, tightly pressed her face against my shoulder. So we went down a long slope into a valley, and there in the dimness I almost walked into a little river. This I waded, and went up the opposite side of the valley, past a number of sleeping houses, and by a statue--a Faun, or some such figure, minus the head. Here too were acacias. So far I had seen nothing of the Morlocks, but it was yet early in the night, and the darker hours before the old moon rose were still to come.

"From the brow of the next hill I saw a thick wood spreading wide and black before me. I hesitated at this. I could see no end to it, either to the right or the left. Feeling tired--my feet, in particular, were very sore--I carefully lowered Weena from my shoulder as I halted, and sat down upon the turf. I could no longer see the Palace of Green Porcelain, and I was in doubt of my direction. I looked into the thickness of the wood and thought of what it might hide. Under that dense tangle of branches one would be out of sight of the stars. Even were there no other lurking danger--a danger I did not care to let my imagination loose upon--there would still be all the roots to stumble over and the tree-boles to strike against.

"I was very tired too, after the excitements of the day; so I decided that I would not face it, but would pass the night upon the open hill.

"Weena, I was glad to find, was fast asleep. I carefully wrapped her in my jacket, and sat down beside her to wait for the moonrise. The hillside was quiet and deserted, but from the black of the wood there came now and then a stir of living things. Above me shone the stars, for the night was very clear. I felt a certain sense of friendly comfort in their twinkling. All the old constellations had gone from the sky, however: that slow movement which is imperceptible in a hundred human lifetimes, had long since rearranged them in unfamiliar groupings. But the Milky Way, it seemed to me, was still the same tattered streamer of star-dust as of yore. Southward (as I judged it) was a very bright red star that was new to me; it was even more splendid than our own green Sirius. And amid all these scintillating points of light one bright planet shone kindly and steadily like the face of an old friend."

"Looking at these stars suddenly dwarfed my own troubles and all the gravities of terrestrial life. I thought of their unfathomable distance, and the slow inevitable drift of their movements out of the unknown past, into the unknown future. I thought of the great precessional cycle that the pole of the earth describes. Only forty times had that silent revolution occurred during all the years that I had traversed. And during these few revolutions all the activity, all the traditions, the complex organizations, the nations, languages, literatures, aspirations, even the mere memory of Man as I knew him, had been swept out of existence. Instead were these frail creatures who had forgotten their high ancestry, and the white Things of which I went in terror. Then I thought of the Great Fear that was between the two species, and for the first time, with a sudden shiver, came the clear knowledge of what the meat I had seen might be. Yet it was too horrible! I looked at little Weena sleeping beside me, her face white and starlike under the stars, and forthwith dismissed the thought.

"Through that long night I held my mind off the Morlocks as well as I could, and whiled away the time by trying to fancy I could find signs of the old constellations in the new confusion. The sky kept very clear, except for a hazy cloud or so. No doubt I dozed at times. Then, as my vigil wore on, came a faintness in the eastward sky, like the reflection of some colourless fire, and the old moon rose, thin and peaked and white. And close behind, and overtaking it, and overflowing it, the dawn came, pale at first, and then growing pink and warm. No Morlocks had approached us. Indeed I had seen none upon the hill that night. And in the confidence of renewed day it almost seemed to me that my fear had been unreasonable. I stood up and found my foot with the loose heel swollen at the ankle and painful under the heel; so I sat down again, took off my shoes, and flung them away.

"I awakened Weena, and we went down into the wood, now green and pleasant instead of black and forbidding. We found some fruit wherewith to break our fast. We soon met others of the dainty ones, laughing and dancing in the sunlight as though there was no such thing in nature as the night. And then I thought once more of the meat that I had seen. I felt assured now of what it was, and from the bottom of my heart I pitied this last feeble rill from the great flood of humanity. Clearly at some time in the Long-Ago of human decay the Morlocks' food had run short. Possibly they had lived on rats and suchlike vermin. Even now man is far less discriminating and exclusive in his food than he was--far less than any monkey. His prejudice against human flesh is no deep-seated instinct. And so these inhuman sons of men--! I tried to look at the thing in a scientific spirit. After all, they were less human and more remote than our cannibal ancestors of three or four thousand years ago. And the intelligence that would have made this state of things a torment had gone. Why should I trouble myself? These Eloi were mere fatted cattle, which the ant-like Morlocks preserved and preyed upon--probably saw to the breeding of. And there was Weena dancing at my side!

"Then I tried to preserve myself from the horror that was coming upon me, by regarding it as a rigorous punishment of human selfishness. Man had been content to live in ease and delight upon the labours of his fellowman, had taken Necessity as his watchword and excuse, and in the fullness of time Necessity had come home to him. I even tried a Carlyle-like scorn of this wretched aristocracy in decay. But this attitude of mind was impossible. However great their intellectual degradation, the Eloi had kept too much of the human form not to claim my sympathy, and to make me perforce a sharer in their degradation and their Fear.

"I had at that time very vague ideas as to the course I should pursue. My first was to secure some safe place of refuge, and to make myself such arms of metal or stone as I could contrive. That necessity was immediate. In the next place, I hoped to procure some means of fire, so that I should have the weapon of a torch at hand, for nothing, I knew, would be more efficient against these Morlocks. Then I wanted to arrange some contrivance to break open the doors of bronze under the White Sphinx. I had in mind a battering-ram. I had a persuasion that if I could enter those doors and carry a blaze of light before me I should discover the Time Machine and escape. I could not imagine the Morlocks were strong enough to move it far away. Weena I had resolved to bring with me to our own time. And turning such schemes over in my mind I pursued our way towards the building which my fancy had chosen as our dwelling."
8.
"I found the Palace of Green Porcelain, when we approached it about noon, deserted and falling into ruin. Only ragged vestiges of glass remained in its windows, and great sheets of the green facing had fallen away from the corroded metallic framework. It lay very high upon a turfy down, and looking north-eastward before I entered it, I was surprised to see a large estuary, or even creek, where I judged Wandsworth and Battersea must once have been. I thought then--though I never followed up the thought--of what might have happened, or might be happening, to the living things in the sea.

"The material of the Palace proved on examination to be indeed porcelain, and along the face of it I saw an inscription in some unknown character. I thought, rather foolishly, that Weena might help me to interpret this, but I only learned that the bare idea of writing had never entered her head. She always seemed to me, I fancy, more human than she was, perhaps because her affection was so human.

"Within the big valves of the door--which were open and broken--we found, instead of the customary hall, a long gallery lit by many side windows. At the first glance I was reminded of a museum. The tiled floor was thick with dust, and a remarkable array of miscellaneous objects was shrouded in the same grey covering. Then I perceived, standing strange and gaunt in the centre of the hall, what was clearly the lower part of a huge skeleton. I recognized by the oblique feet that it was some extinct creature after the fashion of the Megatherium. The skull and the upper bones lay beside it in the thick dust, and in one place, where rain-water had dropped through a leak in the roof, the thing itself had been worn away. Further in the gallery was the huge skeleton barrel of a Brontosaurus. My museum hypothesis was confirmed. Going towards the side I found what appeared to be sloping shelves, and clearing away the thick dust, I found the old familiar glass cases of our own time. But they must have been air-tight to judge from the fair preservation of some of their contents.

"Clearly we stood among the ruins of some latter-day South Kensington! Here, apparently, was the Palaeontological Section, and a very splendid array of fossils it must have been, though the inevitable process of decay that had been staved off for a time, and had, through the extinction of bacteria and fungi, lost ninety-nine hundredths of its force, was nevertheless, with extreme sureness if with extreme slowness at work again upon all its treasures. Here and there I found traces of the little people in the shape of rare fossils broken to pieces or threaded in strings upon reeds. And the cases had in some instances been bodily removed--by the Morlocks as I judged. The place was very silent. The thick dust deadened our footsteps. Weena, who had been rolling a sea-urchin down the sloping glass of a case, presently came, as I stared about me, and very quietly took my hand and stood beside me.

"And at first I was so much surprised by this ancient monument of an intellectual age, that I gave no thought to the possibilities it presented. Even my preoccupation about the Time Machine receded a little from my mind.

"To judge from the size of the place, this Palace of Green Porcelain had a great deal more in it than a Gallery of Palaeontology; possibly historical galleries; it might be, even a library! To me, at least in my present circumstances, these would be vastly more interesting than this spectacle of old-time geology in decay. Exploring, I found another short gallery running transversely to the first. This appeared to be devoted to minerals, and the sight of a block of sulphur set my mind running on gunpowder. But I could find no saltpetre; indeed, no nitrates of any kind. Doubtless they had deliquesced ages ago. Yet the sulphur hung in my mind, and set up a train of thinking. As for the rest of the contents of that gallery, though on the whole they were the best preserved of all I saw, I had little interest. I am no specialist in mineralogy, and I went on down a very ruinous aisle running parallel to the first hall I had entered. Apparently this section had been devoted to natural history, but everything had long since passed out of recognition. A few shrivelled and blackened vestiges of what had once been stuffed animals, desiccated mummies in jars that had once held spirit, a brown dust of departed plants: that was all! I was sorry for that, because I should have been glad to trace the patent readjustments by which the conquest of animated nature had been attained. Then we came to a gallery of simply colossal proportions, but singularly ill-lit, the floor of it running downward at a slight angle from the end at which I entered. At intervals white globes hung from the ceiling--many of them cracked and smashed--which suggested that originally the place had been artificially lit. Here I was more in my element, for rising on either side of me were the huge bulks of big machines, all greatly corroded and many broken down, but some still fairly complete. You know I have a certain weakness for mechanism, and I was inclined to linger among these; the more so as for the most part they had the interest of puzzles, and I could make only the vaguest guesses at what they were for. I fancied that if I could solve their puzzles I should find myself in possession of powers that might be of use against the Morlocks.

"Suddenly Weena came very close to my side. So suddenly that she startled me. Had it not been for her I do not think I should have noticed that the floor of the gallery sloped at all.* The end I had come in at was quite above ground, and was lit by rare slit-like windows. As you went down the length, the ground came up against these windows, until at last there was a pit like the 'area' of a London house before each, and only a narrow line of daylight at the top. I went slowly along, puzzling about the machines, and had been too intent upon them to notice the gradual diminution of the light, until Weena's increasing apprehensions drew my attention. Then I saw that the gallery ran down at last into a thick darkness. I hesitated, and then, as I looked round me, I saw that the dust was less abundant and its surface less even. Further away towards the dimness, it appeared to be broken by a number of small narrow footprints. My sense of the immediate presence of the Morlocks revived at that. I felt that I was wasting my time in the academic examination of machinery. I called to mind that it was already far advanced in the afternoon, and that I had still no weapon, no refuge, and no means of making a fire. And then down in the remote blackness of the gallery I heard a peculiar pattering, and the same odd noises I had heard down the well."

[* It may be, of course, that the floor did not slope, but that the museum was built into the side of a hill.--Editor.]

"I took Weena's hand. Then struck with a sudden idea, I left her and turned to a machine from which projected a lever not unlike those in a signal-box. Clambering upon the stand, and grasping this lever in my hands, I put all my weight upon it sideways. Suddenly Weena, deserted in the central aisle, began to whimper. I had judged the strength of the lever pretty correctly, for it snapped after a minute's strain, and I rejoined her with a mace in my hand more than sufficient, I judged, for any Morlock skull I might encounter. And I longed very much to kill a Morlock or so. Very inhuman, you may think, to want to go killing one's own descendants! But it was impossible, somehow, to feel any humanity in the things. Only my disinclination to leave Weena, and a persuasion that if I began to slake my thirst for murder my Time Machine might suffer, restrained me from going straight down the gallery and killing the brutes I heard.

"Well, mace in one hand and Weena in the other, I went out of that gallery and into another and still larger one, which at the first glance reminded me of a military chapel hung with tattered flags. The brown and charred rags that hung from the sides of it, I presently recognized as the decaying vestiges of books. They had long since dropped to pieces, and every semblance of print had left them. But here and there were warped boards and cracked metallic clasps that told the tale well enough. Had I been a literary man I might, perhaps, have moralised upon the futility of all ambition. But as it was, the thing that struck me with keenest force was the enormous waste of labour to which this sombre wilderness of rotting paper testified. At the time I will confess that I thought chiefly of the philosophical transactions and my own seventeen papers upon physical optics.

"Then, going up a broad staircase, we came to what may once have been a gallery of technical chemistry. And here I had not a little hope of useful discoveries. Except at one end where the roof had collapsed, this gallery was well preserved. I went eagerly to every unbroken case. And at last, in one of the really air-tight cases, I found a box of matches. Very eagerly I tried them. They were perfectly good. They were not even damp. I turned to Weena. 'Dance,' I cried to her in her own tongue. For now I had a weapon indeed against the horrible creatures we feared. And so, in that derelict museum, upon the thick soft carpeting of dust, to Weena's huge delight, I solemnly performed a kind of composite dance, whistling 'The Land of the Leal' as cheerfully as I could. In part it was a modest cancan, in part a step-dance, in part a skirt-dance (so far as my tail-coat permitted), and in part original. For I am naturally inventive, as you know.

"Now, I still think that for this box of matches to have escaped the wear of time for immemorial years was a most strange, as for me it was a most fortunate thing. Yet oddly enough, I found a far unlikelier substance, and that was camphor. I found it in a sealed jar, that by chance, I suppose, had been really hermetically sealed. I fancied at first that it was paraffin wax, and smashed the glass accordingly. But the odour of camphor was unmistakable. In the universal decay this volatile substance had chanced to survive, perhaps through many thousands of centuries. It reminded me of a sepia painting I had once seen done from the ink of a fossil Belemnite that must have perished and become fossilised millions of years ago. I was about to throw it away, but I remembered that it was inflammable and burned with a good bright flame--was in fact, an excellent candle--and I put it in my pocket. I found no explosives, however nor any means of breaking down the bronze doors. As yet my iron crowbar was the most helpful thing I had chanced upon. Nevertheless I left that gallery greatly elated.

"I cannot tell you all the story of that long afternoon. It would require a great effort of memory to recall my explorations in at all the proper order. I remember a long gallery of rusting stands of arms, and how I hesitated between my crowbar and a hatchet or a sword. I could not carry both however, and my bar of iron promised best against the bronze gates. There were numbers of guns, pistols, and rifles. The most were masses of rust, but many were of some new metal, and still fairly sound. But any cartridges or powder there may once have been had rotted into dust. One corner I saw was charred and shattered; perhaps, I thought, by an explosion among the specimens. In another place was a vast array of idols--Polynesian, Mexican, Grecian, Phoenician, every country on earth I should think. And here, yielding to an irresistible impulse, I wrote my name upon the nose of a steatite monster from South America that particularly took my fancy.

"As the evening drew on, my interest waned. I went through gallery after gallery, dusty, silent, often ruinous, the exhibits sometimes mere heaps of rust and lignite, sometimes fresher. In one place I suddenly found myself near the model of a tin-mine, and then by the merest accident I discovered, in an air-tight case, two dynamite cartridges! I shouted 'Eureka!' and smashed the case with joy. Then came a doubt. I hesitated. Then, selecting a little side gallery, I made my essay. I never felt such a disappointment as I did in waiting five, ten, fifteen minutes for an explosion that never came. Of course the things were dummies, as I might have guessed from their presence. I really believe that had they not been so, I should have rushed off incontinently and blown Sphinx, bronze doors, and (as it proved) my chances of finding the Time Machine, all together into non-existence.

"It was after that, I think, that we came to a little open court within the palace. It was turfed, and had three fruit-trees. So we rested and refreshed ourselves. Towards sunset I began to consider our position. Night was creeping upon us, and my inaccessible hiding-place had still to be found. But that troubled me very little now. I had in my possession a thing that was, perhaps, the best of all defences against the Morlocks--I had matches! I had the camphor in my pocket too, if a blaze were needed. It seemed to me that the best thing we could do would be to pass the night in the open, protected by a fire. In the morning there was the getting of the Time Machine. Towards that, as yet, I had only my iron mace. But now, with my growing knowledge, I felt very differently towards those bronze doors. Up to this, I had refrained from forcing them, largely because of the mystery on the other side. They had never impressed me as being very strong, and I hoped to find my bar of iron not altogether inadequate for the work."
9.
"We emerged from the palace while the sun was still in part above the horizon. I was determined to reach the White Sphinx early the next morning, and ere the dusk I purposed pushing through the woods that had stopped me on the previous journey. My plan was to go as far as possible that night, and then, building a fire, to sleep in the protection of its glare. Accordingly, as we went along I gathered any sticks or dried grass I saw, and presently had my arms full of such litter. Thus loaded, our progress was slower than I had anticipated, and besides Weena was tired. And I began to suffer from sleepiness too; so that it was full night before we reached the wood. Upon the shrubby hill of its edge Weena would have stopped, fearing the darkness before us; but a singular sense of impending calamity, that should indeed have served me as a warning, drove me onward. I had been without sleep for a night and two days, and I was feverish and irritable. I felt sleep coming upon me, and the Morlocks with it.

"While we hesitated, among the black bushes behind us, and dim against their blackness, I saw three crouching figures. There was scrub and long grass all about us, and I did not feel safe from their insidious approach. The forest, I calculated, was rather less than a mile across. If we could get through it to the bare hillside, there as it seemed to me, was an altogether safer resting-place; I thought that with my matches and my camphor I could contrive to keep my path illuminated through the woods. Yet it was evident that if I was to flourish matches with my hands I should have to abandon my firewood; so, rather reluctantly, I put it down. And then it came into my head that I would amaze our friends behind by lighting it. I was to discover the atrocious folly of this proceeding, but it came to my mind as an ingenious move for covering our retreat."

"I don't know if you have ever thought what a rare thing flame must be in the absence of man and in a temperate climate. The sun's heat is rarely strong enough to burn, even when it is focused by dewdrops, as is sometimes the case in more tropical districts. Lightning may blast and blacken, but it rarely gives rise to widespread fire. Decaying vegetation may occasionally smoulder with the heat of its fermentation, but this rarely results in flame. In this decadence, too, the art of fire-making had been forgotten on the earth. The red tongues that went licking up my heap of wood were an altogether new and strange thing to Weena.

"She wanted to run to it and play with it. I believe she would have cast herself into it had I not restrained her. But I caught her up, and in spite of her struggles, plunged boldly before me into the wood. For a little way the glare of my fire lit the path. Looking back presently, I could see, through the crowded stems, that from my heap of sticks the blaze had spread to some bushes adjacent, and a curved line of fire was creeping up the grass of the hill. I laughed at that, and turned again to the dark trees before me. It was very black, and Weena clung to me convulsively, but there was still, as my eyes grew accustomed to the darkness, sufficient light for me to avoid the stems. Overhead it was simply black, except where a gap of remote blue sky shone down upon us here and there. I struck none of my matches because I had no hand free. Upon my left arm I carried my little one, in my right hand I had my iron bar.

"For some way I heard nothing but the crackling twigs under my feet, the faint rustle of the breeze above, and my own breathing and the throb of the blood-vessels in my ears. Then I seemed to know of a pattering about me. I pushed on grimly. The pattering grew more distinct, and then I caught the same queer sound and voices I had heard in the Under World. There were evidently several of the Morlocks, and they were closing in upon me. Indeed, in another minute I felt a tug at my coat, then something at my arm. And Weena shivered violently, and became quite still.

"It was time for a match. But to get one I must put her down. I did so, and as I fumbled with my pocket, a struggle began in the darkness about my knees, perfectly silent on her part and with the same peculiar cooing sounds from the Morlocks. Soft little hands too, were creeping over my coat and back, touching even my neck. Then the match scratched and fizzed. I held it flaring, and saw the white backs of the Morlocks in flight amid the trees. I hastily took a lump of camphor from my pocket, and prepared to light it as soon as the match should wane. Then I looked at Weena. She was lying clutching my feet and quite motionless, with her face to the ground. With a sudden fright I stooped to her. She seemed scarcely to breathe. I lit the block of camphor and flung it to the ground, and as it split and flared up and drove back the Morlocks and the shadows, I knelt down and lifted her. The wood behind seemed full of the stir and murmur of a great company!

"She seemed to have fainted. I put her carefully upon my shoulder and rose to push on, and then there came a horrible realization. In manoeuvring with my matches and Weena, I had turned myself about several times, and now I had not the faintest idea in what direction lay my path. For all I knew, I might be facing back towards the Palace of Green Porcelain. I found myself in a cold sweat. I had to think rapidly what to do. I determined to build a fire and encamp where we were. I put Weena, still motionless, down upon a turfy bole, and very hastily, as my first lump of camphor waned, I began collecting sticks and leaves. Here and there out of the darkness round me the Morlocks' eyes shone like carbuncles.

"The camphor flickered and went out. I lit a match, and as I did so, two white forms that had been approaching Weena dashed hastily away. One was so blinded by the light that he came straight for me, and I felt his bones grind under the blow of my fist. He gave a whoop of dismay, staggered a little way, and fell down. I lit another piece of camphor, and went on gathering my bonfire. Presently I noticed how dry was some of the foliage above me, for since my arrival on the Time Machine, a matter of a week, no rain had fallen. So instead of casting about among the trees for fallen twigs, I began leaping up and dragging down branches. Very soon I had a choking smoky fire of green wood and dry sticks, and could economize my camphor. Then I turned to where Weena lay beside my iron mace. I tried what I could to revive her, but she lay like one dead. I could not even satisfy myself whether or not she breathed.

"Now the smoke of the fire beat over towards me, and it must have made me heavy of a sudden. Moreover, the vapour of camphor was in the air. My fire would not need replenishing for an hour or so. I felt very weary after my exertion, and sat down. The wood too, was full of a slumbrous murmur that I did not understand. I seemed just to nod and open my eyes. But all was dark, and the Morlocks had their hands upon me. Flinging off their clinging fingers I hastily felt in my pocket for the match-box, and--it had gone! Then they gripped and closed with me again. In a moment I knew what had happened. I had slept, and my fire had gone out, and the bitterness of death came over my soul. The forest seemed full of the smell of burning wood. I was caught by the neck, by the hair, by the arms, and pulled down. It was indescribably horrible in the darkness to feel all these soft creatures heaped upon me. I felt as if I was in a monstrous spider's web. I was overpowered, and went down. I felt little teeth nipping at my neck. I rolled over, and as I did so my hand came against my iron lever. It gave me strength. I struggled up, shaking the human rats from me, and holding the bar short, I thrust where I judged their faces might be. I could feel the succulent giving of flesh and bone under my blows, and for a moment I was free.

"The strange exultation that so often seems to accompany hard fighting came upon me. I knew that both I and Weena were lost, but I determined to make the Morlocks pay for their meat. I stood with my back to a tree, swinging the iron bar before me. The whole wood was full of the stir and cries of them. A minute passed. Their voices seemed to rise to a higher pitch of excitement, and their movements grew faster. Yet none came within reach. I stood glaring at the blackness. Then suddenly came hope. What if the Morlocks were afraid? And close on the heels of that came a strange thing. The darkness seemed to grow luminous. Very dimly I began to see the Morlocks about me--three battered at my feet--and then I recognized, with incredulous surprise, that the others were running, in an incessant stream, as it seemed, from behind me, and away through the wood in front. And their backs seemed no longer white, but reddish. As I stood agape, I saw a little red spark go drifting across a gap of starlight between the branches, and vanish. And at that I understood the smell of burning wood, the slumbrous murmur that was growing now into a gusty roar, the red glow, and the Morlocks' flight.

"Stepping out from behind my tree and looking back, I saw through the black pillars of the nearer trees, the flames of the burning forest. It was my first fire coming after me. With that I looked for Weena, but she was gone. The hissing and crackling behind me, the explosive thud as each fresh tree burst into flame, left little time for reflection. My iron bar still gripped, I followed in the Morlocks' path. It was a close race. Once the flames crept forward so swiftly on my right as I ran that I was outflanked and had to strike off to the left. But at last I emerged upon a small open space, and as I did so, a Morlock came blundering towards me, and past me, and went on straight into the fire!

"And now I was to see the most weird and horrible thing, I think, of all that I beheld in that future age. This whole space was as bright as day with the reflection of the fire. In the centre was a hillock or tumulus, surmounted by a scorched hawthorn. Beyond this was another arm of the burning forest, with yellow tongues already writhing from it, completely encircling the space with a fence of fire. Upon the hillside were some thirty or forty Morlocks, dazzled by the light and heat, and blundering hither and thither against each other in their bewilderment. At first I did not realize their blindness, and struck furiously at them with my bar, in a frenzy of fear, as they approached me, killing one and crippling several more. But when I had watched the gestures of one of them groping under the hawthorn against the red sky, and heard their moans, I was assured of their absolute helplessness and misery in the glare, and I struck no more of them.

"Yet every now and then one would come straight towards me, setting loose a quivering horror that made me quick to elude him. At one time the flames died down somewhat, and I feared the foul creatures would presently be able to see me. I was thinking of beginning the fight by killing some of them before this should happen; but the fire burst out again brightly, and I stayed my hand. I walked about the hill among them and avoided them, looking for some trace of Weena. But Weena was gone.

"At last I sat down on the summit of the hillock, and watched this strange incredible company of blind things groping to and fro, and making uncanny noises to each other, as the glare of the fire beat on them. The coiling uprush of smoke streamed across the sky, and through the rare tatters of that red canopy, remote as though they belonged to another universe, shone the little stars. Two or three Morlocks came blundering into me, and I drove them off with blows of my fists, trembling as I did so.

"For the most part of that night I was persuaded it was a nightmare. I bit myself and screamed in a passionate desire to awake. I beat the ground with my hands, and got up and sat down again, and wandered here and there, and again sat down. Then I would fall to rubbing my eyes and calling upon God to let me awake. Thrice I saw Morlocks put their heads down in a kind of agony and rush into the flames. But at last, above the subsiding red of the fire, above the streaming masses of black smoke and the whitening and blackening tree stumps, and the diminishing numbers of these dim creatures, came the white light of the day.

"I searched again for traces of Weena, but there were none. It was plain that they had left her poor little body in the forest. I cannot describe how it relieved me to think that it had escaped the awful fate to which it seemed destined. As I thought of that, I was almost moved to begin a massacre of the helpless abominations about me, but I contained myself. The hillock, as I have said, was a kind of island in the forest. From its summit I could now make out through a haze of smoke the Palace of Green Porcelain, and from that I could get my bearings for the White Sphinx. And so, leaving the remnant of these damned souls still going hither and thither and moaning, as the day grew clearer, I tied some grass about my feet and limped on across smoking ashes and among black stems, that still pulsated internally with fire, towards the hiding-place of the Time Machine. I walked slowly, for I was almost exhausted, as well as lame, and I felt the intensest wretchedness for the horrible death of little Weena. It seemed an overwhelming calamity. Now in this old familiar room, it is more like the sorrow of a dream than an actual loss. But that morning it left me absolutely lonely again--terribly alone. I began to think of this house of mine, of this fireside, of some of you, and with such thoughts came a longing that was pain.

"But as I walked over the smoking ashes under the bright morning sky, I made a discovery. In my trouser pocket were still some loose matches. The box must have leaked before it was lost."
10.
"About eight or nine in the morning I came to the same seat of yellow metal from which I had viewed the world upon the evening of my arrival. I thought of my hasty conclusions upon that evening and could not refrain from laughing bitterly at my confidence. Here was the same beautiful scene, the same abundant foliage, the same splendid palaces and magnificent ruins, the same silver river running between its fertile banks. The gay robes of the beautiful people moved hither and thither among the trees. Some were bathing in exactly the place where I had saved Weena, and that suddenly gave me a keen stab of pain. And like blots upon the landscape rose the cupolas above the ways to the Under World. I understood now what all the beauty of the Overworld people covered. Very pleasant was their day, as pleasant as the day of the cattle in the field. Like the cattle, they knew of no enemies and provided against no needs. And their end was the same.

"I grieved to think how brief the dream of the human intellect had been. It had committed suicide. It had set itself steadfastly towards comfort and ease, a balanced society with security and permanency as its watchword, it had attained its hopes--to come to this at last. Once life and property must have reached almost absolute safety. The rich had been assured of his wealth and comfort, the toiler assured of his life and work. No doubt in that perfect world there had been no unemployed problem, no social question left unsolved. And a great quiet had followed.

"It is a law of nature we overlook, that intellectual versatility is the compensation for change, danger, and trouble. An animal perfectly in harmony with its environment is a perfect mechanism. Nature never appeals to intelligence until habit and instinct are useless. There is no intelligence where there is no change and no need of change. Only those animals partake of intelligence that have to meet a huge variety of needs and dangers.

"So, as I see it, the Upper-World man had drifted towards his feeble prettiness, and the Under-World to mere mechanical industry. But that perfect state had lacked one thing even for mechanical perfection--absolute permanency. Apparently as time went on, the feeding of the UnderWorld, however it was effected, had become disjointed. Mother Necessity, who had been staved off for a few thousand years, came back again, and she began below. The Under-World being in contact with machinery, which however perfect, still needs some little thought outside habit, had probably retained perforce rather more initiative, if less of every other human character, than the Upper. And when other meat failed them, they turned to what old habit had hitherto forbidden. So I say I saw it in my last view of the world of Eight Hundred and Two Thousand Seven Hundred and One. It may be as wrong an explanation as mortal wit could invent. It is how the thing shaped itself to me, and as that I give it to you.

"After the fatigues, excitements, and terrors of the past days, and in spite of my grief, this seat and the tranquil view and the warm sunlight were very pleasant. I was very tired and sleepy, and soon my theorizing passed into dozing. Catching myself at that, I took my own hint, and spreading myself out upon the turf I had a long and refreshing sleep.

"I awoke a little before sunsetting. I now felt safe against being caught napping by the Morlocks, and stretching myself, I came on down the hill towards the White Sphinx. I had my crowbar in one hand, and the other hand played with the matches in my pocket.

"And now came a most unexpected thing. As I approached the pedestal of the sphinx I found the bronze valves were open. They had slid down into grooves.

"At that I stopped short before them, hesitating to enter.

"Within was a small apartment, and on a raised place in the corner of this was the Time Machine. I had the small levers in my pocket. So here, after all my elaborate preparations for the siege of the White Sphinx, was a meek surrender. I threw my iron bar away, almost sorry not to use it.

"A sudden thought came into my head as I stooped towards the portal. For once, at least, I grasped the mental operations of the Morlocks. Suppressing a strong inclination to laugh, I stepped through the bronze frame and up to the Time Machine. I was surprised to find it had been carefully oiled and cleaned. I have suspected since that the Morlocks had even partially taken it to pieces while trying in their dim way to grasp its purpose.

"Now as I stood and examined it, finding a pleasure in the mere touch of the contrivance, the thing I had expected happened. The bronze panels suddenly slid up and struck the frame with a clang. I was in the dark--trapped. So the Morlocks thought. At that I chuckled gleefully.

"I could already hear their murmuring laughter as they came towards me. Very calmly I tried to strike the match. I had only to fix on the levers and depart then like a ghost. But I had overlooked one little thing. The matches were of that abominable kind that light only on the box.

"You may imagine how all my calm vanished. The little brutes were close upon me. One touched me. I made a sweeping blow in the dark at them with the levers, and began to scramble into the saddle of the machine. Then came one hand upon me and then another. Then I had simply to fight against their persistent fingers for my levers, and at the same time feel for the studs over which these fitted. Once indeed, they almost got away from me. As it slipped from my hand, I had to butt in the dark with my head--I could hear the Morlock's skull ring--to recover it. It was a nearer thing than the fight in the forest, I think, this last scramble.

"But at last the lever was fitted and pulled over. The clinging hands slipped from me. The darkness presently fell from my eyes. I found myself in the same grey light and tumult I have already described."
11.
"I have already told you of the sickness and confusion that comes with time travelling. And this time I was not seated properly in the saddle, but sideways and in an unstable fashion. For an indefinite time I clung to the machine as it swayed and vibrated, quite unheeding how I went, and when I brought myself to look at the dials again I was amazed to find where I had arrived. One dial records days, and another thousands of days, another millions of days, and another thousands of millions. Now, instead of reversing the levers, I had pulled them over so as to go forward with them, and when I came to look at these indicators I found that the thousands hand was sweeping round as fast as the seconds hand of a watch--into futurity.

"As I drove on, a peculiar change crept over the appearance of things. The palpitating greyness grew darker; then--though I was still travelling with prodigious velocity--the blinking succession of day and night, which was usually indicative of a slower pace, returned, and grew more and more marked. This puzzled me very much at first. The alternations of night and day grew slower and slower, and so did the passage of the sun across the sky, until they seemed to stretch through centuries. At last a steady twilight brooded over the earth, a twilight only broken now and then when a comet glared across the darkling sky. The band of light that had indicated the sun had long since disappeared; for the sun had ceased to set--it simply rose and fell in the west, and grew ever broader and more red. All trace of the moon had vanished. The circling of the stars, growing slower and slower, had given place to creeping points of light. At last, some time before I stopped, the sun, red and very large, halted motionless upon the horizon, a vast dome glowing with a dull heat, and now and then suffering a momentary extinction. At one time it had for a little while glowed more brilliantly again, but it speedily reverted to its sullen red heat. I perceived by this slowing down of its rising and setting that the work of the tidal drag was done. The earth had come to rest with one face to the sun, even as in our own time the moon faces the earth. Very cautiously, for I remembered my former headlong fall, I began to reverse my motion. Slower and slower went the circling hands until the thousands one seemed motionless and the daily one was no longer a mere mist upon its scale. Still slower, until the dim outlines of a desolate beach grew visible. I stopped very gently and sat upon the Time Machine, looking round. The sky was no longer blue. North-eastward it was inky black, and out of the blackness shone brightly and steadily the pale white stars. Overhead it was a deep Indian red and starless, and south-eastward it grew brighter to a glowing scarlet where, cut by the horizon, lay the huge hull of the sun, red and motionless. The rocks about me were of a harsh reddish colour, and all the trace of life that I could see at first was the intensely green vegetation that covered every projecting point on their south-eastern face. It was the same rich green that one sees on forest moss or on the lichen in caves: plants which like these grow in a perpetual twilight.

"The machine was standing on a sloping beach. The sea stretched away to the south-west, to rise into a sharp bright horizon against the wan sky. There were no breakers and no waves, for not a breath of wind was stirring. Only a slight oily swell rose and fell like a gentle breathing, and showed that the eternal sea was still moving and living. And along the margin where the water sometimes broke was a thick incrustation of salt--pink under the lurid sky. There was a sense of oppression in my head, and I noticed that I was breathing very fast. The sensation reminded me of my only experience of mountaineering, and from that I judged the air to be more rarefied than it is now.

"Far away up the desolate slope I heard a harsh scream, and saw a thing like a huge white butterfly go slanting and fluttering up into the sky and, circling, disappear over some low hillocks beyond. The sound of its voice was so dismal that I shivered and seated myself more firmly upon the machine. Looking round me again, I saw that, quite near, what I had taken to be a reddish mass of rock was moving slowly towards me. Then I saw the thing was really a monstrous crab-like creature. Can you imagine a crab as large as yonder table, with its many legs moving slowly and uncertainly, its big claws swaying, its long antennae, like carters' whips, waving and feeling, and its stalked eyes gleaming at you on either side of its metallic front? Its back was corrugated and ornamented with ungainly bosses, and a greenish incrustation blotched it here and there. I could see the many palps of its complicated mouth flickering and feeling as it moved.

"As I stared at this sinister apparition crawling towards me, I felt a tickling on my cheek as though a fly had lighted there. I tried to brush it away with my hand, but in a moment it returned, and almost immediately came another by my ear. I struck at this, and caught something threadlike. It was drawn swiftly out of my hand. With a frightful qualm, I turned, and I saw that I had grasped the antenna of another monster crab that stood just behind me. Its evil eyes were wriggling on their stalks, its mouth was all alive with appetite, and its vast ungainly claws, smeared with an algal slime, were descending upon me. In a moment my hand was on the lever, and I had placed a month between myself and these monsters. But I was still on the same beach, and I saw them distinctly now as soon as I stopped. Dozens of them seemed to be crawling here and there, in the sombre light, among the foliated sheets of intense green.

"I cannot convey the sense of abominable desolation that hung over the world. The red eastern sky, the northward blackness, the salt Dead Sea, the stony beach crawling with these foul, slow-stirring monsters, the uniform poisonous-looking green of the lichenous plants, the thin air that hurts one's lungs: all contributed to an appalling effect. I moved on a hundred years, and there was the same red sun--a little larger, a little duller--the same dying sea, the same chill air, and the same crowd of earthy crustacea creeping in and out among the green weed and the red rocks. And in the westward sky, I saw a curved pale line like a vast new moon.

"So I travelled, stopping ever and again, in great strides of a thousand years or more, drawn on by the mystery of the earth's fate, watching with a strange fascination the sun grow larger and duller in the westward sky, and the life of the old earth ebb away. At last, more than thirty million years hence, the huge red-hot dome of the sun had come to obscure nearly a tenth part of the darkling heavens. Then I stopped once more, for the crawling multitude of crabs had disappeared, and the red beach, save for its livid green liverworts and lichens, seemed lifeless. And now it was flecked with white. A bitter cold assailed me. Rare white flakes ever and again came eddying down. To the north-eastward, the glare of snow lay under the starlight of the sable sky and I could see an undulating crest of hillocks pinkish white. There were fringes of ice along the sea margin, with drifting masses further out; but the main expanse of that salt ocean, all bloody under the eternal sunset, was still unfrozen.

"I looked about me to see if any traces of animal life remained. A certain indefinable apprehension still kept me in the saddle of the machine. But I saw nothing moving, in earth or sky or sea. The green slime on the rocks alone testified that life was not extinct. A shallow sand-bank had appeared in the sea and the water had receded from the beach. I fancied I saw some black object flopping about upon this bank, but it became motionless as I looked at it, and I judged that my eye had been deceived, and that the black object was merely a rock. The stars in the sky were intensely bright and seemed to me to twinkle very little.

"Suddenly I noticed that the circular westward outline of the sun had changed; that a concavity, a bay, had appeared in the curve. I saw this grow larger. For a minute perhaps I stared aghast at this blackness that was creeping over the day, and then I realized that an eclipse was beginning. Either the moon or the planet Mercury was passing across the sun's disk. Naturally, at first I took it to be the moon, but there is much to incline me to believe that what I really saw was the transit of an inner planet passing very near to the earth.

"The darkness grew apace; a cold wind began to blow in freshening gusts from the east, and the showering white flakes in the air increased in number. From the edge of the sea came a ripple and whisper. Beyond these lifeless sounds the world was silent. Silent? It would be hard to convey the stillness of it. All the sounds of man, the bleating of sheep, the cries of birds, the hum of insects, the stir that makes the background of our lives--all that was over. As the darkness thickened, the eddying flakes grew more abundant, dancing before my eyes; and the cold of the air more intense. At last, one by one, swiftly, one after the other, the white peaks of the distant hills vanished into blackness. The breeze rose to a moaning wind. I saw the black central shadow of the eclipse sweeping towards me. In another moment the pale stars alone were visible. All else was rayless obscurity. The sky was absolutely black."

"A horror of this great darkness came on me. The cold, that smote to my marrow, and the pain I felt in breathing, overcame me. I shivered, and a deadly nausea seized me. Then like a red-hot bow in the sky appeared the edge of the sun. I got off the machine to recover myself. I felt giddy and incapable of facing the return journey. As I stood sick and confused I saw again the moving thing upon the shoal--there was no mistake now that it was a moving thing--against the red water of the sea. It was a round thing, the size of a football perhaps, or, it may be, bigger, and tentacles trailed down from it; it seemed black against the weltering blood-red water, and it was hopping fitfully about. Then I felt I was fainting. But a terrible dread of lying helpless in that remote and awful twilight sustained me while I clambered upon the saddle."
12.
"So I came back. For a long time I must have been insensible upon the machine. The blinking succession of the days and nights was resumed, the sun got golden again, the sky blue. I breathed with greater freedom. The fluctuating contours of the land ebbed and flowed. The hands spun backward upon the dials. At last I saw again the dim shadows of houses, the evidences of decadent humanity. These too, changed and passed, and others came. Presently, when the million dial was at zero, I slackened speed. I began to recognize our own petty and familiar architecture, the thousands hand ran back to the starting-point, the night and day flapped slower and slower. Then the old walls of the laboratory came round me. Very gently, now, I slowed the mechanism down.

"I saw one little thing that seemed odd to me. I think I have told you that when I set out, before my velocity became very high, Mrs. Watchett had walked across the room, travelling, as it seemed to me, like a rocket. As I returned, I passed again across that minute when she traversed the laboratory. But now her every motion appeared to be the exact inversion of her previous ones. The door at the lower end opened, and she glided quietly up the laboratory, back foremost, and disappeared behind the door by which she had previously entered. Just before that I seemed to see Hillyer for a moment; but he passed like a flash.

"Then I stopped the machine, and saw about me again the old familiar laboratory, my tools, my appliances just as I had left them. I got off the thing very shaky, and sat down upon my bench. For several minutes I trembled violently. Then I became calmer. Around me was my old workshop again, exactly as it had been. I might have slept there, and the whole thing have been a dream.

"And yet, not exactly! The thing had started from the south-east corner of the laboratory. It had come to rest again in the north-west, against the wall where you saw it. That gives you the exact distance from my little lawn to the pedestal of the White Sphinx, into which the Morlocks had carried my machine.

"For a time my brain went stagnant. Presently I got up and came through the passage here, limping, because my heel was still painful, and feeling sorely begrimed. I saw the 'Pall Mall Gazette' on the table by the door. I found the date was indeed to-day, and looking at the timepiece, saw the hour was almost eight o'clock. I heard your voices and the clatter of plates. I hesitated--I felt so sick and weak. Then I sniffed good wholesome meat, and opened the door on you. You know the rest. I washed, and dined, and now I am telling you the story.

"I know," he said, after a pause, "that all this will be absolutely incredible to you. To me the one incredible thing is that I am here to-night in this old familiar room looking into your friendly faces and telling you these strange adventures."

He looked at the Medical Man. "No, I cannot expect you to believe it. Take it as a lie--or a prophecy. Say I dreamed it in the workshop. Consider I have been speculating upon the destinies of our race until I have hatched this fiction. Treat my assertion of its truth as a mere stroke of art to enhance its interest. And taking it as a story, what do you think of it?"

He took up his pipe, and began, in his old accustomed manner, to tap with it nervously upon the bars of the grate. There was a momentary stillness. Then chairs began to creak and shoes to scrape upon the carpet. I took my eyes off the Time Traveller's face, and looked round at his audience. They were in the dark, and little spots of colour swam before them. The Medical Man seemed absorbed in the contemplation of our host. The Editor was looking hard at the end of his cigar--the sixth. The Journalist fumbled for his watch. The others, as far as I remember, were motionless.

The Editor stood up with a sigh. "What a pity it is you're not a writer of stories!" he said, putting his hand on the Time Traveller's shoulder.

"You don't believe it?"

"Well--"

"I thought not."

The Time Traveller turned to us. "Where are the matches?" he said. He lit one and spoke over his pipe, puffing. "To tell you the truth...I hardly believe it myself...And yet..."

His eye fell with a mute inquiry upon the withered white flowers upon the little table. Then he turned over the hand holding his pipe, and I saw he was looking at some half-healed scars on his knuckles.

The Medical Man rose, came to the lamp, and examined the flowers. "The gynaeceum's odd," he said. The Psychologist leant forward to see, holding out his hand for a specimen.

"I'm hanged if it isn't a quarter to one," said the Journalist. "How shall we get home?"

"Plenty of cabs at the station," said the Psychologist.

"It's a curious thing," said the Medical Man; "but I certainly don't know the natural order of these flowers. May I have them?"

The Time Traveller hesitated. Then suddenly: "Certainly not."

"Where did you really get them?" said the Medical Man.

The Time Traveller put his hand to his head. He spoke like one who was trying to keep hold of an idea that eluded him. "They were put into my pocket by Weena, when I travelled into Time." He stared round the room. "I'm damned if it isn't all going. This room and you and the atmosphere of every day is too much for my memory. Did I ever make a Time Machine, or a model of a Time Machine? Or is it all only a dream? They say life is a dream, a precious poor dream at times--but I can't stand another that won't fit. It's madness. And where did the dream come from...? I must look at that machine. If there is one!"

He caught up the lamp swiftly, and carried it, flaring red, through the door into the corridor. We followed him. There in the flickering light of the lamp was the machine sure enough, squat, ugly, and askew; a thing of brass, ebony, ivory, and translucent glimmering quartz. Solid to the touch--for I put out my hand and felt the rail of it--and with brown spots and smears upon the ivory, and bits of grass and moss upon the lower parts, and one rail bent awry.

The Time Traveller put the lamp down on the bench, and ran his hand along the damaged rail. "It's all right now," he said. "The story I told you was true. I'm sorry to have brought you out here in the cold." He took up the lamp, and in an absolute silence, we returned to the smoking-room.

He came into the hall with us and helped the Editor on with his coat. The Medical Man looked into his face and, with a certain hesitation, told him he was suffering from overwork, at which he laughed hugely. I remember him standing in the open doorway, bawling good-night.

I shared a cab with the Editor. He thought the tale a "gaudy lie." For my own part I was unable to come to a conclusion. The story was so fantastic and incredible, the telling so credible and sober. I lay awake most of the night thinking about it. I determined to go next day and see the Time Traveller again. I was told he was in the laboratory, and being on easy terms in the house, I went up to him. The laboratory, however was empty. I stared for a minute at the Time Machine and put out my hand and touched the lever. At that the squat substantial-looking mass swayed like a bough shaken by the wind. Its instability startled me extremely, and I had a queer reminiscence of the childish days when I used to be forbidden to meddle. I came back through the corridor. The Time Traveller met me in the smoking-room. He was coming from the house. He had a small camera under one arm and a knapsack under the other. He laughed when he saw me, and gave me an elbow to shake. "I'm frightfully busy," said he, "with that thing in there."

"But is it not some hoax?" I said. "Do you really travel through time?"

"Really and truly I do." And he looked frankly into my eyes. He hesitated. His eye wandered about the room. "I only want half an hour," he said. "I know why you came, and it's awfully good of you. There's some magazines here. If you'll stop to lunch I'll prove you this time travelling up to the hilt, specimen and all. If you'll forgive my leaving you now?"

I consented, hardly comprehending then the full import of his words, and he nodded and went on down the corridor. I heard the door of the laboratory slam, seated myself in a chair, and took up a daily paper. What was he going to do before lunchtime? Then suddenly I was reminded by an advertisement that I had promised to meet Richardson, the publisher, at two. I looked at my watch, and saw that I could barely save that engagement. I got up and went down the passage to tell the Time Traveller.

As I took hold of the handle of the door I heard an exclamation, oddly truncated at the end, and a click and a thud. A gust of air whirled round me as I opened the door, and from within came the sound of broken glass falling on the floor. The Time Traveller was not there. I seemed to see a ghostly, indistinct figure sitting in a whirling mass of black and brass for a moment--a figure so transparent that the bench behind with its sheets of drawings was absolutely distinct; but this phantasm vanished as I rubbed my eyes. The Time Machine had gone. Save for a subsiding stir of dust, the further end of the laboratory was empty. A pane of the skylight had, apparently, just been blown in.

I felt an unreasonable amazement. I knew that something strange had happened, and for the moment could not distinguish what the strange thing might be. As I stood staring, the door into the garden opened, and the man-servant appeared.

We looked at each other. Then ideas began to come. "Has Mr. ---- gone out that way?" said I.

"No, sir. No one has come out this way. I was expecting to find him here."

At that I understood. At the risk of disappointing Richardson I stayed on, waiting for the Time Traveller; waiting for the second, perhaps still stranger story, and the specimens and photographs he would bring with him. But I am beginning now to fear that I must wait a lifetime. The Time Traveller vanished three years ago. And, as everybody knows now, he has never returned.

Epilogue One cannot choose but wonder. Will he ever return? It may be that he swept back into the past, and fell among the blood-drinking, hairy savages of the Age of Unpolished Stone; into the abysses of the Cretaceous Sea; or among the grotesque saurians, the huge reptilian brutes of the Jurassic times. He may even now--if I may use the phrase--be wandering on some plesiosaurus-haunted Oolitic coral reef, or beside the lonely saline lakes of the Triassic Age. Or did he go forward, into one of the nearer ages, in which men are still men, but with the riddles of our own time answered and its wearisome problems solved? Into the manhood of the race: for I, for my own part cannot think that these latter days of weak experiment, fragmentary theory, and mutual discord are indeed man's culminating time! I say, for my own part. He, I know--for the question had been discussed among us long before the Time Machine was made--thought but cheerlessly of the Advancement of Mankind, and saw in the growing pile of civilization only a foolish heaping that must inevitably fall back upon and destroy its makers in the end. If that is so, it remains for us to live as though it were not so. But to me the future is still black and blank--is a vast ignorance, lit at a few casual places by the memory of his story. And I have by me, for my comfort, two strange white flowers--shrivelled now, and brown and flat and brittle--to witness that even when mind and strength had gone, gratitude and a mutual tenderness still lived on in the heart of man.

THE EMPIRE OF THE ANTS
1.
When Captain Gerilleau received instructions to take his new gunboat, the Benjamin Constant, to Badama on the Batemo arm of the Guaramadema and there assist the inhabitants against a plague of ants, he suspected the authorities of mockery. His promotion had been romantic and irregular, the affections of a prominent Brazilian lady and the captain's liquid eyes had played a part in the process, and the Diario and O Futuro had been lamentably disrespectful in their comments. He felt he was to give further occasion for disrespect.

He was a Creole, his conceptions of etiquette and discipline were pure-blooded Portuguese, and it was only to Holroyd, the Lancashire engineer, who had come over with the boat, and as an exercise in the use of English--his "th" sounds were very uncertain--that he opened his heart.

"It is in effect," he said, "to make me absurd! What can a man do against ants? Dey come, dey go."

"They say," said Holroyd, "that these don't go. That chap you said was a Sambo--"

"Zambo--it is a sort of mixture of blood."

"Sambo. He said the people are going!"

The captain smoked fretfully for a time. "Dese things 'ave to happen," he said at last. "What is it? Plagues of ants and suchlike as God wills. Dere was a plague in Trinidad--the like ants that carry leaves. Orl der oranges-trees, all der mangoes! What does it matter? Sometimes ant armies come into your houses--fighting ants; a different sort. You go and they clean the house. Then you come back again;--the house is clean, like new! No cockroaches, no fleas, no jiggers in the floor."

"That Sambo chap," said Holroyd, "says these are a different sort of ant."

The captain shrugged his shoulders, fumed, and gave his attention to a cigarette.

Afterwards he reopened the subject. "My dear 'Olroyd, what am I to do about des infernal ants?"

The captain reflected. "It is ridiculous," he said. But in the afternoon he put on his full uniform and went ashore, and jars and boxes came back to the ship and subsequently he did. And Holroyd sat on deck in evening coolness and smoked profoundly and marvelled at Brazil. They were six days up the Amazon, some hundreds of miles from the ocean, and east and west of him there was horizon like the sea, and to the south nothing but a sand-bank island with some tufts of scrub. The water was always running like a sluice, thick with dirt, animated with crocodiles and hovering birds, and fed by some inexhaustible source of tree trunks; and the waste of it, the headlong waste of it, filled his soul. The town of Alemquer, with its meagre church, its thatched sheds for houses, its discoloured ruins of ampler days, seemed a little thing lost in this wilderness of Nature, a sixpence dropped on Sahara. He was a young man, this was his first site of the tropics, he came straight from England, where Nature is hedged, ditched, and drained into the perfection of submission, and he had suddenly discovered the insignificance of man. For six days they had been steaming up the sea by unfrequented channels, and man had been as rare as a rare butterfly. One saw one day a canoe, another day a distant station, the next no men at all. He began to perceive that man is indeed a rare animal, having but a precarious hold upon this land.

He perceived it more clearly as the days passed, and he made his devious way to the Batemo, in the company of this remarkable commander, who ruled over one big gun, and was forbidden to waste his ammunition. Holroyd was learning Spanish industriously, but he was still in the present tense and substantive stage of speech, and the only other person who had any words of English was a negro stoker, who had them all wrong. The second in command was a Portuguese, da Cunha, who spoke French, but it was a different sort of French from the French Holroyd had learned in Southport, and their intercourse was confined to politenesses and simple propositions about weather. And the weather, like everything else in this amazing new world, the weather had no human aspect, and was hot by night and hot by day, and the air steam, even the wind was hot steam, smelling of vegetation in decay: and the alligators and the strange birds, the flies of many sorts and sizes, the beetles, the ants, the snakes and monkeys seemed to wonder what man was doing in an atmosphere that had no gladness in its sunshine and no coolness in its night. To wear clothing was intolerable, but to cast it aside was to scorch by day, and expose an ampler area to the mosquitoes by night; to go on deck by day was to be blinded by glare and to stay below was to suffocate. And in the daytime came certain flies, extremely clever and noxious about one's wrist and ankle. Captain Gerilleau, who was Holroyd's sole distraction from these physical distresses, developed into a formidable bore, telling the simple story of his heart's affections day by day, a string of anonymous women, as if he was telling beads. Sometimes he suggested sport, and they shot at alligators, and at rare intervals they came to human aggregations in the waste of trees, and stayed for a day or so, and drank and sat about; and one night, danced with Creole girls, who found Holroyd's poor elements of Spanish, without either past tense or future, amply sufficient for their purposes. But these were mere luminous chinks in the long grey passage of the streaming river, up which the throbbing engines beat. A certain liberal heathen deity, in the shape of demi-john, held seductive court aft, and it is probable, forward.

But Gerilleau learned things about the ants, more things and more, at this stopping-place and that, and became interested in his mission.

"Dey are a new sort of ant," he said. "We have got to be--what do you call it--? Entomologie? Big. Five centimetres! Some bigger! It is ridiculous. We are like monkeys--sent to pick insects...But dey are eating up the country."

He burst out indignantly. "Suppose--suddenly, there are complications with Europe. Here am I--soon we shall be above the Rio Negro--and my gun, useless!"

He nursed his knee and mused.

"Dose people who were dere at de dancing place, dey 'ave come down. Dey 'ave lost all they got. De ants come to deir house one afternoon. Everyone run out. You know when de ants come one must--every one runs out and they go over the house. If you stayed they'd eat you. See? Well, presently dey go back; dey say, 'The ants 'ave gone...' De ants 'aven't gone. Dey try to go in--de son, 'e gose in. De ants fight."

"Swarm over him?"

"Bite 'im. Presently he comes out again--screaming and running. He runs past them to river. See? He get into de water and drowns de ants--yes." Gerilleau paused, brought his liquid eyes close to Holroyd's face, tapped Holroyd's knee with his knuckle. "That night he dies, just as if he was stung by snake."

"Poisoned--by the ants?"

"Who knows?" Gerilleau shrugged his shoulders. "Perhaps they bit him badly...When I joined dis service I joined to fight men. Dese things, dese ants, dey come and go. It is no business for men."

After that he talked frequently of ants to Holroyd, and whenever they chanced to drift against any speck of humanity in that waste of water and sunshine and distant trees, Holroyd's improving knowledge of the language enabled him to recognise the ascendant word Sauba, more and more completely dominating the whole.

He perceived the ants were becoming interesting, and the nearer he drew to them the more interesting they became. Gerilleau abandoned his old themes almost suddenly, and the Portuguese lieutenant became a conversational figure; he knew something about the leaf-cutting ant, and expanded his knowledge. Gerilleau sometimes rendered what he had to tell to Holroyd. He told of the little workers that swarm and fight, and the big workers that command and rule, and how these latter always crawled to the neck and how their bites drew blood. He told how they cut leaves and made fungus beds, and how their nests in Caracas are sometimes a hundred yards across. Two days the three men spent disputing whether ants have eyes. The discussion grew dangerously heated on the second afternoon, and Holroyd saved the situation by going ashore in a boat to catch ants and see. He captured various specimens and returned and some had eyes and some hadn't. Also, they argued, do ants bite or sting?

"Dese ants," said Gerilleau, after collecting information at a rancho, "have big eyes. They don't run about blind--not as most ants do. No! Dey get in corners and watch what you do."

"And they sting?" asked Holroyd.

"Yes. Dey sting. Dere is poison in the sting." He meditated. "I do not see what men can do against ants. Dey come and go."

"But these don't go."

"They will," said Gerilleau.

Past Tamandu there is a long low coast of eighty miles without any population, and then ones comes to the confluence of the main river and the Batemo arm, like a great lake, and then the forest came nearer, came at last intimately near. The character of the channel changes, snags abound, and the Benjamin Constant moored by a cable that night, under the very shadow of dark trees. For the first time for many days came a spell of coolness, and Holroyd and Gerilleau sat late, smoking cigars and enjoying this delicious sensation. Gerilleau's mind was full of ants and what they could do. He decided to sleep at last, and lay down on a mattress on deck, a man hopelessly perplexed; his last words, when he already seemed asleep, were to ask, with a flourish of despair: "What can one do with ants...? De whole thing is absurd."

Holroyd was left to scratch his bitten wrists, and meditate alone.

He sat on the bulwark and listened to changes in Gerilleau's breathing until he was fast asleep, and then the ripple and lap of stream took his mind, and brought back that sense of immensity that had been growing upon him since first he had left Para and come up the river. The monitor showed but one small light, and there was first a little talking forward and then stillness. His eyes went from the dim black outlines of the middle works of the gunboat towards the bank, to the black overwhelming mysteries of forest, lit now and then by a fire-fly, and never still from the murmur of alien and mysterious activities...

It was the inhuman immensity of this land that astonished and oppressed him. He knew the skies were empty of men, the stars were specks in an incredible vastness of space; he knew the ocean was enormous and untamable, but in England he had come to think of the land as man's. In England it is indeed man's, the wild things live by sufferance, grow on lease, everywhere the roads, the fences, and absolute security runs. In an atlas, too, the land is man's, and all coloured to show his claim to it--in vivid contrast to the universal independent blueness of the sea. He had taken it for granted that a day would come when everywhere about the earth, plough and culture, light tramways, and good roads, an ordered security, would prevail. But now he doubted.

This forest was interminable, it had an air of being invincible, and Man seemed at best an infrequent precarious intruder. One travelled for miles amidst the still silent struggle of giant trees, of strangulating creepers, of assertive flowers, everywhere the alligator, the turtle, and endless varieties of bird and insects seemed at home, dwelt irreplaceable--but man, man at most held a footing upon resentful clearings, fought weeds, fought beasts and insects for the barest foothold, fell a prey to snake and beast, insects and fever, and was presently carried away. In many places down the river he had been manifestly driven back, this deserted creek or that preserved the name of a casa, and here and there ruinous white walls and shattered towers enforced the lesson. The puma, the jaguar, were more the masters here...

Who are the real masters?

In a few miles of this forest there must be more ants than there are men in the world! This seemed to Holroyd a perfectly new idea. In a few thousand years men had emerged from barbarism to a stage of civilisation that made them feel lords of the future and masters of earth! But what was to prevent ants evolving also? Such ants as one knew lived in little communities of a few thousand individuals, made no concerted efforts against the greater world. But they had a language, they had an intelligence! Why should things stop at that any more then men had stopped at the barbaric stage? Suppose presently the ants began to store knowledge, just as men had done by means of books and records, use weapons, form great empires, sustain a planned and organised war?

Things came back to him that Gerilleau had gathered about these ants they were approaching. They used a poison like the poison of snakes. They obeyed greater leaders even as the leaf-cutting ants do. They were carnivorous, and where they came they stayed...

The forest was very still. The water lapped incessantly against the side. About the lantern overhead there eddied a noiseless whirl of phantom moths.

Gerilleau stirred in the darkness and sighed. "What can one do?" he murmured, and turned over and was still again.

Holroyd was roused from meditations that were becoming sinister by the hum of a mosquito.
2.
The next morning Holroyd learned they were within forty kilometers of Badama, and his interest in the banks intensified. He came up whenever an opportunity offered to examine his surroundings. He could see no signs of human occupation whatever, save for a weedy ruin of a house and green-stained facade of the long-deserted monastery at Moju, with a forest tree growing out of a vacant window space, and great creepers netted across its vacant portals. Several flights of strange yellow butterflies with semi-transparent wings crossed the river that morning, and many alighted on the monitor and were killed by men. It was towards afternoon that they came upon the derelict cuberta.

She did not at first appear to be derelict; both her sails were set and hanging slack in the afternoon calm, and there was the figure of a man sitting on the fore planking beside the shipped sweeps. Another man appeared to be sleeping face downwards on the sort of longitudinal bridge, these big canoes have in the waist. But it was presently apparent, from the sway of her rudder and the way she drifted into the course of the gunboat, that something was out of order with her. Gerilleau surveyed her through a field-glass, and became interested in queer darkness of the face of the sitting man, a red-faced man he seemed, without a nose--crouching he was rather than sitting, and the longer the captain looked the less he liked to look at him, and the less able he was to take his glasses away.

But he did so at last, and went a little way to call up Holroyd. Then he went back to hail the cuberta. He hailed her again, and so she drove past him. Santa Rosa stood out clearly as her name.

As she came by and into the wake of the monitor, she pitched a little, and suddenly the figure of the crouching man collapsed as though all it's joints had given way. His hat fell off, his head was not nice to look at, and his body flopped lax and rolled out of sight behind the bulwarks.

"Caramba!" cried Gerilleau, and resorted to Holroyd forthwith.

Holroyd was halfway up the companion. "Did you see dat?" said the captain.

"Dead!" said Holroyd. "Yes. You'd better send a boat aboard. There's something wrong."

"Did you--by any chance--see his face?"

"What was it like?"

"It was--ugh--! I have no words." And the captain suddenly turned his back on Holroyd and became a active and strident commander.

The gunboat came about, steamed parallel to the erratic course of the canoe, and dropped the boat with Lieutenant da Cunha and three sailors to board her. Then the curiosity of the captain made him draw up almost alongside as the lieutenant got aboard, so that the whole of the Santa Rosa deck and hold, was visible to Holroyd.

He saw now clearly that the sole crew of the vessel was these two dead men, and though he could not see their faces, he saw by their outstretched hands, which were all of ragged flesh, that they had been subjected to some strange exceptional process of decay. For a moment his attention, concentrated on these two enigmatical bundles of dirty cloths and laxly flung limbs, and then his eyes went forward to discover the open hold piled high with trunks and cases, and aft, to where the little cabin gaped inexplicably empty. Then he became aware that the planks of the middle decking were dotted with moving black specks.

His attention was riveted by these specks. They were all walking in directions radiating from the fallen man in a manner--the image came unsought to his mind--like the crowd dispersing from a bull-fight.

He became aware of Gerilleau beside him. "Capo," he said, "have you your glasses? Can you focus as closely as those planks there?"

Gerilleau made an effort, grunted, and handed him the glasses.

There followed a moment of scrutiny. "It's ants," said the Englishman, and handed the focused field-glasses back to Gerilleau.

His impression of them was of a crowd of large black ants, very like ordinary ants except for size, and for the fact some of the larger of them bore a sort of clothing of grey. But at the time his inspection was too brief for particulars. The head of Lieutenant da Cunha appeared over the side of the cuberta, and a brief colloquy ensued.

"You must go aboard," said Gerilleau.

The lieutenant objected that the boat was full of ants.

"You have your boots," said Gerilleau.

The lieutenant changed the subject. "How did these men die?" he asked.

Captain Gerilleau embarked upon speculation that Holroyd could not follow, and the two men disputed with a certain vehemence. Holroyd took up the field-glass and resumed his scrutiny, first of ants and then of the dead man amidships.

He has described these ants to me very particularly.

He says they were as large as any ants he has ever seen, black and moving with a steady deliberation very different from the mechanical fussiness of the common ant. About one in twenty was much larger than it's fellows, and with an exceptionally large head. These reminded him at once of the master workers who are said to rule over the leaf-cutter ants; like them they seemed to be directing and co-ordinating the general movements. They tilted their bodies back in a manner altogether singular, as if they made some use of the fore feet. And he had a curious fancy, that he was too far off to verify, that most of these ants of both kinds were wearing accoutrements, had things strapped about their bodies by bright white bands like white metal threads...

He put down the glasses abruptly, realising that the question of discipline between the captain and his subordinate had become acute.

"It is your duty," said the captain, "to go aboard. It is my instructions."

The lieutenant seemed on the verge of refusing. The head of one of the mulatto sailors appeared beside him.

"I believe these men were killed by ants," said Holroyd abruptly in English.

The captain burst into rage. He made no answer to Holroyd. "I have commanded you to go aboard," he screamed to his subordinate in Portuguese. "If you do not go aboard forthwith it is mutiny--rank mutiny. Mutiny and cowardice! Where is the courage that should animate us? I will have you in irons, I will have you shot like a dog." He began a torrent of abuse and curses, he danced to and fro. He shook his fists, he behaved as if beside himself with rage, and the lieutenant, white and still, stood looking at him. The crew appeared forward, with amazed faces.

Suddenly, in a pause of this outbreak, the lieutenant came to some heroic decision, saluted, drew himself together and clambered upon the deck of the cuberta.

"Ah!" said Gerilleau, and his mouth shut like a trap. Holroyd saw the ants retreating before da Cunha's boots. The Portuguese walked slowly to the fallen man, stooped down, hesitated, clutched his coat and turned him over. A black swarm of ants rushed out of the clothes, and da Cunha stepped back very quickly and trod two or three times on the deck.

Holroyd put up the glasses. He saw the scattered ants about the invader's feet, and doing what he had never seen ants doing before. They had nothing of the blind movements of the common ant; they were looking at him--as a rallying crowd of men might look at some gigantic monster that had dispersed it.

"How did he die?" the captain shouted.

Holroyd understood the Portuguese to say the body was too much eaten to tell.

"What is there forward?" asked Gerilleau.

The lieutenant walked a few paces, and began his answer in Portuguese. He stopped abruptly and beat off something from his leg. He made some peculiar steps as if he was trying to stamp on something invisible, and went quickly towards the side. Then he controlled himself, turned about, walked deliberately forward to the hold, clambered up to the fore decking, from which the sweeps are worked, stooped for a time over the second man, groaned audibly, and made his way back and aft to the cabin; moving very rigidly. He turned and began a conversation with his captain, cold and respectful in tone on either side, contrasting vividly with the wrath and insult of a few moments before. Holroyd gathered only fragments of it's purport.

He reverted to the field-glass, and was surprised to find the ants had vanished from all exposed surfaces of the deck. He turned towards the shadow beneath the decking, and it seemed to him they were full of watching eyes.

The cuberta, it was agreed, was derelict, but too full of ants to put men aboard to sit and sleep: it must be towed. The lieutenant went forward to take in and adjust the cable, and the men in the boat stood up to be ready to help him. Holroyd's glasses searched the canoe.

He became more and more impressed by the fact that a great if minute and furtive activity was going on. He perceived that a number of gigantic ants--they seemed nearly a couple of inches in length--carrying oddly-shaped burthens for which he could imagine no use--were moving in rushes from one point of obscurity to another. They did not move in columns across the exposed places, but in open, spaced-out lines, oddly suggestive of the rushes of modern infantry advancing under fire. A number were taking cover under the dead man's clothes, and a perfect swarm was gathering along the side over which da Cunha must presently go.

He did not see them actually rush for the lieutenant as he returned, but he has no doubt they did make a concerted rush. Suddenly the lieutenant was shouting and cursing and beating at his legs. "I'm stung!" he shouted, with a face of hate and accusation towards Gerilleau.

Then he vanished over the side, dropped into his boat, and plunged at once into the water. Holroyd heard the splash.

The three men in the boat pulled him out and brought him aboard, and that night he died.
3.
Holroyd and the captain came out of the cabin in which the swollen and contorted body of the lieutenant lay, and stood together at the stern of the monitor, staring at the sinister vessel they trailed behind them. It was a close, dark night that had only phantom flickers of sheet lightning to illuminate it. The cuberta, a vague black triangle, rocked about in the steamer's wake, her sails bobbing and flapping, and the black smoke from the funnels, spark-lit ever and again, streamed over her swaying masts.

Gerilleau's mind was inclined to run on the unkind things the lieutenant had said in the heat of his last fever.

"He says I murdered 'im," he protested. "It is simply absurd. Someone 'ad to go aboard. Are we to run away from these confounded ants whenever they show up?"

Holroyd said nothing. He was thinking of a disciplined rush of little black shapes across bare sunlit planking.

"It was his place to go," harped Gerilleau. "He died in the execution of his duty. What has he to complain of? Murdered...! But the poor fellow was--what is it--? Demented. He was not in his right mind. The poison swelled him...U'm."

They came to a long silence.

"We will sink that canoe--burn it."

"And then?"

The inquiry irritated Gerilleau. His shoulders went up, his hands flew out at right angles from his body. "What is one to do?" he said, his voice going up to an angry squeak.

"Anyhow," he broke out vindictively, "every ant in dat cuberta--! I will burn dem alive!"

Holroyd was not moved to conversation. A distant ululation of howling monkeys filled the sultry night with foreboding sounds, and as the gunboat drew near the black mysterious banks this was reinforced by a depressing clamour of frogs.

"What is one to do?" the captain repeated after a vast interval, and suddenly becoming active and savage and blasphemous, decided to burn the Santa Rosa without further delay. Everyone aboard was pleased by that idea, everyone helped with zest; they pulled in the cable, cut it, and dropped the boat and fired her with tow and kerosene, and soon the cuberta was crackling and flaring merrily amidst the immensities of the tropical night. Holroyd watched the mounting yellow flare against the blackness, and the livid flashes of sheet lightning that came and went above the forest summits, throwing them into momentary silhouette, and his stoker stood behind him watching also.

The stoker was stirred to the depths of his linguistics. "Sauba go pop, pop," he said. "Wahaw!" and laughed richly.

But Holroyd was thinking that these little creatures on the decked canoe had also eyes and brains.

The whole thing impressed him as incredibly foolish and wrong, but--what was one to do? This question came back enormously reinforced on the morrow, when at last the gunboat reached Badama.

This place, with its leaf-thatch-covered houses and sheds, its creeper-invaded sugar-mill, its little jetty of timber and canes, was very still in the morning heat, and showed never a sign of living men. Whatever ants there were at that distance were too small to see.

"All the people have gone," said Gerilleau, "but we will do one thing anyhow. We will 'oot and vissel."

So Holroyd hooted and whistled.

Then the captain fell into a doubting fit of the worst kind. "Dere is one thing we can do," he said presently.

"What's that?" said Holroyd.

"'Oot and vissel again."

So they did.

The captain walked his deck and gesticulated to himself. He seemed to have many things on his mind. Fragments of speeches came from his lips. He appeared to be addressing some imaginary public tribunal either in Spanish or Portuguese. Holroyd's improving ear detected something about ammunition. He came out of these preoccupations suddenly into English. "My dear 'Olroyd!" he cried, and broke off with "But what can one do?"

They took the boat and field-glasses, and went close in to examine the place. They made out a number of big ants, whose still postures had a certain effect of watching them, dotted about the edge of the rude embarkation jetty. Gerilleau tried ineffectual pistol shots at these. Holroyd thinks he distinguished curious earthworks running between the nearer houses, that may have been the work of insect conquerors of those human habitations. The explorers pulled past the jetty, and became aware of a human skeleton wearing a loin cloth, and very bright and clean and shining, lying beyond. They came to a pause regarding this...

"I 'ave all dose lives to consider," said Gerilleau suddenly.

Holroyd turned and stared at the captain, realising slowly that he referred to the unappetising mixture of races that constituted his crew.

"To send a landing party--it is impossible--impossible. They will be poisoned, they will swell, they will swell up and abuse me and die. It is totally impossible...If we land, I must land alone, alone in thick boots and with my life in my hand. Perhaps I should live. Or again--I might not land. I do not know. I do not know."

Holroyd thought he did, but he said nothing.

"De whole thing," said Gerilleau suddenly, "'as been got up to make me ridiculous. De whole thing!"

They paddled about and regarded the clean white skeleton from various points of view, and then they returned to the gunboat. Then Gerilleau's indecisions became terrible. Steam was got up, and in the afternoon the monitor went on up the river with an air of going to ask somebody something, and by sunset came back again, and anchored. A thunderstorm gathered and broke furiously, and then the night became beautifully cool and quiet and everyone slept on deck. Except Gerilleau, who tossed about and muttered. In the dawn he awakened Holroyd.

"Lord!" said Holroyd, "what now?"

"I have decided," said the captain.

"What--to land?" said Holroyd, sitting up brightly.

"No!" said the captain, and was for a time very reserved. "I have decided," he repeated, and Holroyd manifested symptoms of impatience.

"Well--yes," said the captain. "I shall fire de big gun!"

And he did! Heaven knows what the ants thought of it, but he did. He fired it twice with great sternness and ceremony. All the crew had wadding in their ears, and there was effect of going into action about the whole affair, and first hit and wrecked the old sugar-mill, and then they smashed the abandoned store behind the jetty. And then Gerilleau experienced the inevitable reaction.

"It is no good," he said to Holroyd; "no good at all. No sort of bally good. We must go back--for instructions. Dere will be de devil of a row about dis ammunition--oh! De devil of a row! You don't know, 'Olroyd..."

He stood regarding the world in infinite perplexity for a space.

"But what else was there to do?" he cried.

In the afternoon the monitor started down stream again, and in the evening a landing party took the body of the lieutenant and buried it on the bank upon which the new ants have so far not appeared...
4.
I heard this story in a fragmentary state from Holroyd not three weeks ago. These new ants have got into his brain, and he has come back to England with the idea, as he says, of "exciting people" about them "before it is too late." He says they threaten British Guiana, which cannot be much over a trifle of a thousand miles from their present sphere of activity, and that the Colonial Office ought to get to work upon them at once. He declaims with great passion: "These are intelligent ants. Just think what that means!"

There can be no doubt they are a serious pest, and that the Brazilian Government is well advised in offering a prize of five hundred pounds for some effectual method of extirpation. It is certain too, that since they first appeared in the hills beyond Badama, about three years ago, they have achieved extraordinary conquests. The whole of the south bank of the Batemo River, for nearly sixty miles, they have in their effectual occupation; they have driven men out completely, occupied plantations and settlements, and boarded and captured at least one ship. It is even said they have in some inexplicable way bridged the very considerable Capuarana arm and pushed many miles towards the Amazon itself. There can be little doubt that they are far more reasonable and with a far better social organisation then any previously known ant species; instead of being dispersed societies they are organised into what is in effect a single nation; but their peculiar and immediate formidableness lies not so much in this as in the intelligent use they make of poison against their enemies. It would seem this poison of theirs is closely akin to snake poison, and it is highly probable they actually manufacture it, and that the larger individuals among them carry the needle-like crystals of it in their attacks upon men.

Of course it is extremely difficult to get any detailed information about these new competitors for sovereignty of the globe. No eye-witnesses of their activity, except for such glimpses as Holroyd's, have survived the encounter. The most extraordinary legends of their prowess and capacity are in circulation in the region of the Upper Amazon, and grow daily as the steady advance of the invader stimulates men's imaginations through their fears. These strange little creatures are credited not only with the use of implements and knowledge of fire and metals and with organised feats of engineering that stagger our Northern minds--used as we are to such feats as that of the Saubas of Rio de Janeiro, who, in 1841, drove a tunnel under Parahyba, where it is as wide as the Thames at London Bridge--but with an organised and detailed method of record and communication analogous to our books. So far their action has been a steady progressive settlement, involving the flight or slaughter of every human being in the new areas they invade. They are increasing rapidly in numbers, and Holroyd at least is firmly convinced that they will finally dispossess man over the whole of tropical South America.

And why should they stop at tropical South America?

Well, there they are, anyhow. By 1911 or thereabouts, if they go on as they are going, they ought to strike the Capuarana Extension Railway, and force themselves upon the attention of the European capitalist.

By 1920 they will be halfway down the Amazon. I fix 1950 or '60 at least for the discovery of Europe.

A VISION OF JUDGMENT
1.
Bru-a-a-a.

I listened, not understanding. Wa-ra-ra-ra.

"Good Lord!" said I, still only half awake. "What an infernal shindy!" Ra-ra-ra-ra-ra-ra-ra-ra-ra Ta-ra-rra-ra.

"It's enough," said I, "to wake--" and stopped short. Were was I? Ta-rra-rara--louder and louder.

"It's either some new invention--" Toora-toora-toora! Deafening!

"No," said I, speaking loud in order to hear myself. "That's the Last Trump." Tooo-rraa!
2.
The last note jerked me out of my grave like a hooked minnow.

I saw my monument (rather a mean little affair, and I wished I knew who'd done it), and the old elm tree and the sea view vanished like a puff of steam, and then all about me--a multitude no man could number, nations, tongues, kingdoms, peoples--children of all ages, in an amphitheatral space as vast as the sky. And over against us, seated on a throne of dazzling white cloud, the Lord God and all the host of his angels. I recognised Azreal by his darkness and Michael by his sword, and the great angel who had blown the trumpet stood with the trumpet still half raised.
3.
"Prompt," said the little man beside me. "Very prompt. Do you see the angel with the book?"

He was ducking and craning his head about to see over and under and between the souls that crowded round us. "Everybody's here," he said. "Everybody. And now we shall know--"

"There's Darwin," he said, going off at a tangent. "He'll catch it! And there--you see--? That tall, important-looking man trying to catch the eye of the Lord God, that's the Duke. But there's a lot of people one doesn't know.

"Oh! There's Priggles, the publisher. I have always wondered about printers' overs. Priggles was a clever man...But we shall know now--even about him.

"I shall hear all that. I shall get most of the fun before...My letter's S."

He drew the air in between his teeth.

"Historical characters, too. See? That's Henry the Eighth. There'll be a good bit of evidence. Oh, damn! He's Tudor."

He lowered his voice. "Notice this chap, just in front of us, all covered with hair. Paleolithic, you know. And there again--"

But I did not heed him, because I was looking at the Lord God.
4.
"Is this all?" asked the Lord God.

The angel at the book--it was one of countless volumes, like the British Museum Reading-room Catalogue, glanced at us and seemed to count us in the instant.

"That's all," he said, and added: "It was, O God, a very little planet."

The eyes of God surveyed us.

"Let us begin," said the Lord God.
5.
The angel opened the book and read a name. It was a name full of A's, and the echoes of it came back out of the uttermost parts of space. I did not catch it clearly, because the little man beside me said, in a sharp jerk, "What's that?" It sounded like "Ahab" to me; but it could not have been the Ahab of Scripture.

Instantly a small black figure was lifted up to a puffy cloud at the very feet of God. It was a stiff little figure, dressed in rich outlandish robes and crowned, and it folded its arms and scowled.

"Well?" said God, looking down at him.

We were privileged to hear the reply, and indeed the acoustic properties of the place were marvellous.

"I plead guilty," said the little figure.

"Tell them what you have done," said the Lord God.

"I was a king," said the little figure, "a great king, and I was lustful and proud and cruel. I made wars, I devastated countries, I built palaces, and the mortar was the blood of men. Hear, O God, the witnesses against me, calling to you for vengeance. Hundreds and thousands of witnesses." He waved his hands towards us. "And worse! I took a prophet--one of your prophets--"

"One of my prophets," said the Lord God.

"And because he would not bow to me, I tortured him for four days and nights, and in the end he died. I did more, O God, I blasphemed. I robbed you of your honours--"

"Robbed me of my honours," said the Lord God.

"And caused myself to be worshipped in your stead. No evil was there, but I practised it; no cruelty wherewith I did not stain my soul. And at last you smote me, O God!"

God raised his eyebrows slightly.

"And I was slain in battle. And so I stand before you, meet for your nethermost Hell! Out of your greatness daring no lies, daring no pleas, but telling the truth of my iniquities before all mankind."

He ceased. His face I saw distinctly, and it seemed to me white and terrible and proud and strangely noble. I thought of Milton's Satan.

"Most of that is from the Obelisk," said the recording Angel, finger on page.

"It is," said the Tyrannous Man, with a faint touch of surprise.

Then suddenly God bent forward and took this man in his hand, and held him up on his palm as if to see him better. He was just a little dark stroke in the middle of God's palm.

"Did he do all this?" said the Lord God.

The recording angel flattened his book with his hand.

"In a way," said the recording angel, carelessly.

Now when I looked again at the little man his face had changed in a very curious manner. He was looking at the recording angel with strange apprehension in his eyes, and one hand fluttered to his mouth. Just the movement of a muscle or so, and all that dignity of defiance was gone.

"Read," said the Lord God.

And the angel read, explaining very carefully and fully all the wickedness of the Wicked Man. It was quite a intellectual treat--A little "daring" in places, I thought, but of course Heaven has its privileges...
6.
Everybody was laughing. Even the prophet of the Lord whom the Wicked Man had tortured had a smile on his face. The Wicked Man was really such a preposterous little fellow.

"And then," reading the recording angel, with a smile that set us all agog, "one day, when he was a little irascible from over-eating, he--"

"Oh, not that," cried the Wicked Man, "nobody knew of that."

"It didn't happen," screamed the Wicked Man. "I was bad--I was really bad. Frequently bad, but there was nothing so silly--so absolutely silly--"

The angel went on reading.

"O God!" cried the Wicked Man. "Don't let them know that! I'll repent! I'll apologise..."

The Wicked Man on God's hand began to dance and weep. Suddenly shame overcame him. He made a wild rush to jump off the ball of God's little finger, but God stopped him by a dexterous turn of the wrist. Then he made a rush for a gap between hand and thumb, but thumb closed. And all the while the angel went on reading--reading. The Wicked Man rushed to and fro across God's palm, and then suddenly turned about and fled up the sleeve of God.

I expected God would turn him out, but the mercy of God is infinite.

The recording angel paused.

"Eh?" said the recording angel.

"Next," said God, and before the recording angel could call upon the name, a hairy creature in filthy rags stood upon God's palm.
7.
"Has God got Hell up his sleeve then?" said the little man beside me.

"Is there a Hell?" I asked.

"If you notice," he said--he peered between the feet of the great angels--"there's no particular indication of the Celestial City."

"Ssh!" said a little woman near us, scowling. "Hear this blessed Saint!"
8.
"He was Lord of the Earth, but I was the prophet of the God of Heaven," cried the Saint, "and all the people marvelled at the sign. For I, O God, knew of the glories of thy Paradise. No pain, no hardship, gashing with knives, splinters thrust under my nails, strips of flesh flayed off, all for the glory and honour of God."

God smiled.

"And at last I went, I in my rags and sores, smelling of my holy discomforts--"

Gabriel laughed abruptly.

"And lay outside his gates, as a sign, as a wonder--"

"As a perfect nuisance," said the recording angel, and began to read, heedless of the fact that the Saint was still speaking of gloriously unpleasant things he had done that Paradise might be his.

And behold, in that book the record of the Saint also was a revelation, a marvel.

It seemed not ten seconds before the Saint, also, was rushing to and fro over the great palm of God. Not ten seconds! And at last he also shrieked beneath that pitiless and cynical exposition, and fled also, even as the Wicked Man had fled, into the shadow of the sleeve. And it was permitted us to see into the shadow of the sleeve. And the two sat side by side, stark of all delusions, in the shadow of the robe of God's charity, like brothers.

And thither also I fled in my turn.
9.
"And now," said God, as he shook us out of his sleeve upon the planet he had given us to live upon, the planet that whirled about green Sirius for a sun, "now that you understand me and each other a little better... try again."

Then he and his great angels turned themselves about and suddenly had vanished.

The Throne had vanished.

All about me was a beautiful land, more beautiful than any I had ever seen before--waste, austere, and wonderful; and all about me were the enlightened souls of men in new clean bodies...

THE LAND IRONCLADS
1.
The young lieutenant lay beside the war correspondent and admired the idyllic calm of the enemy's lines through his field-glass.

"So far as I can see," he said at last, "one man."

"What's he doing?" asked the war correspondent.

"Field-glass at us," said the young lieutenant.

"And this is War!"

"No," said the young lieutenant; "it's Bloch."

"The game's a draw."

"No! They've got to win or else they lose. A draw's a win for our side."

They had discussed the political situation fifty times or so, and the war correspondent was weary of it. He stretched out his limbs. "Aaai s'pose it is!" he yawned.

Flut!

"What was that?"

"Shot at us."

The war correspondent shifted to a slightly lower position. "No one shot at him," he complained.

"I wonder if they think we shall get so bored we shall go home?"

The war correspondent made no reply.

"There's the harvest, of course..."

They had been there a month. Since the first brisk movements after the declaration of war things had gone slower and slower, until it seemed as though the whole machine of events must have run down. To begin with, they had, had almost a scampering time; the invader had come across the frontier on the very dawn of the war in half-a-dozen parallel columns behind a cloud of cyclists and cavalry, with a general air of coming straight on the capital, and the defender horsemen had held him up, and peppered him and forced him to open out to outflank, and had then bolted to the next position in the most approved style, for a couple of days, until in the afternoon, bump! They had the invader against their prepared lines of defence. He did not suffer so much as had been hoped and expected: he was coming on, it seemed, with his eyes open, his scouts winded the guns, and down he sat at once without the shadow of an attack and began grubbing trenches for himself, as though he meant to sit down there to the very end of time. He was slow, but much more wary than the world had been led to expect, and he kept convoys tucked in and shielded his slow-marching infantry sufficiently well to prevent any heavy adverse scoring.

"But he ought to attack," the young lieutenant had insisted.

"He'll attack us at dawn, somewhere along the lines. You'll get the bayonets coming into the trenches just about when you see," the war correspondent had held until a week ago.

The young lieutenant winked when he said that.

When one early morning the men the defenders sent to lie out five hundred yards before the trenches, with a view to the unexpected emptying of magazines into any night attack, gave way to causeless panic and blazed away at nothing for ten minutes, the war correspondent understood the meaning of that wink.

"What would you do if you were the enemy?" said the war correspondent, suddenly.

"If I had men like I've got now?"

"Yes."

"Take those trenches."

"How?"

"Oh--dodges! Crawl out halfway at night before moonrise and get into touch with the chaps we send out. Blaze at 'em if they tried to shift, and so bag some of 'em in the daylight. Learn that patch of ground by heart, lie all day in squatty holes, and come on nearer next night. There's a bit over there, lumpy ground, where they could get across to rushing distance--easy. In a night or so. It would be a mere game for our fellows; it's what they're made for...Guns? Shrapnel and stuff wouldn't stop good men who meant business."

"Why don't they do that?

"Their men aren't brutes enough; that's the trouble. They're a crowd of devitalised townsmen, and that's the truth of the matter. They're clerks, they're factory hands, they're students, they're civilised men. They can write, they can talk, they can make and do all sorts of things, but they're poor amateurs at war. They've got no physical staying power, and that's the whole thing. They've never slept in the open one night in their lives; they've never drunk anything but the purest water-company water; they've never gone short of three meals a day since they left their feeding-bottles. Half their cavalry never cocked leg over horse till it enlisted six months ago. They ride their horses as though they were bicycles--you watch 'em! They're fools at the game, and they know it. Our boys of fourteen can give their grown men points...Very well--"

The war correspondent mused on his face with his nose between his knuckles.

"If a decent civilisation," he said, "cannot produce better men for war than--"

He stopped with belated politeness. "I mean--"

"Than our open-air life," said the young lieutenant.

"Exactly," said the war correspondent. "The civilisation has to stop."

"It looks like it," the young lieutenant admitted.

"Civilisation has science, you know," said the war correspondent. "It invented and it makes the rifles and guns and things you use."

"Which our nice healthy hunters and stockmen and so on, rowdy-dowdy cowpunchers and nigger-whackers, can use ten times better than--What's that?"

"What?" said the war correspondent, and then seeing his companion busy with his field-glass he produced his own: "Where?" said the war correspondent, sweeping the enemy's lines.

"It's nothing," said the young lieutenant, still looking.

"What's nothing?"

The young lieutenant put down his glass and pointed. "I thought I saw something there, behind the stems of those trees. Something black. What it was I don't know."

The war correspondent tried to get even by intense scrutiny.

"It wasn't anything," said the young lieutenant, rolling over to regard the darkling evening sky, and generalised: "There never will be anything any more for ever. Unless--"

The war correspondent looked inquiry.

"They may get their stomachs wrong, or something--living without proper drains."

A sound of bugles came from the tents behind. The war correspondent slid backward down the sand and stood up. "Boom!" came from somewhere far away to the left. "Halloa!" he said, hesitated, and crawled back to peer again. "Firing at this time is jolly bad manners."

The young lieutenant was uncommunicative for a space.

Then he pointed to the distant clump of trees again. "One of our big guns. They were firing at that," he said.

"The thing that wasn't anything?"

"Something over there, anyhow."

Both men were silent, peering through their glasses for a space. "Just when it's twilight," the lieutenant complained. He stood up.

"I might stay here a bit," said the war correspondent.

The lieutenant shook his head. "There's nothing to see," he apologised, and then went down to where his little squad of sun-brown, loose-limbed men had been yarning in the trench. The war correspondent stood up also, glanced for a moment at the businesslike bustle below him, gave perhaps twenty seconds to those enigmatical trees again, then turned his face toward the camp.

He found himself wondering whether his editor would consider the story of how somebody thought he saw something black behind a clump of trees, and how a gun was fired at this illusion by somebody else, too trivial for public consumption.

"It's the only gleam of a shadow of interest," said the war correspondent, "for ten whole days."

"No," he said presently; "I'll write that other article, 'Is War Played Out?'"

He surveyed the darkling lines in perspective, the tangle of trenches one behind another, one commanding another, which the defender had made ready. The shadows and mists swallowed up their receding contours, and here and there a lantern gleamed, and here and there knots of men were busy about small fires. "No troops on earth could do it," he said...

He was depressed. He believed that there were other things in life better worth having than proficiency in war; he believed that in the heart of civilisation, for all its stresses, its crushing concentrations of forces, its injustice and suffering, there lay something that might be the hope of the world; and the idea that any people, by living in the open air, hunting perpetually, losing touch with books and art and all the things that intensify life, might hope to resist and break that great development to the end of time, jarred on his civilised soul.

Apt to his thought came a file of the defender soldiers, and passed him in the gleam of a swinging lamp that marked the way.

He glanced at their red-lit faces, and one shone out for a moment, a common type of face in the defender's ranks: ill-shaped nose, sensuous lips, bright clear eyes full of alert cunning, slouch hat cocked on one side and adorned with the peacock's plume of the rustic Don Juan turned soldier, a hard brown skin, a sinewy frame, an open, tireless stride, and a master's grip on his rifle.

The war correspondent returned their salutations and went on his way.

"Louts," he whispered. "Cunning, elementary louts. And they are going to beat the townsmen at the game of war!"

From the red glow among the nearer tents came first one and then half-a-dozen hearty voices, bawling in a drawling unison the words of a particularly slab and sentimental patriotic song.

"Oh, go it!" muttered the war correspondent, bitterly.
2.
It was opposite the trenches called after Hackbone's Hut that the battle began. There the ground stretched broad and level between the lines, with scarcely shelter for a lizard, and it seemed to the startled, just-awakened men who came crowding into the trenches that this was one more proof of that inexperience of the enemy of which they had heard so much. The war correspondent would not believe his ears at first, and swore that he and the war artist, who, still imperfectly roused, was trying to put on his boots by the light of a match held in his hand, were the victims of a common illusion. Then, after putting his head in a bucket of cold water, his intelligence came back as he towelled. He listened. "Gollys!" he said; "that's something more than scare firing this time. It's like ten thousand carts on a bridge of tin."

There came a sort of enrichment to that steady uproar. "Machine-guns!"

Then, "Guns!"

The artist, with one boot on, thought to look at his watch, and went to it hopping.

"Half an hour from dawn," he said. "You were right about their attacking, after all..."

The war correspondent came out of the tent, verifying the presence of chocolate in his pocket as he did so. He had to halt for a moment or so until his eyes were toned down to the night a little. "Pitch!" he said. He stood for a space to season his eyes before he felt justified in striking out for a black gap among the adjacent tents. The artist coming out behind him fell over a tent-rope. It was half-past two o'clock in the morning of the darkest night in time, and against a sky of dull black silk the enemy was talking search-lights, a wild jabber of search-lights. "He's trying to blind our riflemen," said the war correspondent with a flash, and waited for the artist and then set off with a sort of discreet haste again. "Whoa!" he said, presently. "Ditches!"

They stopped.

"It's the confounded search-lights," said the war correspondent.

They saw lanterns going to and fro, near by, and men falling in to march down to the trenches. They were for following them, and then the artist began to get his night eyes. "If we scramble this," he said, "and it's only a drain, there's a clear run up to the ridge." And that way they took. Lights came and went in the tents behind, as the men turned out, and ever and again they came to broken ground and staggered and stumbled. But in a little while they drew near the crest. Something that sounded like the impact of a tremendous railway accident happened in the air above them, and the shrapnel bullets seethed about them like a sudden handful of hail. "Right-ho!" said the war correspondent, and soon they judged they had come to the crest and stood in the midst of a world of great darkness and frantic glares, whose principal fact was sound.

Right and left of them and all about them was the uproar, an army-full of magazine fire, at first chaotic and monstrous, and then, eked out by little flashes and gleams and suggestions, taking the beginnings of a shape. It looked to the war correspondent as though the enemy must have attacked in line and with his whole force--in which case he was either being or was already annihilated.

"Dawn and the dead," he said, with his instinct for headlines. He said this to himself, but afterwards by means of shouting he conveyed an idea to the artist, "They must have meant it for a surprise," he said.

It was remarkable how the firing kept on. After a time he began to perceive a sort of rhythm in this inferno of noise. It would decline--decline perceptibly, droop towards something that was comparatively a pause--a pause of inquiry. "Aren't you all dead yet?" this pause seemed to say. The flickering fringe of rifle-flashes would become attenuated and broken, and the whack-bang of enemy's big guns two miles away there would come up out of the deeps. Then suddenly, east or west of them, something would startle the rifles to a frantic outbreak again.

The war correspondent taxed his brain for some theory of conflict that would account for this, and was suddenly aware that the artist and he were vividly illuminated. He could see the ridge on which they stood, and before them in black outline a file of riflemen hurrying down towards the nearer trenches. It became visible that a light rain was falling, and farther away towards the enemy was a clear space with men--"our men--?" Running across it in disorder. He saw one of those men throw up his hands and drop. And something else black and shining loomed up on the edge of the beam-coruscating flashes; and behind it and far away a calm, white eye regarded the world. "Whit, whit, whit," sang something in the air, and then the artist was running for cover, with the war correspondent behind him. Bang came shrapnel, bursting close at hand as it seemed, and our two men were lying flat in a dip in the ground, and the light and everything had gone again, leaving a vast note of interrogation upon the light.

The war correspondent came within brawling range. "What the deuce was it? Shooting our men down!"

"Black," said the artist, "and like a fort. Not two hundred yards from the first trench."

He sought for comparison in his mind. "Something between a big blockhouse and a giant's dish-cover," he said.

"And they were running!" said the war correspondent.

"You'd run if a thing like that, with a search-light to help it, turned up like a prowling nightmare in the middle of the night."

They crawled to what they judged the edge of the dip and lay regarding the unfathomable dark. For a space they could distinguish nothing, and then a sudden convergence of the search-lights of both sides brought the strange thing out again.

In that flickering pallor it had the effect of a large and clumsy black insect, an insect the size of an iron-clad cruiser, crawling obliquely to the first line of trenches and firing shots out port-holes in its side. And on its carcass the bullets must have been battering with more than the passionate violence of hail on a roof of tin.

Then in the twinkling of an eye the curtain of the dark had fallen again and the monster had vanished, but the crescendo of musketry marked its approach to the trenches.

They were beginning to talk about the thing to each other, when a flying bullet kicked dirt into the artist's face, and they decided abruptly to crawl down into the cover of the trenches. They had got down with an unobtrusive persistence into the second line, before the dawn had grown clear enough for anything to be seen. They found themselves in a crowd of expectant riflemen, all noisily arguing about what would happen next. The enemy's contrivance had done execution upon the outlying men, it seemed, but they did not believe it would do any more. "Come the day and we'll capture the lot of them," said a burly soldier.

"Them?" said the war correspondent.

"They say there's a regular string of 'em, crawling along the front of our lines...Who cares?"

The darkness filtered away so imperceptibly that at no moment could one declare decisively that one could see. The search-lights ceased to sweep hither and thither. The enemy's monsters were dubious patches of darkness upon the dark, and then no longer dubious, and so they crept out into distinctness. The war correspondent, munching chocolate absent-mindedly, beheld at last a spacious picture of battle under the cheerless sky, whose central focus was an array of fourteen or fifteen huge clumsy shapes lying in perspective on the very edge of the first line trenches, at intervals of perhaps three hundred yards, and evidently firing down upon the crowded riflemen. They were so close in that the defender's guns had ceased, and only the first line of trenches was in action.

The second line commanded the first, and as the light grew, the war correspondent could make out the riflemen who were fighting these monsters, crouched in knots and crowds behind the transverse banks that crossed the trenches against the eventuality of an enfilade. The trenches close to the big machines were empty save for the crumpled suggestions of dead and wounded men; the defenders had been driven right and left as soon as the prow of land ironclad had loomed up over the front of the trench. The war correspondent produced his field-glass, and was immediately a centre of inquiry from the soldiers about him.

They wanted to look, they asked questions, and after he had announced that the men across the traverses seemed unable to advance or retreat, and were crouching under cover rather than fighting, he found it advisable to loan his glasses to a burly and incredulous corporal. He heard a strident voice, and found a lean and sallow soldier at his back talking to the artist.

"There's chaps down there caught" the men was saying. "If they retreat they got to expose themselves, and the fire's too straight..."

"They aren't firing much, but every shot's a hit."

"Who?"

"The chaps in that thing. The men who're coming up--"

"Coming up where?"

"We're evacuating them trenches where we can. Our chaps are coming back up the zigzags...No end of 'em hit...But when we get clear our turn'll come. Rather! Those things won't be able to cross a trench or get into it; and before they can get back our guns'll smash 'em up. Smash 'em right up. See?" A brightness came into his eyes. "Then we'll have a go at the beggars inside," he said.

The war correspondent thought for a moment, trying to realise the idea. Then he set himself to recover his field-glasses from the burly corporal.

The daylight was getting clearer now. The clouds were lifting, and a gleam of lemon-yellow amidst the level masses to the east portended sunrise. He looked again at the land ironclad. As he saw it in the bleak, grey dawn, lying obliquely upon the slope and on the very lip of the foremost trench, the suggestion of a stranded vessel was very strong indeed. It might have been from eighty to a hundred feet long--it was about two hundred and fifty yards away--its vertical side was ten feet high or so, smooth for that height, and then with a complex patterning under the eaves of its flattish turtle cover. This patterning was a close interlacing of port-holes, rifle barrels, and telescope tubes--sham and real--indistinguishable one from the other. The thing had come into such a position as to enfilade the trench, which was empty now, so far as he could see, except for two or three crouching knots of men and the tumbled dead. Behind it, across the plain, it had scored the grass with a train of linked impressions, like the dotted tracings sea-things leave in sand. Left and right of that track dead men and wounded men were scattered--men it had picked off as they fled back from their advanced positions in the search-light glare from the invader's lines. And now it lay with its head projecting a little over the trench it had won, as if it were a single sentient thing planning the next phase of its attack...

He lowered his glasses and took a more comprehensive view of the situation. These creatures of night had evidently won the first line of trenches and the fight had come to a pause. In the increasing light he could make out by a stray shot or a chance exposure that the defender's marksmen were lying thick in the second and third line of trenches up towards the low crest of the position, and in such of the zigzags as gave them a chance of a converging fire. The men about him were talking of guns. "We're in the line of big guns at the crest, but they'll soon shift one to pepper them" the lean man said, reassuringly.

"Whup," said the corporal.

"Bang! Bang! Bang! Whir-r-r-r-r!" it was a sort of nervous jump, and all the rifles were going off by themselves. The war correspondent found himself and artist, two idle men crouching behind a line of preoccupied backs, of industrious men discharging magazines. The monster had moved. It continued to move regardless of the hail that splashed its skin with bright new specks of lead. It was singing a mechanical little ditty to itself, "Tuf-tuf, tuf-tuf, tuf-tuf," and squirting out little jets of steam behind. It had humped itself up, as a limpet does before it crawls; it had its skirt and displayed along the length of it--feet! They were thick, stumpy feet, between knobs and buttons in shape--flat, broad things, reminding one of the feet of elephants or the legs of caterpillars; and then, as the skirt rose higher, the war correspondent, scrutinising the thing through his glasses again, saw that these feet hung, as it were, on the rims of wheels. His thoughts whirled back to Victoria Street, Westminster, and he saw himself in the piping times of peace, seeking matter for an interview.

"Mr.--Mr. Diplock," he said; "and he called them Pedrails...Fancy meeting them here!"

The marksman beside him raised his head and shoulders in a speculative mood to fire more certainly--it seemed so natural to assume the attention of the monster must be distracted by this trench before it--and was suddenly knocked backwards by a bullet through his neck. His feet flew up, and he vanished out of the margin of the watcher's field of vision. The war correspondent grovelled tighter, but after a glance behind him at a painful little confusion, he resumed his field-glass, for the thing was putting down its feet one after the other, and hoisting itself farther and farther over the trench. Only a bullet in the head could have stopped him looking just then.

The lean man with the strident voice ceased firing to turn and reiterate his point. "They can't possibly cross," he bawled. "They--"

"Bang! Bang! Bang! Bang--!" Drowned everything.

The lean man continued speaking for a word or so, then gave it up, shook his head to enforce the impossibility of anything crossing a trench like the one below, and resumed business once more.

And all the while that great bulk was crossing. When the war correspondent turned his glass on it again it had bridged the trench, and its queer feet were rasping away at the farther bank, in the attempt to get a hold there. It got its hold. It continued to crawl until the greater bulk of it was over the trench--until it was all over. Then it paused for a moment, adjusted its skirt a little nearer the ground, gave an unnerving "toot, toot," and came on abruptly at a pace of, perhaps, six miles an hour straight up the gentle slope towards our observer.

The war correspondent raised himself on his elbow and looked a natural inquiry at the artist.

For a moment the men about him stuck to their position and fired furiously. Then the lean man in a mood of precipitancy slid backwards, and the war correspondent said "Come along," to the artist, and led the movement along the trench.

As they dropped down, the vision of a hillside of trench being rushed by a dozen vast cockroaches disappeared for a space, and instead was one of a narrow passage, crowded with men, for the most part receding, through one or two turned or halted. He never turned back to see the nose of the monster creep over the brow of the trench; he never even troubled to keep in touch with the artist. He heard the "whit" of bullets about him soon enough, and saw a man before him stumble and drop, and then he was one of a furious crowd fighting to get into a transverse zigzag ditch that enabled the defenders to get under cover up and down the hill. It was like a theatre panic. He gathered from signs and fragmentary words that on ahead another of these monsters had also won to the second trench.

He lost his interest in the general course of the battle for a space altogether; he became simply a modest egotist, in a mood of hasty circumspection, seeking the farthest rear, amidst a dispersed multitude of disconcerted riflemen similarly employed. He scrambled down through trenches, he took his courage in both hands and sprinted across the open, he had moments of panic when it seemed madness not to be quadrupedal, and moments of shame when he stood up and faced about to see how the fight was going. And he was one of many thousand very similar men that morning. On the ridge he halted in a knot of scrub, and was for a few minutes almost minded to stop and see things out.

The day was now fully come. The grey sky had changed to blue, and of all the cloudy masses of dawn there remained only a few patches of dissolving fleeciness. The world below was bright and singularly clear. The ridge was not, perhaps, more than a hundred feet or so above the general plain, but in this flat region it sufficed to give the effect of extensive view. Away on the north side of the ridge, little and far, were the camps, the ordered wagons, all the gear of a big army; with officers galloping about and men doing aimless things. Here and there men were falling in, however, and the cavalry was forming up on the plain beyond the tents. The bulk of men who had been in the trenches were still on the move to the rear, scattered like sheep without a shepherd over the farther slopes. Here and there were little rallies and attempts to wait and do--something vague; but the general drift was away from any concentration. There on the southern side was the elaborate lacework of trenches and defences, across which these iron turtles, fourteen of them spread out over a line of perhaps three miles, were now advancing as fast as a man could trot, and methodically shooting down and breaking up any persistent knots of resistance. Here and there stood little clumps of men, outflanked and unable to get away, showing the white flag, and the invader's cyclist infantry was advancing now across the open, in open order, but unmolested, to complete the work of the machines. Surveyed at large, the defenders already looked a beaten army. A mechanism that was effectually ironclad against bullets, that could at a pinch cross a thirty-foot trench, and that seemed able to shoot out rifle-bullets with unerring precision, was clearly an inevitable victor against anything but rivers, precipices, and guns.

He looked at his watch. "Half-past four! Lord! What thing can happen in two hours. Here's the whole blesses army being walked over, and at half-past two--"

"And even now our blessed louts haven't done a thing with their guns!"

He scanned the ridge right and left of him with his glasses. He turned again to the nearest land ironclad, advancing now obliquely to him and not three hundred yards away, and then scanned the ground over which he must retreat if he was not to be captured.

"They'll do nothing," he said, and glanced at the enemy.

And then from far away to the left came the thud of a gun, followed very rapidly by a rolling gun-fire.

He hesitated and decided to stay.
3.
The defender had relied chiefly upon his rifles in the event of an assault. His guns he kept concealed at various points upon and behind the ridge ready to bring them into action against any artillery preparations for an attack on the part of his antagonist. The situation had rushed upon him with the dawn, and by the time the gunners had their guns ready for motion, the land ironclads were already in among the foremost trenches. There is a natural reluctance to fire into one's own broken men, and many of the guns, being intended simply to fight an advance of the enemy's artillery, were not in positions to hit anything in the second line of trenches. After that the advance of the land ironclads was swift. The defender-general found himself suddenly called upon to invent a new sort of warfare, in which guns were to fight alone amidst broken and retreating infantry. He had scarcely thirty minutes in which to think it out. He did not respond to call, and what happened that morning was that the advance of the land ironclads forced the fight, and each gun and battery made what play its circumstance dictated. For the most part it was poor play.

Some of the guns got in two or three shots, some one or two, and the percentage of misses was unusually high. The howitzers, of course, did nothing. The land ironclads in each case followed much the same tactics. As soon as a gun came into play the monster turned itself almost end-on, so as to minimise the chances of a square hit, and made not for the gun, but for the nearest point on its flank from which the gunners could be shot down. Few of the hits scored were very effectual; only one of the things was disabled, and that was the one that fought the three batteries attached to the brigade on the left wing. Three that were hit when close upon the guns were clean shot through without being put out of action. Our war correspondent did not see that one momentary arrest of the tide of victory on the left; he saw only the very ineffectual fight of half-battery 96B close at hand upon his right. This he watched some time beyond the margin of safety.

Just after he heard the three batteries opening up upon his left he became aware of the thud of horses' hoofs from the sheltered side of the slope, and presently saw first one and then two other guns galloping into position along the north side of the ridge, well out of sight of the great bulk that was now creeping obliquely towards the crest and cutting up the lingering infantry beside it and below, as it came.

The half-battery swung round into line--each gun describing its curve--halted, unlimbered, and prepared for action...

"Bang!"

The land ironclad had become visible over the brow of the hill, and just visible as a long black back to the gunners. It halted, as though it hesitated.

The two remaining guns fired, and then their big antagonist had swung round and was in full view, end-on, against the sky, coming at a rush.

The gunners became frantic in their haste to fire again. They were so near the war correspondent could see the expression of their excited faces through his field-glass. As he looked he saw a man drop, and realised for the first time that the ironclad was shooting.

For a moment the big black monster crawled with an accelerated pace towards the furiously active gunners. Then, as if moved by a generous impulse, it turned its full broadside to their attack, and scarcely forty yards away from them. The war correspondent turned his field-glass back to the gunners and perceived it was now shooting down the men about the guns with the most deadly rapidity.

Just for a moment it seemed splendid, and then it seemed horrible. The gunners were dropping in heaps about their guns. To lay a hand on a gun was death. "Bang!" went the gun on the left, a hopeless miss, and that was the only second shot the half-battery fired. In another moment half-a-dozen surviving artillerymen were holding up their hands amidst a scattered muddle of dead and wounded men, and the fight was done.

The war correspondent hesitated between stopping in his scrub and waiting for an opportunity to surrender decently, or taking to an adjacent gully he had discovered. If he surrendered it was certain he would get no copy off; while, he escaped, there were all sorts of chances. He decided to follow the gully, and take the first offer in the confusion beyond the camp of picking up a horse.
4.
Subsequent authorities have found fault with the first land ironclads in many particulars, but assuredly they served their purpose on the day of their appearance. They were essentially long, narrow, and very strong steel frameworks carrying the engines, and borne upon eight pairs of big pedrail wheels, each about ten feet in diameter, each a driving wheel and set upon long axles free to swivel round a common axis. This arrangement gave them the maximum of adaptability to the contours of the ground. They crawled level along the ground with one foot high upon a hillock and another deep in a depression, and they could hold themselves erect and steady sideways upon even a steep hillside. The engineers directed the engines under the command of the captain, who had lookout points at small ports all round the upper edge of the adjustable skirt of twelve-inch iron-plating which protected the whole affair, and who could also raise or depress a conning-tower set about the port-holes through the centre of the iron top cover. The riflemen each occupied a small cabin of peculiar construction, and these cabins were slung along the sides of and before and behind the great main framework, in a manner suggestive of the slinging of the seats of an Irish jaunting-car. Their rifles, however, were very different pieces of apparatus from the simple mechanisms in the hands of their adversaries.

These were in the first place automatic, ejected their cartridges and loaded again from a magazine each time they fired, until the ammunition store was at an end, and they had the most remarkable sights imaginable, sights which threw a bright little camera-obscura picture into the light-tight box in which the riflemen sat below. This camera-obscura picture was marked with two crossed lines, and whatever was covered by the intersection of these two lines, that the rifle hit. The sighting was ingeniously contrived. The rifleman stood at the table with a like an elaboration of a draughtsman's dividers in his hand, and he opened and closed these dividers, so that they were always at the apparent height--if it was an ordinary-sized man--of the man he wanted to kill. A little twisted strand of wire like an electric-light wire ran from this implement up to the gun, and as the dividers opened and shut the sights went up or down. Changes in the clearness of the atmosphere, due to changes of moisture, were met by an ingenious use of that meteorologically sensitive substance, catgut, and when the land ironclad moved forward the sights got a compensatory deflection in the direction of its motion. The rifleman stood up in his pitch-dark chamber and watched the little picture before him. One hand held the dividers for judging distance, and the other grasped a big knob like a door-handle. As he pushed this knob about the rifle above swung to correspond, and the picture passed to and fro like an agitated panorama. When he saw a man he wanted to shoot he brought him up to the cross-lines, and then pressed a finger upon a little push like an electric bell-push, conveniently placed in the centre of the knob. Then the man was shot. If by any chance the rifleman missed his target he moved the knob a trifle, or readjusted his dividers, pressed the push, and got him the second time.

This rifle and its sights protruded from a port-hole, exactly like a great number of other port-holes that ran in a triple row under the eaves of the cover of the land ironclad. Each port-hole displayed a rifle and sight in dummy, so that the real ones could only be hit by a chance shot, and if one was, then the young man below said "Pshaw!" turned on an electric light, lowered the injured instrument into his camera, replaced the injured part, or put up a new rifle if the injury was considerable.

You must conceive these cabins as hung clear above the swing of the axles, and inside the big wheels upon which the great elephant-like feet were hung, and behind these cabins along the centre of the monster ran a central gallery into which they opened, and along which worked the big compact engines. It was like a long passage into which this throbbing machinery had been packed, and the captain stood about the middle, close to the ladder that led to his conning-tower, and directed the silent, alert engineers--for the most part by signs. The throb and noise of the engines mingled with the reports of the rifles and the intermittent clangour of the bullet hail upon the armour. Ever and again he would touch the wheel that raised his conning-tower, step up his ladder until his engineers could see nothing of him above the waist, and then come down again with orders. Two small electric lights were all the illumination of this space--they were placed to make him most clearly visible to his subordinates; the air was thick with the smell of oil and petrol, and had the war correspondent been suddenly transferred from the spacious dawn outside to the bowels of this apparatus he would have thought himself fallen into another world.

The captain, of course, saw both sides of the battle. When he raised his head into his conning-tower there were the dewy sunrise, the amazed and disordered trenches, the flying and falling soldiers, the depressed-looking groups of prisoners, the beaten guns; when he bent down again to signal "half speed," "quarter speed," "half circle, round toward the right," or what not, he was in the oil-smelling twilight of the ill-lit engine-room. Close beside him on either side was the mouth-piece of a speaking-tube, and ever and again he would direct one side or other of his strange craft to "concentrate fire forward on gunners," or to "clear out trench about a hundred yards on our right front."

He was a young man, healthy enough but by no means sun-tanned, and of a type of feature and expression that prevails in His Majesty's Navy: alert, intelligent, quiet. He and his engineers and riflemen all went about their work, calm and reasonable men. They had none of that flapping strenuousness of the half-wit in a hurry, that excessive strain upon the blood-vessels, that hysteria of effort which is so frequently regarded as the proper state of mind for heroic deeds.

For the enemy these young engineers were defeating they felt a certain qualified pity and a quite unqualified contempt. They regarded these big, healthy men they were shooting down precisely as these same big, healthy men might regard some inferior kind of nigger. They despised them for making war; despised their brawling patriotisms and their emotionality profoundly; despised them, above all, for the petty cunning and the almost brutish want of imagination their method of fighting displayed. "If they must make war," these young men thought, "Why in thunder don't they do it like sensible men?" They resented the assumption that their own side was too stupid to do anything more than play their enemy's game, that they were going to play this costly folly according to the rules of unimaginative men. They resented being forced to the trouble of making man-killing machinery; resented the alternative of having to massacre these people or endure their truculent yappings; resented the whole unfathomable imbecility of war.

Meanwhile, with something of the mechanical precision of a good clerk posting a ledger, the rifleman moved their knobs and pressed their buttons...

The captain of Land Ironclad Number Three had halted on the crest close to his captured half-battery. His lined up prisoners stood hard by and waited for the cyclists behind to come for them. He surveyed the victorious morning through his conning-tower.

He read the general's signals. "Five and Four are to keep among the guns to the left and prevent any attempt to recover them. Seven and Eleven and Twelve, stick to the guns you have got; Seven, got into position to command the guns taken by Three. Then we're to do something else, are we? Six and One, quicken up to about ten miles an hour and walk round behind that camp to the levels near the river--we shall bag the whole crowd of them," interjected the young man. "Ah, here we are! Two and Three, Eight and Nine, Thirteen and Fourteen, space out to a thousand yards, wait for the word, and then go slowly to cover the advance of the cyclist infantry against any change of mounted troops. That's all right. But where's Ten? Halloa! Ten to repair and get movable as soon as possible. They've broken up Ten!"

The discipline of the new war machines was business-like rather than pedantic, and the head of the captain came down out of the conning-tower to tell his men: "I say, you chaps there. They've broken up Ten. Not badly, I think; but anyhow, he's stuck."

But that still left thirteen of the monsters in action to finish up the broken army.

The war correspondent stealing down his gully looked back and saw them all lying along the crest and talking fluttering congratulatory flags to one another. Their iron sides were shining golden in the light of the rising sun.
5.
The private adventures of the war correspondent terminated in surrender about one o'clock in the afternoon, and by that time he had stolen a horse, pitched off it, and narrowly escaped being rolled upon; found the brute had broken its leg, and shot it with his revolver. He had spent some hours in the company of a squad of dispirited riflemen, had quarrelled with them about topography at last, and gone off by himself in a direction that should have brought him to the banks of the river and didn't. Moreover, he had eaten all his chocolate and found nothing in the whole world to drink. Also, it had become extremely hot. From behind a broken, but attractive, stone wall he had seen far away in the distance the defender-horsemen trying to charge cyclists in open order, with land ironclads outflanking them on either side. He had discovered that cyclists could retreat over open turf before horsemen with a sufficient margin of speed to allow of frequent dismounts and much terribly effective sharp-shooting, and he had a sufficient persuasion that those horsemen, having charged their hearts out, had halted just beyond his range of vision and surrendered. He had been urged to sudden activity by a forward movement of one of those machines that had threatened to enfilade his wall. He had discovered a fearful blister on his heel.

He was now in a scrubby gravelly place, sitting down and meditating on his pocket-handkerchief, which had in some extraordinary way become in the last twenty-four hours extremely ambiguous in hue. "It's the whitest thing I've got," he said.

He had known all along that the enemy was east, west and south of him, but when he heard land ironclads Number One and Six talking in their measured, deadly way not half a mile to the north he decided to make his own little unconditional peace without any further risks. He was for hoisting his white flag to a brush and taking up a position of modest obscurity near it until some one came along. He became aware of voices, clatter, and the distinctive noises of a body of horses, quite near, and he put his handkerchief in his pocket again and went to see what was going forward.

The sound of firing ceased, and then as he drew near he heard the deep sounds of many simple, coarse, but hearty and noble-hearted soldiers of the old school swearing with vigour.

He emerged from his scrub upon a big level plain, and far away a fringe of trees marked the banks of the river.

In the centre of the picture was a still intact road bridge, and big railway bridge a little to the right. Two land ironclads rested, with a general air of being long, harmless sheds, in a pose of anticipatory peacefulness right and left of the picture, completely commanding two miles and more of the river levels. Emerged and halted a few yards from the scrub was the remainder of the defender's cavalry, dusty, a little disordered and obviously annoyed, but still a very fine show of men. In the middle distance three or four men and horses were receiving medical attendance, and nearer a knot of officers regarded the distant novelties in mechanism with profound distaste. Every one was very distinctly aware of the twelve other ironclads, and of the multitude of townsmen soldiers, on bicycles or afoot, encumbered now by prisoners and captured war-gear, but otherwise thoroughly effective, who were sweeping like a great net in their rear.

"Checkmate," said the war correspondent, walking out into the open. "But I surrender in the best of company. Twenty-four hours ago I thought war was impossible--and these beggars have captured the whole blessed army! Well! Well!" He thought of his talk with the young lieutenant. "If there's no end to the surprises of science, the civilised people have it, of course. As long as their science keeps going they will necessarily be ahead of open-country men. Still..." He wondered for a space what might have happened to the young lieutenant.

The war correspondent was one of those inconsistent people who always want the beaten side to win. When he saw all these burly, sun-tanned horsemen, disarmed and dismounted and lined up; when he saw their horses unskilfully led away by the singularly not equestrian cyclists to whom they had surrendered; when he saw these truncated Paladins watching this scandalous sight, he forgot altogether that he had called these men "cunning louts" and wished them beaten not four-and-twenty hours ago. A month ago he had seen that regiment in its pride going forth to war, and had told of its terrible prowess, how it could charge in open order with each man firing from his saddle, and sweep before it anything else that ever came out to battle in any sort of order, foot or horse. And it had, had to fight a few score of young men in atrociously unfair machines!

"Manhood versus Machinery" occurred to him as a suitable headline. Journalism curdles all one's mind to phrases.

He strolled as near the lined-up prisoners as the sentinels seemed disposed to permit, and surveyed them and compared their sturdy proportions with those of their lightly built captors.

"Smart degenerates," he muttered. "Anaemic cockneydom."

The surrendered officers came quite close to him presently, and he could hear the colonel's high-pitched tenor. The poor gentleman had spent three years of arduous toil upon the best material in the world perfecting that shooting from the saddle charge, and he was inquiring with phrases of blasphemy, natural in the circumstances, what one could be expected to do against this suitably consigned ironmongery.

"Guns," said some one.

"Big guns they can walk around. You can't shift big guns to keep pace with them, and little guns in the open they rush. I saw 'em rushed. You might do a surprised now and then--assassinate the brutes, perhaps--"

"You might make things like 'em."

"What? More ironmongery? Us...?"

"I'll call my article," meditated the war correspondent, "'Mankind versus Ironmongery,' and quote the old boy at the beginning."

And he was much too good a journalist to spoil his contrast by remarking that the half-dozen comparatively slender young men in blue pyjamas who were standing about their victorious land ironclad, drinking coffee and eating biscuits, had also in their eyes and carriage something not altogether degraded below the level of a man.

THE BEAUTIFUL SUIT

There was once a little man whose mother made him a beautiful suit of clothes. It was green and gold, and woven so that I can not describe how delicate and fine it was, and there was a tie of orange fluffiness that tied up under his chin. And the buttons in their newness shone like stars. He was proud and pleased by his suit beyond measure, and stood before the long looking-glass when first he put it on, so astonished and delighted with it that he could hardly turn himself away.

He wanted to wear it everywhere, and show it to all sorts of people. He thought over all the places he had ever visited, and all the scenes he had ever heard described, and tried to imagine what the feel of it would be if he were to go now to those scenes and places wearing his shining suit, and he wanted to go out forthwith into the long grass and hot sunshine of the meadow wearing it. Just to wear it! But his mother told him "No," She told him he must take great care of his suit, for never would he have another nearly so fine; he must save it and save it, and only wear it on rare great occasions. It was his wedding-suit, she said. And she took the buttons and twisted them up with tissue paper for fear their bright newness should be tarnished, and she tacked little guards over the cuffs and elbows, and wherever the suit was most likely to come to harm. He hated and resisted these things, but what could he do? And at last her warnings and persuasions had effect, and he consented to take off his beautiful suit and fold it into its proper creases, and put it away. It was almost as though he gave it up again. But he was always thinking of wearing it, and of the supreme occasions when some day it might be worn without the guards, without the tissue paper on the buttons, utterly and delightfully, never caring, beautiful beyond measure.

One night, when he was dreaming of it after his habit, he dreamt he took the tissue paper from one of the buttons, and found its brightness a little faded, and that distressed him mightily in his dream. He polished the poor faded button and polished it, and if anything, it grew duller. He woke up and lay awake, thinking of the brightness slightly dulled, and wondering how he would feel if perhaps when the great occasions (whatever it might be) should arrive, one button should chance to be ever so little short of its first glittering freshness, and for days and days that thought remained with him distressingly. And when next his mother let him wear his suit, he was tempted and nearly gave way to the temptation just to fumble off a bit of tissue paper and see if indeed the buttons were keeping as bright as ever.

He went trimly along on his way to church, full of this wild desire. For you must know his mother did, with repeated and careful warnings, let him wear his suit at times, on Sundays, for example, to and fro from church, when there was no threatening of rain, no dust blowing, nor anything to injure it, with its buttons covered and its protections tacked upon it, and a sunshade in his hand to shadow it, if there seemed too strong a sunlight for its colours. And always, after such occasions, he brushed it over and folded it exquisitely as she had taught him, and put it away again.

Now all these restrictions his mother set to the wearing of his suit he obeyed, always he obeyed them, until one strange night he woke up and saw the moonlight shining outside his window. It seemed to him the moonlight was not common moonlight, nor the night a common night, and for a while he lay quite drowsily, with this odd persuasion in his mind. Thought joined on to thought like things that whisper warmly in the shadows. Then he sat up in his little bed suddenly very alert, with his heart beating very fast, and a quiver in his body from top to toe. He had made up his mind. He knew that now he was going to wear his suit as it should be worn. He had no doubt in the matter. He was afraid, terribly afraid, but glad, glad.

He got out of his bed and stood for a moment by the window looking at the moonshine-flooded garden, and trembling at the thing he meant to do. The air was full of a minute clamour of crickets and murmurings, of the infinitesimal shouting of little living things. He went very gently across the creaking boards, for fear that he might wake the sleeping house, to the big dark clothes-press wherein his beautiful suit lay folded, and he took it out garment by garment, and softly and very eagerly tore off its tissue-paper covering and its tacked protections until there it was, perfect and delightful as he had seen it when first his mother had given it to him--a long time it seemed ago. Not a button had tarnished, not a thread had faded on this dear suit of his; he was glad enough for weeping, as in a noiseless hurry he put it on. And then back he went, soft and quick, to the window that looked out upon the garden, and stood there for a minute, shining in the moonlight, with his buttons twinkling like stars, before he got out on the sill, and making as little of a rustling as he could, clambered down to the garden path below. He stood before his mother's house, and it was white and nearly as plain as by day, with every window-blind but his own shut like an eye that sleeps. The trees cast still shadows like intricate black lace upon the wall.

The garden in the moonlight was very different from the garden by day; moonshine was tangled in hedges and stretched in phantom cobwebs from spray to spray. Every flower was gleaming white or crimson black, and the air was a-quiver with the thridding of small crickets and nightingales singing unseen in the depths of the trees.

There was no darkness in the world, but only warm, mysterious shadows, and all the leaves and spikes were edged and lined with iridescent jewels of dew. The night was warmer than any other night had ever been; the heavens by some miracle at once vaster and nearer, and in spite of the great ivory-tinted moon that ruled the world, the sky was full of stars.

The little man did not shout nor sing for all his infinite gladness. He stood for a time like one awe-stricken, and then with a queer small cry and holding out his arms, he ran out as if he would embrace at once the whole round immensity of the world. He did not follow the neat set paths that cut the garden squarely, but thrust across the beds and through the wet, tall, scented herbs, though the night-stock and the nicotine and the clusters of phantom white mallow flowers and through the thickets of southernwood and lavender, and knee-deep across a wide space of mignonette. He came to the great hedge, and he thrust his way through it; and though the thorns of the brambles scored him deeply and tore threads from his wonderful suit, and though burrs and goose-grass and havers caught and clung to him, he did not care. He did not care, for he knew it was all part of the wearing for which he had longed. "I am glad I put on my suit," he said; "I am glad I wore my suit."

Beyond the hedge he came to the duck-pond, or at least to what was the duck-pond by day. But by night it was a great bowl of silver moonshine all noisy with singing frogs, of wonderful silver moonshine twisted and clotted with strange patternings, and the little man ran down into its waters between the thin black rushes, knee-deep and waist-deep and to his shoulders, smiting the water to black and shining wavelets with either hand, swaying and shivering wavelets, amidst which the stars were netted in the tangled reflections of the brooding trees upon the bank. He waded until he swam, and so he crossed the pond and came out upon the other side, trailing, as it seemed to him, not duckweed, but very silver in long, clinging, dripping masses. And up he went through the transfigured tangles of the willow-herb and the uncut seeding grasses of the farther bank. He came glad and breathless into the high road. "I am glad," he said, "beyond measure, that I had clothes that fitted this occasion."

The high-road ran straight as an arrow flies, straight into the deep-blue pit of the sky beneath the moon, a white and shining road between the singing nightingales, and along it he went, running now and leaping, and now walking and rejoicing, in the clothes his mother had made for him with tireless, loving hands. The road was deep in dust, but that for him was only soft whiteness; and as he went a great dim moth came fluttering round his wet and shimmering and hastening figure. At first he did not heed the moth, and then he waved his hands at it, and made a sort of dance with it, as it circled round his head. "Soft moth!" he cried, "Dear moth! And wonderful night, wonderful night of the world! Do you think my clothes are beautiful, dear moth? As beautiful as your scales and all this silver vesture of the earth and sky?"

And the moth circled closer and closer until at last its velvet wings just brushed his lips...

And next morning they found him dead, with his neck broken, in the bottom of the stone pit, with his beautiful clothes a little bloody, and foul and stained with the duckweed from the pond. But his face was a face of such happiness that, had you seen it, you would have understood indeed how that he had died happy, never knowing that cool and streaming silver for the duckweed in the pond.

THE DOOR IN THE WALL
1.
One confidential evening, not three months ago, Lionel Wallace told me this story of the Door in the Wall. And at the time I thought that so far as he was concerned it was a true story.

He told it me with such a direct simplicity of conviction that I could not do otherwise than believe in him. But in the morning, in my own flat, I woke to a different atmosphere, and as I lay in bed and recalled the things he had told me, stripped of the glamour of his earnest slow voice, denuded of the focused shaded table light, the shadowy atmosphere that wrapped about him and the pleasant bright things, the dessert and glasses and napery of the dinner we had shared, making them for the time a bright little world quite cut off from everyday realities, I saw it all as frankly incredible. "He was mystifying!" I said, and then: "How well he did it...! It isn't quite the thing I should have expected him, of all people, to do well."

Afterwards, as I sat up in bed and sipped my morning tea, I found myself trying to account for the flavour of reality that perplexed me in his impossible reminiscences, by supposing they did in some way suggest, present, convey--I hardly know which word to use--experiences it was otherwise impossible to tell.

Well I don't resort to that explanation now. I have got over my intervening doubts. I believe now, as I believed at the moment of telling, that Wallace did to the very best of his ability strip the truth of his secret for me. But whether he himself saw, or only thought he saw, whether he himself was the possessor of an inestimable privilege, or the victim of a fantastic dream, I cannot pretend to guess. Even the facts of his death, which ended my doubts forever, throw no light on that. That much the reader must judge for himself.

I forget now what chance comment or criticism of mine moved so reticent a man to confide in me. He was I think, defending himself against an imputation of slackness and unreliability I had made in relation to a great public movement in which he had disappointed me. But he plunged suddenly. "I have" he said, "a preoccupation--

"I know," he went on, after a pause that he devoted to the study of his cigar ash, "I have been negligent. The fact is--it isn't a case of ghosts or apparitions--but--it's an odd thing to tell of, Redmond--I am haunted. I am haunted by something--that rather takes the light out of things, that fills me with longings..."

He paused, checked by that English shyness that so often overcomes us when we would speak of moving or grave or beautiful things. "You were at Saint Althelstan's all through," he said, and for a moment that seemed to me quite irrelevant. "Well--" and he paused. Then very haltingly at first, but afterwards more easily, he began to tell of the thing that was hidden in his life, the haunting memory of a beauty and a happiness that filled his heart with insatiable longings that made all the interests and spectacle of worldly life seem dull and tedious and vain to him.

Now that I have the clue to it, the thing seems written visibly in his face. I have a photograph in which that look of detachment has been caught and intensified. It reminds me of what a woman once said of him--a woman who had loved him greatly. "Suddenly," she said, "the interest goes out of him. He forgets you. He doesn't care a rap for you--under his very nose..."

Yet the interest was not always out of him, and when he was holding his attention to a thing Wallace could contrive to be an extremely successful man. His career, indeed, is set with successes. He left me behind him long ago; he soared up over my head, and cut a figure in the world that I couldn't cut--anyhow. He was still a year short of forty, and they say now that he would have been in office and very probably in the new Cabinet if he had lived. At school he always beat me without effort--as it were by nature. We were at school together at Saint Althelstan's College in West Kensington for almost all our school-time. He came into the school as my co-equal, but he left far above me, in a blaze of scholarships and brilliant performance. Yet I think I made a fair average running. And it was at school I heard first of the "Door in the Wall--" that I was to hear of a second time only a month before his death.

To him at least the Door in the Wall was a real door leading through a real wall to immortal realities. Of that I am now quite assured.

And it came into his life early, when he was a little fellow between five and six. I remember how, as he sat making his confession to me with a slow gravity, he reasoned and reckoned the date of it. "There was," he said, "a crimson Virginia creeper in it--all one bright uniform crimson in a clear amber sunshine against a white wall. That came into the impression somehow, though I don't clearly remember how, and there were horse-chestnut leaves upon the clean pavement outside the green door. They were blotched yellow and green, you know, not brown nor dirty, so that they must have been new fallen. I take it that means October. I look out for horse-chestnut leaves every year, and I ought to know."

"If I'm right in that, I was about five years and four months old."

He was, he said, rather a precocious little boy--he learned to talk at an abnormally early age, and he was so sane and "old-fashioned," as people say, that he was permitted an amount of initiative that most children scarcely attain by seven or eight. His mother died when he was born, and he was under the less vigilant and authoritative care of a nursery governess. His father was a stern, preoccupied lawyer, who gave him little attention, and expected great things of him. For all his brightness he found life a little grey and dull I think. And one day he wandered.

He could not recall the particular neglect that enabled him to get away, nor the course he took among the West Kensington roads. All that had faded among the incurable blurs of memory. But the white wall and the green door stood out quite distinctly.

As his memory of that remote childish experience ran, he did at the very first sight of that door experience a peculiar emotion, an attraction, a desire to get to the door and open it and walk in.

And at the same time he had the clearest conviction that either it was unwise or it was wrong of him--he could not tell which--to yield to this attraction. He insisted upon it as a curious thing that he knew from the very beginning--unless memory has played him the queerest trick--that the door was unfastened, and that he could go in as he chose.

I seem to see the figure of that little boy, drawn and repelled. And it was very clear in his mind too, though why it should be so was never explained, that his father would be very angry if he went through that door.

Wallace described all these moments of hesitation to me with the utmost particularity. He went right past the door, and then with his hands in his pockets, and making an infantile attempt to whistle, strolled right along beyond the end of the wall. There he recalls a number of mean, dirty shops, and particularly that of a plumber and decorator, with a dusty disorder of earthenware pipes, sheet lead ball taps, pattern books of wall paper, and tins of enamel. He stood pretending to examine these things, and coveting, passionately desiring the green door.

Then he said, he had a gust of emotion. He made a run for it, lest hesitation should grip him again, he went plump with outstretched hand through the green door and let it slam behind him. And so, in a trice, he came into the garden that has haunted all his life.

It was very difficult for Wallace to give me his full sense of that garden into which he came.

There was something in the very air of it that exhilarated, that gave one a sense of lightness and good happening and well-being; there was something in the sight of it that made all its colour clean and perfect and subtly luminous. In the instant of coming into it one was exquisitely glad--as only in rare moments and when one is young and joyful one can be glad in this world. And everything was beautiful there...

Wallace mused before he went on telling me. "You see," he said, with the doubtful inflection of a man who pauses at incredible things, "there were two great panthers there...Yes, spotted panthers. And I was not afraid. There was a long wide path with marble-edged flower borders on either side, and these two huge velvety beasts were playing there with a ball. One looked up and came towards me, a little curious as it seemed. It came right up to me, rubbed its soft round ear very gently against the small hand I held out and purred. It was I tell you, an enchanted garden. I know. And the size? Oh! it stretched far and wide, this way and that. I believe there were hills far away. Heaven knows where West Kensington had suddenly got to. And somehow it was just like coming home."

"You know, in the very moment the door swung to behind me, I forgot the road with its fallen chestnut leaves, its cabs and tradesmen's carts, I forgot the sort of gravitational pull back to the discipline and obedience of home, I forgot all hesitations and fear, forgot discretion, forgot all the intimate realities of this life. I became in a moment a very glad and wonder-happy little boy--in another world. It was a world with a different quality, a warmer, more penetrating and mellower light, with a faint clear gladness in its air, and wisps of sun-touched cloud in the blueness of its sky. And before me ran this long wide path, invitingly, with weedless beds on either side, rich with untended flowers, and these two great panthers. I put my little hands fearlessly on their soft fur, and caressed their round ears and the sensitive corners under their ears, and played with them, and it was as though they welcomed me home. There was a keen sense of home-coming in my mind, and when presently a tall, fair girl appeared in the pathway and came to meet me, smiling, and said 'Well?' to me, and lifted me, and kissed me, and put me down, and led me by the hand, there was no amazement, but only an impression of delightful rightness, of being reminded of happy things that had in some strange way been overlooked. There were broad steps, I remember, that came into view between spikes of delphinium, and up these we went to a great avenue between very old and shady dark trees. All down this avenue, you know, between the red chapped stems, were marble seats of honour and statuary, and very tame and friendly white doves..."

"And along this avenue my girl-friend led me, looking down--I recall the pleasant lines, the finely-modelled chin of her sweet kind face--asking me questions in a soft, agreeable voice, and telling me things, pleasant things I know, though what they were I was never able to recall...And presently a little Capuchin monkey, very clean, with a fur of ruddy brown and kindly hazel eyes, came down a tree to us and ran beside me, looking up at me and grinning, and presently leapt to my shoulder. So we went on our way in great happiness..."

He paused.

"Go on," I said.

"I remember little things. We passed an old man musing among laurels, I remember, and a place gay with paroquets, and came through a broad shaded colonnade to a spacious cool palace, full of pleasant fountains, full of beautiful things, full of the quality and promise of heart's desire. And there were many things and many people, some that still seem to stand out clearly and some that are a little vague, but all these people were beautiful and kind. In some way--I don't know how--it was conveyed to me that they all were kind to me, glad to have me there, and filling me with gladness by their gestures, by the touch of their hands, by the welcome and love in their eyes. Yes--"

He mused for awhile. "Playmates I found there. That was very much to me, because I was a lonely little boy. They played delightful games in a grass-covered court where there was a sun-dial set about with flowers. And as one played one loved...

"But--it's odd--there's a gap in my memory. I don't remember the games we played. I never remembered. Afterwards as a child, I spent long hours trying, even with tears, to recall the form of that happiness. I wanted to play it all over again--in my nursery--by myself. No! All I remember is the happiness and two dear playfellows who were most with me...Then presently came a sombre dark woman, with a grave, pale face and dreamy eyes, a sombre woman wearing a soft long robe of pale purple, who carried a book and beckoned and took me aside with her into a gallery above a hall--though my playmates were loth to have me go, and ceased their game and stood watching as I was carried away. 'Come back to us!' they cried. 'Come back to us soon!' I looked up at her face, but she heeded them not at all. Her face was very gentle and grave. She took me to a seat in the gallery, and I stood beside her, ready to look at her book as she opened it upon her knee. The pages fell open. She pointed, and I looked, marvelling, for in the living pages of that book I saw myself; it was a story about myself, and in it were all the things that had happened to me since ever I was born...

"It was wonderful to me, because the pages of that book were not pictures, you understand, but realities."

Wallace paused gravely--looked at me doubtfully.

"Go on," I said. "I understand."

"They were realities--yes, they must have been; people moved and things came and went in them; my dear mother, whom I had near forgotten; then my father, stern and upright, the servants, the nursery, all the familiar things of home. Then the front door and the busy streets, with traffic to and fro: I looked and marvelled, and looked half doubtfully again into the woman's face and turned the pages over, skipping this and that, to see more of this book, and more, and so at last I came to myself hovering and hesitating outside the green door in the long white wall, and felt again the conflict and the fear.

"'And next?' I cried, and would have turned on, but the cool hand of the grave woman delayed me.

"'Next?' I insisted, and struggled gently with her hand, pulling up her fingers with all my childish strength, and as she yielded and the page came over she bent down upon me like a shadow and kissed my brow.

"But the page did not show the enchanted garden, nor the panthers, nor the girl who had led me by the hand, nor the playfellows who had been so loth to let me go. It showed a long grey street in West Kensington, on that chill hour of afternoon before the lamps are lit, and I was there, a wretched little figure, weeping aloud, for all that I could do to restrain myself, and I was weeping because I could not return to my dear playfellows who had called after me, 'Come back to us! Come back to us soon!' I was there. This was no page in a book, but harsh reality; that enchanted place and the restraining hand of the grave mother at whose knee I stood had gone--whither have they gone?"

He halted again, and remained for a time, staring into the fire.

"Oh! The wretchedness of that return!" he murmured.

"Well?" I said after a minute or so.

"Poor little wretch I was--! Brought back to this grey world again! As I realised the fulness of what had happened to me, I gave way to quite ungovernable grief. And the shame and humiliation of that public weeping and my disgraceful home-coming remain with me still. I see again the benevolent-looking old gentleman in gold spectacles who stopped and spoke to me--prodding me first with his umbrella. 'Poor little chap,' said he; 'and are you lost then--?' And me a London boy of five and more! And he must needs bring in a kindly young policeman and make a crowd of me, and so march me home. Sobbing, conspicuous and frightened, I came from the enchanted garden to the steps of my father's house.

"That is as well as I can remember my vision of that garden--the garden that haunts me still. Of course, I can convey nothing of that indescribable quality of translucent unreality, that difference from the common things of experience that hung about it all; but that--that is what happened. If it was a dream, I am sure it was a daytime and altogether extraordinary dream...H'm--! Naturally there followed a terrible questioning, by my aunt, my father, the nurse, the governess--everyone...

"I tried to tell them, and my father gave me my first thrashing for telling lies. When afterwards I tried to tell my aunt, she punished me again for my wicked persistence. Then as I said, everyone was forbidden to listen to me, to hear a word about it. Even my fairy tale books were taken away from me for a time--because I was too 'imaginative.' Eh? Yes, they did that! My father belonged to the old school...And my story was driven back upon myself. I whispered it to my pillow--my pillow that was often damp and salt to my whispering lips with childish tears. And I added always to my official and less fervent prayers this one heartfelt request: 'Please God I may dream of the garden. Oh! Take me back to my garden! Take me back to my garden!'

"I dreamt often of the garden. I may have added to it, I may have changed it; I do not know...All this you understand is an attempt to reconstruct from fragmentary memories a very early experience. Between that and the other consecutive memories of my boyhood there is a gulf. A time came when it seemed impossible I should ever speak of that wonder glimpse again."

I asked an obvious question.

"No," he said. "I don't remember that I ever attempted to find my way back to the garden in those early years. This seems odd to me now, but I think that very probably a closer watch was kept on my movements after this misadventure to prevent my going astray. No, it wasn't until you knew me that I tried for the garden again. And I believe there was a period--incredible as it seems now--when I forgot the garden altogether--when I was about eight or nine it may have been. Do you remember me as a kid at Saint Althelstan's?"

"Rather!"

"I didn't show any signs did I in those days of having a secret dream?"
2.
He looked up with a sudden smile.

"Did you ever play North-West Passage with me...? No, of course you didn't come my way!

"It was the sort of game," he went on, "that every imaginative child plays all day. The idea was the discovery of a North-West Passage to school. The way to school was plain enough; the game consisted in finding some way that wasn't plain, starting off ten minutes early in some almost hopeless direction, and working one's way round through unaccustomed streets to my goal. And one day I got entangled among some rather low-class streets on the other side of Campden Hill, and I began to think that for once the game would be against me and that I should get to school late. I tried rather desperately a street that seemed a cul de sac, and found a passage at the end. I hurried through that with renewed hope. 'I shall do it yet,' I said, and passed a row of frowsy little shops that were inexplicably familiar to me, and behold! There was my long white wall and the green door that led to the enchanted garden!

"The thing whacked upon me suddenly. Then after all, that garden, that wonderful garden, wasn't a dream...!"

He paused.

"I suppose my second experience with the green door marks the world of difference there is between the busy life of a schoolboy and the infinite leisure of a child. Anyhow this second time I didn't for a moment think of going in straight away. You see--For one thing my mind was full of the idea of getting to school in time--set on not breaking my record for punctuality. I must surely have felt some little desire at least to try the door--yes, I must have felt that...But I seem to remember the attraction of the door mainly as another obstacle to my overmastering determination to get to school. I was immediately interested by this discovery I had made, of course--I went on with my mind full of it--but I went on. It didn't check me. I ran past tugging out my watch, found I had ten minutes still to spare, and then I was going downhill into familiar surroundings. I got to school, breathless, it is true, and wet with perspiration, but in time. I can remember hanging up my coat and hat...Went right by it and left it behind me. Odd, eh?"

He looked at me thoughtfully. "Of course, I didn't know then that it wouldn't always be there. School boys have limited imaginations. I suppose I thought it was an awfully jolly thing to have it there, to know my way back to it, but there was the school tugging at me. I expect I was a good deal distraught and inattentive that morning, recalling what I could of the beautiful strange people I should presently see again. Oddly enough I had no doubt in my mind that they would be glad to see me...Yes, I must have thought of the garden that morning just as a jolly sort of place to which one might resort in the interludes of a strenuous scholastic career.

"I didn't go that day at all. The next day was a half holiday, and that may have weighed with me. Perhaps too, my state of inattention brought down impositions upon me and docked the margin of time necessary for the detour. I don't know. What I do know is that in the meantime the enchanted garden was so much upon my mind that I could not keep it to myself.

"I told--What was his name--? A ferrety-looking youngster we used to call Squiff."

"Young Hopkins," said I.

"Hopkins it was. I did not like telling him, I had a feeling that in some way it was against the rules to tell him, but I did. He was walking part of the way home with me; he was talkative, and if we had not talked about the enchanted garden we should have talked of something else, and it was intolerable to me to think about any other subject. So I blabbed.

"Well, he told my secret. The next day in the play interval I found myself surrounded by half a dozen bigger boys, half teasing and wholly curious to hear more of the enchanted garden. There was that big Fawcett--you remember him--? And Carnaby and Morley Reynolds. You weren't there by any chance? No, I think I should have remembered if you were...

"A boy is a creature of odd feelings. I was, I really believe, in spite of my secret self-disgust, a little flattered to have the attention of these big fellows. I remember particularly a moment of pleasure caused by the praise of Crawshaw--you remember Crawshaw major, the son of Crawshaw the composer--? Who said it was the best lie he had ever heard. But at the same time there was a really painful undertow of shame at telling what I felt was indeed a sacred secret. That beast Fawcett made a joke about the girl in green--"

Wallace's voice sank with the keen memory of that shame. "I pretended not to hear," he said. "Well, then Carnaby suddenly called me a young liar and disputed with me when I said the thing was true. I said I knew where to find the green door, could lead them all there in ten minutes. Carnaby became outrageously virtuous, and said I'd have to--and bear out my words or suffer. Did you ever have Carnaby twist your arm? Then perhaps you'll understand how it went with me. I swore my story was true. There was nobody in the school then to save a chap from Carnaby though Crawshaw put in a word or so. Carnaby had got his game. I grew excited and red-eared, and a little frightened, I behaved altogether like a silly little chap, and the outcome of it all was that instead of starting alone for my enchanted garden, I led the way presently--cheeks flushed, ears hot, eyes smarting, and my soul one burning misery and shame--for a party of six mocking, curious and threatening schoolfellows."

"We never found the white wall and the green door..."

"You mean--?"

"I mean I couldn't find it. I would have found it if I could.

"And afterwards when I could go alone I couldn't find it. I never found it. I seem now to have been always looking for it through my school-boy days, but I've never come upon it--again."

"Did the fellows--make it disagreeable?"

"Beastly...Carnaby held a council over me for wanton lying. I remember how I sneaked home and upstairs to hide the marks of my blubbering. But when I cried myself to sleep at last it wasn't for Carnaby, but for the garden, for the beautiful afternoon I had hoped for, for the sweet friendly women and the waiting playfellows and the game I had hoped to learn again, that beautiful forgotten game...

"I believed firmly that if I had not told--...I had bad times after that--crying at night and wool-gathering by day. For two terms I slackened and had bad reports. Do you remember? Of course you would! It was you--your beating me in mathematics that brought me back to the grind again."
3.
For a time my friend stared silently into the red heart of the fire. Then he said: "I never saw it again until I was seventeen."

"It leapt upon me for the third time--as I was driving to Paddington on my way to Oxford and a scholarship. I had just one momentary glimpse. I was leaning over the apron of my hansom smoking a cigarette, and no doubt thinking myself no end of a man of the world, and suddenly there was the door, the wall, the dear sense of unforgettable and still attainable things.

"We clattered by--I too taken by surprise to stop my cab until we were well past and round a corner. Then I had a queer moment, a double and divergent movement of my will: I tapped the little door in the roof of the cab, and brought my arm down to pull out my watch. 'Yes, sir!' said the cabman, smartly. 'Er--well--it's nothing,' I cried. 'My mistake! We haven't much time! Go on!' And he went on...

"I got my scholarship. And the night after I was told of that I sat over my fire in my little upper room, my study in my father's house, with his praise--his rare praise--and his sound counsels ringing in my ears, and I smoked my favourite pipe--the formidable bulldog of adolescence--and thought of that door in the long white wall. 'If I had stopped,' I thought, 'I should have missed my scholarship, I should have missed Oxford--muddled all the fine career before me! I begin to see things better!' I fell musing deeply, but I did not doubt then this career of mine was a thing that merited sacrifice.

"Those dear friends and that clear atmosphere seemed very sweet to me, very fine, but remote. My grip was fixing now upon the world. I saw another door opening--the door of my career."

He stared again into the fire. Its red lights picked out a stubborn strength in his face for just one flickering moment, and then it vanished again.

"Well", he said and sighed, "I have served that career. I have done--much work, much hard work. But I have dreamt of the enchanted garden a thousand dreams, and seen its door, or at least glimpsed its door, four times since then. Yes--four times. For a while this world was so bright and interesting, seemed so full of meaning and opportunity that the half-effaced charm of the garden was by comparison gentle and remote. Who wants to pat panthers on the way to dinner with pretty women and distinguished men? I came down to London from Oxford, a man of bold promise that I have done something to redeem. Something--and yet there have been disappointments...

"Twice I have been in love--I will not dwell on that--but once, as I went to someone who, I know, doubted whether I dared to come, I took a short cut at a venture through an unfrequented road near Earl's Court, and so happened on a white wall and a familiar green door. 'Odd!' said I to myself, 'But I thought this place was on Campden Hill. It's the place I never could find somehow--like counting Stonehenge--the place of that queer day dream of mine.' And I went by it intent upon my purpose. It had no appeal to me that afternoon.

"I had just a moment's impulse to try the door, three steps aside were needed at the most--though I was sure enough in my heart that it would open to me--and then I thought that doing so might delay me on the way to that appointment in which I thought my honour was involved. Afterwards I was sorry for my punctuality--I might at least have peeped in I thought, and waved a hand to those panthers, but I knew enough by this time not to seek again belatedly that which is not found by seeking. Yes, that time made me very sorry...

"Years of hard work after that and never a sight of the door. It's only recently it has come back to me. With it there has come a sense as though some thin tarnish had spread itself over my world. I began to think of it as a sorrowful and bitter thing that I should never see that door again. Perhaps I was suffering a little from overwork--perhaps it was what I've heard spoken of as the feeling of forty. I don't know. But certainly the keen brightness that makes effort easy has gone out of things recently, and that just at a time--ith all these new political developments--when I ought to be working. Odd isn't it? But I do begin to find life toilsome, its rewards, as I come near them, cheap. I began a little while ago to want the garden quite badly. Yes--and I've seen it three times."

"The garden?"

"No--The door! And I haven't gone in!"

He leaned over the table to me, with an enormous sorrow in his voice as he spoke. "Thrice I have had my chance--thrice! If ever that door offers itself to me again, I swore, I will go in out of this dust and heat, out of this dry glitter of vanity, out of these toilsome futilities. I will go and never return. This time I will stay...I swore it and when the time came--I didn't go.

"Three times in one year have I passed that door and failed to enter. Three times in the last year."

"The first time was on the night of the snatch division on the Tenants' Redemption Bill, on which the Government was saved by a majority of three. You remember? No one on our side--perhaps very few on the opposite side--expected the end that night. Then the debate collapsed like eggshells. I and Hotchkiss were dining with his cousin at Brentford, we were both unpaired, and we were called up by telephone, and set off at once in his cousin's motor. We got in barely in time, and on the way we passed my wall and door--livid in the moonlight, blotched with hot yellow as the glare of our lamps lit it, but unmistakable. 'My God!' cried I. 'What?' said Hotchkiss. 'Nothing!' I answered, and the moment passed."

"'I've made a great sacrifice,' I told the whip as I got in. 'They all have,' he said, and hurried by.

"I do not see how I could have done otherwise then. And the next occasion was as I rushed to my father's bedside to bid that stern old man farewell. Then too, the claims of life were imperative. But the third time was different; it happened a week ago. It fills me with hot remorse to recall it. I was with Gurker and Ralphs--it's no secret now you know that I've had my talk with Gurker. We had been dining at Frobisher's, and the talk had become intimate between us. The question of my place in the reconstructed ministry lay always just over the boundary of the discussion. Yes--yes. That's all settled. It needn't be talked about yet, but there's no reason to keep a secret from you... Yes--Thanks! Thanks! But let me tell you my story.

"Then, on that night things were very much in the air. My position was a very delicate one. I was keenly anxious to get some definite word from Gurker, but was hampered by Ralphs' presence. I was using the best power of my brain to keep that light and careless talk, not too obviously, directed to the point that concerns me. I had to. Ralphs' behaviour since has more than justified my caution...Ralphs I knew, would leave us beyond the Kensington High Street, and then I could surprise Gurker by a sudden frankness. One has sometimes to resort to these little devices...And then it was that in the margin of my field of vision I became aware once more of the white wall, the green door before us down the road."

"We passed it talking. I passed it. I can still see the shadow of Gurker's marked profile, his opera hat tilted forward over his prominent nose, the many folds of his neck wrap going before my shadow and Ralphs' as we sauntered past.

"I passed within twenty inches of the door. 'If I say good-night to them, and go in,' I asked myself, 'what will happen?' And I was all a-tingle for that word with Gurker.

"I could not answer that question in the tangle of my other problems. 'They will think me mad,' I thought. 'And suppose I vanish now--! Amazing disappearance of a prominent politician!' That weighed with me. A thousand inconceivably petty worldlinesses weighed with me in that crisis."

Then he turned on me with a sorrowful smile, and speaking slowly; "Here I am!" he said.

"Here I am!" he repeated, "and my chance has gone from me. Three times in one year the door has been offered me--the door that goes into peace, into delight, into a beauty beyond dreaming, a kindness no man on earth can know. And I have rejected it, Redmond, and it has gone--"

"How do you know?"

"I know. I know. I am left now to work it out, to stick to the tasks that held me so strongly when my moments came. You say, I have success--this vulgar, tawdry, irksome, envied thing. I have it." He had a walnut in his big hand. "If that was my success," he said, and crushed it, and held it out for me to see.

"Let me tell you something, Redmond. This loss is destroying me. For two months, for ten weeks nearly now, I have done no work at all, except the most necessary and urgent duties. My soul is full of inappeasable regrets. At nights--when it is less likely I shall be recognised--I go out. I wander. Yes. I wonder what people would think of that if they knew. A Cabinet Minister, the responsible head of that most vital of all departments, wandering alone--grieving--sometimes near audibly lamenting--for a door, for a garden!"
4.
I can see now his rather pallid face, and the unfamiliar sombre fire that had come into his eyes. I see him very vividly to-night. I sit recalling his words, his tones, and last evening's Westminster Gazette still lies on my sofa, containing the notice of his death. At lunch to-day the club was busy with him and the strange riddle of his fate.

They found his body very early yesterday morning in a deep excavation near East Kensington Station. It is one of two shafts that have been made in connection with an extension of the railway southward. It is protected from the intrusion of the public by a hoarding upon the high road, in which a small doorway has been cut for the convenience of some of the workmen who live in that direction. The doorway was left unfastened through a misunderstanding between two gangers, and through it he made his way...

My mind is darkened with questions and riddles.

It would seem he walked all the way from the House that night--he has frequently walked home during the past Session--and so it is I figure his dark form coming along the late and empty streets, wrapped up, intent. And then did the pale electric lights near the station cheat the rough planking into a semblance of white? Did that fatal unfastened door awaken some memory?

Was there, after all, ever any green door in the wall at all?

I do not know. I have told his story as he told it to me. There are times when I believe that Wallace was no more than the victim of the coincidence between a rare but not unprecedented type of hallucination and a careless trap, but that indeed is not my profoundest belief. You may think me superstitious if you will, and foolish; but indeed, I am more than half convinced that he had in truth, an abnormal gift, and a sense, something--I know not what--that in the guise of wall and door offered him an outlet, a secret and peculiar passage of escape into another and altogether more beautiful world. At any rate, you will say, it betrayed him in the end. But did it betray him? There you touch the inmost mystery of these dreamers, these men of vision and the imagination.

We see our world fair and common, the hoarding and the pit. By our daylight standard he walked out of security into darkness, danger and death. But did he see like that?

THE PEARL OF LOVE

The pearl is lovelier than the most brilliant of crystalline stones, the moralist declares, because it is made through the suffering of a living creature. About that I can say nothing because I feel none of the fascination of pearls. Their cloudy lustre moves me not at all. Nor can I decide for myself upon that age-long dispute whether the Pearl of Love is the cruellest of stories or only a gracious fable of the immortality of beauty.

Both the story and the controversy will be familiar to students of mediaeval Persian prose. The story is a short one, though the commentary upon it is a respectable part of the literature of that period. They have treated it as a poetic invention and they have treated it as an allegory meaning this, that, or the other thing. Theologians have had their copious way with it, dealing with it particularly as concerning the restoration of the body after death, and it has been greatly used as a parable by those who write about aesthetics. And many have held it to be the statement of a fact, simply and baldly true.

The story is laid in North India, which is the most fruitful soil for sublime love stories of all the lands in the world. It was in a country of sunshine and lakes and rich forests and hills and fertile valleys; and far away the great mountains hung in the sky, peaks, crests, ridges of inaccessible and eternal snow. There was a young prince, lord of all the land; and he found a maiden of indescribable beauty and delightfulness and he made her his queen and laid his heart at her feet. Love was theirs, full of joys and sweetness, full of hope, exquisite, brave and marvellous love, beyond anything you have ever dreamt of love. It was theirs for a year and part of a year, and then suddenly, because of some venomous sting that came to her in a thicket, she died.

She died and for a while the prince was utterly prostrated. He was silent and motionless with grief. They feared he might kill himself, and he had neither sons nor brothers to succeed him. For two days and nights he lay upon his face, fasting, across the foot of the couch which bore her calm and lovely body. Then he arose and ate, and went about very quietly like one who has taken a great resolution. He caused her body to be put in a coffin of lead mixed with silver, and for that he had an outer coffin made of the most precious and scented woods wrought with gold, and about that there was to be a sarcophagus of alabaster, inlaid with precious stones. And while these things were being done he spent his time for the most part by the pools and in the garden-houses and pavilions and groves and in those chambers in the palace where they two had been most together, brooding upon her loveliness. He did not rend his garments nor defile himself with ashes and sackcloth as the custom was, for his love was too great for such extravagances. At last he came forth again among his councillors and before the people, and told them what he had a mind to do.

He said he could never more touch woman, he could never more think of them, and so he would find a seemly youth to adopt for his heir and train him to his task, and that he would do his princely duties as became him; but that for the rest of it, he would give himself with all his power and all his strength and all his wealth, all that he could command, to make a monument worthy of his incomparable, dear, lost mistress. A building it should be of perfect grace and beauty, more marvellous than any other building had ever been or could ever be, so that to the end of time it should be a wonder, and men would treasure it and speak of it and desire to see it and come from all lands of the earth to visit and recall the name and memory of his queen. And this building he said was to be called the Pearl of Love.

And this his councillors and people permitted him to do, and so he did.

Year followed year, and all the years he devoted himself to building and adorning the Pearl of Love. A great foundation was hewn out of the living rock in a place whence one seemed to be looking at the snowy wilderness of the great mountains across the valley of the world. Villages and hills there were, a winding river, and very far away three great cities. Here they put the sarcophagus of alabaster beneath a pavilion of cunning workmanship; and about it there were set pillars of strange and lovely stone and wrought and fretted walls, and a great casket of masonry bearing a dome and pinnacles and cupolas, as exquisite as a jewel. At first the design of Pearl of Love was less bold and subtle than it became later. At first it was smaller and more wrought and encrusted; there were many pierced screens and delicate clusters of rosy-hued pillars, and the sarcophagus lay like a child that sleeps among flowers. The first dome was covered with green tiles, framed and held together by silver, but this was taken away again because it seemed close, because it did not soar grandly enough for the broadening imagination of the prince.

For by this time he was no longer the graceful youth who had loved the girl queen. He was now a man, grave and intent, wholly set upon the building of the Pearl of Love. With every year of effort he had learnt new possibilities in arch and wall and buttress; he had acquired greater power over the material he had to use and he had learnt of a hundred stones and hues and effects that he could never have thought of in the beginning. His sense of colour had grown finer and colder; he cared no more for the enamelled gold-lined brightness that had pleased him first, the brightness of an illuminated missal; he sought now for blue colouring like the sky and for the subtle hues of great distances, for recondite shadows and sudden broads floods of purple opalescence and for grandeur and space. He wearied altogether of carvings and pictures and inlaid ornamentation and all the little careful work of men. "Those were pretty things," he said of his earlier decorations; and had them put aside into subordinate buildings where they would not hamper his main design. Greater and greater grew his artistry. With awe and amazement people saw the Pearl of Love sweeping up from its first beginnings to a superhuman breadth and height and magnificence. They did not know clearly what they had expected, but never had they expected so sublime a thing as this. "Wonderful are the miracles," they whispered, "that love can do," and all the women in the world, whatever other loves they had, loved the prince for the splendour of his devotion.

Through the middle of the building ran a great aisle, a vista, that the prince came to care for more and more. From the inner entrance of the building he looked along the length of an immense pillared gallery and across the central area from which the rose-hued columns had long since vanished, over the top the pavilion under which lay the sarcophagus, through a marvellously designed opening, to the snowy wilderness of the great mountain, the lord of all mountains, two hundred miles away. The pillars and arches and buttresses and galleries soared and floated on either side, perfect yet unobtrusive, like great archangels waiting in the shadows about the presence of God. When men saw that austere beauty for the first time they were exalted, and then they shivered and their hearts bowed down. Very often would the prince come to stand there and look at that vista, deeply moved and not yet fully satisfied. The Pearl of Love had still something for him to do, he felt, before his task was done. Always he would order some little alteration to be made or some recent alteration to be put back again. And one day he said that the sarcophagus would be clearer and simpler without the pavilion; and after regarding it very steadfastly for a long time, he had the pavilion dismantled and removed.

The next day he came and said nothing, and the next day and the next. Then for two days he stayed away altogether. Then he returned, bringing with him an architect and two master craftsmen and a small retinue.

All looked, standing together silently in a little group, amidst the serene vastness of their achievement. No trace of toil remained in its perfection. It was as if God of nature's beauty had taken over their offspring to himself.

Only one thing there was to mar the absolute harmony. There was a certain disproportion about the sarcophagus. It had never been enlarged, and indeed how could it have been enlarged since the early days? It challenged the eye; it nicked the streaming lines. In that sarcophagus was the casket of lead and silver, and in the casket of lead and silver was the queen, the dear immortal cause of all this beauty. But now that sarcophagus seemed no more than a little dark oblong that lay incongruously in the great vista of the Pearl of Love. It was as if someone had dropped a small valise upon the crystal sea of heaven.

Long the prince mused, but no one knew the thoughts that passed through his mind.

At last he spoke. He pointed.

"Take that thing away," he said.

THE COUNTRY OF THE BLIND

Three hundred miles and more from Chimborazo, one hundred from the snows of Cotopaxi, in the wildest wastes of Ecuador's Andes, there lies that mysterious mountain valley, cut off from all the world of men, the Country of the Blind. Long years ago that valley lay so far open to the world that men might come at last through frightful gorges and over an icy pass into its equable meadows, and thither indeed men came, a family or so of Peruvian half-breeds fleeing from the lust and tyranny of an evil Spanish ruler. Then came the stupendous outbreak of Mindobamba, when it was night in Quito for seventeen days, and the water was boiling at Yaguachi and all the fish floating dying even as far as Guayaquil; everywhere along the Pacific slopes there were landslips and swift thawings and sudden floods, and one whole side of the old Arauca crest slipped and came down in thunder, and cut off the Country of the Blind for ever from the exploring feet of men. But one of these early settlers had chanced to be on the hither side of the gorges when the world had so terribly shaken itself, and he perforce had to forget his wife and his child and all the friends and possessions he had left up there, and start life over again in the lower world. He started it again but ill, blindness overtook him, and he died of punishment in the mines; but the story he told begot a legend that lingers along the length of the Cordilleras of the Andes to this day.

He told of his reason for venturing back from that fastness, into which he had first been carried lashed to a llama, beside a vast bale of gear, when he was a child. The valley, he said, had in it all that the heart of man could desire--sweet water, pasture, an even climate, slopes of rich brown soil with tangles of a shrub that bore an excellent fruit, and on one side great hanging forests of pine that held the avalanches high. Far overhead, on three sides, vast cliffs of grey-green rock were capped by cliffs of ice; but the glacier stream came not to them, but flowed away by the farther slopes, and only now and then huge ice masses fell on the valley side. In this valley it neither rained nor snowed, but the abundant springs gave a rich green pasture, that irrigation would spread over all the valley space. The settlers did well indeed there. Their beasts did well and multiplied, and but one thing marred their happiness. Yet it was enough to mar it greatly. A strange disease had come upon them and had made all the children born to them there--and indeed, several older children also--blind. It was to seek some charm or antidote against this plague of blindness that he had with fatigue and danger and difficulty returned down the gorge. In those days, in such cases, men did not think of germs and infections, but of sins, and it seemed to him that the reason of this affliction must he in the negligence of these priestless immigrants to set up a shrine so soon as they entered the valley. He wanted a shrine--a handsome, cheap, effectual shrine--to be erected in the valley; he wanted relics and suchlike potent things of faith, blessed objects and mysterious medals and prayers. In his wallet he had a bar of native silver for which he would not account; he insisted there was none in the valley with something of the insistence of an inexpert liar. They had all clubbed their money and ornaments together, having little need for such treasure up there, he said, to buy them holy help against their ill. I figure this dim-eyed young mountaineer, sunburnt, gaunt, and anxious, hat brim clutched feverishly, a man all unused to the ways of the lower world, telling this story to some keen-eyed, attentive priest before the great convulsion; I can picture him presently seeking to return with pious and infallible remedies against that trouble, and the infinite dismay with which he must have faced the tumbled vastness where the gorge had once come out. But the rest of his story of mischances is lost to me, save that I know of his evil death after several years. Poor stray from that remoteness! The stream that had once made the gorge now bursts from the mouth of a rocky cave, and the legend his poor, ill-told story set going developed into the legend of a race of blind men somewhere "over there" one may still hear to-day.

And amidst the little population of that now isolated and forgotten valley the disease ran its course. The old became groping, the young saw but dimly, and the children that were born to them never saw at all. But life was very easy in that snow-rimmed basin, lost to all the world, with neither thorns nor briers, with no evil insects nor any beasts save the gentle breed of llamas they had lugged and thrust and followed up the beds of the shrunken rivers in the gorges up which they had come. The seeing had become purblind so gradually that they scarcely noticed their loss. They guided the sightless youngsters hither and thither until they knew the whole valley marvellously, and when at last sight died out among them the race lived on. They had even time to adapt themselves to the blind control of fire, which they made carefully in stoves of stone. They were a simple strain of people at the first, unlettered, only slightly touched with the Spanish civilisation, but with something of a tradition of the arts of old Peru and of its lost philosophy. Generation followed generation. They forgot many things; they devised many things. Their tradition of the greater world they came from became mythical in colour and uncertain. In all things save sight they were strong and able, and presently chance sent one who had an original mind and who could talk and persuade among them, and then afterwards another. These two passed, leaving their effects, and the little community grew in numbers and in understanding, and met and settled social and economic problems that arose. Generation followed generation. Generation followed generation. There came a time when a child was born who was fifteen generations from that ancestor who went out of the valley with a bar of silver to seek God's aid, and who never returned. There about it chanced that a man came into this community from the outer world. And this is the story of that man.

He was a mountaineer from the country near Quito, a man who had been down to the sea and had seen the world, a reader of books in an original way, an acute and enterprising man, and he was taken on by a party of Englishmen who had come out to Ecuador to climb mountains, to replace one of their three Swiss guides who had fallen ill. He climbed here and he climbed there, and then came the attempt on Parascotopetl, the Matterhorn of the Andes, in which he was lost to the outer world. The story of that accident has been written a dozen times. Pointer's narrative is the best. He tells how the little party worked their difficult and almost vertical way up to the very foot of the last and greatest precipice, and how they built a night shelter amidst the snow upon a little shelf of rock, and with a touch of real dramatic power, how presently they found Nunez had gone from them. They shouted, and there was no reply; shouted and whistled, and for the rest of that night they slept no more.

As the morning broke they saw the traces of his fall. It seems impossible he could have uttered a sound. He had slipped eastward towards the unknown side of the mountain; far below he had struck a steep slope of snow, and ploughed his way down it in the midst of a snow avalanche. His track went straight to the edge of a frightful precipice, and beyond that everything was hidden. Far, far below, and hazy with distance, they could see trees rising out of a narrow, shut-in valley--the lost Country of the Blind. But they did not know it was the lost Country of the Blind, nor distinguish it in any way from any other narrow streak of upland valley. Unnerved by this disaster, they abandoned their attempt in the afternoon, and Pointer was called away to the war before he could make another attack. To this day Parascotopetl lifts an unconquered crest, and Pointer's shelter crumbles unvisited amidst the snows.

And the man who fell survived.

At the end of the slope he fell a thousand feet, and came down in the midst of a cloud of snow upon a snow slope even steeper than the one above. Down this he was whirled, stunned and insensible, but without a bone broken in his body; and then at last came to gentler slopes, and at last rolled out and lay still, buried amidst a softening heap of the white masses that had accompanied and saved him. He came to himself with a dim fancy that he was ill in bed; then realized his position with a mountaineer's intelligence and worked himself loose and, after a rest or so, out until he saw the stars. He rested flat upon his chest for a space, wondering where he was and what had happened to him. He explored his limbs, and discovered that several of his buttons were gone and his coat turned over his head. His knife had gone from his pocket and his hat was lost, though he had tied it under his chin. He recalled that he had been looking for loose stones to raise his piece of the shelter wall. His ice-axe had disappeared.

He decided he must have fallen, and looked up to see, exaggerated by the ghastly light of the rising moon, the tremendous flight he had taken. For a while he lay, gazing blankly at the vast, pale cliff towering above, rising moment by moment out of a subsiding tide of darkness. Its phantasmal, mysterious beauty held him for a space, and then he was seized with a paroxysm of sobbing laughter...

After a great interval of time he became aware that he was near the lower edge of the snow. Below, down what was now a moonlit and practicable slope, he saw the dark and broken appearance of rock-strewn turf. He struggled to his feet, aching in every joint and limb, got down painfully from the heaped loose snow about him, went downward until he was on the turf, and there dropped rather than lay beside a boulder, drank deep from the flask in his inner pocket, and instantly fell asleep...

He was awakened by the singing of birds in the trees far below.

He sat up and perceived he was on a little alp at the foot of a vast precipice that sloped only a little in the gully down which he and his snow had come. Over against him another wall of rock reared itself against the sky. The gorge between these precipices ran east and west and was full of the morning sunlight, which lit to the westward the mass of fallen mountain that closed the descending gorge. Below him it seemed there was a precipice equally steep, but behind the snow in the gully he found a sort of chimney-cleft dripping with snow-water, down which a desperate man might venture. He found it easier than it seemed, and came at last to another desolate alp, and then after a rock climb of no particular difficulty, to a steep slope of trees. He took his bearings and turned his face up the gorge, for he saw it opened out above upon green meadows, among which he now glimpsed quite distinctly a cluster of stone huts of unfamiliar fashion. At times his progress was like clambering along the face of a wall, and after a time the rising sun ceased to strike along the gorge, the voices of the singing birds died away, and the air grew cold and dark about him. But the distant valley with its houses was all the brighter for that. He came presently to talus, and among the rocks he noted--for he was an observant man--an unfamiliar fern that seemed to clutch out of the crevices with intense green hands. He picked a frond or so and gnawed its stalk, and found it helpful.

About midday he came at last out of the throat of the gorge into the plain and the sunlight. He was stiff and weary; he sat down in the shadow of a rock, filled up his flask with water from a spring and drank it down, and remained for a time, resting before he went on to the houses.

They were very strange to his eyes, and indeed the whole aspect of that valley became, as he regarded it, queerer and more unfamiliar. The greater part of its surface was lush green meadow, starred with many beautiful flowers, irrigated with extraordinary care, and bearing evidence of systematic cropping piece by piece. High up and ringing the valley about was a wall, and what appeared to be a circumferential water-channel, from which the little trickles of water that fed the meadow plants came, and on the higher slopes above this flocks of llamas cropped the scanty herbage. Sheds, apparently shelters or feeding-places for the llamas, stood against the boundary wall here and there. The irrigation streams ran together into a main channel down the centre of the valley, and this was enclosed on either side by a wall breast high. This gave a singularly urban quality to this secluded place, a quality that was greatly enhanced by the fact that a number of paths paved with black and white stones, and each with a curious little kerb at the side, ran hither and thither in an orderly manner. The houses of the central village were quite unlike the casual and higgledy-piggledy agglomeration of the mountain villages he knew; they stood in a continuous row on either side of a central street of astonishing cleanness, here and there their parti-coloured facade was pierced by a door, and not a solitary window broke their even frontage. They were parti-coloured with extraordinary irregularity, smeared with a sort of plaster that was sometimes grey, sometimes drab, sometimes slate-coloured or dark brown; and it was the sight of this wild plastering first brought the word "blind" into the thoughts of the explorer. "The good man who did that," he thought, "must have been as blind as a bat."

He descended a steep place, and so came to the wall and channel that ran about the valley, near where the latter spouted out its surplus contents into the deeps of the gorge in a thin and wavering thread of cascade. He could now see a number of men and women resting on piled heaps of grass, as if taking a siesta, in the remoter part of the meadow, and nearer the village a number of recumbent children, and then nearer at hand three men carrying pails on yokes along a little path that ran from the encircling wall towards the houses. These latter were clad in garments of llama cloth and boots and belts of leather, and they wore caps of cloth with back and ear flaps. They followed one another in single file, walking slowly and yawning as they walked, like men who have been up all night. There was something so reassuringly prosperous and respectable in their bearing that after a moment's hesitation Nunez stood forward as conspicuously as possible upon his rock, and gave vent to a mighty shout that echoed round the valley.

The three men stopped, and moved their heads as though they were looking about them. They turned their faces this way and that, and Nunez gesticulated with freedom. But they did not appear to see him for all his gestures, and after a time, directing themselves towards the mountains far away to the right, they shouted as if in answer. Nunez bawled again, and then once more, and as he gestured ineffectually the word "blind" came up to the top of his thoughts. "The fools must be blind," he said.

When at last, after much shouting and wrath, Nunez crossed the stream by a little bridge, came through a gate in the wall, and approached them, he was sure that they were blind. He was sure that this was the Country of the Blind of which the legends told. Conviction had sprung upon him, and a sense of great and rather enviable adventure. The three stood side by side, not looking at him, but with their ears directed towards him, judging him by his unfamiliar steps. They stood close together like men a little afraid, and he could see their eyelids closed and sunken, as though the very balls beneath had shrunk away. There was an expression near awe on their faces.

"A man," one said, in hardly recognisable Spanish--"A man it is--a man or a spirit--coming down from the rocks."

But Nunez advanced with the confident steps of a youth who enters upon life. All the old stories of the lost valley and the Country of the Blind had come back to his mind, and through his thoughts ran this old proverb, as if it were a refrain--

"In the Country of the Blind the One-Eyed Man is King."

"In the Country of the Blind the One-Eyed Man is King."

And very civilly he gave them greeting. He talked to them and used his eyes.

"Where does he come from, brother Pedro?" asked one.

"Down out of the rocks."

"Over the mountains I come," said Nunez, "out of the country beyond there--where men can see. From near Bogota, where there are a hundred thousands of people, and where the city passes out of sight."

"Sight?" muttered Pedro. "Sight?"

"He comes," said the second blind man, "out of the rocks."

The cloth of their coats, Nunez saw was curious fashioned, each with a different sort of stitching.

They startled him by a simultaneous movement towards him, each with a hand outstretched. He stepped back from the advance of these spread fingers.

"Come hither," said the third blind man, following his motion and clutching him neatly.

And they held Nunez and felt him over, saying no word further until they had done so.

"Carefully," he cried, with a finger in his eye, and found they thought that organ, with its fluttering lids, a queer thing in him. They went over it again.

"A strange creature, Correa," said the one called Pedro. "Feel the coarseness of his hair. Like a llama's hair."

"Rough he is as the rocks that begot him," said Correa, investigating Nunez's unshaven chin with a soft and slightly moist hand. "Perhaps he will grow finer."

Nunez struggled a little under their examination, but they gripped him firm.

"Carefully," he said again.

"He speaks," said the third man. "Certainly he is a man."

"Ugh!" said Pedro, at the roughness of his coat.

"And you have come into the world?" asked Pedro.

"Out of the world. Over mountains and glaciers; right over above there, halfway to the sun. Out of the great, big world that goes down, twelve days' journey to the sea."

They scarcely seemed to heed him. "Our fathers have told us men may be made by the forces of Nature," said Correa. "It is the warmth of things, and moisture, and rottenness--rottenness."

"Let us lead him to the elders," said Pedro.

"Shout first," said Correa, "lest the children be afraid. This is a marvellous occasion."

So they shouted, and Pedro went first and took Nunez by the hand to lead him to the houses.

He drew his hand away. "I can see," he said.

"See?" said Correa.

"Yes; see," said Nunez, turning towards him, and stumbled against Pedro's pail.

"His senses are still imperfect," said the third blind man. "He stumbles, and talks unmeaning words. Lead him by the hand."

"As you will," said Nunez, and was led along laughing.

It seemed they knew nothing of sight.

Well, all in good time he would teach them.

He heard people shouting, and saw a number of figures gathering together in the middle roadway of the village.

He found it tax his nerve and patience more than he had anticipated, that first encounter with the population of the Country of the Blind. The place seemed larger as he drew near to it, and the smeared plasterings queerer, and a crowd of children and men and women (the women and girls he was pleased to note had, some of them, quite sweet faces, for all that their eyes were shut and sunken) came about him, holding on to him, touching him with soft, sensitive hands, smelling at him, and listening at every word he spoke. Some of the maidens and children, however, kept aloof as if afraid, and indeed his voice seemed coarse and rude beside their softer notes. They mobbed him. His three guides kept close to him with an effect of proprietorship, and said again and again, "A wild man out of the rocks."

"Bogota," he said. "Bogota. Over the mountain crests."

"A wild man--using wild words," said Pedro. "Did you hear that--Bogota? His mind has hardly formed yet. He has only the beginnings of speech."

A little boy nipped his hand. "Bogota!" he said mockingly.

"Aye! A city to your village. I come from the great world--where men have eyes and see."

"His name's Bogota," they said.

"He stumbled," said Correa, "stumbled twice as we came hither."

"Bring him in to the elders."

And they thrust him suddenly through a doorway into a room as black as pitch, save at the end there faintly glowed a fire. The crowd closed in behind him and shut out all but the faintest glimmer of day, and before he could arrest himself he had fallen headlong over the feet of a seated man. His arm, outflung, struck the face of someone else as he went down; he felt the soft impact of features and heard a cry of anger, and for a moment he struggled against a number of hands that clutched him. It was a one-sided fight. An inkling of the situation came to him and he lay quiet.

"I fell down," he said; "I couldn't see in this pitchy darkness."

There was a pause as if the unseen persons about him tried to understand his words. Then the voice of Correa said: "He is but newly formed. He stumbles as he walks and mingles words that mean nothing with his speech."

Others also said things about him that he heard or understood imperfectly.

"May I sit up?" he asked, in a pause. "I will not struggle against you again."

They consulted and let him rise.

The voice of an older man began to question him, and Nunez found himself trying to explain the great world out of which he had fallen, and the sky and mountains and suchlike marvels, to these elders who sat in darkness in the Country of the Blind. And they would believe and understand nothing whatever that he told them, a thing quite outside his expectation. They would not even understand many of his words. For fourteen generations these people had been blind and cut off from all the seeing world; the names for all the things of sight had faded and changed; the story of the outer world was faded and changed to a child's story; and they had ceased to concern themselves with anything beyond the rocky slopes above their circling wall. Blind men of genius had arisen among them and questioned the shreds of belief and tradition they had brought with them from their seeing days, and had dismissed all these things as idle fancies and replaced them with new and saner explanations. Much of their imagination had shrivelled with their eyes, and they had made for themselves new imaginations with their ever more sensitive ears and finger-tips. Slowly Nunez realised this: that his expectation of wonder and reverence at his origin and his gifts was not to be borne out; and after his poor attempt to explain sight to them had been set aside as the confused version of a new-made being describing the marvels of his incoherent sensations, he subsided, a little dashed, into listening to their instruction. And the eldest of the blind men explained to him life and philosophy and religion, how that the world (meaning their valley) had been first an empty hollow in the rocks, and then had come first inanimate things without the gift of touch, and llamas and a few other creatures that had little sense, and then men, and at last angels, whom one could hear singing and making fluttering sounds, but whom no one could touch at all, which puzzled Nunez greatly until he thought of the birds.

He went on to tell Nunez how this time had been divided into the warm and the cold, which are the blind equivalents of day and night, and how it was good to sleep in the warm and work during the cold, so that now, but for his advent, the whole town of the blind would have been asleep. He said Nunez must have been specially created to learn and serve the wisdom they had acquired, and that for all his mental incoherency and stumbling behaviour he must have courage and do his best to learn, and at that all the people in the doorway murmured encouragingly. He said the night--for the blind call their day night--was now far gone, and it behooved everyone to go back to sleep. He asked Nunez if he knew how to sleep, and Nunez said he did, but that before sleep he wanted food.

They brought him food--llama's milk in a bowl and rough salted bread--and led him into a lonely place to eat out of their hearing, and afterwards to slumber until the chill of the mountain evening roused them to begin their day again. But Nunez slumbered not at all.

Instead, he sat up in the place where they had left him, resting his limbs and turning the unanticipated circumstances of his arrival over and over in his mind.

Every now and then he laughed, sometimes with amusement and sometimes with indignation.

"Unformed mind!" he said. "Got no senses yet! They little know they've been insulting their heaven-sent king and master. I see I must bring them to reason. Let me think--Let me think."

He was still thinking when the sun set.

Nunez had an eye for all beautiful things, and it seemed to him that the glow upon the snowfields and glaciers that rose about the valley on every side was the most beautiful thing he had ever seen. His eyes went from that inaccessible glory to the village and irrigated fields, fast sinking into the twilight, and suddenly a wave of emotion took him, and he thanked God from the bottom of his heart that the power of sight had been given him.

He heard a voice calling to him from out of the village.

"Ya ho there, Bogota! Come hither!"

At that he stood up, smiling. He would show these people once and for all what sight would do for a man. They would seek him, but not find him.

"You move not, Bogota," said the voice.

He laughed noiselessly and made two stealthy steps aside from the path.

"Trample not on the grass, Bogota; that is not allowed."

Nunez had scarcely heard the sound he made himself. He stopped, amazed.

The owner of the voice came running up the piebald path towards him.

He stepped back into the pathway. "Here I am," he said.

"Why did you not come when I called you?" said the blind man. "Must you be led like a child? Cannot you hear the path as you walk?"

Nunez laughed. "I can see it," he said.

"There is no such word as see," said the blind man, after a pause. "Cease this folly and follow the sound of my feet."

Nunez followed, a little annoyed.

"My time will come," he said.

"You'll learn," the blind man answered. "There is much to learn in the world."

"Has no one told you, 'In the Country of the Blind the One-Eyed Man is King'?"

"What is blind?" asked the blind man, carelessly, over his shoulder.

Four days passed and the fifth found the King of the Blind still incognito, as a clumsy and useless stranger among his subjects.

It was, he found, much more difficult to proclaim himself than he had supposed, and in the meantime, while he meditated his coup d'etat, he did what he was told and learnt the manners and customs of the Country of the Blind. He found working and going about at night a particularly irksome thing, and he decided that, that should be the first thing he would change.

They led a simple, laborious life, these people, with all the elements of virtue and happiness as these things can be understood by men. They toiled, but not oppressively; they had food and clothing sufficient for their needs; they had days and seasons of rest; they made much of music and singing, and there was love among them and little children.

It was marvellous with what confidence and precision they went about their ordered world. Everything, you see, had been made to fit their needs; each of the radiating paths of the valley area had a constant angle to the others, and was distinguished by a special notch upon its kerbing; all obstacles and irregularities of path or meadow had long since been cleared away; all their methods and procedure arose naturally from their special needs. Their senses had become marvellously acute; they could hear and judge the slightest gesture of a man a dozen paces away--could hear the very beating of his heart. Intonation had long replaced expression with them, and touches gesture, and their work with hoe and spade and fork was as free and confident as garden work can be. Their sense of smell was extraordinarily fine; they could distinguish individual differences as readily as a dog can, and they went about the tending of llamas, who lived among the rocks above and came to the wall for food and shelter, with ease and confidence. It was only when at last Nunez sought to assert himself that he found how easy and confident their movements could be.

He rebelled only after he had tried persuasion.

He tried at first on several occasions to tell them of sight. "Look you here, you people," he said. "There are things you do not understand in me."

Once or twice one or two of them attended to him; they sat with faces downcast and ears turned intelligently towards him, and he did his best to tell them what it was to see. Among his hearers was a girl, with eyelids less red and sunken than the others, so that one could almost fancy she was hiding eyes, whom especially he hoped to persuade. He spoke of the beauties of sight, of watching the mountains, of the sky and the sunrise, and they heard him with amused incredulity that presently became condemnatory. They told him there were indeed no mountains at all, but that the end of the rocks where the llamas grazed was indeed the end of the world; thence sprang a cavernous roof of the universe, from which the dew and the avalanches fell; and when he maintained stoutly the world had neither end nor roof such as they supposed, they said his thoughts were wicked. So far as he could describe sky and clouds and stars to them it seemed to them a hideous void, a terrible blankness in the place of the smooth roof to things in which they believed--it was an article of faith with them that the cavern roof was exquisitely smooth to the touch. He saw that in some manner he shocked them, and gave up that aspect of the matter altogether, and tried to show them the practical value of sight. One morning he saw Pedro in the path called Seventeen and coming towards the central houses, but still too far off for hearing or scent, and he told them as much. "In a little while," he prophesied, "Pedro will be here." An old man remarked that Pedro had no business on path Seventeen, and then, as if in confirmation, that individual as he drew near turned and went transversely into path Ten, and so back with nimble paces towards the outer wall. They mocked Nunez when Pedro did not arrive, and afterwards, when he asked Pedro questions to clear his character, Pedro denied and outfaced him, and was afterwards hostile to him.

Then he induced them to let him go a long way up the sloping meadows towards the wall with one complaisant individual, and to him he promised to describe all that happened among the houses. He noted certain goings and comings, but the things that really seemed to signify to these people happened inside of or behind the windowless houses--the only things they took note of to test him by--and of those he could see or tell nothing; and it was after the failure of this attempt, and the ridicule they could not repress, that he resorted to force. He thought of seizing a spade and suddenly smiting one or two of them to earth, and so in fair combat showing the advantage of eyes. He went so far with that resolution as to seize his spade, and then he discovered a new thing about himself, and that was that it was impossible for him to hit a blind man in cold blood.

He hesitated, and found them all aware that he had snatched up the spade. They stood all alert, with their heads on one side, and bent ears towards him for what he would do next.

"Put that spade down," said one, and he felt a sort of helpless horror. He came near obedience.

Then he had thrust one backwards against a house wall, and fled past him and out of the village.

He went athwart one of their meadows, leaving a track of trampled grass behind his feet, and presently sat down by the side of one of their ways. He felt something of the buoyancy that comes to all men in the beginning of a fight, but more perplexity. He began to realise that you cannot even fight happily with creatures who stand upon a different mental basis to yourself. Far away he saw a number of men carrying spades and sticks come out of the street of houses and advance in a spreading line along the several paths towards him. They advanced slowly, speaking frequently to one another, and ever and again the whole cordon would halt and sniff the air and listen.

The first time they did this Nunez laughed. But afterwards he did not laugh.

One struck his trail in the meadow grass and came stooping and feeling his way along it.

For five minutes he watched the slow extension of the cordon, and then his vague disposition to do something forthwith became frantic. He stood up, went a pace or so towards the circumferential wall, turned, and went back a little way. There they all stood in a crescent, still and listening.

He also stood still, gripping his spade very tightly in both hands. Should he charge them?

The pulse in his ears ran into the rhythm of "In the Country of the Blind the One-Eyed Man is King."

Should he charge them?

He looked back at the high and unclimbable wall behind--unclimbable because of its smooth plastering, but withal pierced with many little doors and at the approaching line of seekers. Behind these others were now coming out of the street of houses.

Should he charge them?

"Bogota!" called one. "Bogota! Where are you?"

He gripped his spade still tighter and advanced down the meadows towards the place of habitations, and directly he moved they converged upon him. "I'll hit them if they touch me," he swore; "by Heaven, I will. I'll hit." He called aloud, "Look here, I'm going to do what I like in this valley! Do you hear? I'm going to do what I like and go where I like."

They were moving in upon him quickly, groping, yet moving rapidly. It was like playing blind man's buff with everyone blindfolded except one. "Get hold of him!" cried one. He found himself in the arc of a loose curve of pursuers. He felt suddenly he must be active and resolute.

"You don't understand," he cried, in a voice that was meant to be great and resolute, and which broke. "You are blind and I can see. Leave me alone!"

"Bogota! Put down that spade and come off the grass!"

The last order, grotesque in its urban familiarity, produced a gust of anger. "I'll hurt you," he said, sobbing with emotion. "By Heaven, I'll hurt you! Leave me alone!"

He began to run, not knowing clearly where to run. He ran from the nearest blind man, because it was a horror to hit him. He stopped, and then made a dash to escape from their closing ranks. He made for where a gap was wide, and the men on either side, with a quick perception of the approach of his paces, rushed in on one another. He sprang forward, and then saw he must be caught, and Swish! The spade had struck. He felt the soft thud of hand and arm, and the man was down with a yell of pain, and he was through.

Through! And then he was close to the street of houses again, and blind men, whirling spades and stakes, were running with a reasoned swiftness hither and thither.

He heard steps behind him just in time, and found a tall man rushing forward and swiping at the sound of him. He lost his nerve, hurled his spade a yard wide of this antagonist, and whirled about and fled, fairly yelling as he dodged another.

He was panic-stricken. He ran furiously to and fro, dodging when there was no need to dodge, and in his anxiety to see on every side of him at once, stumbling. For a moment he was down and they heard his fall. Far away in the circumferential wall a little doorway looked like Heaven, and he set off in a wild rush for it. He did not even look round at his pursuers until it was gained, and he had stumbled across the bridge, clambered a little way among the rocks, to the surprise and dismay of a young llama, who went leaping out of sight, and lay down sobbing for breath.

And so his coup d'etat came to an end.

He stayed outside the wall of the valley of the blind for two nights and days without food or shelter, and meditated upon the unexpected. During these meditations he repeated very frequently and always with a profounder note of derision the exploded proverb: "In the Country of the Blind the One-Eyed Man is King." He thought chiefly of ways of fighting and conquering these people, and it grew clear that for him no practicable way was possible. He had no weapons, and now it would be hard to get one.

The canker of civilisation had got to him even in Bogota, and he could not find it in himself to go down and assassinate a blind man. Of course, if he did that, he might then dictate terms on the threat of assassinating them all. But--Sooner or later he must sleep...!

He tried also to find food among the pine trees, to be comfortable under pine boughs while the frost fell at night, and--with less confidence--to catch a llama by artifice in order to try to kill it--perhaps by hammering it with a stone--and so finally, perhaps, to eat some of it. But the llamas had a doubt of him and regarded him with distrustful brown eyes and spat when he drew near. Fear came on him the second day and fits of shivering. Finally he crawled down to the wall of the Country of the Blind and tried to make his terms. He crawled along by the stream, shouting, until two blind men came out to the gate and talked to him.

"I was mad," he said. "But I was only newly made."

They said that was better.

He told them he was wiser now, and repented of all he had done.

Then he wept without intention, for he was very weak and ill now, and they took that as a favourable sign.

They asked him if he still thought he could see."

"No," he said. "That was folly. The word means nothing--less than nothing!"

They asked him what was overhead.

"About ten times ten the height of a man there is a roof above the world--of rock--and very, very smooth..." He burst again into hysterical tears. "Before you ask me any more, give me some food or I shall die!"

He expected dire punishments, but these blind people were capable of toleration. They regarded his rebellion as but one more proof of his general idiocy and inferiority, and after they had whipped him they appointed him to do the simplest and heaviest work they had for anyone to do, and he, seeing no other way of living, did submissively what he was told.

He was ill for some days and they nursed him kindly. That refined his submission. But they insisted on his lying in the dark, and that was a great misery. And blind philosophers came and talked to him of the wicked levity of his mind, and reproved him so impressively for his doubts about the lid of rock that covered their cosmic casserole that he almost doubted whether indeed he was not the victim of hallucination in not seeing it overhead.

So Nunez became a citizen of the Country of the Blind, and these people ceased to be a generalised people and became individualities to him, and familiar to him, while the world beyond the mountains became more and more remote and unreal. There was Yacob, his master, a kindly man when not annoyed; there was Pedro, Yacob's nephew; and there was Medina-sarote, who was the youngest daughter of Yacob. She was little esteemed in the world of the blind, because she had a clear-cut face and lacked that satisfying, glossy smoothness that is the blind man's ideal of feminine beauty, but Nunez thought her beautiful at first, and presently the most beautiful thing in the whole creation. Her closed eyelids were not sunken and red after the common way of the valley, but lay as though they might open again at any moment; and she had long eyelashes, which were considered a grave disfigurement. And her voice was weak and did not satisfy the acute hearing of the valley swains. So that she had no lover.

There came a time when Nunez thought that, could he win her, he would be resigned to live in the valley for all the rest of his days.

He watched her; he sought opportunities of doing her little services and presently he found that she observed him. Once at a rest-day gathering they sat side by side in the dim starlight, and the music was sweet. His hand came upon hers and he dared to clasp it. Then very tenderly she returned his pressure. And one day, as they were at their meal in the darkness, he felt her hand very softly seeking him, and as it chanced the fire leapt then, and he saw the tenderness of her face.

He sought to speak to her.

He went to her one day when she was sitting in the summer moonlight spinning. The light made her a thing of silver and mystery. He sat down at her feet and told her he loved her, and told her how beautiful she seemed to him. He had a lover's voice, he spoke with a tender reverence that came near to awe, and she had never before been touched by adoration. She made him no definite answer, but it was clear his words pleased her.

After that he talked to her whenever he could take an opportunity. The valley became the world for him, and the world beyond the mountains where men lived by day seemed no more than a fairy tale he would some day pour into her ears. Very tentatively and timidly he spoke to her of sight.

Sight seemed to her the most poetical of fancies, and she listened to his description of the stars and the mountains and her own sweet white-lit beauty as though it was a guilty indulgence. She did not believe, she could only half understand, but she was mysteriously delighted, and it seemed to him that she completely understood.

His love lost its awe and took courage. Presently he was for demanding her of Yacob and the elders in marriage, but she became fearful and delayed. And it was one of her elder sisters who first told Yacob that Medina-sarote and Nunez were in love.

There was from the first very great opposition to the marriage of Nunez and Medina-sarote; not so much because they valued her as because they held him as a being apart, an idiot, incompetent thing below the permissible level of a man. Her sisters opposed it bitterly as bringing discredit on them all; and old Yacob, though he had formed a sort of liking for his clumsy, obedient serf, shook his head and said the thing could not be. The young men were all angry at the idea of corrupting the race, and one went so far as to revile and strike Nunez. He struck back. Then for the first time he found an advantage in seeing, even by twilight, and after that fight was over no one was disposed to raise a hand against him. But they still found his marriage impossible.

Old Yacob had a tenderness for his last little daughter, and was grieved to have her weep upon his shoulder.

"You see, my dear, he's an idiot. He has delusions; he can't do anything right."

"I know," wept Medina-sarote. "But he's better than he was. He's getting better. And he's strong, dear father, and kind--stronger and kinder than any other man in the world. And he loves me--and father, I love him."

Old Yacob was greatly distressed to find her inconsolable, and besides--what made it more distressing--he liked Nunez for many things. So he went and sat in the windowless council-chamber with the other elders and watched the trend of the talk, and said, at the proper time, "He's better than he was. Very likely, some day, we shall find him as sane as ourselves."

Then afterwards one of the elders, who thought deeply, had an idea. He was a great doctor among these people, their medicine-man, and he had a very philosophical and inventive mind, and the idea of curing Nunez of his peculiarities appealed to him. One day when Yacob was present he returned to the topic of Nunez. "I have examined Nunez," he said, "and the case is clearer to me. I think very probably he might be cured."

"This is what I have always hoped," said old Yacob.

"His brain is affected," said the blind doctor.

The elders murmured assent.

"Now, what affects it?"

"Ah!" said old Yacob.

"This," said the doctor, answering his own question. "Those queer things that are called the eyes, and which exist to make an agreeable depression in the face, are diseased, in the case of Nunez, in such a way as to affect his brain. They are greatly distended, he has eyelashes, and his eyelids move, and consequently his brain is in a state of constant irritation and distraction."

"Yes?" said old Yacob. "Yes?"

"And I think I may say with reasonable certainty that, in order to cure him complete, all that we need to do is a simple and easy surgical operation--namely, to remove these irritant bodies."

"And then he will be sane?"

"Then he will be perfectly sane, and a quite admirable citizen."

"Thank Heaven for science!" said old Yacob, and went forth at once to tell Nunez of his happy hopes.

But Nunez's manner of receiving the good news struck him as being cold and disappointing.

"One might think," he said, "from the tone you take that you did not care for my daughter."

It was Medina-sarote who persuaded Nunez to face the blind surgeons.

"You do not want me," he said, "to lose my gift of sight?"

She shook her head.

"My world is sight."

Her head drooped lower.

"There are the beautiful things, the beautiful little things--the flowers, the lichens amidst the rocks, the light and softness on a piece of fur, the far sky with its drifting dawn of clouds, the sunsets and the stars. And there is you. For you alone it is good to have sight, to see your sweet, serene face, your kindly lips, your dear, beautiful hands folded together...It is these eyes of mine you won, these eyes that hold me to you, that these idiots seek. Instead, I must touch you, hear you, and never see you again. I must come under that roof of rock and stone and darkness, that horrible roof under which your imaginations stoop...No; you would not have me do that?"

A disagreeable doubt had arisen in him. He stopped and left the thing a question.

"I wish," she said, "sometimes--" She paused.

"Yes?" he said, a little apprehensively.

"I wish sometimes--you would not talk like that."

"Like what?"

"I know it's pretty--it's your imagination. I love it, but now--"

He felt cold. "Now?" he said, faintly.

She sat quite still.

"You mean--you think--I should be better, better perhaps--"

He was realising things very swiftly. He felt anger perhaps, anger at the dull course of fate, but also sympathy for her lack of understanding--a sympathy near akin to pity.

"Dear," he said, and he could see by her whiteness how tensely her spirit pressed against the things she could not say. He put his arms about her, he kissed her ear, and they sat for a time in silence.

"If I were to consent to this?" he said at last, in a voice that was very gentle.

She flung her arms about him, weeping wildly. "Oh, if you would," she sobbed, "if only you would!"

For a week before the operation that was to raise him from his servitude and inferiority to the level of a blind citizen Nunez knew nothing of sleep, and all through the warm, sunlit hours, while the others slumbered happily, he sat brooding or wandered aimlessly, trying to bring his mind to bear on his dilemma. He had given his answer, he had given his consent, and still he was not sure. And at last work-time was over, the sun rose in splendour over the golden crests, and his last day of vision began for him. He had a few minutes with Medina-sarote before she went apart to sleep.

"To-morrow," he said, "I shall see no more."

"Dear heart!" she answered, and pressed his hands with all her strength.

"They will hurt you but little," she said; "and you are going through this pain--you are going through it, dear lover, for me...Dear, if a woman's heart and life can do it, I will repay you. My dearest one, my dearest with the tender voice, I will repay."

He was drenched in pity for himself and her.

He held her in his arms, and pressed his lips to hers and looked on her sweet face for the last time. "Good-bye!" he whispered to that dear sight, "Good-bye!"

And then in silence he turned away from her.

She could hear his slow retreating footsteps, and something in the rhythm of them threw her into a passion of weeping.

He walked away.

He had fully meant to go to a lonely place where the meadows were beautiful with white narcissus, and there remain until the hour of his sacrifice should come, but as he walked he lifted up his eyes and saw the morning, the morning like an angel in golden armour, marching down the steeps...

It seemed to him that before this splendour he and this blind world in the valley, and his love and all, were no more than a pit of sin.

He did not turn aside as he had meant to do, but went on and passed through the wall of the circumference and out upon the rocks, and his eyes were always upon the sunlit ice and snow.

He saw their infinite beauty, and his imagination soared over them to the things beyond he was now to resign for ever!

He thought of that great free world that he was parted from, the world that was his own, and he had a vision of those further slopes, distance beyond distance, with Bogota, a place of multitudinous stirring beauty, a glory by day, a luminous mystery by night, a place of palaces and fountains and statues and white houses, lying beautifully in the middle distance. He thought how for a day or so one might come down through passes drawing ever nearer and nearer to its busy streets and ways. He thought of the river journey, day by day, from great Bogota to the still vaster world beyond, through towns and villages, forest and desert places, the rushing river day by day, until its banks receded, and the big steamers came splashing by and one had reached the sea--the limitless sea, with its thousand islands, its thousands of islands, and its ships seen dimly far away in their incessant journeyings round and about that greater world. And there, unpent by mountains, one saw the sky--the sky, not such a disc as one saw it here, but an arch of immeasurable blue, a deep of deeps in which the circling stars were floating...

His eyes scrutinised the great curtain of the mountains with a keener inquiry.

For example; if one went so, up that gully and to that chimney there, then one might come out high among those stunted pines that ran round in a sort of shelf and rose still higher and higher as it passed above the gorge. And then? That talus might be managed. Thence perhaps a climb might be found to take him up to the precipice that came below the snow; and if that chimney failed, then another farther to the east might serve his purpose better. And then? Then one would be out upon the amber-lit snow there, and halfway up to the crest of those beautiful desolations. And suppose one had good fortune!

He glanced back at the village, then turned right round and regarded it with folded arms.

He thought of Medina-sarote, and she had become small and remote.

He turned again towards the mountain wall down which the day had come to him.

Then very circumspectly he began his climb.

When sunset came he was no longer climbing, but he was far and high. His clothes were torn, his limbs were blood-stained, he was bruised in many places, but he lay as if he were at his ease, and there was a smile on his face.

From where he rested the valley seemed as if it were in a pit and nearly a mile below. Already it was dim with haze and shadow, though the mountain summits around him were things of light and fire. The mountain summits around him were things of light and fire, and the little things in the rocks near at hand were drenched with light and beauty, a vein of green mineral piercing the grey, a flash of small crystal here and there, a minute, minutely beautiful orange lichen close beside his face. There were deep, mysterious shadows in the gorge, blue deepening into purple, and purple into a luminous darkness, and overhead was the illimitable vastness of the sky. But he heeded these things no longer, but lay quite still there, smiling as if he were content now merely to have escaped from the Valley of the Blind, in which he had thought to be King. And the glow of the sunset passed, and the night came, and still he lay there, under the cold, clear stars.

THE STOLEN BACILLUS

"This again," said the Bacteriologist, slipping a glass slide under the microscope, "is a preparation of the celebrated Bacillus of cholera--the cholera germ."

The pale-faced man peered down the microscope. He was evidently not accustomed to that kind of thing, and held a limp white hand over his disengaged eye. "I see very little," he said.

"Touch this screw," said the Bacteriologist; "perhaps the microscope is out of focus for you. Eyes vary so much. Just the fraction of a turn this way or that."

"Ah! Now I see," said the visitor. "Not so very much to see after all. Little streaks and shreds of pink. And yet those little particles, those mere atomies, might multiply and devastate a city! Wonderful!"

He stood up, and releasing the glass slip from the microscope, held it in his hand towards the window. "Scarcely visible," he said, scrutinising the preparation. He hesitated. "Are these--alive? Are they dangerous now?"

"Those have been stained and killed," said the Bacteriologist. "I wish, for my own part, we could kill and stain every one of them in the universe."

"I suppose," the pale man said with a slight smile, "that you scarcely care to have such things about you in the living--in the active state?"

"On the contrary, we are obliged to," said the Bacteriologist. "Here, for instance--" He walked across the room and took up one of several sealed tubes. "Here is the living thing. This is a cultivation of the actual living disease bacteria." He hesitated. "Bottled cholera, so to speak."

A slight gleam of satisfaction appeared momentarily in the face of the pale man.

"It's a deadly thing to have in your possession," he said, devouring the little tube with his eyes. The Bacteriologist watched the morbid pleasure in his visitor's expression. This man, who had visited him that afternoon with a note of introduction from an old friend, interested him from the very contrast of their dispositions. The lank black hair and deep grey eyes, the haggard expression and nervous manner, the fitful yet keen interest of his visitor were a novel change from the phlegmatic deliberations of the ordinary scientific worker with whom the Bacteriologist chiefly associated. It was perhaps natural, with a hearer evidently so impressionable to the lethal nature of his topic, to take the most effective aspect of the matter.

He held the tube in his hand thoughtfully. "Yes, here is the pestilence imprisoned. Only break such a little tube as this into a supply of drinking-water, say to these minute particles of life that one must needs stain and examine with the highest powers of the microscope even to see, and that one can neither smell nor taste--say to them, 'Go forth, increase and multiply, and replenish the cisterns,' and death--mysterious, untraceable death, death swift and terrible, death full of pain and indignity--would be released upon this city, and go hither and thither seeking his victims. Here he would take the husband from the wife, here the child from its mother, here the statesman from his duty, and here the toiler from his trouble. He would follow the water-mains, creeping along streets, picking out and punishing a house here and a house there where they did not boil their drinking-water, creeping into the wells of the mineral-water makers, getting washed into salad, and lying dormant in ices. He would wait ready to be drunk in the horse-troughs, and by unwary children in the public fountains. He would soak into the soil, to reappear in springs and wells at a thousand unexpected places. Once start him at the water supply, and before we could ring him in, and catch him again, he would have decimated the metropolis."

He stopped abruptly. He had been told rhetoric was his weakness.

"But he is quite safe here, you know--quite safe."

The pale-faced man nodded. His eyes shone. He cleared his throat. "These Anarchist--rascals," said he, "are fools, blind fools--to use bombs when this kind of thing is attainable. I think--"

A gentle rap, a mere light touch of the finger-nails was heard at the door. The Bacteriologist opened it. "Just a minute, dear," whispered his wife.

When he re-entered the laboratory his visitor was looking at his watch. "I had no idea I had wasted an hour of your time," he said. "Twelve minutes to four. I ought to have left here by half-past three. But your things were really too interesting. No, positively I cannot stop a moment longer. I have an engagement at four."

He passed out of the room reiterating his thanks, and the Bacteriologist accompanied him to the door, and then returned thoughtfully along the passage to his laboratory. He was musing on the ethnology of his visitor. Certainly the man was not a Teutonic type nor a common Latin one. "A morbid product, anyhow, I am afraid," said the Bacteriologist to himself. "How he gloated on those cultivations of disease-germs!" A disturbing thought struck him. He turned to the bench by the vapour-bath, and then very quickly to his writing-table. Then he felt hastily in his pockets, and then rushed to the door. "I may have put it down on the hall table," he said.

"Minnie!" he shouted hoarsely in the hall.

"Yes, dear," came a remote voice.

"Had I anything in my hand when I spoke to you, dear, just now?"

Pause.

"Nothing, dear, because I remember--"

"Blue ruin!" cried the Bacteriologist, and incontinently ran to the front door and down the steps of his house to the street.

Minnie, hearing the door slam violently, ran in alarm to the window. Down the street a slender man was getting into a cab. The Bacteriologist, hatless, and in his carpet slippers, was running and gesticulating wildly towards this group. One slipper came off, but he did not wait for it. "He has gone mad!" said Minnie; "It's that horrid science of his"; and opening the window, would have called after him. The slender man, suddenly glancing round, seemed struck with the same idea of mental disorder. He pointed hastily to the Bacteriologist, said something to the cabman, the apron of the cab slammed, the whip swished, the horse's feet clattered, and in a moment cab, and Bacteriologist hotly in pursuit, had receded up the vista of the roadway and disappeared round the corner.

Minnie remained straining out of the window for a minute. Then she drew her head back into the room again. She was dumbfounded. "Of course he is eccentric," she meditated. "But running about London--in the height of the season, too--in his socks!" A happy thought struck her. She hastily put her bonnet on, seized his shoes, went into the hall, took down his hat and light overcoat from the pegs, emerged upon the doorstep, and hailed a cab that opportunely crawled by. "Drive me up the road and round Havelock Crescent, and see if we can find a gentleman running about in a velveteen coat and no hat."

"Velveteen coat, ma'am, and no 'at. Very good, ma'am." And the cabman whipped up at once in the most matter-of-fact way, as if he drove to this address every day in his life.

Some few minutes later the little group of cabmen and loafers that collects round the cabmen's shelter at Haverstock Hill were startled by the passing of a cab with a ginger-coloured screw of a horse, driven furiously.

They were silent as it went by, and then as it receded--"That's 'Arry 'Icks. Wot's he got?" said the stout gentleman known as old Tootles.

"He's a-using his whip, he is, to rights," said the ostler boy.

"Hullo!" said poor old Tommy Byles; "here's another bloomin' loonatic. Blowed if there ain't."

"It's old George," said old Tootles, "and he's drivin' a loonatic, as you say. Ain't he a-clawin' out of the keb? Wonder if he's after 'Arry 'Icks?"

The group round the cabmen's shelter became animated. Chorus: "Go it, George!" "It's a race." "You'll ketch 'em!" "Whip up!"

"She's a goer, she is!" said the ostler boy.

"Strike me giddy!" cried old Tootles. "Here! I'm a-goin' to begin in a minute. Here's another comin'. If all the kebs in Hampstead ain't gone mad this morning!"

"It's a fieldmale this time," said the ostler boy.

"She's a followin' him," said old Tootles. "Usually the other way about."

"What's she got in her 'and?"

"Looks like a 'igh 'at."

"What a bloomin' lark it is! Three to one on old George," said the ostler boy. "Nexst!"

Minnie went by in a perfect roar of applause. She did not like it but she felt that she was doing her duty, and whirled on down Haverstock Hill and Camden Town High Street with her eyes ever intent on the animated back view of old George, who was driving her vagrant husband so incomprehensibly away from her.

The man in the foremost cab sat crouched in the corner, his arms tightly folded, and the little tube that contained such vast possibilities of destruction gripped in his hand. His mood was a singular mixture of fear and exultation. Chiefly he was afraid of being caught before he could accomplish his purpose, but behind this was a vaguer but larger fear of the awfulness of his crime. But his exultation far exceeded his fear. No Anarchist before him had ever approached this conception of his. Ravachol, Vaillant, all those distinguished persons whose fame he had envied dwindled into insignificance beside him. He had only to make sure of the water supply, and break the little tube into a reservoir. How brilliantly he had planned it, forged the letter of introduction and got into the laboratory, and how brilliantly he had seized his opportunity! The world should hear of him at last. All those people who had sneered at him, neglected him, preferred other people to him, found his company undesirable, should consider him at last. Death, death, death! They had always treated him as a man of no importance. All the world had been in a conspiracy to keep him under. He would teach them yet, what it is to isolate a man. What was this familiar street? Great Saint Andrew's Street, of course! How fared the chase? He craned out of the cab. The Bacteriologist was scarcely fifty yards behind. That was bad. He would be caught and stopped yet. He felt in his pocket for money, and found half-a-sovereign. This he thrust up through the trap in the top of the cab into the man's face. "More," he shouted, "if only we get away."

The money was snatched out of his hand. "Right you are," said the cabman, and the trap slammed, and the lash lay along the glistening side of the horse. The cab swayed, and the Anarchist, half-standing under the trap, put the hand containing the little glass tube upon the apron to preserve his balance. He felt the brittle thing crack, and the broken half of it rang upon the floor of the cab. He fell back into the seat with a curse, and stared dismally at the two or three drops of moisture on the apron.

He shuddered.

"Well! I suppose I shall be the first. Phew! Anyhow, I shall be a Martyr. That's something. But it is a filthy death, nevertheless. I wonder if it hurts as much as they say."

Presently a thought occurred to him--he groped between his feet. A little drop was still in the broken end of the tube, and he drank that to make sure. It was better to make sure. At any rate, he would not fail.

Then it dawned upon him that there was no further need to escape the Bacteriologist. In Wellington Street he told the cabman to stop, and got out. He slipped on the step, and his head felt queer. It was rapid stuff this cholera poison. He waved his cabman out of existence, so to speak, and stood on the pavement with his arms folded upon his breast awaiting the arrival of the Bacteriologist. There was something tragic in his pose. The sense of imminent death gave him a certain dignity. He greeted his pursuer with a defiant laugh.

"Vive l'Anarchie! You are too late, my friend. I have drunk it. The cholera is abroad!"

The Bacteriologist from his cab beamed curiously at him through his spectacles. "You have drunk it! An Anarchist! I see now." He was about to say something more, and then checked himself. A smile hung in the corner of his mouth. He opened the apron of his cab as if to descend, at which the Anarchist waved him a dramatic farewell and strode off towards Waterloo Bridge, carefully jostling his infected body against as many people as possible. The Bacteriologist was so preoccupied with the vision of him that he scarcely manifested the slightest surprise at the appearance of Minnie upon the pavement with his hat and shoes and overcoat. "Very good of you to bring my things," he said, and remained lost in contemplation of the receding figure of the Anarchist.

"You had better get in," he said, still staring. Minnie felt absolutely convinced now that he was mad, and directed the cabman home on her own responsibility. "Put on my shoes? Certainly dear," said he, as the cab began to turn, and hid the strutting black figure, now small in the distance, from his eyes. Then suddenly something grotesque struck him, and he laughed. Then he remarked, "It is really very serious, though.

"You see, that man came to my house to see me, and he is an Anarchist. No--don't faint, or I cannot possibly tell you the rest. And I wanted to astonish him, not knowing he was an Anarchist, and took up a cultivation of that new species of Bacterium I was telling you of, that infest, and I think cause, the blue patches upon various monkeys; and like a fool, I said it was Asiatic cholera. And he ran away with it to poison the water of London, and he certainly might have made things look blue for this civilised city. And now he has swallowed it. Of course, I cannot say what will happen, but you know it turned that kitten blue, and the three puppies--in patches, and the sparrow--bright blue. But the bother is, I shall have all the trouble and expense of preparing some more.

"Put on my coat on this hot day! Why? Because we might meet Mrs. Jabber. My dear, Mrs. Jabber is not a draught. But why should I wear a coat on a hot day because of Mrs. ----? Oh! Very well."

THE FLOWERING OF THE STRANGE ORCHID

The buying of orchids always has in it a certain speculative flavour. You have before you the brown shrivelled lump of tissue, and for the rest you must trust your judgment, or the auctioneer, or your good-luck, as your taste may incline. The plant may be moribund or dead, or it may be just a respectable purchase, fair value for your money, or perhaps--for the thing has happened again and again--there slowly unfolds before the delighted eyes of the happy purchaser, day after day, some new variety, some novel richness, a strange twist of the labellum, or some subtler coloration or unexpected mimicry. Pride, beauty, and profit blossom together on one delicate green spike, and it may be, even immortality. For the new miracle of Nature may stand in need of a new specific name, and what so convenient, as that of its discoverer? "Johnsmithia!" There have been worse names.

It was perhaps the hope of some such happy discovery that made Winter-Wedderburn such a frequent attendant at these sales--that hope, and also, maybe, the fact that he had nothing else of the slightest interest to do in the world. He was a shy, lonely, rather ineffectual man, provided with just enough income to keep off the spur of necessity, and not enough nervous energy to make him seek any exacting employments. He might have collected stamps or coins, or translated Horace, or bound books, or invented new species of diatoms. But, as it happened, he grew orchids, and had one ambitious little hothouse.

"I have a fancy," he said over his coffee, "that something is going to happen to me to-day." He spoke--as he moved and thought--slowly.

"Oh, don't say that!" said his housekeeper--who was also his remote cousin. For "something happening" was a euphemism that meant only one thing to her.

"You misunderstand me. I mean nothing unpleasant, though what I do mean I scarcely know.

"To-day," he continued, after a pause, "Peters' are going to sell a batch of plants from the Andamans and the Indies. I shall go up and see what they have. It may be I shall buy something good, unawares. That may be it."

He passed his cup for his second cupful of coffee.

"Are these the things collected by that poor young fellow you told me of the other day?" asked his cousin as she filled his cup.

"Yes," he said, and became meditative over a piece of toast.

"Nothing ever does happen to me," he remarked presently, beginning to think aloud. "I wonder why? Things enough happen to other people. There is Harvey. Only the other week--on Monday he picked up sixpence, on Wednesday his chicks all had the staggers, on Friday his cousin came home from Australia, and on Saturday he broke his ankle. What a whirl of excitement--! Compared to me."

"I think I would rather be without so much excitement," said his housekeeper. "It can't be good for you."

"I suppose it's troublesome. Still...you see, nothing ever happens to me. When I was a little boy I never had accidents. I never fell in love as I grew up. Never married...I wonder how it feels to have something happen to you, something really remarkable.

"That orchid-collector was only thirty-six--twenty years younger than myself--when he died. And he had been married twice, and divorced once; he had, had malarial fever four times, and once he broke his thigh. He killed a Malay once, and once he was wounded by a poisoned dart. And in the end he was killed by jungle-leeches. It must have all been very trouble-some, but then it must have been very interesting, you know--except, perhaps, the leeches."

"I am sure it was not good for him," said the lady, with conviction.

"Perhaps not." And then Wedderburn looked at his watch. "Twenty-three minutes past eight. I am going up by the quarter to twelve train, so that there is plenty of time. I think I shall wear my alpaca jacket--it is quite warm enough--and my grey felt hat and brown shoes. I suppose--"

He glanced out of the window at the serene sky and sunlit garden, and then nervously at his cousin's face.

"I think you had better take an umbrella if you are going to London," she said, in a voice that admitted of no denial. "There's all between here and the station coming back."

When he returned he was in a state of mild excitement. He had made a purchase. It was rare that he could make up his mind quickly enough to buy, but this time he had done so.

"These are Vandas," he said, "and a Dendrobe and some Palaeonopsis." He surveyed his purchases lovingly as he consumed his soup. They were laid out on the spotless tablecloth before him, and he was telling his cousin all about them as he slowly meandered through his dinner. It was his custom to live all his visits to London over again in the evening for her and his own entertainment.

"I knew something would happen to-day. And I have bought all these. Some of them--some of them--I feel sure, do you know, that some of them will be remarkable. I don't know how it is, but I feel just as sure as if someone had told me that some of these will turn out remarkable.

"That one--" he pointed to a shrivelled rhizome--"was not identified. It may be a Palaeonopsis or it may not. It may be a new species, or even a new genus. And it was the last that poor Batten ever collected."

"I don't like the look of it," said his housekeeper. "It's such an ugly shape."

"To me it scarcely seems to have a shape."

"I don't like those things that stick out," said his housekeeper.

"It shall be put away in a pot to-morrow."

"It looks," said the housekeeper, "like a spider shamming dead."

Wedderburn smiled and surveyed the root with his head on one side. "It is certainly not a pretty lump of stuff. But you can never judge of these things from their dry appearance. It may turn out to be a very beautiful orchid indeed. How busy I shall be to-morrow! I must see to-night, just exactly what to do with these things, and to-morrow I shall set to work.

"They found poor Batten lying dead, or dying, in a mangrove swamp--I forget which," he began again presently, "with one of these very orchids crushed up under his body. He had been unwell for some days with some kind of native fever, and I suppose he fainted. These mangrove swamps are very unwholesome. Every drop of blood, they say, was taken out of him by the jungle-leeches. It may be that very plant that cost him his life to obtain."

"I think none the better of it for that."

"Men must work, though women may weep," said Wedderburn, with profound gravity.

"Fancy dying away from every comfort in a nasty swamp! Fancy being ill of fever with nothing to take but chlorodyne and quinine--if men were left to themselves they would live on chlorodyne and quinine--and no one round you but horrible natives! They say the Andaman islanders are most disgusting wretches--and anyhow, they can scarcely make good nurses, not having the necessary training. And just for people in England to have orchids!"

"I don't suppose it was comfortable, but some men seem to enjoy that kind of thing," said Wedderburn. "Anyhow, the natives of his party were sufficiently civilised to take care of all his collection until his colleague, who was an ornithologist, came back again from the interior; though they could not tell the species of the orchid and had let it wither. And it makes these things more interesting."

"It makes them disgusting. I should be afraid of some of the malaria clinging to them. And just think, there has been a dead body lying across that ugly thing! I never thought of that before. There! I declare I cannot eat another mouthful of dinner!"

"I will take them off the table if you like, and put them in the window-seat. I can see them just as well there."

The next few days he was indeed singularly busy in his steamy little hothouse, fussing about with charcoal, lumps of teak, moss, and all the other mysteries of the orchid cultivator. He considered he was having a wonderfully eventful time. In the evening he would talk about these new orchids to his friends, and over, and over again he reverted to his expectation of something strange.

Several of the Vandas and the Dendrobium died under his care, but presently the strange orchid began to show signs of life. He was delighted and took his housekeeper right away from jam-making to see it at once, directly he made the discovery.

"That is a bud," he said, "and presently there will be a lot of leaves there and those little things coming out here are aerial rootlets."

"They look to me like little white fingers poking out of the brown," said his housekeeper. "I don't like them.

"Why not?"

"I don't know. They look like fingers trying to get at you. I can't help my likes and dislikes."

"I don't know for certain, but I don't think there are any orchids I know that have aerial rootlets quite like that. It may be my fancy, of course. You see they are a little flattened at the ends."

"I don't like 'em," said his housekeeper, suddenly shivering and turning away. "I know it's very silly of me--and I'm very sorry, particularly as you like the thing so much. But I can't help thinking of that corpse."

"But it may not be that particular plant. That was merely a guess of mine."

His housekeeper shrugged her shoulders. "Anyhow I don't like it," she said.

Wedderburn felt a little hurt at her dislike to the plant. But that did not prevent his talking to her about orchids generally, and this orchid in particular, whenever he felt inclined.

"There are such queer things about orchids," he said one day; "such possibilities of surprises. You know, Darwin studied their fertilisation, and showed that the whole structure of an ordinary orchid-flower was contrived in order that moths might carry the pollen from plant to plant. Well, it seems that there are lots of orchids known, the flower of which cannot possibly be used for fertilisation in that way. Some of the Cypripediums, for instance; there are no insects known that can possibly fertilise them, and some of them have never been found with seed."

"But how do they form new plants?"

"By runners and tubers, and that kind of outgrowth. That is easily explained. The puzzle is, what are the flowers for?

"Very likely," he added, "my orchid may be something extraordinary in that way. If so, I shall study it. I have often thought of making researches as Darwin did. But hitherto I have not found the time, or something else has happened to prevent it. The leaves are beginning to unfold now. I do wish you would come and see them!"

But she said that the orchid-house was so hot it gave her the headache. She had seen the plant once again, and the aerial rootlets, which were now some of them more than a foot long, had unfortunately reminded her of tentacles reaching out after something; and they got into her dreams, growing after her with incredible rapidity. So that she had settled to her entire satisfaction that she would not see that plant again, and Wedderburn had to admire its leaves alone. They were of the ordinary broad form, and a deep glossy green, with splashes and dots of deep red towards the base. He knew of no other leaves quite like them. The plant was placed on a low bench near the thermometer, and close by was a simple arrangement by which a tap dripped on the hot-water pipes and kept the air steamy. And he spent his afternoons now with some regularity meditating on the approaching flowering of this strange plant.

And at last the great thing happened. Directly he entered the little glass house he knew that the spike had burst out, although his great Palaeonopsis Lowii hid the corner where his new darling stood. There was a new odour in the air, a rich, intensely sweet scent, that overpowered every other in that crowded, steaming little greenhouse.

Directly he noticed this he hurried down to the strange orchid. And, behold! The trailing green spikes bore now three great splashes of blossom, from which this overpowering sweetness proceeded. He stopped before them in an ecstasy of admiration.

The flowers were white, with streaks of golden orange upon the petals; the heavy labellum was coiled into an intricate projection, and a wonderful bluish purple mingled there with the gold. He could see at once that the genus was altogether a new one. And the insufferable scent! How hot the place was! The blossoms swam before his eyes.

He would see if the temperature was right. He made a step towards the thermometer. Suddenly everything appeared unsteady. The bricks on the floor were dancing up and down. Then the white blossoms, the green leaves behind them, the whole green house, seemed to sweep sideways, and then in a curve upward.

At half-past four his cousin made the tea, according to their invariable custom. But Wedderburn did not come in for his tea. "He is worshipping that horrid orchid," she told herself, and waited ten minutes. "His watch must have stopped. I will go and call him."

She went straight to the hothouse, and, opening the door, called his name. There was no reply. She noticed that the air was very close, and loaded with an intense perfume. Then she saw something lying on the bricks between the hot-water pipes.

For a minute, perhaps, she stood motionless.

He was lying, face upward, at the foot of the strange orchid. The tentacle-like aerial rootlets no longer swayed freely in the air, but were crowded together, a tangle of grey ropes, and stretched tight, with their ends closely applied to his chin and neck and hands.

She did not understand. Then she saw from one of the exultant tentacles upon his cheek there trickled a little thread of blood.

With an inarticulate cry she ran towards him, and tried to pull him away from the leech-like suckers. She snapped two of these tentacles, and their sap dripped red.

Then the overpowering scent of the blossom began to make her head reel. How they clung to him! She tore at the tough ropes, and he and the white inflorescence swam about her. She felt she was fainting, knew she must not. She left him and hastily opened the nearest door, and after she had panted for a moment in the fresh air, she had a brilliant inspiration. She caught up a flower-pot and smashed in the windows at the end of the greenhouse. Then she re-entered. She tugged now with renewed strength at Wedderburn's motionless body, and brought the strange orchid crashing to the floor. It still clung with the grimmest tenacity to its victim. In a frenzy, she lugged it and him into the open air.

Then she thought of tearing through the sucker rootlets one by one, and in another minute she had released him, and was dragging him away from the horror.

He was white and bleeding from a dozen circular patches.

The odd-job man was coming up the garden, amazed at the smashing of glass, and saw her emerge, hauling the inanimate body with red-stained hands. For a moment he thought impossible things.

"Bring some water!" she cried, and her voice dispelled his fancies. When, with unnatural alacrity, he returned with the water, he found her weeping with excitement, and with Wedderburn's head upon her knee, wiping the blood from his face.

"What's the matter?" said Wedderburn, opening his eyes feebly, and closing them again at once.

"Go and tell Annie to come out here to me, and then go for Doctor Haddon at once," she said to the odd-job man so soon as he had brought the water; and added, seeing he hesitated, "I will tell you all about it when you come back."

Presently, Wedderburn opened his eyes again, and seeing that he was troubled by the puzzle of his position, she explained to him, "You fainted in the hothouse."

"And the orchid?"

"I will see to that," she said.

Wedderburn had lost a good deal of blood, but beyond that he had suffered no very great injury. They gave him brandy mixed with some pink extract of meat, and carried him upstairs to bed. His housekeeper told her incredible story in fragments to Dr. Haddon. "Come to the orchid-house and see," she said.

The cold outer air was blowing in through the open door, and the sickly perfume was almost dispelled. Most of the torn aerial rootlets lay already withered amidst a number of dark stains upon the bricks. The stem of the inflorescence was broken by the fall of the plant, and the flowers were growing limp and brown at the edges of the petals. The doctor stooped towards it, then saw that one of the aerial rootlets still stirred feebly, and hesitated.

The next morning the strange orchid still lay there, black now and putrescent. The door banged intermittently in the morning breeze, and all the array of Wedderburn's orchids was shrivelled and prostrate. But Wedderburn himself was bright and garrulous upstairs in the glory of his strange adventure.

IN THE AVU OBSERVATORY

The observatory at Avu, in Borneo, stands on the spur of the mountain. To the north rises the old crater, black at night against the unfathomable blue of the sky. From the little circular building, with its mushroom dome, the slopes plunge steeply downward into the black mysteries of the tropical forest beneath. The little house in which the observer and his assistant live is about, fifty yards from the observatory, and beyond this are the huts of their native attendants.

Thaddy, the chief observer, was down with a slight fever. His assistant, Woodhouse, paused for a moment in silent contemplation of the tropical night before commencing his solitary vigil. The night was very still. Now and then voices and laughter came from the native huts, or the cry of some strange animal was heard from the midst of the mystery of the forest. Nocturnal insects appeared in ghostly fashion out of the darkness, and fluttered round his light. He thought, perhaps, of all the possibilities of discovery that still lay in the black tangle beneath him; for to the naturalist the virgin forests of Borneo are still a wonderland full of strange questions and half-suspected discoveries. Woodhouse carried a small lantern in his hand, and its yellow glow contrasted vividly with the infinite series of tints between lavender-blue and black in which the landscape was painted. His hands and face were smeared with ointment against the attacks of the mosquitoes.

Even in these days of celestial photography, work done in a purely temporary erection, and with only the most primitive appliances, in addition to the telescope, still involves a very large amount of cramped and motionless watching. He sighed as he thought of the physical fatigues before him, stretched himself, and entered the observatory.

The reader is probably familiar with the structure of an ordinary astronomical observatory. The building is usually cylindrical in shape, with a very light hemispherical roof capable of being turned round from the interior. The telescope is supported upon a stone pillar in the centre, and a clockwork arrangement compensates for the earth's rotation, and allows a star once found to be continuously observed. Besides this, there is a compact tracery of wheels and screws about its point of support, by which the astronomer adjusts it. There is, of course, a slit in the movable roof which follows the eye of the telescope in its survey of the heavens. The observer sits or lies on a sloping wooden arrangement, which he can wheel to any part of the observatory as the position of the telescope may require. Within it is advisable to have things as dark as possible, in order to enhance the brilliance of the stars observed.

The lantern flared as Woodhouse entered his circular den, and the general darkness fled into black shadows behind the big machine, from which it presently seemed to creep back over the whole place again as the light waned. The slit was a profound transparent blue, in which six stars shone with tropical brilliance, and their light lay, a pallid gleam, along the black tube of the instrument. Woodhouse shifted the roof, and then proceeding to the telescope, turned first one wheel and then another, the great cylinder slowly swinging into a new position. Then he glanced through the finder, the little companion telescope, moved the roof a little more, made some further adjustments, and set the clockwork in motion. He took off his jacket, for the night was very hot, and pushed into position the uncomfortable seat to which he was condemned for the next four hours. Then with a sigh, he resigned himself to his watch upon the mysteries of space.

There was no sound now in the observatory, and the lantern waned steadily. Outside there was the occasional cry of some animal in alarm or pain, or calling to its mate, and the intermittent sounds of the Malay and Dyak servants. Presently one of the men began a queer chanting song, in which the others joined at intervals. After this it would seem that they turned in for the night, for no further sound came from their direction, and the whispering stillness became more and more profound.

The clockwork ticked steadily. The shrill hum of a mosquito explored the place, and grew shriller in indignation at Woodhouse's ointment. Then the lantern went out and all the observatory was black.

Woodhouse shifted his position presently, when the slow movement of the telescope had carried it beyond the limits of his comfort.

He was watching a little group of stars in the Milky Way, in one of which his chief had seen or fancied a remarkable colour variability. It was not a part of the regular work for which the establishment existed, and for that reason perhaps Woodhouse was deeply interested. He must have forgotten things terrestrial. All his attention was concentrated upon the great blue circle of the telescope field--a circle powdered, so it seemed, with an innumerable multitude of stars, and all luminous against the blackness of its setting. As he watched he seemed to himself to become incorporeal, as if he too were floating in the ether of space. Infinitely remote was the faint red spot he was observing.

Suddenly the stars were blotted out. A flash of blackness passed, and they were visible again.

"Queer," said Woodhouse. "Must have been a bird."

The thing happened again, and immediately after the great tube shivered as though it had been struck. Then the dome of the observatory resounded with a series of thundering blows. The stars seemed to sweep aside as the telescope--which had been unclamped--swung round and away from the slit in the roof.

"Great Scott!" cried Woodhouse. "What's this?"

Some huge vague black shape, with a flapping something like a wing, seemed to be struggling in the aperture of the roof. In another moment the slit was clear again, and the luminous haze of the Milky Way shone warm and bright.

The interior of the roof was perfectly black, and only a scraping sound marked the whereabouts of the unknown creature.

Woodhouse had scrambled from the seat to his feet. He was trembling violently and in a perspiration, with the suddenness of the occurrence. Was the thing, whatever it was, inside or out? It was big, whatever else it might be. Something shot across the skylight, and the telescope swayed. He started violently and put his arm up. It was in the observatory then, with him. It was clinging to the roof apparently. What the devil was it? Could it see him?

He stood for perhaps a minute in a state of stupefaction. The beast, whatever it was, clawed at the interior of the dome, and then something flapped almost into his face, and he saw the momentary gleam of starlight on a skin like oiled leather. His water-bottle was knocked off his little table with a smash.

The sense of some strange bird-creature hovering a few yards from his face in the darkness was indescribably unpleasant to Woodhouse. As his thought returned he concluded that it must be some night-bird or large bat. At any risk he would see what it was, and pulling a match from his pocket, he tried to strike it on the telescope seat. There was a smoking streak of phosphorescent light, the match flared for a moment, and he saw a vast wing sweeping towards him, a gleam of grey-brown fur, and then he was struck in the face and the match knocked out of his hand. The blow was aimed at his temple, and a claw tore sideways down to his cheek. He reeled and fell, and he heard the extinguished lantern smash. Another blow followed as he fell. He was partly stunned, he felt his own warm blood stream out upon his face. Instinctively he felt his eyes had been struck at, and turning over on his face to save them, tried to crawl under the protection of the telescope.

He was struck again upon the back, and he heard his jacket rip, and then the thing hit the roof of the observatory. He edged as far as he could between the wooden seat and the eyepiece of the instrument, and turned his body round so that it was chiefly his feet that were exposed. With these he could at least kick. He was still in a mystified state. The strange beast banged about in the darkness, and presently clung to the telescope, making it sway and the gear rattle. Once it flapped near him, and he kicked out madly and felt a soft body with his feet. He was horribly scared now. It must be a big thing to swing the telescope like that. He saw for a moment the outline of a head black against the starlight, with sharply-pointed upstanding ears and a crest between them. It seemed to him to be as big as a mastiff's. Then he began to bawl out as loudly as he could for help.

At that the thing came down upon him again. As it did so his hand touched something beside him on the floor. He kicked out, and the next moment his ankle was gripped and held by a row of keen teeth. He yelled again, and tried to free his leg by kicking with the other. Then he realised he had the broken water-bottle at his hand, and snatching it, he struggled into a sitting posture, and feeling in the darkness towards his foot, gripped a velvety ear, like the ear of a big cat. He had seized the water-bottle by its neck and brought it down, with a shivering crash upon the head of the strange beast. He repeated the blow, and then stabbed and jabbed with the jagged end of it, in the darkness, where he judged the face might be.

The small teeth relaxed their hold, and at once Woodhouse pulled his leg free and kicked hard. He felt the sickening feel of fur and bone giving under his boot. There was a tearing bite at his arm, and he struck over it at the face, as he judged, and hit damp fur.

There was a pause; then he heard the sound of claws; and the dragging of a heavy body away from him over the observatory floor. Then there was silence, broken only by his own sobbing breathing, and a sound like licking. Everything was black except the parallelogram of the blue skylight with the luminous dust of stars, against which the end of the telescope now appeared in silhouette. He waited, as it seemed, an interminable time.

Was the thing coming on again? He felt in his trouser-pocket for some matches, and found one remaining. He tried to strike this, but the floor was wet, and it spat and went out. He cursed. He could not see where the door was situated. In his struggle he had quite lost his bearings. The strange beast, disturbed by the splutter of the match, began to move again. "Time!" called Woodhouse, with a sudden gleam of mirth, but the thing was not coming at him again. He must have hurt it, he thought, with the broken bottle. He felt a dull pain in his ankle. Probably he was bleeding there. He wondered if it would support him if he tried to stand up. The night outside was very still. There was no sound of any one moving. The sleepy fools had not heard those wings battering upon the dome, nor his shouts. It was no good wasting strength in shouting. The monster flapped its wings and startled him into a defensive attitude. He hit his elbow against the seat, and it fell over with a crash. He cursed this, and then he cursed the darkness.

Suddenly the oblong patch of starlight seemed to sway to and fro. Was he going to faint? It would never do to faint. He clenched his fists and set his teeth to hold himself together. Where had the door got to? It occurred to him he could get his bearings by the stars visible through the skylight. The patch of stars he saw was in Sagittarius and south-eastward; the door was north--or was it north by west? He tried to think. If he could get the door open he might retreat. It might be the thing was wounded. The suspense was beastly. "Look here!" he said, "If you don't come on, I shall come at you."

Then the thing began clambering up the side of the observatory, and he saw its black outline gradually blot out the skylight. Was it in retreat? He forgot about the door, and watched as the dome shifted and creaked. Somehow he did not feel very frightened or excited now. He felt a curious sinking sensation inside him. The sharply-defined patch of light, with the black form moving across it, seemed to be growing smaller and smaller. That was curious. He began to feel very thirsty, and yet he did not feel inclined to get anything to drink. He seemed to be sliding down a long funnel.

He felt a burning sensation in his throat, and then he perceived it was broad daylight, and that one of the Dyak servants was looking at him with a curious expression. Then there was the top of Thaddy's face upside down. Funny fellow, Thaddy, to go about like that! Then he grasped the situation better, and perceived that his head was on Thaddy's knee, and Thaddy was giving him brandy. And then he saw the eyepiece of the telescope with a lot of red smears on it. He began to remember.

"You've made this observatory in a pretty mess," said Thaddy.

The Dyak boy was beating up an egg in brandy. Woodhouse took this and sat up. He felt a sharp twinge of pain. His ankle was tied up, so were his arm and the side of his face. The smashed glass, red-stained, lay about the floor, the telescope seat was overturned, and by the opposite wall was a dark pool. The door was open, and he saw the grey summit of the mountain against a brilliant background of blue sky.

"Pah!" said Woodhouse. "Who's been killing calves here? Take me out of it."

Then he remembered the Thing, and the fight he had, had with it.

"What was it?" he said to Thaddy--"The Thing I fought with?".

"You know that best," said Thaddy. "But, anyhow, don't worry yourself now about it. Have some more to drink."

Thaddy, however, was curious enough, and it was a hard struggle between duty and inclination to keep Woodhouse quiet until he was decently put away in bed, and had slept upon the copious dose of meat extract Thaddy considered advisable. They then talked it over together.

"It was," said Woodhouse, "more like a big bat than anything else in the world. It had sharp, short ears, and soft fur, and its wings were leathery. Its teeth were little but devilish sharp, and its jaw could not have been very strong or else it would have bitten through my ankle."

"It has pretty nearly," said Thaddy.

"It seemed to me to hit out with its claws pretty freely. That is about as much as I know about the beast. Our conversation was intimate, so to speak, and yet not confidential."

"The Dyak chaps talk about a Big Colugo, a Klangutang--whatever that may be. It does not often attack man, but I suppose you made it nervous. They say there is a Big Colugo and a Little Colugo, and a something else that sounds like gobble. They all fly about at night. For my own part, I know there are flying foxes and flying lemurs about here, but they are, none of them very big beasts."

"There are more things in heaven and earth," said Woodhouse--and Thaddy groaned at the quotation--"and more particularly in the forests of Borneo, than are dreamt of in our philosophies. On the whole, if the Borneo fauna is going to disgorge any more of its novelties upon me, I should prefer that it did so when I was not occupied in the observatory at night and alone."

THE TRIUMPHS OF A TAXIDERMIST

Here are some of the secrets of taxidermy. They were told me by the taxidermist in a mood of elation. He told me them in the time between the first glass of whisky and the fourth, when a man is no longer cautious and yet not drunk. We sat in his den together; his library it was, his sitting and his eating-room--separated by a bead curtain, so far as the sense of sight went, from the noisome den where he plied his trade.

He sat on a deck chair, and when he was not tapping refractory bits of coal with them, he kept his feet--on which he wore, after the manner of sandals, the holey relics of a pair of carpet slippers--out of the way upon the mantelpiece, among the glass eyes. And his trousers, by-the-bye--though they have nothing to do with his triumphs--were a most horrible yellow plaid, such as they made when our fathers wore side-whiskers and there were crinolines in the land. Further, his hair was black, his face rosy, and his eye a fiery brown; and his coat was chiefly of grease upon a basis of velveteen. And his pipe had a bowl of china showing the Graces, and his spectacles were always askew, the left eye glaring nakedly at you, small and penetrating; the right, seen through a glass darkly, magnified and mild. Thus his discourse ran: "There never was a man who could stuff like me, Bellows, never. I have stuffed elephants and I have stuffed moths, and the things, have looked all the livelier and better for it. And I have stuffed human beings--chiefly amateur ornithologists. But I stuffed a nigger once.

"No, there is no law against it. I made him with all his fingers out and used him as a hat-rack, but that fool Homersby got up a quarrel with him late one night and spoilt him. That was before your time. It is hard to get skins, or I would have another.

"Unpleasant? I don't see it. Seems to me taxidermy is a promising third course to burial or cremation. You could keep all your dear ones by you. Bric-a-brac of that sort stuck about the house would be as good as most company, and much less expensive. You might have them fitted up with clockwork to do things.

"Of course they would have to be varnished, but they need not shine more than lots of people do naturally. Old Manningtree's bald head...Anyhow, you could talk to them without interruption. Even aunts. There is a great future before taxidermy, depend upon it. There is fossils again...."

He suddenly became silent.

"No, I don't think I ought to tell you that." He sucked at his pipe thoughtfully. "Thanks, yes. Not too much water."

"Of course, what I tell you now will go no further. You know I have made some dodos and a great auk? No! Evidently you are an amateur at taxidermy. My dear fellow, half the great auks in the world are about as genuine as the handkerchief of Saint Veronica, as the Holy Coat of Treves. We make 'em of grebes' feathers and the like. And the great auk's eggs too!"

"Good heavens!"

"Yes, we make them out of fine porcelain. I tell you it is worth while. They fetch--one fetched L300 only the other day. That one was really genuine, I believe, but of course one is never certain. It is very fine work, and afterwards you have to get them dusty, for no one who owns one of these precious eggs has ever the temerity to clean the thing. That's the beauty of the business. Even if they suspect an egg they do not like to examine it too closely. It's such brittle capital at the best.

"You did not know that taxidermy rose to heights like that. My boy, it has risen higher. I have rivalled the hands of Nature herself. One of the genuine great auks--" his voice fell to a whisper--"one of the genuine great auks was made by me.

"No. You must study ornithology, and find out which it is yourself. And what is more, I have been approached by a syndicate of dealers to stock one of the unexplored skerries to the north of Iceland with specimens. I may--some day. But I have another little thing in hand just now. Ever heard of the dinornis?

"It is one of those big birds recently extinct in New Zealand. 'Moa' is its common name, so called because extinct: there is no moa now. See? Well, they have got bones of it, and from some of the marshes even feathers and dried bits of skin. Now, I am going to--well, there is no need to make any bones about it--going to forge a complete stuffed moa. I know a chap out there who will pretend to make the find in a kind of antiseptic swamp, and say he stuffed it at once, as it threatened to fall to pieces. The feathers are peculiar, but I have got a simply lovely way of dodging up singed bits of ostrich plume. Yes, that is the new smell you noticed. They can only discover the fraud with a microscope, and they will hardly care to pull a nice specimen to bits for that.

"In this way, you see, I give my little push in the advancement of science.

"But all this is merely imitating Nature. I have done more than that in my time. I have--beaten her."

He took his feet down from the mantel-board, and leant over confidentially towards me. "I have created birds," he said in a low voice. "New birds. Improvements. Like no birds that was ever seen before."

He resumed his attitude during an impressive silence.

"Enrich the universe; rather. Some of the birds I made were new kinds of humming birds, and very beautiful little things, but some of them were simply rum. The rummest, I think, was the Anomalopteryx Jejuna. Jejunus-a-um--empty--so called because there was really nothing in it; a thoroughly empty bird--except for stuffing. Old Javvers has the thing now, and I suppose he is almost as proud of it as I am. It is a masterpiece, Bellows. It has all the silly clumsiness of your pelican, all the solemn want of dignity of your parrot, all the gaunt ungainliness of a flamingo, with all the extravagant chromatic conflict of a mandarin duck. Such a bird. I made it out of the skeletons of a stork and a toucan and a job lot of feathers. Taxidermy of that kind is just pure joy, Bellows, to a real artist in the art.

"How did I come to make it? Simple enough, as all great inventions are. One of those young genii who write us Science Notes in the papers got hold of a German pamphlet about the birds of New Zealand, and translated some of it by means of a dictionary and his mother-wit--he must have been one of a very large family with a small mother--and he got mixed between the living apteryx and the extinct anomalopteryx; talked about a bird five feet high, living in the jungles of the North Island, rare, shy, specimens difficult to obtain, and so on. Javvers, who even for a collector, is a miraculously ignorant man, read these paragraphs, and swore he would have the thing at any price. Raided the dealers with enquiries. It shows what a man can do by persistence--will-power. Here was a bird-collector swearing he would have a specimen of a bird that did not exist, that never had existed, and which for very shame of its own profane ungainliness, probably would not exist now if it could help itself. And he got it. He got it.

"Have some more whisky, Bellows?" said the taxidermist, rousing himself from a transient contemplation of the mysteries of will-power and the collecting turn of mind. And, replenished, he proceeded to tell me of how he concocted a most attractive mermaid, and how an itinerant preacher, who could not get an audience because of it, smashed it because it was idolatry, or worse, at Burslem Wakes. But as the conversation of all the parties to this transaction, creator, would-be preserver, and destroyer, was uniformly unfit for publication, this cheerful incident must still remain unprinted.

The reader unacquainted with the dark ways of the collector may perhaps be inclined to doubt my taxidermist, but so far as great auks' eggs, and the bogus stuffed birds are concerned, I find that he has the confirmation of distinguished ornithological writers. And the note about the New Zealand bird certainly appeared in a morning paper of unblemished reputation, for the taxidermist keeps a copy and has shown it to me.

A DEAL IN OSTRICHES

"Talking of the prices of birds, I've seen an ostrich that cost three hundred pounds," said the taxidermist, recalling his youth of travel. "Three hundred pounds!"

He looked at me over his spectacles. "I've seen another that was refused at four."

"No," he said, "it wasn't any fancy points. They was just plain ostriches. A little off colour, too--owing to dietary. And there wasn't any particular restriction of the demand either. You'd have thought five ostriches would have ruled cheap on an East Indiaman. But the point was, one of 'em had swallowed a diamond.

"The chap it got it off was Sir Mohini Padishah, a tremendous swell, a Piccadilly swell you might say up to the neck of him, and then an ugly black head and a whopping turban, with this diamond in it. The blessed bird pecked suddenly and had it, and when the chap made a fuss, it realised it had done wrong, I suppose, and went and mixed itself with the others to preserve its incog. It all happened in a minute. I was among the first to arrive, and there was this heathen going over his gods, and two sailors and the man who had charge of the birds laughing, fit to split. It was a rummy way of losing a jewel, come to think of it. The man in charge hadn't been about just at the moment, so that he didn't know which bird it was. Clean lost, you see. I didn't feel half sorry, to tell you the truth. The beggar had been swaggering over his blessed diamond ever since he came aboard.

"A thing like that goes from stem to stern of a ship in no time. Every one was talking about it. Padishah went below to hide his feelings. At dinner--he pigged at a table by himself, him and two other Hindoos--the captain kind of jeered at him about it, and he got very excited. He turned round and talked into my ear. He would not buy the birds; he would have his diamond. He demanded his rights as a British subject. His diamond must be found. He was firm upon that. He would appeal to the House of Lords. The man in charge of the birds was one of those wooden-headed chaps you can't get a new idea into anyhow. He refused any proposal to interfere with the birds by way of medicine. His instructions were to feed them so-and-so and treat them so-and-so, and it was as much as his place was worth not to feed them so-and-so and treat them so-and-so. Padishah had wanted a stomach-pump--though you can't do that to a bird, you know. This Padishah was full of bad law, like most of these blessed Bengalis, and talked of having a lien on the birds, and so forth. But an old boy, who said his son was a London barrister, argued that what a bird swallowed became ipso facto part of the bird, and that Padishah's only remedy lay in an action for damages, and even then it might be possible to show contributory negligence. He hadn't any right of way about an ostrich that didn't belong to him. That upset Padishah extremely, the more so as most of us expressed an opinion that, that was the reasonable view. There wasn't any lawyer aboard to settle the matter, so we all talked pretty free. At last, after Aden, it appears that he came round to the general opinion, and went privately to the man in charge and made an offer for all five ostriches.

"The next morning there was a fine shindy at breakfast. The man hadn't any authority to deal with the birds, and nothing on earth would induce him to sell; but it seems he told Padishah that a Eurasian named Potter had already made him an offer, and on that Padishah denounced Potter before us all. But I think the most of us thought it rather smart of Potter, and I know that when Potter said that he'd wired at Aden to London to buy the birds, and would have an answer at Suez, I cursed pretty richly at a lost opportunity.

"At Suez, Padishah gave way to tears--actual wet tears--when Potter became the owner of the birds, and offered him two hundred and fifty right off for the five, being more than two hundred percent on what Potter had given. Potter said he'd be hanged if he parted with a feather of them--that he meant to kill them off one by one and find the diamond; but afterwards, thinking it over, he relented a little. He was a gambling hound, was this Potter, a little queer at cards, and this kind of prize-packet business must have suited him down to the ground. Anyhow, he offered, for a lark, to sell the birds separately to separate people by auction at a starting price of L80 for a bird. But one of them, he said, he meant to keep for luck.

"You must understand this diamond was a valuable one--a little Jew chap, a diamond merchant, who was with us, had put it at three or four thousand when Padishah had shown it to him--and this idea of an ostrich gamble caught on. Now it happened that I'd been having a few talks on general subjects with the man who looked after these ostriches, and quite incidentally he'd said one of the birds was ailing, and he fancied it had indigestion. It had one feather in its tail almost all white, by which I knew it, and so when, next day, the auction started with it, I capped Padishah's eighty-five by ninety. I fancy I was a bit too sure and eager with my bid, and some of the others spotted the fact that I was in the know. And Padishah went for that particular bird like an irresponsible lunatic. At last the Jew diamond merchant got it for L175, and Padishah said L180 just after the hammer came down--so Potter declared. At any rate the Jew merchant secured it, and there and then he got a gun and shot it. Potter made a Hades of a fuss because he said it would injure the sale of the other three, and Padishah, of course, behaved like an idiot; but all of us were very much excited. I can tell you I was precious glad when that dissection was over, and no diamond had turned up--precious glad. I'd gone to one-forty on that particular bird myself.

"The little Jew was like most Jews--he didn't make any great fuss over bad luck; but Potter declined to go on with the auction until it was understood that the goods could not be delivered until the sale was over. The little Jew wanted to argue that the case was exceptional, and as the discussion ran pretty even, the thing was postponed until the next morning. We had a lively dinner-table that evening, I can tell you, but in the end Potter got his way, since it would stand to reason he would be safer if he stuck to all the birds, and that we owed him some consideration for his sportsmanlike behaviour. And the old gentleman whose son was a lawyer said he'd been thinking the thing over and that it was very doubtful if, when a bird had been opened and the diamond recovered, it ought not to be handed back to the proper owner. I remember I suggested it came under the laws of treasure-trove--which was really the truth of the matter. There was a hot argument, and we settled it was certainly foolish to kill the bird on board the ship. Then the old gentleman, going at large through his legal talk, tried to make out the sale was a lottery and illegal, and appealed to the captain; but Potter said he sold the birds as ostriches. He didn't want to sell any diamonds, he said, and didn't offer that as an inducement. The three birds he put up, to the best of his knowledge and belief, did not contain a diamond. It was in the one he kept--so he hoped.

"Prices ruled high next day all the same. The fact that now there were four chances instead of five of course caused a rise. The blessed birds averaged L227, and, oddly enough, this Padishah didn't secure one of 'em--not one. He made too much shindy, and when he ought to have been bidding he was talking about liens, and besides, Potter was a bit down on him. One fell to a quiet little officer chap, another to the little Jew, and the third was syndicated by the engineers. And then Potter seemed suddenly sorry for having sold them, and said he'd flung away a clear thousand pounds, and that very likely he'd draw a blank and that he always had been a fool, but when I went and had a bit of a talk to him, with the idea of getting him to hedge on his last chance, I found he'd already sold the bird he'd reserved to a political chap that was on board, a chap who'd been studying Indian morals and social questions in his vacation. That last was the three hundred pounds bird. Well, they landed three of the blessed creatures at Brindisi--though the old gentleman said it was a breach of the Customs regulations--and Potter and Padishah landed too. The Hindoo seemed half mad as he saw his blessed diamond going this way and that, so to speak. He kept on saying he'd get an injunction--he had injunction on the brain--and giving his name and address to the chaps who'd bought the birds, so that they'd know where to send the diamond. None of them wanted his name and address, and none of them would give their own. It was a fine row I can tell you--on the platform. They all went off by different trains. I came on to Southampton, and there I saw the last of the birds, as I came ashore; it was the one the engineers bought, and it was standing up near the bridge, in a kind of crate, and looking as leggy and silly a setting for a valuable diamond as ever you saw--if it was a setting for a valuable diamond.

"How did it end? Oh! Like that. Well--perhaps. Yes, there's one more thing that may throw light on it. A week or so after landing I was down Regent Street doing a bit of shopping, and who should I see arm-in-arm and having a purple time of it but Padishah and Potter. If you come to think of it--

"Yes. I've thought that. Only, you see, there's no doubt the diamond was real. And Padishah was an eminent Hindoo. I've seen his name in the papers--often. But whether the bird swallowed the diamond certainly is another matter, as you say."

THROUGH A WINDOW

After his legs were set, they carried Bailey into the study and put him on a couch before the open window. There he lay, a live--even a feverish man down to the loins, and below that a double-barrelled mummy swathed in white wrappings. He tried to read, even tried to write a little, but most of the time he looked out of the window.

He had thought the window cheerful to begin with, but now he thanked God for it many times a day. Within, the room was dim and grey, and in the reflected light, the wear of the furniture showed plainly. His medicine and drink stood on the little table, with such litter as the bare branches of a bunch of grapes, or the ashes of a cigar upon a green plate, or a day old evening paper. The view outside was flooded with light, and across the corner of it came the head of the acacia, and at the foot, the top of the balcony-railing of hammered iron. In the foreground was the weltering silver of the river, never quiet and yet never tiresome. Beyond was the reedy bank, a broad stretch of meadow land, and then a dark line of trees ending in a group of poplars at the distant bend of the river, and upstanding behind them, a square church tower.

Up and down the river, all day long, things were passing. Now a string of barges drifting down to London, piled with lime or barrels of beer; then a steam-launch, disengaging heavy masses of black smoke, and disturbing the whole width of the river with long rolling waves; then an impetuous electric launch, and then a boatload of pleasure-seekers, a solitary sculler, or a four from some rowing club. Perhaps the river was quietest of a morning or late at night. One moonlight night some people drifted down singing, and with a zither playing--it sounded very pleasantly across the water.

In a few days Bailey began to recognise some of the craft; in a week he knew the intimate history of half-a-dozen. The launch Luzon, from Fitzgibbon's, two miles up, would go fretting by, sometimes three or four times a day, conspicuous with its colouring of Indian-red and yellow, and its two Oriental attendants; and one day, to Bailey's vast amusement, the house-boat Purple Emperor came to a stop outside, and breakfasted in the most shameless domesticity. Then one afternoon, the captain of a slow-moving barge began a quarrel with his wife as they came into sight from the left, and had carried it to personal violence before he vanished behind the window-frame to the right. Bailey regarded all this as an entertainment got up to while away his illness, and applauded all the more, these moving incidents. Mrs. Green, coming in at rare intervals with his meals, would catch him clapping his hands or softly crying, "Encore!" But the river players had other engagements, and his encore went unheeded.

"I should never have thought I could take such an interest in things that did not concern me," said Bailey to Wilderspin, who used to come in, in his nervous, friendly way and try to comfort the sufferer by being talked to. "I thought this idle capacity was distinctive of little children and old maids. But it's just circumstances. I simply can't work, and things have to drift; it's no good to fret and struggle. And so I lie here and am as amused as a baby with a rattle, at this river and its affairs.

"Sometimes, of course, it gets a bit dull, but not often.

"I would give anything, Wilderspin, for a swamp--just one swamp--once. Heads swimming and a steam launch to the rescue, and a chap or so hauled out with a boat-hook...There goes Fitzgibbon's launch! They have a new boat-hook, I see, and the little blackie is still in the dumps. I don't think he's very well, Wilderspin. He's been like that for two or three days, squatting sulky-fashion and meditating over the churning of the water. Unwholesome for him to be always staring at the frothy water running away from the stern."

They watched the little steamer fuss across the patch of sunlit river, suffer momentary occultation from the acacia, and glide out of sight behind the dark window-frame.

"I'm getting a wonderful eye for details," said Bailey: "I spotted that new boat-hook at once. The other nigger is a funny little chap. He never used to swagger with the old boat-hook like that."

"Malays, aren't they?" said Wilderspin.

"Don't know," said Bailey. "I thought one called all that sort of mariner Lascar."

Then he began to tell Wilderspin what he knew of the private affairs of the house-boat, Purple Emperor. "Funny," he said, "how these people come from all points of the compass--from Oxford and Windsor, from Asia and Africa--and gather and pass opposite the window just to entertain me. One man floated out of the infinite the day before yesterday, caught one perfect crab opposite, lost and recovered a scull, and passed on again. Probably he will never come into my life again. So far as I am concerned, he has lived and had his little troubles, perhaps thirty--perhaps forty--years on the earth, merely to make an ass of himself for three minutes in front of my window. Wonderful thing, Wilderspin, if you come to think of it."

"Yes," said Wilderspin; "isn't it?"

A day or two after this Bailey had a brilliant morning. Indeed, towards the end of the affair, it became almost as exciting as any window show, very well could be. We will, however begin at the beginning.

Bailey was all alone in the house, for his housekeeper had gone into the town three miles away to pay bills, and the servant had her holiday. The morning began dull. A canoe went up about half-past nine, and later a boatload of camping men came down. But this was mere margin. Things became cheerful about ten o'clock.

It began with something white fluttering in the remote distance where the three poplars marked the river bend. "Pocket-handkerchief," said Bailey, when he saw it "No, too big! Flag perhaps."

However, it was not a flag, for it jumped about. "Man in whites running fast, and this way," said Bailey. "That's luck! But his whites are precious loose!"

Then a singular thing happened. There was a minute pink gleam among the dark trees in the distance, and a little puff of pale grey that began to drift and vanish eastward. The man in white jumped and continued running. Presently the report of the shot arrived.

"What the devil!" said Bailey. "Looks as if someone was shooting at him."

He sat up stiffly and stared hard. The white figure was coming along the pathway through the corn. "It's one of those niggers from the Fitzgibbon's," said Bailey; "or may I be hanged! I wonder why he keeps sawing with his arm."

Then three other figures became indistinctly visible against the dark background of the trees.

Abruptly on the opposite bank a man walked into the picture. He was black-bearded, dressed in flannels, had a red belt, and a vast, grey felt hat. He walked, leaning very much forward and with his hands swinging before him. Behind him one could see the grass swept by the towing-rope of the boat he was dragging. He was steadfastly regarding the white figure that was hurrying through the corn. Suddenly he stopped. Then, with a peculiar gesture, Bailey could see that he began pulling in the tow-rope hand over hand. Over the water could be heard the voices of the people in the still invisible boat.

"What are you after, Hagshot?" said someone.

The individual with the red belt shouted something that was inaudible, and went on lugging in the rope, looking over his shoulder at the advancing white figure as he did so. He came down the bank, and the rope bent a lane among the reeds and lashed the water between his pulls.

Then just the bows of the boat came into view, with the towing-mast and a tall, fair-haired man standing up and trying to see over the bank. The boat bumped unexpectedly among the reeds, and the tall, fair-haired man disappeared suddenly, having apparently fallen back into the invisible part of the boat. There was a curse and some indistinct laughter. Hagshot did not laugh, but hastily clambered into the boat and pushed off. Abruptly the boat passed out of Bailey's sight.

But it was still audible. The melody of voices suggested that its occupants were busy telling each other what to do.

The running figure was drawing near the bank. Bailey could now see clearly that it was one of Fitzgibbon's Orientals, and began to realise what the sinuous thing the man carried in his hand might be. Three other men followed one another through the corn, and the foremost carried what was probably the gun. They were perhaps two hundred yards or more behind the Malay.

"It's a man hunt, by all that's holy!" said Bailey.

The Malay stopped for a moment and surveyed the bank to the right. Then he left the path, and breaking through the corn, vanished in that direction. The three pursuers followed suit, and their heads and gesticulating arms above the corn, after a brief interval, also went out of Bailey's field of vision.

Bailey so far forgot himself as to swear. "Just as things were getting lively!" he said. Something like a woman's shriek came through the air. Then shouts, a howl, a dull whack upon the balcony outside that made Bailey jump, and then the report of a gun.

"This is precious hard on an invalid," said Bailey.

But more was to happen yet in his picture. In fact, a great deal more. The Malay appeared again, running now along the bank up stream. His stride had more swing and less pace in it than before. He was threatening someone ahead with the ugly krees he carried. The blade, Bailey noticed, was dull--it did not shine as steel should.

Then came the tall, fair man, brandishing a boat-hook, and after him three other men in boating costume, running clumsily with oars. The man with the grey hat and red belt was not with them. After an interval the three men with the gun reappeared, still in the corn, but now near the river bank. They emerged upon the towing-path, and hurried after the others. The opposite bank was left blank and desolate again.

The sick-room was disgraced by more profanity. "I would give my life to see the end of this," said Bailey. There were indistinct shouts up stream. Once they seemed to be coming nearer, but they disappointed him.

Bailey sat and grumbled. He was still grumbling when his eye caught something black and round among the waves. "Hullo!" he said. He looked narrowly and saw two triangular black bodies frothing every now and then about a yard in front of this.

He was still doubtful when the little band of pursuers came into sight again, and began to point to this floating object. They were talking eagerly. Then the man with the gun took aim.

"He's swimming the river, by George!" said Bailey.

The Malay looked round, saw the gun, and went under. He came up so close to Bailey's bank of the river that one of the bars of the balcony hid him for a moment. As he emerged the man with the gun fired. The Malay kept steadily onward--Bailey could see the wet hair on his forehead now and the krees between his teeth--and was presently hidden by the balcony.

This seemed to Bailey an unendurable wrong. The man was lost to him for ever now, so he thought. Why couldn't the brute have got himself decently caught on the opposite bank, or shot in the water?

"It's worse than Edwin Drood," said Bailey.

Over the river, too, things had become an absolute blank. All seven men had gone down stream again, probably to get the boat and follow across. Bailey listened and waited. There was silence. "Surely it's not over like this," said Bailey.

Five minutes passed--ten minutes. Then a tug with two barges went up stream. The attitudes of the men upon these were the attitudes of those who see nothing remarkable in earth, water, or sky. Clearly the whole affair had passed out of sight of the river. Probably the hunt had gone into the beech woods behind the house.

"Confound it!" said Bailey. "To be continued again, and no chance this time of the sequel. But this is hard on a sick man."

He heard a step on the staircase behind him and looking round saw the door open. Mrs. Green came in and sat down, panting. She still had her bonnet on, her purse in her hand, and her little brown basket upon her arm. "Oh, there!" she said, and left Bailey to imagine the rest.

"Have a little whisky and water, Mrs. Green, and tell me about it," said Bailey.

Sipping a little, the lady began to recover her powers of explanation.

One of those black creatures at the Fitzgibbon's had gone mad, and was running about with a big knife, stabbing people. He had killed a groom, and stabbed the under-butler, and almost cut the arm off a boating gentleman.

"Running amuck with a krees," said Bailey. "I thought that was it."

And he was hiding in the wood when she came through it from the town.

"What! Did he run after you?" asked Bailey, with a certain touch of glee in his voice.

"No, that was the horrible part of it." Mrs. Green explained. She had been right through the woods and had never known he was there. It was only when she met young Mr. Fitzgibbon carrying his gun in the shrubbery that she heard anything about it. Apparently, what upset Mrs. Green was the lost opportunity for emotion. She was determined, however, to make the most of what was left her.

"To think he was there all the time!" she said, over and over again.

Bailey endured this patiently enough for perhaps ten minutes. At last he thought it advisable to assert himself. "It's twenty past one, Mrs. Green," he said. "Don't you think it time you got me something to eat?"

This brought Mrs. Green suddenly to her knees.

"Oh Lord, sir!" she said. "Oh! Don't go making me go out of this room sir, till I know he's caught. He might have got into the house, sir. He might be creeping, creeping, with that knife of his, along the passage this very--"

She broke off suddenly and glared over him at the window. Her lower jaw dropped. Bailey turned his head sharply.

For the space of half a second things seemed just as they were. There was the tree, the balcony, the shining river, the distant church tower. Then he noticed that the acacia was displaced about a foot to the right, and that it was quivering, and the leaves were rustling. The tree was shaken violently, and a heavy panting was audible.

In another moment a hairy brown hand had appeared and clutched the balcony railings, and in another the face of the Malay was peering through these at the man on the couch. His expression was an unpleasant grin, by reason of the krees he held between his teeth, and he was bleeding from an ugly wound in his cheek. His hair wet to drying stuck out like horns from his head. His body was bare save for the wet trousers that clung to him. Bailey's first impulse was to spring from the couch, but his legs reminded him that this was impossible.

By means of the balcony and tree, the man slowly raised himself until he was visible to Mrs. Green. With a choking cry she made for the door and fumbled with the handle.

Bailey thought swiftly and clutched a medicine bottle in either hand. One he flung, and it smashed against the acacia. Silently and deliberately, and keeping his bright eyes fixed on Bailey, the Malay clambered into the balcony. Bailey, still clutching his second bottle, but with a sickening, sinking feeling about his heart, watched first one leg come over the railing and then the other.

It was Bailey's impression that the Malay took about an hour to get his second leg over the rail. The period that elapsed before the sitting position was changed to a standing one seemed enormous--days, weeks, possibly a year or so. Yet Bailey had no clear impression of anything going on in his mind during that vast period, except a vague wonder at his inability to throw the second medicine bottle. Suddenly the Malay glanced over his shoulder. There was the crack of a rifle. He flung up his arms and came down upon the couch. Mrs. Green began a dismal shriek that seemed likely to last until Doomsday. Bailey stared at the brown body with its shoulder blade driven in, that writhed painfully across his legs and rapidly staining and soaking the spotless bandages. Then he looked at the long krees, with the reddish streaks upon its blade, that lay an inch beyond the trembling brown fingers upon the floor. Then at Mrs. Green, who had backed hard against the door and was staring at the body and shrieking in gusty outbursts as if she would wake the dead. And then the body was shaken by one last convulsive effort.

The Malay gripped the krees, tried to raise himself with his left hand, and collapsed. Then he raised his head, stared for a moment at Mrs. Green, and twisting his face round looked at Bailey. With a gasping groan the dying man succeeded in clutching the bed clothes with his disabled hand, and by a violent effort, which hurt Bailey's legs exceedingly, writhed sideways towards what must be his last victim. Then something seemed released in Bailey's mind and he brought down the second bottle with all his strength on to the Malay's face. The krees fell heavily upon the floor.

"Easy with those legs," said Bailey, as young Fitzgibbon and one of the boating party lifted the body off him.

Young Fitzgibbon was very white in the face. "I didn't mean to kill him," he said.

"It's just as well," said Bailey.

THE TEMPTATION OF HARRINGAY

It is quite impossible to say whether this thing really happened. It depends entirely on the word of R.M. Harringay, who is an artist.

Following his version of the affair, the narrative deposes that Harringay went into his studio about ten o'clock to see what he could make of the head, that he had been working at the day before. The head in question was that of an Italian organ-grinder, and Harringay thought--but was not quite sure--that the title would be the "Vigil." So far he is frank, and his narrative bears the stamp of truth. He had seen the man expectant for pennies, and with a promptness that suggested genius, had, had him in at once.

"Kneel. Look up at that bracket," said Harringay. "As if you expected pennies.

"Don't grin!" said Harringay. "I don't want to paint your gums. Look as though you were unhappy."

Now, after a night's rest, the picture proved decidedly unsatisfactory. "It's good work," said Harringay. "That little bit in the neck...But."

He walked about the studio and looked at the thing from this point and from that. Then he said a wicked word. In the original the word is given.

"Painting," he says he said. "Just a painting of an organ-grinder--a mere portrait. If it was a live organ-grinder I wouldn't mind. But somehow I never make things alive. I wonder if my imagination is wrong." This, too, has a truthful air. His imagination is wrong.

"That creative touch! To take canvas and pigment and make a man--as Adam was made of red ochre! But this thing! If you met it walking about the streets you would know it was only a studio production. The little boys would tell it to 'Garnome and git frimed.' Some little touch...Well--it won't do as it is."

He went to the blinds and began to pull them down. They were made of blue holland with the rollers at the bottom of the window, so that you pull them down to get more light. He gathered his palette, brushes, and mahl stick from his table. Then he turned to the picture and put a speck of brown in the corner of the mouth; and shifted his attention thence to the pupil of the eye. Then he decided that the chin was a trifle too impassive for a vigil.

Presently he put down his impedimenta, and lighting a pipe surveyed the progress of his work. "I'm hanged if the thing isn't sneering at me," said Harringay, and he still believes it sneered.

The animation of the figure had certainly increased, but scarcely in the direction he wished. There was no mistake about the sneer. "Vigil of the Unbeliever," said Harringay. "Rather subtle and clever that! But the left eyebrow isn't cynical enough."

He went and dabbed at the eyebrow, and added a little to the lobe of the ear to suggest materialism. Further consideration ensued. "Vigil's off, I'm afraid," said Harringay. "Why not Mephistopheles? But that's a bit too common. 'A Friend of the Doge--' not so seedy. The armour won't do, though. Too Camelot. How about a scarlet robe and call him 'One of the Sacred College'? Humour in that, and an appreciation of Middle Italian History.

"There's always Benvenuto Cellini," said Harringay; "with a clever suggestion of a gold cup in one corner. But that would scarcely suit the complexion."

He describes himself as babbling in this way in order to keep down an unaccountably unpleasant sensation of fear. The thing was certainly acquiring anything but a pleasing expression. Yet it was as certainly becoming far more of a living thing than it had been--if a sinister one--far more alive than anything he had ever painted before. "Call it 'Portrait of a Gentleman,'" said Harringay; "'A Certain Gentleman.'

"Won't do," said Harringay, still keeping up his courage. "Kind of thing they call Bad Taste. That sneer will have to come out. That gone, and a little more fire in the eye--never noticed how warm his eye was before--and he might do for--? What price Passionate Pilgrim? But that devilish face won't do--this, side of the Channel.

"Some little inaccuracy does it," he said; "eyebrows probably too oblique--" therewith pulling the blind lower to get a better light, and resuming palette and brushes.

The face on the canvas seemed animated by a spirit of its own. Where the expression of diablerie came in he found impossible to discover. Experiment was necessary. The eyebrows--it could scarcely be the eyebrows? But he altered them. No, that was no better; in fact, if anything, a trifle more satanic. The corner of the mouth? Pah! More than ever a leer--and now, retouched, it was ominously grim. The eye, then? Catastrophe! He had filled his brush with vermilion instead of brown, and yet he had felt sure it was brown! The eye seemed now to have rolled in its socket, and was glaring at him an eye of fire. In a flash of passion, possibly with something of the courage of panic, he struck the brush full of bright red, athwart the picture; and then a very curious thing, a very strange thing indeed, occurred--if it did occur.

The diabolified Italian before him shut both his eyes, pursed his mouth, and wiped the colour off his face with his hand.

Then the red eye opened again, with a sound like the opening of lips, and the face smiled. "That was rather hasty of you," said the picture.

Harringay states that, now that the worst had happened, his self-possession returned. He had a saving persuasion that devils were reasonable creatures.

"Why do you keep moving about then," he said, "making faces and all that--sneering and squinting, while I am painting you?"

"I don't," said the picture.

"You do," said Harringay.

"It's yourself," said the picture.

"It's not myself," said Harringay.

"It is yourself," said the picture. "No! Don't go hitting me with paint again, because it's true. You have been trying to fluke an expression on my face all the morning. Really, you haven't an idea what your picture ought to look like."

"I have," said Harringay.

"You have not," said the picture: "You never have with your pictures. You always start with the vaguest presentiment of what you are going to do; it is to be something beautiful--you are sure of that--and devout, perhaps, or tragic; but beyond that it is all experiment and chance. My dear fellow! You don't think you can paint a picture like that?"

Now it must be remembered that for what follows we have only Harringay's word.

"I shall paint a picture exactly as I like," said Harringay, calmly.

This seemed to disconcert the picture a little. "You can't paint a picture without an inspiration," it remarked.

"But I had an inspiration--for this."

"Inspiration!" sneered the sardonic figure; "A fancy that came from your seeing an organ-grinder looking up at a window! Vigil! Ha, ha! You just started painting on the chance of something coming--that's what you did. And when I saw you at it I came. I want a talk with you!

"Art, with you," said the picture--, "it's a poor business. You potter. I don't know how it is, but you don't seem able to throw your soul into it. You know too much. It hampers you. In the midst of your enthusiasms you ask yourself whether something like this has not been done before. And..."

"Look here," said Harringay, who had expected something better than criticism from the devil. "Are you going to talk studio to me?" He filled his number twelve hoghair with red paint.

"The true artist," said the picture, "is always an ignorant man. An artist who theorises about his work is no longer artist but critic. Wagner...I say--! What's that red paint for?"

"I'm going to paint you out," said Harringay. "I don't want to hear all that Tommy Rot. If you think just because I'm an artist by trade I'm going to talk studio to you, you make a precious mistake."

"One minute," said the picture, evidently alarmed. "I want to make you an offer--a genuine offer. It's right what I'm saying. You lack inspirations. Well. No doubt you've heard of the Cathedral of Cologne, and the Devil's Bridge, and--"

"Rubbish," said Harringay. "Do you think I want to go to perdition simply for the pleasure of painting a good picture, and getting it slated. Take that."

His blood was up. His danger only nerved him to action, so he says. So he planted a dab of vermilion in his creature's mouth. The Italian spluttered and tried to wipe it off--evidently horribly surprised. And then--according to Harringay--there began a very remarkable struggle, Harringay splashing away with the red paint, and the picture wriggling about and wiping it off as fast as he put it on. "Two masterpieces," said the demon. "Two indubitable masterpieces for a Chelsea artist's soul. It's a bargain?" Harringay replied with the paint brush.

For a few minutes nothing could be heard but the brush going and the spluttering and ejaculations of the Italian. A lot of the strokes he caught on his arm and hand, though Harringay got over his guard often enough. Presently the paint on the palette gave out and the two antagonists stood breathless, regarding each other. The picture was so smeared with red that it looked as if it had been rolling about a slaughterhouse, and it was painfully out of breath and very uncomfortable with the wet paint trickling down its neck. Still, the first round was in its favour on the whole. "Think," it said, sticking pluckily to its point, "two supreme masterpieces--in different styles. Each equivalent to the Cathedral..."

"I know," said Harringay, and rushed out of the studio and along the passage towards his wife's boudoir.

In another minute he was back with a large tin of enamel--Hedge Sparrow's Egg Tint, it was, and a brush. At the sight of that the artistic devil with the red eye began to scream. "Three masterpieces--culminating masterpieces."

Harringay delivered cut two across the demon, and followed with a thrust in the eye. There was an indistinct rumbling. "Four masterpieces," and a spitting sound.

But Harringay had the upper hand now and meant to keep it. With rapid, bold strokes he continued to paint over the writhing canvas, until at last it was a uniform field of shining Hedge Sparrow tint. Once the mouth reappeared and got as far as "Five master--" before he filled it with enamel; and near the end the red eye opened and glared at him indignantly. But at last nothing remained save a gleaming panel of drying enamel. For a little while a faint stirring beneath the surface puckered it slightly here and there, but presently even that died away and the thing was perfectly still.

Then Harringay--according to Harringay's account--lit his pipe and sat down and stared at the enamelled canvas, and tried to make out clearly what had happened. Then he walked round behind it, to see if the back of it was at all remarkable. Then it was he began to regret he had not photographed the Devil before he painted him out.

This is Harringay's story--not mine. He supports it by a small canvas (24 by 20) enamelled a pale green, and by violent asseverations. It is also true that he never has produced a masterpiece, and in the opinion of his intimate friends probably never will.

THE FLYING MAN

The Ethnologist looked at the bhimraj feather thoughtfully. "They seemed loth to part with it," he said.

"It is sacred to the Chiefs," said the lieutenant; "just as yellow silk, you know, is sacred to the Chinese Emperor."

The Ethnologist did not answer. He hesitated. Then opening the topic abruptly, "What on earth is this cock-and-bull story they have of a flying man?"

The lieutenant smiled faintly. "What did they tell you?"

"I see," said the Ethnologist, "that you know of your fame."

The lieutenant rolled himself a cigarette. "I don't mind hearing about it once more. How does it stand at present?"

"It's so confoundedly childish," said the Ethnologist, becoming irritated. "How did you play it off upon them?"

The lieutenant made no answer, but lounged back in his folding-chair, still smiling.

"Here am I, come four hundred miles out of my way to get what is left of the folk-lore of these people, before they are utterly demoralised by missionaries and the military, and all I find are a lot of impossible legends about a sandy-haired scrub of an infantry lieutenant. How he is invulnerable--how he can jump over elephants--how he can fly. That's the toughest nut. One old gentleman described your wings, said they had black plumage and were not quite as long as a mule. Said he often saw you by moonlight hovering over the crests out towards the Shendu country. Confound it, man!"

The lieutenant laughed cheerfully. "Go on," he said. "Go on."

The Ethnologist did. At last he wearied. "To trade so," he said, "on these unsophisticated children of the mountains. How could you bring yourself to do it, man?"

"I'm sorry," said the lieutenant, "but truly the thing was forced upon me. I can assure you I was driven to it. And at the time I had not the faintest idea of how the Chin imagination would take it. Or curiosity. I can only plead it was an indiscretion and not malice that made me replace the folk-lore by a new legend. But as you seem aggrieved, I will try and explain the business to you.

"It was in the time of the last Lushai expedition but one, and Walters thought these people, you have been visiting, were friendly. So, with an airy confidence in my capacity for taking care of myself, he sent me up the gorge--fourteen miles of it--with three of the Derbyshire men and half a dozen Sepoys, two mules, and his blessing, to see what popular feeling was like at that village you visited. A force of ten--not counting the mules--fourteen miles, and during a war! You saw the road?"

"Road!" said the Ethnologist.

"It's better now than it was. When we went up, we had to wade in the river for a mile, where the valley narrows, with a smart stream frothing round our knees and the stones as slippery as ice. There it was I dropped my rifle. Afterwards the Sappers blasted the cliff with dynamite and made the convenient way you came by. Then below, where those very high cliffs come, we had to keep on dodging across the river--I should say we crossed it a dozen times in a couple of miles.

"We got in sight of the place early the next morning. You know how it lies, on a spur halfway between the big hills, and as we began to appreciate how wickedly quiet the village lay under the sunlight, we came to a stop to consider.

"At that they fired a lump of filed brass idol at us, just by way of a welcome. It came twanging down the slope to the right of us where the boulders are, missed my shoulder by an inch or so, and plugged the mule that carried all the provisions and utensils. I never heard such a death-rattle before or since. And at that we became aware of a number of gentlemen carrying matchlocks, and dressed in things like plaid dusters, dodging about along the neck between the village and the crest to the east.

"'Right about face,' I said. 'Not too close together.'

"And with that encouragement my expedition of ten men came round and set off at a smart trot down the valley again hitherward. We did not wait to save anything our dead had carried, but we kept the second mule with us--he carried my tent and some other rubbish--out of a feeling of friendship.

"So ended the battle--ingloriously. Glancing back, I saw the valley dotted with the victors, shouting and firing at us. But no one was hit. These Chins and their guns are very little good except at a sitting shot. They will sit and finick over a boulder for hours taking aim, and when they fire running it is chiefly for stage effect. Hooker, one of the Derbyshire men, fancied himself rather with the rifle, and stopped behind for half a minute to try his luck as we turned the bend. But he got nothing.

"I'm not a Xenophon to spin much of a yarn about my retreating army. We had to pull the enemy up twice in the next two miles when he became a bit pressing, by exchanging shots with him, but it was a fairly monotonous affair--hard breathing chiefly--until we got near the place where the hills run in towards the river and pinch the valley into a gorge. And there we very luckily caught a glimpse of half a dozen round black heads coming slanting-ways over the hill to the left of us--the east that is--and almost parallel with us.

"At that I called a halt. 'Look here,' says I to Hooker and the other Englishmen; 'what are we to do now?' and I pointed to the heads.

"'Headed orf, or I'm a nigger,' said one of the men."

"'We shall be,' said another. 'You know the Chin way, George?'

"'They can pot every one of us at fifty yards,' says Hooker, 'in the place where the river is narrow. It's just suicide to go on down.'

"I looked at the hill to the right of us. It grew steeper lower down the valley, but it still seemed climbable. And all the Chins we had seen hitherto had been on the other side of the stream.

"'It's that or stopping,' says one of the Sepoys.

"So we started slanting up the hill. There was something faintly suggestive of a road running obliquely up the face of it, and that we followed. Some Chins presently came into view up the valley, and I heard some shots. Then I saw one of the Sepoys was sitting down about thirty yards below us. He had simply sat down without a word, apparently not wishing to give trouble. At that I called a halt again; I told Hooker to try another shot, and went back and found the man was hit in the leg. I took him up, carried him along to put him on the mule--already pretty well laden with the tent and other things which we had no time to take off. When I got up to the rest with him, Hooker had his empty Martini in his hand, and was grinning and pointing to a motionless black spot up the valley. All the rest of the Chins were behind boulders or back round the bend. 'Five hundred yards,' says Hooker, 'if an inch. And I'll swear I hit him in the head.'

"I told him to go and do it again, and with that we went on again.

"Now the hillside kept getting steeper as we pushed on, and the road we were following more and more of a shelf. At last it was mere cliff above and below us. 'It's the best road I have seen yet in Chin Lushai land,' said I to encourage the men, though I had a fear of what was coming.

"And in a few minutes the way bent round a corner of the cliff. Then, finis! The ledge came to an end.

"As soon as he grasped the position one of the Derbyshire men fell a-swearing at the trap we had fallen into. The Sepoys halted quietly. Hooker grunted and reloaded, and went back to the bend.

"Then two of the Sepoy chaps helped their comrade down and began to unload the mule.

"Now, when I came to look about me, I began to think we had not been so very unfortunate after all. We were on a shelf perhaps ten yards across it at widest. Above it the cliff projected so that we could not be shot down upon, and below was an almost sheer precipice of perhaps two or three hundred feet. Lying down we were invisible to anyone across the ravine. The only approach was along the ledge, and on that one man was as good as a host. We were in a natural stronghold, with only one disadvantage, our sole provision against hunger and thirst was one live mule. Still we were at most eight or nine miles from the main expedition, and no doubt, after a day or so, they would send up after us if we did not return.

"After a day or so..."

The lieutenant paused. "Ever been thirsty, Graham?"

"Not that kind," said the Ethnologist.

"H'm. We had the whole of that day, the night, and the next day of it, and only a trifle of dew we wrung out of our clothes and the tent. And below us was the river going giggle, giggle, round a rock in mid stream. I never knew such a barrenness of incident, or such a quantity of sensation. The sun might have had Joshua's command still upon it for all the motion one could see; and it blazed like a near furnace. Towards the evening of the first day one of the Derbyshire men said something--nobody heard what--and went off round the bend of the cliff. We heard shots, and when Hooker looked round the corner he was gone. And in the morning the Sepoy whose leg was shot was in delirium, and jumped or fell over the cliff. Then we took the mule and shot it, and that must needs go over the cliff too in its last struggles, leaving eight of us.

"We could see the body of the Sepoy down below, with the head in the water. He was lying face downwards, and so far as I could make out was scarcely smashed at all. Badly as the Chins might covet his head, they had the sense to leave it alone until the darkness came.

"At first we talked of all the chances there were of the main body hearing the firing, and reckoned whether they would begin to miss us, and all that kind of thing, but we dried up as the evening came on. The Sepoys played games with bits of stone among themselves, and afterwards told stories. The night was rather chilly. The second day nobody spoke. Our lips were black and our throats afire, and we lay about on the ledge and glared at one another. Perhaps it's as well we kept our thoughts to ourselves. One of the British soldiers began writing some blasphemous rot on the rock with a bit of pipeclay, about his last dying will, until I stopped it. As I looked over the edge down into the valley and saw the river rippling I was nearly tempted to go after the Sepoy. It seemed a pleasant and desirable thing to go rushing down through the air with something to drink--or no more thirst at any rate--at the bottom. I remembered in time, though, that I was the officer in command, and my duty to set a good example, and that kept me from any such foolishness.

"Yet, thinking of that, put an idea into my head. I got up and looked at the tent and tent ropes, and wondered why I had not thought of it before. Then I came and peered over the cliff again. This time the height seemed greater and the pose of the Sepoy rather more painful. But it was that or nothing. And to cut it short, I parachuted.

"I got a big circle of canvas out of the tent, about three times the size of that table-cover, and plugged the hole in the centre, and I tied eight ropes round it to meet in the middle and make a parachute. The other chaps lay about and watched me as though they thought it was a new kind of delirium. Then I explained my notion to the two British soldiers and how I meant to do it, and as soon as the short dusk had darkened into night, I risked it. They held the thing high up, and I took a run the whole length of the ledge. The thing filled with air like a sail, but at the edge I will confess I funked and pulled up.

"As soon as I stopped I was ashamed of myself--as well I might be in front of privates--and went back and started again. Off I jumped this time--with a kind of sob, I remember--clean into the air, with the big white sail bellying out above me.

"I must have thought at a frightful pace. It seemed a long time before I was sure that the thing meant to keep steady. At first it heeled sideways. Then I noticed the face of the rock which seemed to be streaming up past me, and me motionless. Then I looked down and saw in the darkness the river and the dead Sepoy rushing up towards me. But in the indistinct light I also saw three Chins, seemingly aghast at the sight of me, and that the Sepoy was decapitated. At that I wanted to go back again.

"Then my boot was in the mouth of one, and in a moment he and I were in a heap with the canvas fluttering down on the top of us. I fancy I dashed out his brains with my foot. I expected nothing more than to be brained myself by the other two, but the poor heathen had never heard of Baldwin, and incontinently bolted.

"I struggled out of the tangle of dead Chin and canvas, and looked round. About ten paces off lay the head of the Sepoy staring in the moonlight. Then I saw the water and went and drank. There wasn't a sound in the world but the footsteps of the departing Chins, a faint shout from above, and the gluck of the water. So soon as I had drunk my full I started off down the river.

"That about ends the explanation of the flying man story. I never met a soul the whole eight miles of the way. I got to Walters' camp by ten o'clock, and a born idiot of a sentinel had the cheek to fire at me as I came trotting out of the darkness. So soon as I had hammered my story into Winter's thick skull, about fifty men started up the valley to clear the Chins out and get our men down. But for my own part I had too good a thirst to provoke it, by going with them.

"You have heard what kind of a yarn the Chins made of it. Wings as long as a mule, eh--? And black feathers! The gay lieutenant bird! Well, well."

The lieutenant meditated cheerfully for a moment. Then he added, "You would scarcely credit it, but when they got to the ridge at last, they found two more of the Sepoys had jumped over."

"The rest were all right?" asked the Ethnologist.

"Yes," said the lieutenant; "the rest were all right, barring a certain thirst, you know."

And at the memory he helped himself to soda and whisky again.

THE DIAMOND MAKER

Some business had detained me in Chancery Lane, until nine in the evening, and thereafter, having some inkling of a headache, I was disinclined either for entertainment or further work. So much of the sky as the high cliffs of that narrow canon of traffic left visible, spoke of a serene night, and I determined to make my way down to the Embankment, and rest my eyes and cool my head by watching the variegated lights upon the river. Beyond comparison the night is the best time for this place; a merciful darkness hides the dirt of the waters, and the lights of this transitional age, red glaring orange, gas-yellow, and electric white, are set in shadowy outlines of every possible shade between grey and deep purple. Through the arches of Waterloo Bridge a hundred points of light mark the sweep of the Embankment, and above its parapet rise the towers of Westminster, warm grey against the starlight. The black river goes by with only a rare ripple breaking its silence, and disturbing the reflections of the lights that swim upon its surface.

"A warm night," said a voice at my side.

I turned my head, and saw the profile of a man who was leaning over the parapet beside me. It was a refined face, not unhandsome, though pinched and pale enough, and the coat collar turned up and pinned round the throat marked his status in life as sharply as a uniform. I felt I was committed to the price of a bed and breakfast if I answered him.

I looked at him curiously. Would he have anything to tell me worth the money, or was he the common incapable--incapable even of telling his own story? There was a quality of intelligence in his forehead and eyes, and a certain tremulousness in his nether lip that decided me.

"Very warm," said I; "but not too warm for us here."

"No," he said, still looking across the water, "it is pleasant enough here...just now.

"It is good," he continued after a pause, "to find anything so restful as this in London. After one has been fretting about business all day, about getting on, meeting obligations, and parrying dangers, I do not know what one would do if it were not for such pacific corners." He spoke with long pauses between the sentences. "You must know a little of the irksome labour of the world, or you would not be here. But I doubt if you can be so brain-weary and footsore as I am...Bah! Sometimes I doubt if the game is worth the candle. I feel inclined to throw the whole thing over--name, wealth and position--and take to some modest trade. But I know if I abandoned my ambition--hardly as she uses me--I should have nothing but remorse left for the rest of my days."

He became silent. I looked at him in astonishment. If ever I saw a man hopelessly hard-up it was the man in front of me. He was ragged and he was dirty, unshaven and unkempt; he looked as though he had been left in a dust-bin for a week. And he was talking to me of the irksome worries of a large business. I almost laughed outright. Either he was mad or playing a sorry jest on his own poverty.

"If high aims and high positions," said I, "have their drawbacks of hard work and anxiety, they have their compensations. Influence, the power of doing good, of assisting those weaker and poorer than ourselves; and there is even a certain gratification in display."

My banter under the circumstances was in very vile taste. I spoke on the spur of the contrast of his appearance and speech. I was sorry even while I was speaking.

He turned a haggard but very composed face upon me. Said he: "I forgot myself. Of course you would not understand."

He measured me for a moment. "No doubt it is very absurd. You will not believe me even when I tell you, so that it is fairly safe to tell you. And it will be a comfort to tell someone. I really have a big business in hand, a very big business. But there are troubles just now. The fact is...I make diamonds."

"I suppose," said I, "you are out of work just at present?"

"I am sick of being disbelieved," he said impatiently, and suddenly unbuttoning his wretched coat he pulled out a little canvas bag that was hanging by a cord round his neck. From this he produced a brown pebble. "I wonder if you know enough, to know what that is?" He handed it to me.

Now, a year or so ago, I had occupied my leisure in taking a London science degree, so that I have a smattering of physics and mineralogy. The thing was not unlike an uncut diamond of the darker sort, though far too large, being almost as big as the top of my thumb. I took it, and saw it had the form of a regular octahedron, with the curved faces peculiar to the most precious of minerals. I took out my penknife and tried to scratch it--vainly. Leaning forward towards the gas-lamp, I tried the thing on my watch-glass, and scored a white line across that, with the greatest ease.

I looked at my interlocutor with rising curiosity. "It certainly is rather like a diamond. But, if so, it is a Behemoth of diamonds. Where did you get it?"

"I tell you I made it," he said. "Give it back to me."

He replaced it hastily and buttoned his jacket. "I will sell it to you for one hundred pounds," he suddenly whispered eagerly. With that my suspicions returned. The thing might, after all, be merely a lump of that almost equally hard substance, corundum, with an accidental resemblance in shape to the diamond. Or if it was a diamond, how came he by it, and why should he offer it at a hundred pounds?

We looked into one another's eyes. He seemed eager, but honestly eager. At that moment I believed it was a diamond he was trying to sell. Yet I am a poor man, a hundred pounds would leave a visible gap in my fortunes and no sane man would buy a diamond by gaslight from a ragged tramp on his personal warranty only. Still, a diamond that size conjured up a vision of many thousands of pounds. Then, thought I, such a stone could scarcely exist without being mentioned in every book on gems, and again I called to mind the stories of contraband and light-fingered Kaffirs at the Cape. I put the question of purchase on one side.

"How did you get it?" said I.

"I made it."

I had heard something of Moissan, but I knew his artificial diamonds were very small. I shook my head.

"You seem to know something of this kind of thing. I will tell you a little about myself. Perhaps then you may think better of the purchase." He turned round with his back to the river, and put his hands in his pockets. He sighed. "I know you will not believe me."

"Diamonds," he began--and as he spoke his voice lost its faint flavour of the tramp and assumed something of the easy tone of an educated man--"are to be made by throwing carbon out of combination in a suitable flux and under a suitable pressure; the carbon crystallises out, not as black-lead or charcoal-powder, but as small diamonds. So much has been known to chemists for years, but no one yet had hit upon exactly the right flux in which to melt up the carbon, or exactly the right pressure for the best results. Consequently the diamonds made by chemists are small and dark, and worthless as jewels. Now I, you know, have given up my life to this problem--given my life to it."

"I began to work at the conditions of diamond making when I was seventeen, and now I am thirty-two. It seemed to me that it might take all the thought and energies of a man for ten years, or twenty years, but, even if it did, the game was still worth the candle. Suppose one to have at last just hit the right trick before the secret got out and diamonds became as common as coal, one might realize millions. Millions!"

He paused and looked for my sympathy. His eyes shone hungrily. "To think," said he, "that I am on the verge of it all, and here!

"I had," he proceeded, "about a thousand pounds when I was twenty-one, and this, I thought, eked out by a little teaching, would keep my researches going. A year or two was spent in study, at Berlin chiefly, and then I continued on my own account. The trouble was the secrecy. You see, if once I had let out what I was doing, other men might have been spurred on by my belief in the practicability of the idea; and I do not pretend to be such a genius as to have been sure of coming in first, in the case of a race for the discovery. And you see it was important that if I really meant to make a pile, people should not know it was an artificial process and capable of turning out diamonds by the ton. So I had to work all alone. At first I had a little laboratory, but as my resources began to run out I had to conduct my experiments in a wretched unfurnished room in Kentish Town, where I slept at last on a straw mattress on the floor among all my apparatus. The money simply flowed away. I grudged myself everything except scientific appliances. I tried to keep things going by a little teaching, but I am not a very good teacher, and I have no university degree, nor very much education except in chemistry, and I found I had to give a lot of time and labour for precious little money. But I got nearer and nearer the thing. Three years ago I settled the problem of the composition of the flux, and got near the pressure by putting this flux of mine and a certain carbon composition into a closed-up gun-barrel, filling up with water, sealing tightly, and heating."

He paused.

"Rather risky," said I.

"Yes. It burst, and smashed all my windows and a lot of my apparatus; but I got a kind of diamond powder nevertheless. Following out the problem of getting a big pressure upon the molten mixture from which the things were to crystallise, I hit upon some researches of Daubree's at the Paris Laboratorie des Poudres et Salpetres. He exploded dynamite in a tightly screwed steel cylinder, too strong to burst, and I found he could crush rocks into a muck not unlike the South African bed in which diamonds are found. It was a tremendous strain on my resources, but I got a steel cylinder made for my purpose after his pattern. I put in all my stuff and my explosives, built up a fire in my furnace, put the whole concern in, and--went out for a walk."

I could not help laughing at his matter-of-fact manner. "Did you not think it would blow up the house? Were there other people in the place?"

"It was in the interest of science," he said, ultimately. "There was a costermonger family on the floor below, a begging-letter writer in the room behind mine, and two flower-women were upstairs. Perhaps it was a bit thoughtless. But possibly some of them were out.

"When I came back the thing was just where I left it, among the white-hot coals. The explosive hadn't burst the case. And then I had a problem to face. You know time is an important element in crystallisation. If you hurry the process the crystals are small--it is only by prolonged standing that they grow to any size. I resolved to let this apparatus cool for two years, letting the temperature go down slowly during the time. And I was now quite out of money; and with a big fire and the rent of my room, as well as my hunger to satisfy, I had scarcely a penny in the world.

"I can hardly tell you all the shifts I was put to while I was making the diamonds. I have sold newspapers, held horses, opened cab-doors. For many weeks I addressed envelopes. I had a place as assistant to a man who owned a barrow, and used to call down one side of the road while he called down the other.

"Once for a week I had absolutely nothing to do, and I begged. What a week that was! One day the fire was going out and I had eaten nothing all day, and a little chap taking his girl out, gave me sixpence--to show-off. Thank heaven for vanity! How the fish-shops smelt! But I went and spent it all on coals, and had the furnace bright red again, and then--Well, hunger makes a fool of a man.

"At last, three weeks ago, I let the fire out. I took my cylinder and unscrewed it while it was still so hot that it punished my hands, and I scraped out the crumbling lava-like mass with a chisel, and hammered it into a powder upon an iron plate. And I found three big diamonds and five small ones. As I sat on the floor hammering, my door opened, and my neighbour, the begging-letter writer came in. He was drunk--as he usually is, 'Nerchist,' said he. 'You're drunk,' said I. 'Structive scoundrel,' said he. 'Go to your father,' said I, meaning the Father of Lies. 'Never you mind,' said he, and gave me a cunning wink, and hiccupped, and leaning up against the door, with his other eye against the doorpost, began to babble of how he had been prying in my room, and how he had gone to the police that morning, and how they had taken down everything he had to say--'siffiwas a ge'm,' said he. Then I suddenly realised I was in a hole. Either I should have to tell these police my little secret, and get the whole thing blown upon, or be lagged as an Anarchist. So I went up to my neighbour and took him by the collar, and rolled him about a bit, and then I gathered up my diamonds and cleared out. The evening newspapers called my den the Kentish-Town Bomb Factory. And now I cannot part with the things for love or money.

"If I go in to respectable jewellers they ask me to wait, and go and whisper to a clerk to fetch a policeman, and then I say I cannot wait. And I found out a receiver of stolen goods, and he simply stuck to the one I gave him and told me to prosecute if I wanted it back. I am going about now with several hundred thousand pounds-worth of diamonds round my neck, and without either food or shelter. You are the first person I have taken into my confidence. But I like your face and I am hard-driven."

He looked into my eyes.

"It would be madness," said I, "for me to buy a diamond under the circumstances. Besides, I do not carry hundreds of pounds about in my pocket. Yet I more than half believe your story. I will, if you like, do this: come to my office to-morrow..."

"You think I am a thief!" said he keenly. "You will tell the police. I am not coming into a trap."

"Somehow I am assured you are no thief. Here is my card. Take that, anyhow. You need not come to any appointment. Come when you will."

He took the card, and an earnest of my good-will.

"Think better of it and come," said I.

He shook his head doubtfully. "I will pay back your half-crown with interest some day--such interest as will amaze you," said he. "Anyhow, you will keep the secret...? Don't follow me."

He crossed the road and went into the darkness towards the little steps under the archway leading into Essex Street, and I let him go. And that was the last I ever saw of him.

Afterwards I had two letters from him asking me to send bank-notes--not cheques--to certain addresses. I weighed the matter over and took what I conceived to be the wisest course. Once he called upon me when I was out. My urchin described him as a very thin, dirty, and ragged man, with a dreadful cough. He left no message. That was the finish of him so far as my story goes. I wonder sometimes what has become of him. Was he an ingenious monomaniac, or a fraudulent dealer in pebbles, or has he really made diamonds as he asserted? The latter is just sufficiently credible to make me think at times that I have missed the most brilliant opportunity of my life. He may of course be dead, and his diamonds carelessly thrown aside--one, I repeat, was almost as big as my thumb. Or he may be still wandering about trying to sell the things. It is just possible he may yet emerge upon society, and, passing athwart my heavens in the serene altitude sacred to the wealthy and the well-advertised, reproach me silently for my want of enterprise. I sometimes think I might at least have risked five pounds.

AEPYORNIS ISLAND

The man with the scarred face leant over the table and looked at my bundle.

"Orchids?" he asked.

"A few," I said.

"Cypripediums," he said.

"Chiefly," said I.

"Anything new? I thought not. I did these islands twenty-five--twenty-seven years ago. If you find anything new here--well, it's brand new. I didn't leave much."

"I'm not a collector," said I.

"I was young then," he went on. "Lord! How I used to fly round." He seemed to take my measure. "I was in the East Indies two years, and in Brazil seven. Then I went to Madagascar."

"I know a few explorers by name," I said, anticipating a yarn. "Whom did you collect for?"

"Dawson's. I wonder if you've heard the name of Butcher ever?"

"Butcher--Butcher?" The name seemed vaguely present in my memory; then I recalled Butcher vs. Dawson. "Why!" said I, "You are the man who sued them for four years' salary--got cast away on a desert island..."

"Your servant," said the man with the scar, bowing. "Funny case, wasn't it? Here was me, making a little fortune on that island, doing nothing for it neither, and them quite unable to give me notice. It often used to amuse me thinking over it while I was there. I did calculations of it--big--all over the blessed atoll in ornamental figuring."

"How did it happen?" said I. "I don't rightly remember the case."

"Well...You've heard of the Aepyornis?"

"Rather. Andrews was telling me of a new species he was working on only a month or so ago. Just before I sailed. They've got a thigh-bone, it seems, nearly a yard long. Monster the thing must have been!"

"I believe you," said the man with the scar. "It was a monster. Sindbad's roc was just a legend of 'em. But when did they find these bones?"

"Three or four years ago--'91, I fancy. Why?"

"Why? Because I found them--Lord--! It's nearly twenty years ago. If Dawson's hadn't been silly about that salary they might have made a perfect ring in 'em...I couldn't help the infernal boat going adrift."

He paused. "I suppose it's the same place. A kind of swamp about ninety miles north of Antananarivo. Do you happen to know? You have to go to it along the coast by boats. You don't happen to remember, perhaps?"

"I don't. I fancy Andrews said something about a swamp."

"It must be the same. It's on the east coast. And somehow there's something in the water that keeps things from decaying. Like creosote it smells. It reminded me of Trinidad. Did they get any more eggs? Some of the eggs I found were a foot and a half long. The swamp goes circling round, you know, and cuts off this bit. It's mostly salt, too. Well... What a time I had of it! I found the things quite by accident. We went for eggs, me and two native chaps, in one of those rum canoes all tied together, and found the bones at the same time. We had a tent and provisions for four days, and we pitched on one of the firmer places. To think of it brings that odd tarry smell back even now. It's funny work. You go probing into the mud with iron rods, you know. Usually the egg gets smashed. I wonder how long it is since these Aepyornises really lived. The missionaries say the natives have legends about when they were alive, but I never heard any such stories myself.* But certainly those eggs we got were as fresh as if they had been new laid. Fresh! Carrying them down to the boat one of my nigger chaps dropped one on a rock and it smashed. How I lammed into the beggar! But sweet it was, as if it was new laid, not even smelly, and its mother dead these four hundred years, perhaps. Said a centipede had bit him. However, I'm getting off the straight with the story. It had taken us all day to dig into the slush and get these eggs out unbroken, and we were all covered with beastly black mud, and naturally I was cross. So far as I knew they were the only eggs that have ever been got out, not even cracked. I went afterwards to see the ones they have at the Natural History Museum in London; all of them were cracked and just stuck together like a mosaic, and bits missing. Mine were perfect, and I meant to blow them when I got back. Naturally I was annoyed at the silly duffer dropping three hours' work just on account of a centipede. I hit him about rather."

[* No European is known to have seen a live Aepyornis, with the doubtful exception of Macer, who visited Madagascar in 1745.--H. G. W.]

The man with the scar took out a clay pipe. I placed my pouch before him. He filled up absent-mindedly.

"How about the others? Did you get those home? I don't remember--"

"That's the queer part of the story. I had three others. Perfectly fresh eggs. Well, we put 'em in the boat, and then I went up to the tent to make some coffee, leaving my two heathens down by the beach--the one fooling about with his sting and the other helping him. It never occurred to me that the beggars would take advantage of the peculiar position I was in to pick a quarrel. But I suppose the centipede poison and the kicking I had given him had upset the one--he was always a cantankerous sort--and he persuaded the other."

"I remember I was sitting and smoking and boiling up the water over a spirit-lamp, business I used to take on these expeditions. Incidentally I was admiring the swamp under the sunset. All black and blood-red it was, in streaks--a beautiful sight. And up beyond the land rose grey and hazy to the hills, and the sky behind them red, like a furnace mouth. And fifty yards behind the back of me was these blessed heathens--quite regardless of the tranquil air of things--plotting to cut off with the boat and leave me all alone with three days' provisions and a canvas tent, and nothing to drink whatsoever beyond a little keg of water. I heard a kind of yelp behind me, and there they were in this canoe affair--it wasn't properly a boat--and, perhaps, twenty yards from land. I realised what was up in a moment. My gun was in the tent, and besides, I had no bullets--only duck shot. They knew that. But I had a little revolver in my pocket, and I pulled that out as I ran down to the beach.

"'Come back!' says I, flourishing it.

"They jabbered something at me, and the man that broke the egg jeered. I aimed at the other--because he was unwounded and had the paddle, and I missed. They laughed. However, I wasn't beat. I knew I had to keep cool, and I tried him again and made him jump with the whang of it. He didn't laugh that time. The third time I got his head, and over he went, and the paddle with him. It was a precious lucky shot for a revolver. I reckon it was fifty yards. He went right under. I don't know if he was shot, or simply stunned and drowned. Then I began to shout to the other chap to come back, but he huddled up in the canoe and refused to answer. So I fired out my revolver at him and never got near him.

"I felt a precious fool, I can tell you. There I was on this rotten, black beach, flat swamp all behind me, and the flat sea, cold after the sun set, and just this black canoe drifting steadily out to sea. I tell you I damned Dawson's and Jamrach's and Museums and all the rest of it just to rights. I bawled to this nigger to come back, until my voice went up into a scream.

"There was nothing for it but to swim after him and take my luck with the sharks. So I opened my clasp-knife and put it in my mouth, and took off my clothes and waded in. As soon as I was in the water I lost sight of the canoe, but I aimed, as I judged, to head it off. I hoped the man in it was too bad to navigate it, and that it would keep on drifting in the same direction. Presently it came up over the horizon again to the south-westward, about. The afterglow of sunset was well over now and the dim of night creeping up. The stars were coming through the blue. I swum like a champion, though my legs and arms were soon aching.

"However, I came up to him by the time the stars were fairly out. As it got darker I began to see all manner of glowing things in the water--phosphorescence, you know. At times it made me giddy. I hardly knew which was stars and which was phosphorescence, and whether I was swimming on my head or my heels. The canoe was as black as sin, and the ripple under the bows like liquid fire. I was naturally chary of clambering up into it. I was anxious to see what he was up to first. He seemed to be lying cuddled up in a lump in the bows, and the stern was all out of water. The thing kept turning round slowly as it drifted--kind of waltzing, don't you know. I went to the stern and pulled it down, expecting him to wake up. Then I began to clamber in with my knife in my hand, and ready for a rush. But he never stirred. So there I sat in the stern of the little canoe, drifting away over the calm phosphorescent sea, and with all the host of the stars above me, waiting for something to happen.

"After a long time I called him by name, but he never answered. I was too tired to take any risks by going along to him. So we sat there. I fancy I dozed once or twice. When the dawn came I saw he was as dead as a door-nail and all puffed up and purple. My three eggs and the bones were lying in the middle of the canoe, and the keg of water and some coffee and biscuits wrapped in a Cape Argus by his feet, and a tin of methylated spirit underneath him. There was no paddle, nor in fact, anything except the spirit tin that I could use as one, so I settled to drift until I was picked up. I held an inquest on him, brought in a verdict against some snake, scorpion, or centipede unknown, and sent him overboard.

"After that I had a drink of water and a few biscuits, and took a look round. I suppose a man low down as I was don't see very far; leastways, Madagascar was clean out of sight, and any trace of land at all. I saw a sail going south-westward--looked like a schooner but her hull never came up. Presently the sun got high in the sky and began to beat down upon me. Lord! It pretty near made my brains boil. I tried dipping my head in the sea, but after a while my eye fell on the Cape Argus, and I lay down flat in the canoe and spread this over me. Wonderful things these newspapers! I never read one through thoroughly before, but it's odd what you get up to when you're alone, as I was. I suppose I read that blessed old Cape Argus twenty times. The pitch in the canoe simply reeked with the heat and rose up into big blisters.

"I drifted ten days," said the man with the scar. "It's a little thing in the telling, isn't it? Every day was like the last. Except in the morning and the evening I never kept a lookout even--the blaze was so infernal. I didn't see a sail after the first three days, and those I saw took no notice of me. About the sixth night a ship went by scarcely half a mile away from me, with all its lights ablaze and its ports open, looking like a big firefly. There was music aboard. I stood up and shouted and screamed at it. The second day I broached one of the Aepyornis eggs, scraped the shell away at the end bit by bit, and tried it, and I was glad to find it was good enough to eat. A bit flavoury--not bad, I mean--but with something of the taste of a duck's egg. There was a kind of circular patch, about six inches across, on one side of the yoke, and with streaks of blood and a white mark like a ladder in it that I thought queer, but I did not understand what this meant at the time, and I wasn't inclined to be particular. The egg lasted me three days, with biscuits and a drink of water. I chewed coffee-berries too--invigorating stuff. The second egg I opened about the eighth day, and it scared me."

The man with the scar paused. "Yes," he said, "Developing.

"I daresay you find it hard to believe. I did, with the thing before me. There the egg had been, sunk in that cold black mud, perhaps three hundred years. But there was no mistaking it. There was the--what is it--? Embryo, with its big head and curved back, and its heart beating under its throat, and the yolk shrivelled up and great membranes spreading inside of the shell and all over the yolk. Here was I hatching out the eggs of the biggest of all extinct birds, in a little canoe in the midst of the Indian Ocean. If old Dawson had known that! It was worth four years' salary. What do you think?

"However, I had to eat that precious thing up, every bit of it, before I sighted the reef, and some of the mouthfuls were beastly unpleasant. I left the third one alone. I held it up to the light, but the shell was too thick for me to get any notion of what might be happening inside; and though I fancied I heard blood pulsing, it might have been the rustle in my own ears, like what you listen to in a seashell.

"Then came the atoll. Came out of the sunrise, as it were, suddenly, close up to me. I drifted straight towards it until I was about half a mile from shore, not more, and then the current took a turn, and I had to paddle as hard as I could with my hands and bits of the Aepyornis shell to make the place. However, I got there. It was just a common atoll about four miles round, with a few trees growing and a spring in one place, and the lagoon full of parrot-fish. I took the egg ashore and put it in a good place, well above the tide lines and in the sun, to give it all the chance I could, and pulled the canoe up safe, and loafed about prospecting. It's rum how dull an atoll is. As soon as I had found a spring all the interest seemed to vanish. When I was a kid I thought nothing could be finer or more adventurous than the Robinson Crusoe business, but that place was as monotonous as a book of sermons. I went round finding eatable things and generally thinking; but I tell you I was bored to death before the first day was out. It shows my luck--the very day I landed the weather changed. A thunderstorm went by to the north and flicked its wing over the island, and in the night there came a drencher and a howling wind slap over us. It wouldn't have taken much, you know, to upset that canoe.

"I was sleeping under the canoe, and the egg was luckily among the sand higher up the beach, and the first thing I remember was a sound like a hundred pebbles hitting the boat at once, and a rush of water over my body. I'd been dreaming of Antananarivo, and I sat up and halloaed to Intoshi to ask her what the devil was up, and clawed out at the chair where the matches used to be. Then I remembered where I was. There were phosphorescent waves rolling up as if they meant to eat me, and all the rest of the night as black as pitch. The air was simply yelling. The clouds seemed down on your head almost, and the rain fell as if heaven was sinking and they were baling out the waters above the firmament. One great roller came writhing at me, like a fiery serpent, and I bolted. Then I thought of the canoe, and ran down to it as the water went hissing back again; but the thing had gone. I wondered about the egg then, and felt my way to it. It was all right and well out of reach of the maddest waves, so I sat down beside it and cuddled it for company. Lord! What a night that was!

"The storm was over before the morning. There wasn't a rag of cloud left in the sky when the dawn came, and all along the beach there were bits of plank scattered--which was the disarticulated skeleton, so to speak, of my canoe. However, that gave me something to do, for, taking advantage of two of the trees being together, I rigged up a kind of storm-shelter with these vestiges. And that day the egg hatched.

"Hatched, sir, when my head was pillowed on it and I was asleep. I heard a whack and felt a jar and sat up, and there was the end of the egg pecked out and a rum little brown head looking out at me. 'Lord!' I said, 'You're welcome'; and with a little difficulty he came out.

"He was a nice friendly little chap at first, about the size of a small hen--very much like most other young birds, only bigger. His plumage was a dirty brown to begin with, with a sort of grey scab that fell off it very soon, and scarcely feathers--a kind of downy hair. I can hardly express how pleased I was to see him. I tell you, Robinson Crusoe don't make near enough of his loneliness. But here was interesting company. He looked at me and winked his eye from the front backwards, like a hen, and gave a chirp and began to peck about at once, as though being hatched three hundred years too late was just nothing. 'Glad to see you, Man Friday!' says I, for I had naturally settled he was to be called Man Friday if ever he was hatched, as soon as ever, I found the egg in the canoe had developed. I was a bit anxious about his feed, so I gave him a lump of raw parrot-fish at once. He took it, and opened his beak for more. I was glad of that for, under the circumstances, if he'd been at all fanciful, I should have had to eat him after all.

"You'd be surprised what an interesting bird that Aepyornis chick was. He followed me about from the very beginning. He used to stand by me and watch while I fished in the lagoon, and go shares in anything I caught. And he was sensible, too. There were nasty green warty things, like pickled gherkins, used to lie about on the beach, and he tried one of these and it upset him. He never even looked at any of them again.

"And he grew. You could almost see him grow. And as I was never much of a society man, his quiet, friendly ways suited me to a T. For nearly two years we were as happy as we could be on that island. I had no business worries, for I knew my salary was mounting up at Dawsons'. We would see a sail now and then, but nothing ever came near us. I amused myself, too, by decorating the island with designs worked in sea-urchins and fancy shells of various kinds. I put 'Aepyornis Island' all round the place very nearly, in big letters, like what you see done with coloured stones at railway stations in the old country, and mathematical calculations and drawings of various sorts. And I used to lie watching the blessed bird stalking round and growing, growing; and think how I could make a living out of him by showing him about if I ever got taken off. After his first moult he began to get handsome, with a crest and a blue wattle, and a lot of green feathers at the behind of him. And then I used to puzzle whether Dawsons' had any right to claim him or not. Stormy weather and in the rainy season we lay snug under the shelter, I had made out of the old canoe, and I used to tell him lies about my friends at home. And after a storm we would go round the island together to see if there was any drift. It was a kind of idyll, you might say. If only I had, had some tobacco it would have been simply just like heaven.

"It was about the end of the second year our little paradise went wrong. Friday was then about fourteen feet high to the bill of him, with a big, broad head like the end of a pickaxe, and two huge brown eyes with yellow rims, set together like a man's--not out of sight of each other like a hen's. His plumage was fine--none of the half-mourning style of your ostrich--more like a cassowary as far as colour and texture go. And then it was he began to cock his comb at me and give himself airs, and show signs of a nasty temper...

"At last came a time when my fishing had been rather unlucky, and he began to hang about me in a queer, meditative way. I thought he might have been eating sea-cucumbers or something, but it was really just discontent on his part. I was hungry too, and when at last I landed a fish I wanted it for myself. Tempers were short that morning on both sides. He pecked at it and grabbed it, and I gave him a whack on the head to make him leave go. And at that he went for me. Lord...!

"He gave me this in the face." The man indicated his scar. "Then he kicked me. It was like a cart-horse. I got up, and seeing he hadn't finished, I started off full tilt with my arms doubled up over my face. But he ran on those gawky legs of his faster than a race-horse, and kept landing out at me with sledgehammer kicks, and bringing his pickaxe down on the back of my head. I made for the lagoon, and went in up to my neck. He stopped at the water, for he hated getting his feet wet, and began to make a shindy, something like a peacock's, only hoarser. He started strutting up and down the beach. I'll admit I felt small to see this blessed fossil lording it there. And my head and face were all bleeding, and--well, my body just one jelly of bruises.

"I decided to swim across the lagoon and leave him alone for a bit, until the affair blew over. I shinned up the tallest palm-tree, and sat there thinking of it all. I don't suppose I ever felt so hurt by anything before or since. It was the brutal ingratitude of the creature. I'd been more than a brother to him. I'd hatched him, educated him. A great gawky, out-of-date bird! And me a human being--heir of the ages and all that.

"I thought after a time he'd begin to see things in that light himself, and feel a little sorry for his behaviour. I thought if I was to catch some nice little bits of fish, perhaps, and go to him presently in a casual kind of way, and offer them to him, he might do the sensible thing. It took me some time to learn how unforgiving and cantankerous an extinct bird can be. Malice!

"I won't tell you all the little devices I tried to get that bird round again, I simply can't. It makes my cheek burn with shame even now to think of the snubs and buffets I had from this infernal curiosity. I tried violence. I chucked lumps of coral at him from a safe distance, but he only swallowed them. I shied my open knife at him and almost lost it, though it was too big for him to swallow. I tried starving him out and struck fishing, but he took to picking along the beach at low water after worms, and rubbed along on that. Half my time I spent up to my neck in the lagoon, and the rest up the palm-trees. One of them was scarcely high enough, and when he caught me up it he had a regular Bank Holiday with the calves of my legs. It got unbearable. I don't know if you have ever tried sleeping up a palm-tree. It gave me the most horrible nightmares. Think of the shame of it, too! Here was this extinct animal mooning about my island like a sulky duke, and me not allowed to rest the sole of my foot on the place. I used to cry with weariness and vexation. I told him straight that I didn't mean to be chased about a desert island by any damned anachronisms. I told him to go and peck a navigator of his own age. But he only snapped his beak at me. Great ugly bird, all legs and neck!

"I shouldn't like to say how long that went on altogether. I'd have killed him sooner if I'd known how. However, I hit on a way of settling him at last. It is a South American dodge. I joined all my fishing-lines together with stems of seaweed and things, and made a stoutish string, perhaps twelve yards in length or more, and I fastened two lumps of coral rock to the ends of this. It took me some time to do, because every now and then I had to go into the lagoon or up a tree as the fancy took me. This I whirled rapidly round my head, and then let it go at him. The first time I missed, but the next time the string caught his legs beautifully, and wrapped round them again and again. Over he went. I threw it standing waist-deep in the lagoon, and as soon as he went down I was out of the water and sawing at his neck with my knife...

"I don't like to think of that even now. I felt like a murderer while I did it, though my anger was hot against him. When I stood over him and saw him bleeding on the white sand, and his beautiful great legs and neck writhing in his last agony...Pah!

"With that tragedy loneliness came upon me like a curse. Good Lord! You can't imagine how I missed that bird. I sat by his corpse and sorrowed over him, and shivered as I looked round the desolate, silent reef. I thought of what a jolly little bird he had been when he was hatched, and of a thousand pleasant tricks he had played before he went wrong. I thought if I'd only wounded him I might have nursed him round into a better understanding. If I'd had any means of digging into the coral rock I'd have buried him. I felt exactly as if he was human. As it was, I couldn't think of eating him, so I put him in the lagoon, and the little fishes picked him clean. I didn't even save the feathers. Then one day a chap cruising about in a yacht had a fancy to see if my atoll still existed.

"He didn't come a moment too soon, for I was about sick enough of the desolation of it, and only hesitating whether I should walk out into the sea and finish up the business that way, or fall back on the green things...

"I sold the bones to a man named Winslow--a dealer near the British Museum, and he says he sold them to old Havers. It seems Havers didn't understand they were extra large, and it was only after his death they attracted attention. They called 'em Aepyornis--what was it?"

"Aepyornis vastus," said I. "It's funny, the very thing was mentioned to me by a friend of mine. When they found an Aepyornis, with a thigh a yard long, they thought they had reached the top of the scale, and called him Aepyornis maximus. Then some one turned up another thigh-bone four feet six or more, and that they called Aepyornis titan. Then your vastus was found after old Havers died, in his collection, and then a vastissimus turned up."

"Winslow was telling me as much," said the man with the scar. "If they get any more Aepyornises, he reckons some scientific swell will go and burst a blood-vessel. But it was a queer thing to happen to a man, wasn't it--altogether?"

THE REMARKABLE CASE OF DAVIDSON'S EYES

The transitory mental aberration of Sidney Davidson, remarkable enough in itself, is still more remarkable if Wade's explanation is to be credited. It sets one dreaming of the oddest possibilities of intercommunication in the future, of spending an intercalary five minutes on the other side of the world, or being watched in our most secret operations by unsuspected eyes. It happened that I was the immediate witness of Davidson's seizure, and so it falls naturally to me to put the story upon paper.

When I say that I was the immediate witness of his seizure, I mean that I was the first on the scene. The thing happened at the Harlow Technical College just beyond the Highgate Archway. He was alone in the larger laboratory when the thing happened. I was in the smaller room, where the balances are, writing up some notes. The thunderstorm had completely upset my work, of course. It was just after one of the louder peals that I thought I heard some glass smash in the other room. I stopped writing, and turned round to listen. For a moment I heard nothing; the hail was playing the devil's tattoo on the corrugated zinc of the roof. Then came another sound, a smash--no doubt of it this time. Something heavy had been knocked off the bench. I jumped up at once and went and opened the door leading into the big laboratory.

I was surprised to hear a queer sort of laugh, and saw Davidson standing unsteadily in the middle of the room, with a dazzled look on his face. My first impression was that he was drunk. He did not notice me. He was clawing out at something invisible a yard in front of his face. He put out his hand slowly, rather hesitatingly, and then clutched nothing. "What's come to it?" he said. He held up his hands to his face, fingers spread out. "Great Scott!" he said. The thing happened three or four years ago, when everyone swore by that personage. Then he began raising his feet clumsily, as though he had expected to find them glued to the floor.

"Davidson!" cried I. "What's the matter with you?" He turned round in my direction and looked about for me. He looked over me and at me and on either side of me, without the slightest sign of seeing me. "Waves," he said; "and a remarkably neat schooner. I'd swear that was Bellows's voice. Hullo!" He shouted suddenly at the top of his voice.

I thought he was up to some foolery. Then I saw littered about his feet the shattered remains of the best of our electrometers. "What's up, man?" said I. "You've smashed the electrometer!"

"Bellows again!" said he. "Friends left, if my hands are gone. Something about electrometers. Which way are you, Bellows?" He suddenly came staggering towards me. "The damned stuff cuts like butter," he said. He walked straight into the bench and recoiled. "None so buttery, that!" he said, and stood swaying.

I felt scared. "Davidson," said I, "what on earth's come over you?"

He looked round him in every direction. "I could swear that was Bellows. Why don't you show yourself like a man, Bellows?"

It occurred to me that he must be suddenly struck blind. I walked round the table and laid my hand upon his arm. I never saw a man more startled in my life. He jumped away from me, and came round into an attitude of self-defense, his face fairly distorted with terror: "Good God!" he cried. "What was that?"

"It's I--Bellows. Confound it, Davidson!"

He jumped when I answered him and stared--how can I express it--? Right through me. He began talking, not to me, but to himself. "Here in broad daylight on a clear beach. Not a place to hide in." He looked about him wildly. "Here! I'm off." He suddenly turned and ran headlong into the big electromagnet--so violently that, as we found afterwards, he bruised his shoulder and jawbone cruelly. At that he stepped back a pace, and cried out with almost a whimper, "What, in Heaven's name, has come over me?" He stood, blanched with terror and trembling violently, with his right arm clutching his left, where that had collided with the magnet.

By that time I was excited, and fairly excited. "Davidson," said I, "don't be afraid."

He was startled at my voice, but not so excessively as before. I repeated my words in as clear and firm a tone as I could assume. "Bellows," he said, "is that you?"

"Can't you see it's me?"

He laughed. "I can't even see it's myself. Where the devil are we?" "Here," said I, "in the laboratory."

"The laboratory!" he answered, in a puzzled tone, and put his hand to his forehead. "I was in the laboratory--till that flash came, but I'm hanged if I'm there now. What ship is that?"

"There's no ship," said I. "Do be sensible, old chap."

"No ship!" he repeated, and seemed to forget my denial forthwith. "I suppose," said he, slowly, "we're both dead. But the rummy part is I feel just as though I still had a body. Don't get used to it all at once, I suppose. The old shop was struck by lightning, I suppose. Jolly quick thing, Bellows--eigh?"

"Don't talk nonsense. You're very much alive. You are in the laboratory, blundering about. You've just smashed a new electrometer. I don't envy you when Boyce arrives."

He stared away from me towards the diagrams of cryohydrates. "I must be deaf," said he. "They've fired a gun, for there goes the puff of smoke, and I never heard a sound."

I put my hand on his arm again, and this time he was less alarmed. "We seem to have a sort of invisible bodies," said he. "By Jove! There's a boat coming round the headland! It's very much like the old life after all--in a different climate."

I shook his arm. "Davidson," I cried, "wake up!"

It was just then that Boyce came in. So soon as he spoke Davidson exclaimed: "Old Boyce! Dead too! What a lark!" I hastened to explain that Davidson was in a kind of somnambulistic trance. Boyce was interested at once. We both did all we could to rouse the fellow out of his extraordinary state. He answered our questions, and asked us some of his own, but his attention seemed distracted by his hallucination about a beach and a ship. He kept interpolating observations concerning some boat and the davits and sails filling with the wind. It made one feel queer, in the dusky laboratory, to hear him saying such things.

He was blind and helpless. We had to walk him down the passage, one at each elbow, to Boyce's private room, and while Boyce talked to him there, and humored him about this ship idea, I went along the corridor and asked old Wade to come and look at him. The voice of our Dean sobered him a little, but not very much. He asked where his hands were, and why he had to walk about up to his waist in the ground. Wade thought over him a long time--you know how he knits his brows--and then made him feel the couch, guiding his hands to it. "That's a couch," said Wade. "The couch in the private room of Professor Boyce. Horsehair stuffing."

Davidson felt about, and puzzled over it, and answered presently that he could feel it all right, but he couldn't see it.

"What do you see?" asked Wade. Davidson said he could see nothing but a lot of sand and broken-up shells. Wade gave him some other things to feel, telling him what they were, and watching him keenly.

"The ship is almost hull down," said Davidson, presently, apropos of nothing. "Never mind the ship," said Wade. "Listen to me, Davidson. Do you know what hallucination means?"

"Rather," said Davidson.

"Well, everything you see is hallucinatory."

"Bishop Berkeley," said Davidson.

"Don't mistake me," said Wade. "You are alive, and in this room of Boyce's. But something has happened to your eyes. You cannot see; you can feel and hear, but not see. Do you follow me?"

"It seems to me that I see too much." Davidson rubbed his knuckles into his eyes. "Well?" he said.

"That's all. Don't let it perplex you. Bellows, here, and I will take you home in a cab."

"Wait a bit." Davidson thought. "Help me to sit down," said he, presently; "and now--I'm sorry to trouble you--but will you tell me all that over again?"

Wade repeated it very patiently. Davidson shut his eyes, and pressed his hands upon his forehead. "Yes," said he. "It's quite right. Now my eyes are shut I know you're right. That's you, Bellows, sitting by me on the couch. I'm in England again. And we're in the dark."

Then he opened his eyes. "And there," said he, "is the sun just rising, and the yards of the ship, and a tumbled sea, and a couple of birds flying. I never saw anything so real. And I'm sitting up to my neck in a bank of sand."

He bent forward and covered his face with his hands. Then he opened his eyes again. "Dark sea and sunrise! And yet I'm sitting on a sofa in old Boyce's room...! God help me!"

That was the beginning. For three weeks this strange affection of Davidson's eyes continued unabated. It was far worse than being blind. He was absolutely helpless, and had to be fed like a newly hatched bird, and led about and undressed. If he attempted to move he fell over things or struck himself against walls or doors. After a day or so he got used to hearing our voices without seeing us, and willingly admitted he was at home, and that Wade was right in what he told him. My sister, to whom he was engaged, insisted on coming to see him, and would sit for hours every day while he talked about this beach of his. Holding her hand seemed to comfort him immensely. He explained that when we left the College and drove home--he lived in Hampstead Village--it appeared to him as if we drove right through a sandhill--it was perfectly black until he emerged again--and through rocks and trees and solid obstacles, and when he was taken to his own room it made him giddy and almost frantic with the fear of falling, because going upstairs seemed to lift him thirty or forty feet above the rocks of his imaginary island. He kept saying he should smash all the eggs. The end was that he had to be taken down into his father's consulting-room and laid upon a couch that stood there.

He described the island as being a bleak kind of place on the whole, with very little vegetation, except some peaty stuff, and a lot of bare rock. There were multitudes of penguins, and they made the rocks white and disagreeable to see. The sea was often rough, and once there was a thunderstorm, and he lay and shouted at the silent flashes. Once or twice seals pulled up on the beach but, only on the first two or three days. He said it was very funny the way in which the penguins used to waddle right through him, and how he seemed to lie among them without disturbing them.

I remember one odd thing, and that was when he wanted very badly to smoke. We put a pipe in his hands--he almost poked his eye out with it--and lit it. But he couldn't taste anything. I've since found it's the same with me--I don't know if it's the usual case--that I cannot enjoy tobacco at all unless I can see the smoke.

But the queerest part of his vision came when Wade sent him out in a Bath-chair to get fresh air. The Davidsons hired a chair, and got that deaf and obstinate dependent of theirs, Widgery, to attend to it. Widgery's ideas of healthy expeditions were peculiar. My sister, who had been to the Dog's Home, met them in Camden Town, towards King's Cross. Widgery trotting along complacently, and Davidson evidently most distressed, trying in his feeble, blind way to attract Widgery's attention.

He positively wept when my sister spoke to him. "Oh, get me out of this horrible darkness!" he said, feeling for her hand. "I must get out of it, or I shall die." He was quite incapable of explaining what was the matter, but my sister decided he must go home, and presently, as they went up the hill towards Hampstead, the horror seemed to drop from him. He said it was good to see the stars again, though it was then about noon and a blazing day.

"It seemed," he told me afterwards, "as if I was being carried irresistibly towards the water. I was not very much alarmed at first. Of course it was night there--a lovely night."

"Of course?" I asked, for that struck me as odd.

"Of course," said he. "It's always night there when it is day here... Well, we went right into the water, which was calm and shining under the moonlight--just a broad swell that seemed to grow broader and flatter as I came down into it. The surface glistened just like a skin--it might have been empty space underneath for all I could tell to the contrary. Very slowly, for I rode slanting into it, the water crept up to my eyes. Then I went under, and the skin seemed to break and heal again about my eyes. The moon gave a jump up in the sky and grew green and dim, and fish, faintly glowing, came darting round me--and things that seemed made of luminous glass, and I passed through a tangle of seaweeds that shone with an oily luster. And so I drove down into the sea, and the stars went out one by one, and the moon grew greener and darker, and the seaweed became a luminous purple-red. It was all very faint and mysterious, and everything seemed to quiver. And all the while I could hear the wheels of the Bath-chair creaking, and the footsteps of people going by, and a man in the distance selling the special "Pall Mall."

"I kept sinking down deeper and deeper into the water. It became inky black about me, not a ray from above came down into that darkness, and the phosphorescent things grew brighter and brighter. The snaky branches of the deeper weeds flickered like the flames of spirit-lamps; but after a time, there were no more weeds. The fishes came staring and gaping towards me, and into me and through me. I never imagined such fishes before. They had lines of fire along the sides of them as though they had been outlined with a luminous pencil. And there was a ghastly thing swimming backward with a lot of twining arms. And then I saw, coming very slowly towards me through the gloom, a hazy mass of light that resolved itself as it drew nearer into multitudes of fishes, struggling and darting round something that drifted. I drove on straight towards it, and presently I saw in the midst of the tumult, and by the light of the fish, a bit of splintered spar looming over me, and a dark hull tilting over, and some glowing phosphorescent forms that were shaken and writhed as the fish bit at them. Then it was I began to try to attract Widgery's attention. A horror came upon me. Ugh! I should have driven right into those half-eaten--things. If your sister had not come! They had great holes in them, Bellows, and...Never mind. But it was ghastly!"

For three weeks Davidson remained in this singular state, seeing what at the time we imagined was an altogether phantasmal world, and stone blind to the world around him. Then, one Tuesday, when I called, I met old Davidson in the passage. "He can see his thumb!" the old gentleman said, in a perfect transport. He was struggling into his overcoat. "He can see his thumb, Bellows!" he said, with the tears in his eyes. "The lad will be all right yet."

I rushed in to Davidson. He was holding up a little book before his face, and looking at it and laughing in a weak kind of way.

"It's amazing," said he. "There's a kind of patch come there." He pointed with his finger. "I'm on the rocks as usual, and the penguins are staggering and flapping about as usual, and there's been a whale showing every now and then, but it's got too dark now to make him out. But put something there, and I see it--I do see it. It's very dim and broken in places, but I see it all the same, like a faint specter of itself. I found it out this morning while they were dressing me. It's like a hole in this infernal phantom world. Just put your hand by mine. No--not there. Ah! Yes! I see it. The base of your thumb and a bit of cuff! It looks like the ghost of a bit of your hand sticking out of the darkening sky. Just by it there's a group of stars like a cross coming out."

From that time Davidson began to mend. His account of the change, like his account of the vision, was oddly convincing. Over patches of his field of vision the phantom world grew fainter, grew transparent, as it were, and through these translucent gaps he began to see dimly the real world about him. The patches grew in size and number, ran together and spread until only here and there were blind spots left upon his eyes. He was able to get up and steer himself about, feed himself once more, read, smoke, and behave like an ordinary citizen again. At first it was very confusing to him to have these two pictures overlapping each other like the changing views of a lantern, but in a little while he began to distinguish the real from the illusory.

At first he was unfeignedly glad, and seemed only too anxious to complete his cure by taking exercise and tonics. But as that odd island of his began to fade away from him, he became queerly interested in it. He wanted particularly to go down into the deep sea again, and would spend half his time wandering about the low-lying parts of London, trying to find the water-logged wreck he had seen drifting. The glare of real daylight very soon impressed him so vividly as to blot out everything of his shadowy world, but of a night time, in a darkened room, he could still see the white-splashed rocks of the island, and the clumsy penguins staggering to and fro. But even these grew fainter and fainter, and at last, soon after he married my sister, he saw them for the last time.

And now to tell of the queerest thing of all. About two years after his cure, I dined with the Davidsons, and after dinner a man named Atkins called in. He is a lieutenant in the Royal Navy, and a pleasant, talkative man. He was on friendly terms with my brother-in-law, and was soon on friendly terms with me. It came out that he was engaged to Davidson's cousin, and incidentally he took out a kind of pocket photograph case to show us a new rendering of his fiancee. "And, by the bye," said he, "here's the old Fulmar."

Davidson looked at it casually. Then suddenly his face lit up. "Good heavens!" said he. "I could almost swear--"

"What?" said Atkins.

"That I had seen that ship before."

"Don't see how you can have. She hasn't been out of the South Seas for six years, and before then--"

"But," began Davidson, and then, "Yes--that's the ship I dreamt of. I'm sure that's the ship I dreamt of. She was standing off an island that swarmed with penguins, and she fired a gun."

"Good Lord!" said Atkins, who had never heard the particulars of the seizure. "How the deuce could you dream that?"

And then, bit by bit, it came out that on the very day Davidson was seized, 'H.M.S. Fulmar' had actually been off a little rock to the south of Antipodes Island. A boat had landed overnight to get penguins' eggs, had been delayed, and a thunderstorm drifting up, the boat's crew had waited until the morning before rejoining the ship. Atkins had been one of them, and he corroborated, word for word, the descriptions Davidson had given of the island and the boat. There is not the slightest doubt in any of our minds that Davidson has really seen the place. In some unaccountable way, while he moved hither and thither in London, his sight moved hither and thither in a manner that corresponded, about this distant island. How is absolutely a mystery.

That completes the remarkable story of Davidson's eyes. It is perhaps the best authenticated case in existence of a real vision at a distance. Explanation, there is none forthcoming, except what Professor Wade has thrown out. But his explanation invokes the Fourth Dimension, and a dissertation on theoretical kinds of space. To talk of there being "a kink in space" seems mere nonsense to me; it may be because I am no mathematician. When I said that nothing would alter the fact that the place is eight thousand miles away, he answered that two points might be a yard away on a sheet of paper and yet be brought together by bending the paper round. The reader may grasp his argument, but I certainly do not. His idea seems to be that Davidson, stooping between the poles of the big electromagnet, had some extraordinary twist given to his retinal elements through the sudden change in the field of force due to the lightning.

He thinks, as a consequence of this, that it may be possible to live visually in one part of the world, while one lives bodily in another. He has even made some experiments in support of his views; but so far, he has simply succeeded in blinding a few dogs. I believe that is the net result of his work, though I have not seen him for some weeks. Latterly, I have been so busy with my work in connection with the 'Saint Pancras' installation that I have had little opportunity of calling to see him. But the whole of his theory seems fantastic to me. The facts concerning Davidson stand on an altogether different footing, and I can testify personally to the accuracy of every detail I have given.

THE LORD OF THE DYNAMOS

The chief attendant of the three dynamos that buzzed and rattled at Camberwell, and kept the electric railway going, came out of Yorkshire, and his name was James Holroyd. He was a practical electrician, but fond of whisky, a heavy red-haired brute with irregular teeth. He doubted the existence of the Deity, but accepted Carnot's cycle, and he had read Shakespeare and found him weak in chemistry. His helper came out of the mysterious East, and his name was Azuma-zi. But Holroyd called him Pooh-bah. Holroyd liked a nigger help because he would stand kicking--a habit with Holroyd--and did not pry into the machinery and try to learn the ways of it. Certain odd possibilities of the negro mind brought into abrupt contact with the crown of our civilisation Holroyd never fully realised, though just at the end he got some inkling of them.

To define Azuma-zi was beyond ethnology. He was, perhaps, more negroid than anything else, though his hair was curly rather than frizzy, and his nose had a bridge. Moreover, his skin was brown rather than black, and the whites of his eyes were yellow. His broad cheek-bones and narrow chin gave his face something of the viperine V. His head too, was broad behind, and low and narrow at the forehead, as if his brain had been twisted round in the reverse way to a European's. He was short of stature and still shorter of English. In conversation he made numerous odd noises of no known marketable value, and his infrequent words were carved and wrought into heraldic grotesqueness. Holroyd tried to elucidate his religious beliefs, and--especially after whisky--lectured to him against superstition and missionaries. Azuma-zi, however, shirked the discussion of his gods, even though he was kicked for it.

Azuma-zi had come, clad in white but insufficient raiment, out of the stoke-hole of the Lord Clive, from the Straits Settlements, and beyond, into London. He had heard even in his youth of the greatness and riches of London, where all the women are white and fair, and even the beggars in the streets are white, and he arrived, with newly-earned gold coins in his pocket, to worship at the shrine of civilisation. The day of his landing was a dismal one; the sky was dun, and a wind-worried drizzle filtered down to the greasy streets, but he plunged boldly into the delights of Shadwell, and was presently cast up, shattered in health, civilised in costume, penniless and, except in matters of the direst necessity, practically a dumb animal, to toil for James Holroyd and to be bullied by him in the dynamo shed at Camberwell. And to James Holroyd bullying was a labour of love.

There were three dynamos with their engines at Camberwell. The two that had been there since the beginning were small machines; the larger one was new. The smaller machines made a reasonable noise; their straps hummed over the drums, every now and then the brushes buzzed and fizzled, and the air churned steadily, whoo! Whoo! Whoo! Between their poles. One was loose in its foundations and kept the shed vibrating. But the big dynamo drowned these little noises altogether with the sustained drone of its iron core, which somehow set part of the ironwork humming. The place made the visitor's head reel with the throb, throb, throb of the engines, the rotation of the big wheels, the spinning ball-valves, the occasional spittings of the steam, and over all the deep, unceasing, surging note of the big dynamo. This last noise was from an engineering point of view a defect, but Azuma-zi accounted it unto the monster for mightiness and pride.

If it were possible we would have the noises of that shed always about the reader as he reads, we would tell all our story to such an accompaniment. It was a steady stream of din, from which the ear picked out first one thread and then another; there was the intermittent snorting, panting, and seething of the steam-engines, the suck and thud of their pistons, the dull beat on the air as the spokes of the great driving wheels came round, a note the leather straps made as they ran tighter and looser, and a fretful tumult from the dynamos; and over all, sometimes inaudible, as the ear tired of it, and then creeping back upon the senses again, was this trombone note of the big machine. The floor never felt steady and quiet beneath one's feet, but quivered and jarred. It was a confusing, unsteady place, and enough to send anyone's thoughts jerking into odd zigzags. And for three months, while the big strike of the engineers was in progress, Holroyd, who was a blackleg, and Azuma-zi, who was a mere black, were never out of the stir and eddy of it, but slept and fed in the little wooden shanty between the shed and the gates.

Holroyd delivered a theological lecture on the text of his big machine soon after Azuma-zi came. He had to shout to be heard in the din. "Look at that," said Holroyd; "where's your 'eathen idol to match 'im?" And Azuma-zi looked. For a moment Holroyd was inaudible, and then Azuma-zi heard: "Kill a hundred men. Twelve per cent. on the ordinary shares," said Holroyd, "and that's something like a Gord!"

Holroyd was proud of his big dynamo, and expatiated upon its size and power to Azuma-zi until heaven knows what odd currents of thought, that and the incessant whirling and shindy, set up within the curly black cranium. He would explain in the most graphic manner the dozen or so ways in which a man might be killed by it, and once he gave Azuma-zi a shock as a sample of its quality. After that, in the breathing times of his labour--it was heavy labour, being not only his own, but most of Holroyd's--Azuma-zi would sit and watch the big machine. Now and then the brushes would sparkle and spit blue flashes, at which Holroyd would swear, but all the rest was as smooth and rhythmic as breathing. The band ran shouting over the shaft, and ever behind one as one watched was the complacent thud of the piston. So it lived all day in this big airy shed, with him and Holroyd to wait upon it; not prisoned up and slaving to drive a ship as the other engines he knew--mere captive devils of the British Solomon--had been, but a machine enthroned. Those two smaller dynamos, Azuma-zi by force of contrast despised; the large one he privately christened the Lord of the Dynamos. They were fretful and irregular, but the big dynamo was steady. How great it was! How serene and easy in its working! Greater and calmer even than the Buddhas he had seen at Rangoon, and yet not motionless, but living! The great black coils spun, spun, spun, the rings ran round under the brushes, and the deep note of its coil steadied the whole. It affected Azuma-zi queerly.

Azuma-zi was not fond of labour. He would sit about and watch the Lord of the Dynamos while Holroyd went away to persuade the yard porter to get whisky, although his proper place was not in the dynamo shed but behind the engines and, moreover if Holroyd caught him skulking he got hit for it with a rod of stout copper wire. He would go and stand close to the colossus and look up at the great leather band running overhead. There was a black patch on the band that came round, and it pleased him somehow among all the clatter to watch this return again and again. Odd thoughts spun with the whirl of it. Scientific people tell us that savages give souls to rocks and trees--and a machine is a thousand times more alive than a rock or a tree. And Azuma-zi was practically a savage still; the veneer of civilisation lay no deeper than his slop suit, his bruises, and the coal grime on his face and hands. His father before him had worshipped a meteoric stone, kindred blood it may be had splashed the broad wheels of Juggernaut.

He took every opportunity Holroyd gave him of touching and handling the great dynamo that was fascinating him. He polished and cleaned it until the metal parts were blinding in the sun. He felt a mysterious sense of service in doing this. He would go up to it and touch its spinning coils gently. The gods he had worshipped were all far away. The people in London hid their gods.

At last his dim feelings grew more distinct, and took shape in thoughts and at last in acts. When he came into the roaring shed one morning he salaamed to the Lord of the Dynamos, and then when Holroyd was away, he went and whispered to the thundering machine that he was its servant, and prayed it to have pity on him and save him from Holroyd. As he did so a rare gleam of light came in through the open archway of the throbbing machine-shed, and the Lord of the Dynamos, as he whirled and roared, was radiant with pale gold. Then Azuma-zi knew that his service was acceptable to his Lord. After that he did not feel so lonely as he had done, and he had indeed been very much alone in London. And even when his work-time was over, which was rare, he loitered about the shed.

The next time Holroyd maltreated him, Azuma-zi went presently to the Lord of the Dynamos and whispered, "Thou seest, O my Lord!" and the angry whir of the machinery seemed to answer him. Thereafter it appeared to him that whenever Holroyd came into the shed a different note mingled with the sounds of the dynamo. "My Lord bides his time," said Azuma-zi to himself. "The iniquity of the fool is not yet ripe." And he waited and watched for the day of reckoning. One day there was evidence of short circuiting, and Holroyd, making an unwary examination--it was in the afternoon--got a rather severe shock. Azuma-zi from behind the engine saw him jump off and curse at the peccant coil.

"He is warned," said Azuma-zi to himself. "Surely my Lord is very patient."

Holroyd had at first initiated his "nigger" into such elementary conceptions of the dynamo's working as would enable him to take temporary charge of the shed in his absence. But when he noticed the manner in which Azuma-zi hung about the monster he became suspicious. He dimly perceived his assistant was "up to something," and connecting him with the anointing of the coils with oil that had rotted the varnish in one place, he issued an edict, shouted above the confusion of the machinery, "Don't 'ee go nigh that big dynamo any more, Pooh-bah, or a'll take thy skin off!" Besides, if it pleased Azuma-zi to be near the big machine, it was plain sense and decency to keep him away from it.

Azuma-zi obeyed at the time, but later he was caught bowing before the Lord of the Dynamos. At which Holroyd twisted his arm and kicked him as he turned to go away. As Azuma-zi presently stood behind the engine and glared at the back of the hated Holroyd, the noises of the machinery took a new rhythm, and sounded like four words in his native tongue.

It is hard to say exactly what madness is. I fancy Azuma-zi was mad. The incessant din and whirl of the dynamo shed may have churned up his little store of knowledge and his big store of superstitious fancy, at last, into something akin to frenzy. At any rate, when the idea of making Holroyd a sacrifice to the Dynamo Fetich was thus suggested to him, it filled him with a strange tumult of exultant emotion.

That night the two men and their black shadows were alone in the shed together. The shed was lit with one big arc-light that winked and flickered purple. The shadows lay black behind the dynamos, the ball governors of the engines whirled from light to darkness, and their pistons beat loud and steady. The world outside seen through the open end of the shed seemed incredibly dim and remote. It seemed absolutely silent too, since the riot of the machinery drowned every external sound. Far away was the black fence of the yard with grey shadowy houses behind, and above was the deep blue sky and the pale little stars. Azuma-zi suddenly walked across the centre of the shed above which the leather bands were running, and went into the shadow by the big dynamo. Holroyd heard a click, and the spin of the armature changed.

"What are you dewin' with that switch?" he bawled in surprise. "Han't I told you--"

Then he saw the set expression of Azuma-zi's eyes as the Asiatic came out of the shadow towards him.

In another moment the two men were grappling fiercely in front of the great dynamo.

"You coffee-headed fool!" gasped Holroyd, with a brown hand at his throat. "Keep off those contact rings." In another moment he was tripped and reeling back upon the Lord of the Dynamos. He instinctively loosened his grip upon his antagonist to save himself from the machine.

The messenger, sent in furious haste from the station, to find out what had happened in the dynamo shed, met Azuma-zi at the porter's lodge by the gate. Azuma-zi tried to explain something, but the messenger could make nothing of the black's incoherent English, and hurried on to the shed. The machines were all noisily at work, and nothing seemed to be disarranged. There was, however, a queer smell of singed hair. Then he saw an odd-looking crumpled mass clinging to the front of the big dynamo, and approaching, recognised the distorted remains of Holroyd.

The man stared and hesitated a moment. Then he saw the face, and shut his eyes convulsively. He turned on his heel before he opened them, so that he should not see Holroyd again, and went out of the shed to get advice and help.

When Azuma-zi saw Holroyd die in the grip of the Great Dynamo he had been a little scared about the consequences of his act. Yet he felt strangely elated, and knew that the favour of the Lord Dynamo was upon him. His plan was already settled when he met the man coming from the station, and the scientific manager who speedily arrived on the scene jumped at the obvious conclusion of suicide. This expert scarcely noticed Azuma-zi, except to ask a few questions. Did he see Holroyd kill himself? Azuma-zi explained that he had been out of sight at the engine furnace until he heard a difference in the noise from the dynamo. It was not a difficult examination, being untinctured by suspicion.

The distorted remains of Holroyd, which the electrician removed from the machine, were hastily covered by the porter with a coffee-stained tablecloth. Somebody, by a happy inspiration, fetched a medical man. The expert was chiefly anxious to get the machine at work again, for seven or eight trains had stopped midway in the stuffy tunnels of the electric railway. Azuma-zi, answering or misunderstanding the questions of the people who had by authority or impudence come into the shed, was presently sent back to the stoke-hole by the scientific manager. Of course a crowd collected outside the gates of the yard--a crowd, for no known reason, always hovers for a day or two near the scene of a sudden death in London; two or three reporters percolated somehow into the engine shed, and one even got to Azuma-zi; but the scientific expert cleared them out again, being himself an amateur journalist.

Presently the body was carried away, and public interest departed with it. Azuma-zi remained very quietly at his furnace, seeing over and over again in the coals a figure that wriggled violently and became still. An hour after the murder, to anyone coming into the shed it would have looked exactly as if nothing had ever happened there. Peeping presently from his engine-room the black saw the Lord Dynamo spin and whirl beside his little brothers, and the driving-wheels were beating round, and the steam in the pistons went thud, thud, exactly as it had been earlier in the evening. After all, from the mechanical point of view, it had been a most insignificant incident--the mere temporary deflection of a current. But now the slender form and slender shadow of the scientific manager replaced the sturdy outline of Holroyd travelling up and down the lane of light upon the vibrating floor under the straps between the engines and the dynamos.

"Have I not served my Lord?" said Azuma-zi inaudibly, from his shadow, and the note of the great dynamo rang out full and clear. As he looked at the big whirling mechanism the strange fascination of it that had been a little in abeyance since Holroyd's death, resumed its sway.

Never had Azuma-zi seen a man killed so swiftly and pitilessly. The big humming machine had slain its victim without wavering for a second from its steady beating. It was indeed a mighty god.

The unconscious scientific manager stood with his back to him, scribbling on a piece of paper. His shadow lay at the foot of the monster.

"Was the Lord Dynamo still hungry? His servant was ready."

Azuma-zi made a stealthy step forward; then stopped. The scientific manager suddenly ceased his writing, walked down the shed to the endmost of the dynamos, and began to examine the brushes.

Azuma-zi hesitated, and then slipped across noiselessly into shadow by the switch. There he waited. Presently the manager's footsteps could be heard returning. He stopped in his old position, unconscious of the stoker crouching ten feet away from him. Then the big dynamo suddenly fizzled, and in another moment Azuma-zi had sprung out of the darkness upon him.

The scientific manager was gripped round the body and swung towards the big dynamo. Kicking with his knee and forcing his antagonist's head down with his hands, he loosened the grip on his waist and swung round away from the machine. Then the black grasped him again, putting a curly head against his chest, and they swayed and panted as it seemed for an age or so. Then the scientific manager was impelled to catch a black ear in his teeth and bite furiously. The black yelled hideously.

They rolled over on the floor, and the black, who had apparently slipped from the vice of the teeth or parted with some ear--the scientific manager wondered which at the time--tried to throttle him. The scientific manager was making some ineffectual attempts to claw something with his hands and to kick, when the welcome sound of quick footsteps sounded on the floor. The next moment Azuma-zi had left him and darted towards the big dynamo. There was a splutter amid the roar.

The officer of the company who had entered, stood staring as Azuma-zi caught the naked terminals in his hands, gave one horrible convulsion, and then hung motionless from the machine, his face violently distorted.

"I'm jolly glad you came in when you did," said the scientific manager, still sitting on the floor.

He looked at the still quivering figure.

"It's not a nice death to die, apparently--but it is quick."

The official was still staring at the body. He was a man of slow apprehension.

There was a pause.

The scientific manager got up on his feet rather awkwardly. He ran his fingers along his collar thoughtfully, and moved his head to and fro several times.

"Poor Holroyd! I see now." Then almost mechanically he went towards the switch in the shadow and turned the current into the railway circuit again. As he did so the singed body loosened its grip upon the machine and fell forward on its face. The core of the dynamo roared out loud and clear, and the armature beat the air.

So ended prematurely the Worship of the Dynamo Deity, perhaps the most short-lived of all religions. Yet withal it could at least boast a Martyrdom and a Human Sacrifice.

THE HAMMERPOND PARK BURGLARY

It is a moot point whether burglary is to be considered as a sport, a trade, or an art. For a trade, the technique is scarcely rigid enough, and its claims to be considered an art, are vitiated by the mercenary element that qualifies its triumphs. On the whole it seems to be most justly ranked as sport, a sport for which no rules are at present formulated, and of which the prizes are distributed in an extremely informal manner. It was this informality of burglary that led to the regrettable extinction of two promising beginners at Hammerpond Park.

The stakes offered in this affair consisted chiefly of diamonds and other personal bric-a-brac belonging to the newly married Lady Aveling. Lady Aveling, as the reader will remember, was the only daughter of Mrs. Montague Pangs, the well-known hostess. Her marriage to Lord Aveling was extensively advertised in the papers, the quantity and quality of her wedding presents, and the fact that the honeymoon was to be spent at Hammerpond. The announcement of these valuable prizes, created a considerable sensation in the small circle in which Mr. Teddy Watkins was the undisputed leader, and it was decided that, accompanied by a duly qualified assistant, he should visit the village of Hammerpond in his professional capacity.

Being a man of naturally retiring and modest disposition, Mr. Watkins determined to make this visit incognito, and after due consideration of the conditions of his enterprise, he selected the role of a landscape artist and the unassuming surname of Smith. He preceded his assistant, who, it was decided, should join him only on the last afternoon of his stay at Hammerpond. Now the village of Hammerpond is perhaps one of the prettiest little corners in Sussex; many thatched houses still survive, the flint-built church with its tall spire nestling under the down is one of the finest and least restored in the county, and the beech-woods and bracken jungles through which the road runs to the great house are singularly rich in what the vulgar artist and photographer call "bits." So that Mr. Watkins, on his arrival with two virgin canvases, a brand-new easel, a paint-box, portmanteau, an ingenious little ladder made in sections (after the pattern of the late lamented master Charles Peace), crowbar, and wire coils, found himself welcomed with effusion and some curiosity by half-a-dozen other brethren of the brush. It rendered the disguise he had chosen unexpectedly plausible, but it inflicted upon him a considerable amount of aesthetic conversation for which he was very imperfectly prepared.

"Have you exhibited very much?" said Young Person in the bar-parlour of the "Coach and Horses," where Mr. Watkins was skilfully accumulating local information, on the night of his arrival.

"Very little," said Mr. Watkins, "just a snack here and there."

"Academy?"

"In course. And the Crystal Palace."

"Did they hang you well?" said Porson.

"Don't rot," said Mr. Watkins; "I don't like it."

"I mean did they put you in a good place?"

"Whadyer mean?" said Mr. Watkins suspiciously. "One 'ud think you were trying to make out I'd been put away."

Porson had been brought up by aunts, and was a gentlemanly young man even for an artist; he did not know what being "put away" meant, but he thought it best to explain that he intended nothing of the sort. As the question of hanging seemed a sore point with Mr. Watkins, he tried to divert the conversation a little.

"Do you do figure-work at all?"

"No, never had a head for figures," said Mr. Watkins, "my miss--Mrs. Smith, I mean, does all that."

"She paints too!" said Porson. "That's rather jolly."

"Very," said Mr. Watkins, though he really did not think so, and feeling the conversation was drifting a little beyond his grasp added, "I came down here to paint Hammerpond House by moonlight."

"Really!" said Porson. "That's rather a novel idea."

"Yes," said Mr. Watkins, "I thought it rather a good notion when it occurred to me. I expect to begin to-morrow night."

"What! You don't mean to paint in the open, by night?"

"I do, though."

"But how will you see your canvas?"

"Have a bloomin' cop's--" began Mr. Watkins, rising too quickly to the question, and then realising this, bawled to Miss Durgan for another glass of cheer. "I'm goin' to have a thing called a dark lantern," he said to Porson.

"But it's about new moon now," objected Porson. "There won't be any moon."

"There'll be the house," said Watkins, "at any rate. I'm goin', you see, to paint the house first and the moon afterwards."

"Oh!" said Porson, too staggered to continue the conversation.

"They doo say," said old Durgan, the landlord, who had maintained a respectful silence during the technical conversation, "as there's no less than three p'licemen from 'Azelworth on dewty every night in the house--'count of this Lady Aveling 'n her jewellery. One'm won fower-and-six last night, off second footman--tossin'."

Towards sunset next day Mr. Watkins, virgin canvas, easel, and a very considerable case of other appliances in hand, strolled up the pleasant pathway through the beech-woods to Hammerpond Park, and pitched his apparatus in a strategic position commanding the house. Here he was observed by Mr. Raphael Sant, who was returning across the park from a study of the chalk-pits. His curiosity having been fired by Person's account of the new arrival, he turned aside with the idea of discussing nocturnal art.

Mr. Watkins was apparently unaware of his approach. A friendly conversation with Lady Hammerpond's butler had just terminated, and that individual, surrounded by the three pet dogs, which it was his duty to take for an airing after dinner had been served, was receding in the distance. Mr. Watkins was mixing colour with an air of great industry. Sant, approaching more nearly, was surprised to see the colour in question was as harsh and brilliant an emerald green as it is possible to imagine. Having cultivated an extreme sensibility to colour from his earliest years, he drew the air in sharply between his teeth at the very first glimpse of this brew. Mr. Watkins turned round. He looked annoyed.

"What on earth are you going to do with that beastly green?" said Sant.

Mr. Watkins realised that his zeal to appear busy in the eyes of the butler had evidently betrayed him into some technical error. He looked at Sant and hesitated.

"Pardon my rudeness," said Sant; "but really, that green is altogether too amazing. It came as a shock. What do you mean to do with it?"

Mr. Watkins was collecting his resources. Nothing could save the situation but decision. "If you come here interrupting my work," he said, "I'm a-goin' to paint your face with it."

Sant retired, for he was a humorist and a peaceful man. Going down the hill he met Porson and Wainwright. "Either that man is a genius or he is a dangerous lunatic," said he. "Just go up and look at his green." And he continued his way, his countenance brightened by a pleasant anticipation of a cheerful affray round an easel in the gloaming, and the shedding of much green paint.

But to Person and Wainwright Mr. Watkins was less aggressive, and explained that the green was intended to be the first coating of his picture. It was, he admitted in response to a remark, an absolutely new method, invented by himself. But subsequently he became more reticent; he explained he was not going to tell every passer-by the secret of his own particular style, and added some scathing remarks upon the meanness of people "hanging about" to pick up such tricks of the masters as they could, which immediately relieved him of their company.

Twilight deepened, first one then another star appeared. The rooks amid the tall trees to the left of the house had long since lapsed into slumbrous silence, the house itself lost all the details of its architecture and became a dark grey outline, and then the windows of the salon shone out brilliantly, the conservatory was lighted up, and here and there a bedroom window burnt yellow. Had anyone approached the easel in the park it would have been found deserted. One brief uncivil word in brilliant green sullied the purity of its canvas. Mr. Watkins was busy in the shrubbery with his assistant, who had discreetly joined him from the carriage-drive.

Mr. Watkins was inclined to be self-congratulatory upon the ingenious device by which he had carried all his apparatus boldly, and in the sight of all men, right up to the scene of operations. "That's the dressing-room," he said to his assistant, "and, as soon as the maid takes the candle away and goes down to supper, we'll call in. My! How nice the house do look, to be sure, against the starlight, and with all its windows and lights! Swopme, Jim, I almost wish I was a painter-chap. Have you fixed that there wire across the path from the laundry?"

He cautiously approached the house until he stood below the dressing-room window, and began to put together his folding ladder. He was much too experienced a practitioner to feel any unusual excitement. Jim was reconnoitring the smoking-room. Suddenly, close beside Mr. Watkins in the bushes, there was a violent crash and a stifled curse. Someone had tumbled over the wire which his assistant had just arranged. He heard feet running on the gravel pathway beyond. Mr. Watkins, like all true artists, was a singularly shy man, and he incontinently dropped his folding ladder and began running circumspectly through the shrubbery. He was indistinctly aware of two people hot upon his heels, and he fancied that he distinguished the outline of his assistant in front of him. In another moment he had vaulted the low stone wall bounding the shrubbery, and was in the open park. Two thuds on the turf followed his own leap.

It was a close chase in the darkness through the trees. Mr. Watkins was a loosely-built man and in good training, and he gained hand-over-hand upon the hoarsely panting figure in front. Neither spoke, but as Mr. Watkins pulled up alongside, a qualm of awful doubt came over him. The other man turned his head at the same moment and gave an exclamation of surprise. "It's not Jim," thought Mr. Watkins, and simultaneously the stranger flung himself, as it were, at Watkins' knees, and they were forthwith grappling on the ground together. "Lend a hand, Bill," cried the stranger as the third man came up. And Bill did--two hands in fact, and some accentuated feet. The fourth man, presumably Jim, had apparently turned aside and made off in a different direction. At any rate, he did not join the trio.

Mr. Watkins' memory of the incidents of the next two minutes is extremely vague. He has a dim recollection of having his thumb in the corner of the mouth of the first man, and feeling anxious about its safety, and for some seconds at least he held the head of the gentleman answering to the name of Bill, to the ground by the hair. He was also kicked in a great number of different places, apparently by a vast multitude of people. Then the gentleman who was not Bill got his knee below Mr. Watkins' diaphragm, and tried to curl him up upon it.

When his sensations became less entangled he was sitting upon the turf, and eight or ten men--the night was dark, and he was rather too confused to count--standing round him, apparently waiting for him to recover. He mournfully assumed that he was captured, and would probably have made some philosophical reflections on the fickleness of fortune, had not his internal sensations disinclined him for speech.

He noticed very quickly that his wrists were not handcuffed, and then a flask of brandy was put in his hands. This touched him a little--it was such unexpected kindness.

"He's a-comin' round," said a voice which he fancied he recognised as belonging to the Hammerpond second footman.

"We've got 'em, sir, both of 'em," said the Hammerpond butler, the man who had handed him the flask. "Thanks to you."

No one answered this remark. Yet he failed to see how it applied to him.

"He's fair dazed," said a strange voice; "the villains half-murdered him."

Mr. Teddy Watkins decided to remain fair dazed until he had a better grasp of the situation. He perceived that two of the black figures round him stood side-by-side with a dejected air, and there was something in the carriage of their shoulders that suggested to his experienced eye, hands that were bound together. Two! In a flash he rose to his position. He emptied the little flask and staggered--obsequious hands assisting him--to his feet. There was a sympathetic murmur.

"Shake hands, sir, shake hands," said one of the figures near him. "Permit me to introduce myself. I am very greatly indebted to you. It was the jewels of my wife, Lady Aveling, which attracted these scoundrels to the house."

"Very glad to make your lordship's acquaintance," said Teddy Watkins.

"I presume you saw the rascals making for the shrubbery, and dropped down on them?"

"That's exactly how it happened," said Mr. Watkins.

"You should have waited till they got in at the window," said Lord Aveling; "they would get it hotter if they had actually committed the burglary. And it was lucky for you two of the policemen were out by the gates, and followed up the three of you. I doubt if you could have secured the two of them--though it was confoundedly plucky of you, all the same."

"Yes, I ought to have thought of all that," said Mr. Watkins; "but one can't think of everything."

"Certainly not," said Lord Aveling. "I am afraid they have mauled you a little," he added. The party was now moving towards the house. "You walk rather lame. May I offer you my arm?"

And instead of entering Hammerpond House by the dressing-room window, Mr. Watkins entered it--slightly intoxicated, and inclined now to cheerfulness again--on the arm of a real live peer, and by the front door. "This," thought Mr. Watkins, "is burgling in style!" The "scoundrels," seen by the gaslight, proved to be mere local amateurs unknown to Mr. Watkins, and they were taken down into the pantry and there watched over by the three policemen, two gamekeepers with loaded guns, the butler, an ostler, and a carman, until the dawn allowed of their removal to Hazelhurst police-station. Mr. Watkins was made much of in the salon. They devoted a sofa to him, and would not hear of a return to the village that night. Lady Aveling was sure he was brilliantly original, and said her idea of Turner was just such another rough, half-inebriated, deep-eyed, brave, and clever man. Some one brought up a remarkable little folding-ladder that had been picked up in the shrubbery, and showed him how it was put together. They also described how wires had been found in the shrubbery, evidently placed there to trip-up unwary pursuers. It was lucky he had escaped these snares. And they showed him the jewels.

Mr. Watkins had the sense not to talk too much, and in any conversational difficulty fell back on his internal pains. At last he was seized with stiffness in the back, and yawning. Everyone suddenly awoke to the fact that it was a shame to keep him talking after his affray, so he retired early to his room, the little red room next to Lord Aveling's suite.

The dawn found a deserted easel bearing a canvas with a green inscription, in the Hammerpond Park, and it found Hammerpond House in commotion. But if the dawn found Mr. Teddy Watkins and the Aveling diamonds, it did not communicate the information to the police.

THE MOTH

Probably you have heard of Hapley--not W.T. Hapley, the son, but the celebrated Hapley, the Hapley of 'Periplaneta Hapliia,' Hapley the entomologist.

If so you know at least of the great feud between Hapley and Professor Pawkins, though certain of its consequences may be new to you. For those who have not, a word or two of explanation is necessary, which the idle reader may go over with a glancing eye, if his indolence so incline him.

It is amazing how very widely diffused is the ignorance of such really important matters as this Hapley-Pawkins feud. Those epoch-making controversies, again that have convulsed the Geological Society are, I verily believe, almost entirely unknown outside the fellowship of that body. I have heard men of fair general education even refer to the great scenes at these meetings as vestry-meeting squabbles. Yet the great hate of the English and Scotch geologists has lasted now half a century, and has "left deep and abundant marks upon the body of the science." And this Hapley-Pawkins business, though perhaps a more personal affair, stirred passions as profound, if not profounder. Your common man has no conception of the zeal that animates a scientific investigator, the fury of contradiction you can arouse in him. It is the odium theologicum (theological hatred) in a new form. There are men, for instance, who would gladly burn Professor Ray Lankester at Smithfield for his treatment of the Mollusca in the Encyclopaedia. That fantastic extension of the Cephalopods to cover the Pteropods...But I wander from Hapley and Pawkins.

It began years and years ago, with a revision of the Microlepidoptera (whatever these may be) by Pawkins, in which he extinguished a new species created by Hapley. Hapley, who was always quarrelsome, replied by a stinging impeachment of the entire classification of Pawkins*. Pawkins in his "Rejoinder**" suggested that Hapley's microscope was as defective as his power of observation, and called him an "irresponsible meddler--" Hapley was not a professor at that time. Hapley in his retort***, spoke of "blundering collectors," and described, as if inadvertently, Pawkins' revision as a "miracle of ineptitude." It was war to the knife. However, it would scarcely interest the reader to detail how these two great men quarrelled, and how the split between them widened until from the Microlepidoptera they were at war upon every open question in entomology. There were memorable occasions. At times the Royal Entomological Society meetings resembled nothing so much as the Chamber of Deputies. On the whole, I fancy Pawkins was nearer the truth than Hapley. But Hapley was skilful with his rhetoric, had a turn for ridicule rare in a scientific man, was endowed with vast energy, and had a fine sense of injury in the matter of the extinguished species; while Pawkins was a man of dull presence, prosy of speech, in shape not unlike a water-barrel, over-conscientious with testimonials, and suspected of jobbing museum appointments. So the young men gathered round Hapley and applauded him. It was a long struggle, vicious from the beginning and growing at last to pitiless antagonism. The successive turns of fortune, now an advantage to one side and now to another--now Hapley tormented by some success of Pawkins, and now Pawkins outshone by Hapley, belong rather to the history of entomology than to this story.

[* "Remarks on a Recent Revision of Microlepidoptera," Quarterly Journal Entomological Society, 1863.]

[** "Rejoinder to Certain Remarks," etc. Ibid. 1864.]

[*** "Further Remarks," etc. Ibid.]

But in 1891 Pawkins, whose health had been bad for some time, published some work upon the "mesoblast" of the Death's-Head Moth. What the mesoblast of the Death's-Head Moth may be does not matter a rap in this story. But the work was far below his usual standard, and gave Hapley an opening he had coveted for years. He must have worked night and day to make the most of his advantage.

In an elaborate critique he rent Pawkins to tatters--one can fancy the man's disordered black hair, and his queer dark eyes flashing as he went for his antagonist--and Pawkins made a reply, halting, ineffectual, with painful gaps of silence, and yet malignant. There was no mistaking his will to wound Hapley, nor his incapacity to do it. But few of those who heard him--I was absent from that meeting--realised how ill the man was.

Hapley got his opponent down, and meant to finish him. He followed with a simply brutal attack upon Pawkins, in the form of a paper upon the development of moths in general, a paper showing evidence of a most extraordinary amount of mental labour, and yet couched in a violently controversial tone. Violent as it was, an editorial note witnesses that it was modified. It must have covered Pawkins with shame and confusion of face. It left no loophole; it was murderous in argument, and utterly contemptuous in tone; an awful thing for the declining years of a man's career.

The world of entomologists waited breathlessly for the rejoinder from Pawkins. He would try one, for Pawkins had always been game. But when it came it surprised them. For the rejoinder of Pawkins was to catch influenza, proceed to pneumonia, and die.

It was perhaps as effectual a reply as he could make under the circumstances, and largely turned the current of feeling against Hapley. The very people who had most gleefully cheered on those gladiators became serious at the consequence. There could be no reasonable doubt the fret of the defeat had contributed to the death of Pawkins. There was a limit even to scientific controversy, said serious people. Another crushing attack was already in the press and appeared on the day before the funeral. I don't think Hapley exerted himself to stop it. People remembered how Hapley had hounded down his rival, and forgot that rival's defects. Scathing satire reads ill over fresh mould. The thing provoked comment in the daily papers. This it was that made me think that you had probably heard of Hapley and this controversy. But, as I have already remarked, scientific workers live very much in a world of their own; half the people, I dare say, who go along Piccadilly to the Academy every year, could not tell you where the learned societies abide. Many even think that research is a kind of happy-family cage in which all kinds of men lie down together in peace.

In his private thoughts Hapley could not forgive Pawkins for dying. In the first place, it was a mean dodge to escape the absolute pulverisation Hapley had in hand for him, and in the second, it left Hapley's mind with a queer gap in it. For twenty years he had worked hard, sometimes far into the night, and seven days a week, with microscope, scalpel, collecting-net, and pen, and almost entirely with reference to Pawkins. The European reputation he had won had come as an incident in that great antipathy. He had gradually worked up to a climax in this last controversy. It had killed Pawkins, but it had also thrown Hapley out of gear, so to speak, and his doctor advised him to give up work for a time, and rest. So Hapley went down into a quiet village in Kent, and thought day and night of Pawkins, and good things it was now impossible to say about him.

At last Hapley began to realise in what direction the preoccupation tended. He determined to make a fight for it, and started by trying to read novels. But he could not get his mind off Pawkins, white in the face and making his last speech--every sentence a beautiful opening for Hapley. He turned to fiction--and found it had no grip on him. He read the "Island Nights' Entertainments" until his "sense of causation" was shocked beyond endurance by the Bottle Imp. Then he went to Kipling, and found he "proved nothing," besides being irreverent and vulgar. These scientific people have their limitations. Then unhappily, he tried Besant's "Inner House," and the opening chapter set his mind upon learned societies and Pawkins at once.

So Hapley turned to chess, and found it a little more soothing. He soon mastered the moves and the chief gambits and commoner closing positions, and began to beat the Vicar. But then the cylindrical contours of the opposite king began to resemble Pawkins standing up and gasping ineffectually against checkmate, and Hapley decided to give up chess.

Perhaps the study of some new branch of science would after all be better diversion. The best rest is change of occupation. Hapley determined to plunge at diatoms, and had one of his smaller microscopes and Halibut's monograph sent down from London. He thought that perhaps if he could get up a vigorous quarrel with Halibut, he might be able to begin life afresh and forget Pawkins. And very soon he was hard at work in his habitual strenuous fashion, at these microscopic denizens of the wayside pool.

It was on the third day of the diatoms that Hapley became aware of a novel addition to the local fauna. He was working late at the microscope, and the only light in the room was the brilliant little lamp with the special form of green shade. Like all experienced microscopists, he kept both eyes open. It is the only way to avoid excessive fatigue. One eye was over the instrument, and bright and distinct before that was the circular field of the microscope, across which a brown diatom was slowly moving. With the other eye Hapley saw, as it were, without seeing. He was only dimly conscious of the brass side of the instrument, the illuminated part of the tablecloth, a sheet of notepaper, the foot of the lamp, and the darkened room beyond.

Suddenly his attention drifted from one eye to the other. The tablecloth was of the material called tapestry by shopmen, and rather brightly coloured. The pattern was in gold, with a small amount of crimson and pale blue upon a greyish ground. At one point the pattern seemed displaced, and there was a vibrating movement of the colours at this point.

Hapley suddenly moved his head back and looked with both eyes. His mouth fell open with astonishment.

It was a large moth or butterfly; its wings spread in butterfly fashion!

It was strange it should be in the room at all, for the windows were closed. Strange that it should not have attracted his attention when fluttering to its present position. Strange that it should match the tablecloth. Stranger far that to him, Hapley, the great entomologist, it was altogether unknown. There was no delusion. It was crawling slowly towards the foot of the lamp.

"New Genus, by heavens! And in England!" said Hapley, staring.

Then he suddenly thought of Pawkins. Nothing would have maddened Pawkins more...And Pawkins was dead!

Something about the head and body of the insect became singularly suggestive of Pawkins, just as the chess king had been.

"Confound Pawkins!" said Hapley. "But I must catch this." And looking round him for some means of capturing the moth, he rose slowly out of his chair. Suddenly the insect rose, struck the edge of the lamp-shade--Hapley heard the "ping--" and vanished into the shadow.

In a moment Hapley had whipped off the shade, so that the whole room was illuminated. The thing had disappeared, but soon his practised eye detected it upon the wall-paper near the door. He went towards it poising the lamp-shade for capture. Before he was within striking distance, however, it had risen and was fluttering round the room. After the fashion of its kind, it flew with sudden starts and turns, seeming to vanish here and reappear there. Once Hapley struck, and missed; then again.

The third time he hit his microscope. The instrument swayed, struck and overturned the lamp, and fell noisily upon the floor. The lamp turned over on the table and, very luckily, went out. Hapley was left in the dark. With a start he felt the strange moth blunder into his face.

It was maddening. He had no lights. If he opened the door of the room the thing would get away. In the darkness he saw Pawkins quite distinctly laughing at him. Pawkins had ever an oily laugh. He swore furiously and stamped his foot on the floor.

There was a timid rapping at the door.

Then it opened, perhaps a foot, and very slowly. The alarmed face of the landlady appeared behind a pink candle flame; she wore a nightcap over her grey hair and had some purple garment over her shoulders. "What was that fearful smash?" she said. "Has anything--" The strange moth appeared fluttering about the chink of the door. "Shut that door!" said Hapley, and suddenly rushed at her.

The door slammed hastily. Hapley was left alone in the dark. Then in the pause he heard his landlady scuttle upstairs, lock her door, and drag something heavy across the room and put against it.

It became evident to Hapley that his conduct and appearance had been strange and alarming. Confound the moth! And Pawkins! However, it was a pity to lose the moth now. He felt his way into the hall and found the matches, after sending his hat down upon the floor with a noise like a drum. With the lighted candle he returned to the sitting-room. No moth was to be seen. Yet once for a moment it seemed that the thing was fluttering round his head. Hapley very suddenly decided to give up the moth and go to bed. But he was excited. All night long his sleep was broken by dreams of the moth, Pawkins, and his landlady. Twice in the night he turned out and soused his head in cold water.

One thing was very clear to him. His landlady could not possibly understand about the strange moth, especially as he had failed to catch it. No one but an entomologist would understand quite how he felt. She was probably frightened at his behaviour, and yet he failed to see how he could explain it. He decided to say nothing further about the events of last night. After breakfast he saw her in her garden, and decided to go out and talk, to reassure her. He talked to her about beans and potatoes, bees, caterpillars, and the price of fruit. She replied in her usual manner, but she looked at him a little suspiciously, and kept walking as he walked, so that there was always a bed of flowers, or a row of beans, or something of the sort, between them. After a while he began to feel singularly irritated at this, and to conceal his vexation went indoors and presently went out for a walk.

The moth, or butterfly, trailing an odd flavour of Pawkins with it, kept coming into that walk, though he did his best to keep his mind off it. Once he saw it quite distinctly, with its wings flattened out, upon the old stone wall that runs along the west edge of the park, but going up to it he found it was only two lumps of grey and yellow lichen. "This," said Hapley, "is the reverse of mimicry. Instead of a butterfly looking like a stone, here is a stone looking like a butterfly!" Once something hovered and fluttered round his head, but by an effort of will he drove that impression out of his mind again.

In the afternoon Hapley called upon the Vicar, and argued with him upon theological questions. They sat in the little arbour covered with briar, and smoked as they wrangled. "Look at that moth!" said Hapley, suddenly, pointing to the edge of the wooden table.

"Where?" said the Vicar.

"You don't see a moth on the edge of the table there?" said Hapley.

"Certainly not," said the Vicar.

Hapley was thunderstruck. He gasped. The Vicar was staring at him. Clearly the man saw nothing. "The eye of faith is no better than the eye of science," said Hapley awkwardly.

"I don't see your point," said the Vicar, thinking it was part of the argument.

That night Hapley found the moth crawling over his counterpane. He sat on the edge of the bed in his shirt-sleeves and reasoned with himself. Was it pure hallucination? He knew he was slipping, and he battled for his sanity with the same silent energy he had formerly displayed against Pawkins. So persistent is mental habit, that he felt as if it were still a struggle with Pawkins. He was well versed in psychology. He knew that such visual illusions do come as a result of mental strain. But the point was, he did not only see the moth, he had heard it when it touched the edge of the lamp-shade, and afterwards when it hit against the wall, and he had felt it strike his face in the dark.

He looked at it. It was not at all dream-like, but perfectly clear and solid-looking in the candle-light. He saw the hairy body, and the short feathery antennae, the jointed legs, even a place where the down was rubbed from the wing. He suddenly felt angry with himself for being afraid of a little insect.

His landlady had got the servant to sleep with her that night, because she was afraid to be alone. In addition she had locked the door, and put the chest of drawers against it. They listened and talked in whispers after they had gone to bed, but nothing occurred to alarm them. About eleven they had ventured to put the candle out, and had both dozed off to sleep. They woke up with a start, and sat up in bed, listening in the darkness.

Then they heard slippered feet going to and fro in Hapley's room. A chair was overturned, and there was a violent dab at the wall. Then a china mantel ornament smashed upon the fender. Suddenly the door of the room opened, and they heard him upon the landing. They clung to one another, listening. He seemed to be dancing upon the staircase. Now he would go down three or four steps quickly, then up again, then hurry down into the hall. They heard the umbrella-stand go over, and the fanlight break. Then the bolt shot and the chain rattled. He was opening the door.

They hurried to the window. It was a dim grey night; an almost unbroken sheet of watery cloud was sweeping across the moon, and the hedge and trees in front of the house were black against the pale roadway. They saw Hapley, looking like a ghost in his shirt and white trousers, running to and fro in the road, and beating the air. Now he would stop, now he would dart very rapidly at something invisible, now he would move upon it with stealthy strides. At last he went out of sight up the road towards the down. Then, while they argued who should go down and lock the door, he returned. He was walking very fast, and he came straight into the house, closed the door carefully, and went quietly up to his bedroom. Then everything was silent.

"Mrs. Colville," said Hapley, calling down the staircase next morning, "I hope I did not alarm you last night."

"You may well ask that!" said Mrs. Colville.

"The fact is, I am a sleep-walker, and the last two nights I have been without my sleeping mixture. There is nothing to be alarmed about, really. I am sorry I made such an ass of myself. I will go over the down to Shoreham, and get some stuff to make me sleep soundly. I ought to have done that yesterday."

But halfway over the down, by the chalk pits, the moth came upon Hapley again. He went on, trying to keep his mind upon chess problems, but it was no good. The thing fluttered into his face, and he struck at it with his hat in self-defence. Then rage, the old rage--the rage he had so often felt against Pawkins--came upon him again. He went on, leaping and striking at the eddying insect. Suddenly he trod on nothing, and fell headlong.

There was a gap in his sensations, and Hapley found himself sitting on the heap of flints in front of the opening of the chalk-pits, with a leg twisted back under him. The strange moth was still fluttering round his head. He struck at it with his hand, and turning his head saw two men approaching him. One was the village doctor. It occurred to Hapley that this was lucky. Then it came into his mind with extraordinary vividness, that no one would ever be able to see the strange moth except himself, and that it behooved him to keep silent about it.

Late that night however, after his broken leg was set, he was feverish and forgot his self-restraint. He was lying flat on his bed, and he began to run his eyes round the room to see if the moth was still about. He tried not to do this, but it was no good. He soon caught sight of the thing resting close to his hand, by the nightlight, on the green tablecloth. The wings quivered. With a sudden wave of anger he smote at it with his fist, and the nurse woke up with a shriek. He had missed it.

"That moth!" he said; and then, "It was fancy. Nothing!"

All the time he could see quite clearly the insect going round the cornice and darting across the room, and he could also see that the nurse saw nothing of it and looked at him strangely. He must keep himself in hand. He knew he was a lost man if he did not keep himself in hand. But as the night waned the fever grew upon him, and the very dread he had of seeing the moth made him see it. About five, just as the dawn was grey, he tried to get out of bed and catch it, though his leg was afire with pain. The nurse had to struggle with him.

On account of this, they tied him down to the bed. At this the moth grew bolder, and once he felt it settle in his hair. Then, because he struck out violently with his arms, they tied these also. At this the moth came and crawled over his face, and Hapley wept, swore, screamed, prayed for them to take it off him, unavailingly.

The doctor was a blockhead, a just-qualified general practitioner, and quite ignorant of mental science. He simply said there was no moth. Had he possessed the wit, he might still, perhaps, have saved Hapley from his fate by entering into his delusion, and covering his face with gauze, as he prayed might be done. But as I say, the doctor was a blockhead, and until the leg was healed Hapley was kept tied to his bed, and with the imaginary moth crawling over him. It never left him while he was awake and it grew to a monster in his dreams. While he was awake he longed for sleep, and from sleep he awoke screaming.

So now Hapley is spending the remainder of his days in a padded room, worried by a moth that no one else can see. The asylum doctor calls it hallucination; but Hapley, when he is in his easier mood, and can talk, says it is the ghost of Pawkins, and consequently a unique specimen and well worth the trouble of catching.

THE TREASURE IN THE FOREST

The canoe was now approaching the land. The bay opened out, and a gap in the white surf of the reef marked where the little river ran out to the sea; the thicker and deeper green of the virgin forest showed its course down the distant hill slope. The forest here came close to the beach. Far beyond, dim and almost cloudlike in texture, rose the mountains, like suddenly frozen waves. The sea was still save for an almost imperceptible swell. The sky blazed.

The man with the carved paddle stopped. "It should be somewhere around here," he said. He shipped the paddle and held his arms out straight before him.

The other man had been in the fore part of the canoe, closely scrutinising the land. He had a sheet of yellow paper on his knee.

"Come and look at this, Evans," he said.

Both men spoke in low tones, and their lips were hard and dry.

The man called Evans came swaying along the canoe until he could look over his companion's shoulder.

The paper had the appearance of a rough map. By much folding it was creased and worn to the pitch of separation, and the second man held the discoloured fragments together where they had parted. On it one could dimly make out, in almost obliterated pencil, the outline of the bay.

"Here," said Evans, "is the reef, and here is the gap." He ran his thumb-nail over the chart.

"This curved and twisting line is the river--I could do with a drink now--! And this star is the place."

"You see this dotted line," said the man with the map; "it is a straight line, and runs from the opening of the reef to a clump of palm-trees. The star comes just where it cuts the river. We must mark the place as we go into the lagoon."

"It's queer," said Evans, after a pause, "what these little marks down here are for. It looks like the plan of a house or something; but what all these little dashes, pointing this way and that, may mean I can't get a notion. And what's the writing?"

"Chinese," said the man with the map.

"Of course! He was a Chinese," said Evans.

"They all were," said the man with the map.

They both sat for some minutes staring at the land, while the canoe drifted slowly. Then Evans looked towards the paddle.

"Your turn with the paddle now, Hooker," said he.

And his companion quietly folded up his map, put it in his pocket, passed Evans carefully, and began to paddle. His movements were languid, like those of a man whose strength was nearly exhausted.

Evans sat with his eyes half closed, watching the frothy breakwater of the coral creep nearer and nearer. The sky was like a furnace now, for the sun was near the zenith. Though they were so near the Treasure he did not feel the exaltation he had anticipated. The intense excitement of the struggle for the plan, and the long night voyage from the mainland in the unprovisioned canoe had, to use his own expression, "taken it out of him." He tried to arouse himself by directing his mind to the ingots the Chinamen had spoken of, but it would not rest there; it came back headlong to the thought of sweet water rippling in the river, and to the almost unendurable dryness of his lips and throat. The rhythmic wash of the sea upon the reef was becoming audible now, and it had a pleasant sound in his ears; the water washed along the side of the canoe, and the paddle dripped between each stroke. Presently he began to doze.

He was still dimly conscious of the island, but a queer dream texture interwove with his sensations. Once again it was the night when he and Hooker had hit upon the Chinamen's secret; he saw the moonlit trees, the little fire burning, and the black figures of the three Chinamen--silvered on one side by moonlight, and on the other glowing from the firelight--and heard them talking together in pigeon-English--for they came from different provinces. Hooker had caught the drift of their talk first, and had motioned to him to listen. Fragments of the conversation were inaudible, and fragments incomprehensible. A Spanish galleon from the Philippines hopelessly aground, and its treasure buried against the day of return, lay in the background of the story; a shipwrecked crew thinned by disease, a quarrel or so, and the needs of discipline, and at last taking to their boats never to be heard of again. Then Chang-hi, only a year since, wandering ashore, had happened upon the ingots hidden for two hundred years, had deserted his junk, and reburied them with infinite toil, single-handed but very safe. He laid great stress on the safety--it was a secret of his. Now he wanted help to return and exhume them. Presently the little map fluttered and the voices sank. A fine story for two, stranded British wastrels to hear! Evans' dream shifted to the moment when he had Chang-hi's pigtail in his hand. The life of a Chinaman is scarcely sacred like a European's. The cunning little face of Chang-hi, first keen and furious like a startled snake, and then fearful, treacherous, and pitiful, became overwhelmingly prominent in the dream. At the end Chang-hi had grinned, a most incomprehensible and startling grin. Abruptly things became very unpleasant, as they will do at times in dreams. Chang-hi gibbered and threatened him. He saw in his dream heaps and heaps of gold, and Chang-hi intervening and struggling to hold him back from it. He took Chang-hi by the pigtail--how big the yellow brute was, and how he struggled and grinned! He kept growing bigger, too. Then the bright heaps of gold turned to a roaring furnace, and a vast devil, surprisingly like Chang-hi, but with a huge black tail, began to feed him with coals. They burnt his mouth horribly. Another devil was shouting his name: "Evans, Evans, you sleepy fool--!" Or was it Hooker?

He woke up. They were in the mouth of the lagoon.

"There are the three palm-trees. It must be in a line with that clump of bushes," said his companion. "Mark that. If we, go to those bushes and then strike into the bush in a straight line from here, we shall come to it when we come to the stream."

They could see now where the mouth of the stream opened out. At the sight of it Evans revived. "Hurry up, man," he said, "or by heaven I shall have to drink sea water!" He gnawed his hand and stared at the gleam of silver among the rocks and green tangle.

Presently he turned almost fiercely upon Hooker. "Give me the paddle," he said.

So they reached the river mouth. A little way up Hooker took some water in the hollow of his hand, tasted it, and spat it out. A little further he tried again. "This will do," he said, and they began drinking eagerly.

"Curse this!" said Evans suddenly. "It's too slow." And, leaning dangerously over the fore part of the canoe, he began to suck up the water with his lips.

Presently they made an end of drinking, and, running the canoe into a little creek, were about to land among the thick growth that overhung the water.

"We shall have to scramble through this to the beach to find our bushes and get the line to the place," said Evans.

"We had better paddle round," said Hooker.

So they pushed out again into the river and paddled back down it to the sea, and along the shore to the place where the clump of bushes grew. Here they landed, pulled the light canoe far up the beach, and then went up towards the edge of the jungle until they could see the opening of the reef and the bushes in a straight line. Evans had taken a native implement out of the canoe. It was L-shaped, and the transverse piece was armed with polished stone. Hooker carried the paddle. "It is straight now in this direction," said he; "we must push through this till we strike the stream. Then we must prospect."

They pushed through a close tangle of reeds, broad fronds, and young trees, and at first it was toilsome going, but very speedily the trees became larger and the ground beneath them opened out. The blaze of the sunlight was replaced by insensible degrees by cool shadow. The trees became at last, vast pillars that rose up to a canopy of greenery far overhead. Dim white flowers hung from their stems, and ropy creepers swung from tree to tree. The shadow deepened. On the ground, blotched fungi and a red-brown incrustation became frequent.

Evans shivered. "It seems almost cold here after the blaze outside."

"I hope we are keeping to the straight," said Hooker.

Presently they saw, far ahead, a gap in the sombre darkness where white shafts of hot sunlight smote into the forest. There also was brilliant green undergrowth and coloured flowers. Then they heard the rush of water.

"Here is the river. We should be close to it now," said Hooker.

The vegetation was thick by the river bank. Great plants, as yet unnamed, grew among the roots of the big trees, and spread rosettes of huge green fans towards the strip of sky. Many flowers and a creeper with shiny foliage clung to the exposed stems. On the water of the broad, quiet pool which the treasure seekers now overlooked there floated big oval leaves and a waxen, pinkish-white flower not unlike a water-lily. Further, as the river bent away from them, the water suddenly frothed and became noisy in a rapid.

"Well?" said Evans.

"We have swerved a little from the straight," said Hooker. "That was to be expected."

He turned and looked into the dim cool shadows of the silent forest behind them. "If we beat a little way up and down the stream we should come to something."

"You said--" began Evans.

"He said there was a heap of stones," said Hooker.

The two men looked at each other for a moment.

"Let us try a little down-stream first," said Evans.

They advanced slowly, looking curiously about them. Suddenly Evans stopped. "What the devil's that?" he said.

Hooker followed his finger. "Something blue," he said. It had come into view as they topped a gentle swell of the ground. Then he began to distinguish what it was.

He advanced suddenly with hasty steps, until the body that belonged to the limp hand and arm had become visible. His grip tightened on the implement he carried. The thing was the figure of a Chinaman lying on his face. The abandon of the pose was unmistakable.

The two men drew closer together, and stood staring silently at this ominous dead body. It lay in a clear space among the trees. Near by was a spade after the Chinese pattern, and further off lay a scattered heap of stones, close to a freshly dug hole.

"Somebody has been here before," said Hooker, clearing his throat.

Then suddenly Evans began to swear and rave, and stamp upon the ground.

Hooker turned white but said nothing. He advanced towards the prostrate body. He saw the neck was puffed and purple, and the hands and ankles swollen. "Pah!" he said, and suddenly turned away and went towards the excavation. He gave a cry of surprise. He shouted to Evans, who was following him slowly.

"You fool! It's all right. It's here still." Then he turned again and looked at the dead Chinaman, and then again at the hole.

Evans hurried to the hole. Already half exposed by the ill-fated wretch beside them lay a number of dull yellow bars. He bent down in the hole, and, clearing off the soil with his bare hands, hastily pulled one of the heavy masses out. As he did so a little thorn pricked his hand. He pulled the delicate spike out with his fingers and lifted the ingot.

"Only gold or lead could weigh like this," he said exultantly.

Hooker was still looking at the dead Chinaman. He was puzzled.

"He stole a march on his friends," he said at last. "He came here alone, and some poisonous snake has killed him...I wonder how he found the place."

Evans stood with the ingot in his hands. What did a dead Chinaman signify? "We shall have to take this stuff to the mainland piecemeal, and bury it there for a while. How shall we get it to the canoe?"

He took his jacket off and spread it on the ground, and flung two or three ingots into it. Presently he found that another little thorn had punctured his skin.

"This is as much as we can carry," said he. Then suddenly, with a queer rush of irritation, "What are you staring at?"

Hooker turned to him. "I can't stand him..." He nodded towards the corpse. "It's so like--"

"Rubbish!" said Evans. "All Chinamen are alike."

Hooker looked into his face. "I'm going to bury that, anyhow, before I lend a hand with this stuff."

"Don't be a fool, Hooker," said Evans. "Let that mass of corruption bide."

Hooker hesitated, and then his eye went carefully over the brown soil about them. "It scares me somehow," he said.

"The thing is," said Evans, "what to do with these ingots. Shall we re-bury them over here, or take them across the strait in the canoe?"

Hooker thought. His puzzled gaze wandered among the tall tree-trunks, and up into the remote sunlit greenery overhead. He shivered again as his eye rested upon the blue figure of the Chinaman. He stared searchingly among the grey depths between the trees.

"What's come to you, Hooker?" said Evans. "Have you lost your wits?"

"Let's get the gold out of this place, anyhow," said Hooker.

He took the ends of the collar of the coat in his hands, and Evans took the opposite corners, and they lifted the mass. "Which way?" said Evans. "To the canoe?"

"It's queer," said Evans, when they had advanced only a few steps, "but my arms ache still with that paddling.

"Curse it!" he said. "But they ache! I must rest."

They let the coat down, Evans' face was white, and little drops of sweat stood out upon his forehead. "It's stuffy, somehow, in this forest."

Then with an abrupt transition to unreasonable anger: "What is the good of waiting here all the day? Lend a hand, I say! You have done nothing but moon since we saw the dead Chinaman."

Hooker was looking steadfastly at his companion's face. He helped raise the coat bearing the ingots, and they went forward perhaps a hundred yards in silence. Evans began to breathe heavily. "Can't you speak?" he said.

"What's the matter with you?" said Hooker.

Evans stumbled, and then with a sudden curse flung the coat from him. He stood for a moment staring at Hooker, and then with a groan clutched at his own throat.

"Don't come near me," he said, and went and leant against a tree. Then in a steadier voice, "I'll be better in a minute."

Presently his grip upon the trunk loosened, and he slipped slowly down the stem of the tree until he was a crumpled heap at its foot. His hands were clenched convulsively. His face became distorted with pain. Hooker approached him.

"Don't touch me! Don't touch me!" said Evans in a stifled voice. "Put the gold back on the coat."

"Can't I do anything for you?" said Hooker.

"Put the gold back on the coat."

As Hooker handled the ingots he felt a little prick on the ball of his thumb. He looked at his hand and saw a slender thorn, perhaps two inches in length.

Evans gave an inarticulate cry and rolled over.

Hooker's jaw dropped. He stared at the thorn for a moment with dilated eyes. Then he looked at Evans, who was now crumpled together on the ground, his back bending and straightening spasmodically. Then he looked through the pillars of the trees and net-work of creeper stems, to where in the dim grey shadow the blue-clad body of the Chinaman was still indistinctly visible. He thought of the little dashes in the corner of the plan, and in a moment he understood.

"God help me!" he said. For the thorns were similar to those the Dyaks poison and use in their blowing-tubes. He understood now what Chang-hi's assurance of the safety of his treasure meant. He understood that grin now.

"Evans!" he cried.

But Evans was silent and motionless, save for a horrible spasmodic twitching of his limbs. A profound silence brooded over the forest.

Then Hooker began to suck furiously at the little pink spot on the ball of his thumb--sucking for dear life. Presently he felt a strange aching pain in his arms and shoulders, and his fingers seemed difficult to bend. Then he knew that sucking was no good.

Abruptly he stopped, and sitting down by the pile of ingots, and resting his chin upon his hands and his elbows upon his knees, stared at the distorted but still stirring body of his companion. Chang-hi's grin came into his mind again. The dull pain spread towards his throat and grew slowly in intensity. Far above him a faint breeze stirred the greenery, and the white petals of some unknown flower came floating down through the gloom.

THE PLATTNER STORY

Whether the story of Gottfried Plattner is to be credited or not, is a pretty question in the value of evidence. On the one hand, we have seven witnesses--to be perfectly exact, we have six and a half pairs of eyes, and one undeniable fact; and on the other we have--what is it--? Prejudice, common sense, the inertia of opinion. Never were there seven more honest-seeming witnesses; never was there a more undeniable fact than the inversion of Gottfried Plattner's anatomical structure, and--never was there a more preposterous story than the one they have to tell! The most preposterous part of the story is the worthy Gottfried's contribution (for I count him as one of the seven). Heaven forbid that I should be led into giving countenance to superstition by a passion for impartiality, and so come to share the fate of Eusapia's patrons! Frankly, I believe there is something crooked about this business of Gottfried Plattner; but what that crooked factor is, I will admit as frankly, I do not know. I have been surprised at the credit accorded to the story in the most unexpected and authoritative quarters. The fairest way to the reader, however will be for me to tell it without further comment.

Gottfried Plattner is, in spite of his name, a free-born Englishman. His father was an Alsatian who came to England in the Sixties, married a respectable English girl of unexceptionable antecedents, and died, after a wholesome and uneventful life (devoted, I understand, chiefly to the laying of parquet flooring), in 1887. Gottfried's age is seven-and-twenty. He is, by virtue of his heritage of three languages, Modern Languages Master in a small private school in the South of England. To the casual observer he is singularly like any other Modern Languages Master in any other small private school. His costume is neither very costly nor very fashionable, but on the other hand it is not markedly cheap or shabby; his complexion, like his height and his bearing, is inconspicuous. You would notice, perhaps that, like the majority of people, his face was not absolutely symmetrical, his right eye a little larger than the left, and his jaw a trifle heavier on the right side. If you, as an ordinary careless person, were to bare his chest and feel his heart beating, you would probably find it quite like the heart of any one else. But here you and the trained observer would part company. If you found his heart quite ordinary, the trained observer would find it quite otherwise. And once the thing was pointed out to you, you too would perceive the peculiarity easily enough. It is that Gottfried's heart beats on the right side of his body.

Now, that is not the only singularity of Gottfried's structure, although it is the only one that would appeal to the untrained mind. Careful sounding of Gottfried's internal arrangements, by a well-known surgeon, seems to point to the fact that all the other unsymmetrical parts of his body are similarly misplaced. The right lobe of his liver is on the left side, the left on his right; while his lungs too, are similarly contraposed. What is still more singular, unless Gottfried is a consummate actor, we must believe that his right hand has recently become his left. Since the occurrences we are about to consider (as impartially as possible), he has found the utmost difficulty in writing, except from right to left across the paper with his left hand. He cannot throw with his right hand, he is perplexed at meal times between knife and fork, and his ideas of the rule of the road--he is a cyclist--are still a dangerous confusion. And there is not a scrap of evidence to show that before these occurrences Gottfried was at all left-handed. There is yet another wonderful fact in this preposterous business. Gottfried produces three photographs of himself. You have him at the age of five or six, thrusting fat legs at you from under a plaid frock, and scowling. In that photograph his left eye is a little larger than his right, and his jaw is a trifle heavier on the left side. This is the reverse of his present living conditions: The photograph of Gottfried at fourteen seems to contradict these facts, but that is because it is one of those cheap "Gem" photographs that were then in vogue, taken direct upon metal, and therefore reversing things just as a looking-glass would. A third photograph represents him at one-and-twenty and confirms the record of the others. There seems here evidence of the strongest confirmatory character that Gottfried has exchanged his left side for his right. Yet how a human being can be so changed, short of a fantastic and pointless miracle, it is exceedingly hard to suggest.

In one way, of course, these facts might be explicable on the supposition that Plattner has undertaken an elaborate mystification, on the strength of his heart's displacement. Photographs may be fudged, and left-handedness imitated. But the character of the man does not lend itself to any such theory. He is quiet, practical, unobtrusive and thoroughly sane, from the Nordau standpoint. He likes beer, and smokes moderately, takes walking exercise daily, and has a healthily high estimate of the value of his teaching. He has a good but untrained tenor voice, and takes a pleasure in singing airs of a popular and cheerful character. He is fond, but not morbidly fond, of reading--, chiefly fiction pervaded with a vaguely pious optimism--, sleeps well, and rarely dreams. He is in fact, the very last person to evolve a fantastic fable. Indeed, so far from forcing this story upon the world, he has been singularly reticent on the matter. He meets enquirers with a certain engaging--bashfulness is almost the word, that disarms the most suspicious. He seems genuinely ashamed that anything so unusual has occurred to him.

It is to be regretted that Plattner's aversion to the idea of post-mortem dissection may postpone, perhaps for ever, the positive proof that his entire body has had its left and right sides transposed. Upon that fact mainly the credibility of his story hangs. There is no way of taking a man and moving him about in space, as ordinary people understand space, that will result in our changing his sides. Whatever you do, his right is still his right, his left his left. You can do that with a perfectly thin and flat thing, of course. If you were to cut a figure out of paper, any figure with a right and left side, you could change its sides simply by lifting it up and turning it over. But with a solid it is different. Mathematical theorists tell us that the only way in which the right and left sides of a solid body can be changed is by taking that body clean out of space as we know it--, taking it out of ordinary existence, that is, and turning it somewhere outside space. This is a little abstruse, no doubt, but any one with any knowledge of mathematical theory will assure the reader of its truth. To put the thing in technical language, the curious inversion of Plattner's right and left sides is proof that he has moved out of our space into what is called the Fourth Dimension, and that he has returned again to our world. Unless we choose to consider ourselves the victims of an elaborate and motiveless fabrication, we are almost bound to believe that this has occurred.

So much for the tangible facts. We come now to the account of the phenomena that attended his temporary disappearance from the world. It appears that in the Sussexville Proprietary School Plattner not only discharged the duties of Modern Languages Master, but also taught chemistry, commercial geography, book-keeping, shorthand, drawing, and any other additional subject to which the changing fancies of the boys' parents might direct attention. He knew little or nothing of these various subjects, but in secondary as distinguished from Board or elementary schools, knowledge in the teacher is, very properly, by no means so necessary as high moral character and gentlemanly tone. In chemistry he was particularly deficient, knowing he says, nothing beyond the Three Gases (whatever the three gases may be). As however, his pupils began by knowing nothing, and derived all their information from him, this caused him (or any one) but little inconvenience for several terms. Then a little boy named Whibble joined the school, who had been educated (it seems) by some mischievous relative into an enquiring habit of mind. This little boy followed Plattner's lessons with marked and sustained interest, and in order to exhibit his zeal on the subject, brought at various times, substances for Plattner to analyse. Plattner, flattered by this evidence of his power of awakening interest, and trusting to the boy's ignorance, analysed these, and even made general statements as to their composition. Indeed he was so far stimulated by his pupil as to obtain a work upon analytical chemistry and study it during his supervision of the evening's preparation. He was surprised to find chemistry quite an interesting subject.

So far the story is absolutely commonplace. But now the greenish powder comes upon the scene. The source of that greenish powder seems, unfortunately lost. Master Whibble tells a tortuous story of finding it done up in a packet in a disused limekiln near the Downs. It would have been an excellent thing for Plattner, and possibly for Master Whibble's family, if a match could have been applied to that powder there and then. The young gentleman certainly did not bring it to school in a packet, but in a common eight-ounce graduated medicine bottle, plugged with masticated newspaper. He gave it to Plattner at the end of the afternoon school. Four boys had been detained after school prayers in order to complete some neglected tasks, and Plattner was supervising these in the small classroom in which the chemical teaching was conducted. The appliances for the practical teaching of chemistry in the Sussexville Proprietary School, as in most small schools in this country, are characterised by a severe simplicity. They are kept in a small cupboard standing in a recess, and having about the same capacity as a common travelling trunk. Plattner, being bored with his passive superintendence, seems to have welcomed the intervention of Whibble with his green powder as an agreeable diversion, and unlocking this cupboard, proceeded at once with his analytical experiments. Whibble sat, luckily for himself, at a safe distance, regarding him. The four malefactors, feigning a profound absorption in their work, watched him furtively with the keenest interest. For even within the limits of the Three Gases, Plattner's practical chemistry was, I understand, temerarious.

They are practically unanimous in their account of Plattner's proceedings. He poured a little of the green powder into a test-tube, and tried the substance with water, hydrochloric acid, nitric acid, and sulphuric acid in succession. Getting no result, he emptied out a little heap--nearly half the bottleful, in fact--upon a slate and tried a match. He held the medicine bottle in his left hand. The stuff began to smoke and melt, and then--exploded with deafening violence and a blinding flash.

The five boys, seeing the flash and being prepared for catastrophes, ducked below their desks, and were none of them seriously hurt. The window was blown out into the playground, and the blackboard on its easel was upset. The slate was smashed to atoms. Some plaster fell from the ceiling. No other damage was done to the school edifice or appliances, and the boys at first, seeing nothing of Plattner, fancied he was knocked down and lying out of their sight below the desks. They jumped out of their places to go to his assistance, and were amazed to find the space empty. Being still confused by the sudden violence of the report, they hurried to the open door, under the impression that he must have been hurt, and have rushed out of the room. But Carson, the foremost, nearly collided in the doorway with the principal, Mr. Lidgett.

Mr. Lidgett is a corpulent, excitable man with one eye. The boys describe him as stumbling into the room mouthing some of those tempered expletives irritable schoolmasters accustom themselves to use--lest worse befall. "Wretched mumchancer!" he said. "Where's Mr. Plattner?" The boys are agreed on the very words. ("Wobbler," "snivelling puppy," and "mumchancer" are, it seems, among the ordinary small change of Mr. Lidgett's scholastic commerce.)

Where's Mr. Plattner? That was a question that was to be repeated many times in the next few days. It really seemed as though that frantic hyperbole, "blown to atoms," had for once realise itself. There was not a visible particle of Plattner to be seen; not a drop of blood nor a stitch of clothing to be found. Apparently he had been blown clean out of existence and left not a wrack behind. Not so much as would cover a sixpenny piece, to quote a proverbial expression! The evidence of his absolute disappearance, as a consequence of that explosion, is indubitable.

It is not necessary to enlarge here upon the commotion excited in the Sussexville Proprietary School, and in Sussexville and elsewhere, by this event. It is quite possible indeed, that some of the readers of these pages may recall the hearing of some remote and dying version of that excitement during the last summer holidays. Lidgett, it would seem, did everything in his power to suppress and minimise the story. He instituted a penalty of twenty-five lines for any mention of Plattner's name among the boys, and stated in the schoolroom that he was clearly aware of his assistant's whereabouts. He was afraid, he explains, that the possibility of an explosion happening, in spite of the elaborate precautions taken to minimise the practical teaching of chemistry, might injure the reputation of the school; and so might any mysterious quality in Plattner's departure. Indeed, he did everything in his power to make the occurrence seem as ordinary as possible. In particular, he cross-examined the five eye-witnesses of the occurrence so searchingly that they began to doubt the plain evidence of their senses. But in spite of these efforts, the tale, in a magnified and distorted state, made a nine days' wonder in the district, and several parents withdrew their sons on colourable pretexts. Not the least remarkable point in the matter is the fact that a large number of people in the neighbourhood dreamed singularly vivid dreams of Plattner during the period of excitement before his return, and that these dreams had a curious uniformity. In almost all of them Plattner was seen, sometimes singly, sometimes in company, wandering about through a coruscating iridescence. In all cases his face was pale and distressed, and in some he gesticulated towards the dreamer. One or two of the boys, evidently under the influence of nightmare, fancied that Plattner approached them with remarkable swiftness, and seemed to look closely into their very eyes. Others fled with Plattner from the pursuit of vague and extraordinary creatures of a globular shape. But all these fancies were forgotten in enquiries and speculations when, on the Wednesday next, but one after the Monday of the explosion, Plattner returned.

The circumstances of his return were as singular as those of his departure. So far as Mr. Lidgett's somewhat choleric outline can be filled in from Plattner's hesitating statements, it would appear that on Wednesday evening, towards the hour of sunset, the former gentleman, having dismissed evening preparation, was engaged in his garden, picking and eating strawberries, a fruit of which he is inordinately fond. It is a large old-fashioned garden, secured from observation fortunately, by a high and ivy-covered red-brick wall. Just as he was stooping over a particularly prolific plant, there was a flash in the air and a heavy thud, and before he could look round, some heavy body struck him violently from behind. He was pitched forward, crushing the strawberries he held in his hand, and that so roughly, that his silk hat--Mr. Lidgett adheres to the older ideas of scholastic costume--was driven violently down upon his forehead, and almost over one eye. This heavy missile, which slid over him sideways and collapsed into a sitting posture among the strawberry plants, proved to be our long-lost Mr. Gottfried Plattner, in an extremely dishevelled condition. He was collarless and hatless, his linen was dirty, and there was blood upon his hands. Mr. Lidgett was so indignant and surprised that he remained on all-fours, and with his hat jammed down on his eye, while he expostulated vehemently with Plattner for his disrespectful and unaccountable conduct.

This scarcely idyllic scene completes what I may call the exterior version of the Plattner story--its exoteric aspect. It is quite unnecessary to enter here into all the details of his dismissal by Mr. Lidgett. Such details, with the full names and dates and references, will be found in the larger report of these occurrences that was laid before the Society for the Investigation of Abnormal Phenomena. The singular transposition of Plattner's right and left sides was scarcely observed for the first day or so, and then first in connection with his disposition to write from right to left across the blackboard. He concealed rather than ostended this curious confirmatory circumstance, as he considered it would unfavourably affect his prospects in a new situation. The displacement of his heart was discovered some months after, when he was having a tooth extracted under anaesthetics. He then, very unwillingly, allowed a cursory surgical examination to be made of himself, with a view to a brief account in the "Journal of Anatomy." That exhausts the statement of the material facts; and we may now go on to consider Plattner's account of the matter.

But first let us clearly differentiate between the preceding portion of this story and what is to follow. All I have told thus far is established by such evidence as even a criminal lawyer would approve. Every one of the witnesses is still alive; the reader, if he have the leisure, may hunt the lads out to-morrow, or even brave the terrors of the redoubtable Lidgett, and cross-examine and trap and test to his heart's content; Gottfried Plattner himself, and his twisted heart and his three photographs are producible. It may be taken as proved that he did disappear for nine days as the consequence of an explosion; that he returned almost as violently, under circumstances in their nature annoying to Mr. Lidgett, whatever the details of those circumstances may be; and that he returned inverted, just as a reflection returns from a mirror. From the last fact, as I have already stated, it follows almost inevitably that Plattner, during those nine days, must have been in some state of existence altogether out of space. The evidence to these statements is indeed, far stronger than that upon which most murderers are hanged. But for his own particular account of where he had been, with its confused explanations and well-nigh self-contradictory details, we have only Mr. Gottfried Plattner's word. I do not wish to discredit that, but I must point out--what so many writers upon obscure psychic phenomena fail to do--that we are passing here from the practically undeniable to that kind of matter which any reasonable man is entitled to believe or reject as he thinks proper. The previous statements render it plausible; its discordance with common experience tilts it towards the incredible. I would prefer not to sway the beam of the reader's judgment either way, but simply to tell the story as Plattner told it me. He gave me his narrative, I may state, at my house at Chislehurst, and so soon as he had left me that evening, I went into my study and wrote down everything as I remembered it. Subsequently he was good enough to read over a type-written copy, so that its substantial correctness is undeniable.

He states that at the moment of the explosion he distinctly thought he was killed. He felt lifted off his feet and driven forcibly backward. It is a curious fact for psychologists that he thought clearly during his backward flight, and wondered whether he should hit the chemistry cupboard or the blackboard easel. His heels struck ground, and he staggered and fell heavily into a sitting position on something soft and firm. For a moment the concussion stunned him. He became aware at once of a vivid scent of singed hair, and he seemed to hear the voice of Lidgett asking for him. You will understand that for a time his mind was greatly confused.

At first he was distinctly under the impression that he was still in the classroom. He perceived quite distinctly the surprise of the boys and the entry of Mr. Lidgett. He is quite positive upon that score. He did not hear their remarks; but that he ascribed to the deafening effect of the experiment. Things about him seemed curiously dark and faint, but his mind explained that on the obvious but mistaken idea that the explosion had engendered a huge volume of dark smoke.

Through the dimness the figures of Lidgett and the boys moved, as faint and silent as ghosts Plattner's face still tingled with the stinging heat of the flash. He was, he says, "all muddled." His first definite thoughts seem to have been of his personal safety. He thought he was perhaps blinded and deafened. He felt his limbs and face in a gingerly manner. Then his perceptions grew clearer, and he was astonished to miss the old familiar desks and other schoolroom furniture about him. Only dim, uncertain, grey shapes stood in the place of these. Then came a thing that made him shout aloud, and awoke his stunned faculties to instant activity. Two of the boys, gesticulating, walked one after the other clean through him! Neither manifested the slightest consciousness of his presence. It is difficult to imagine the sensation he felt. They came against him, he says, with no more force than a wisp of mist.

Plattner's first thought after that was that he was dead. Having been brought up with thoroughly sound views in these matters, however he was a little surprised to find his body still about him. His second conclusion was that he was not dead, but that the others were: that the explosion had destroyed the Sussexville Proprietary School and every soul in it except himself. But that too, was scarcely satisfactory. He was thrown back upon astonished observation.

Everything about him was extraordinarily dark: at first it seemed to have an altogether ebony blackness. Overhead was a black firmament. The only touch of light in the scene was a faint greenish glow at the edge of the sky in one direction, which threw into prominence a horizon of undulating black hills. This I say, was his impression at first. As his eye grew accustomed to the darkness, he began to distinguish a faint quality of differentiating greenish colour in the circumambient night. Against this background the furniture and occupants of the classroom, it seems, stood out like phosphorescent spectres, faint and impalpable. He extended his hand, and thrust it without an effort through the wall of the room by the fireplace.

He describes himself as making a strenuous effort to attract attention. He shouted to Lidgett, and tried to seize the boys as they went to and fro. He only desisted from these attempts when Mrs. Lidgett, whom he (as an Assistant Master) naturally disliked, entered the room. He says the sensation of being in the world, and yet not a part of it, was an extraordinarily disagreeable one. He compared his feelings, not inaptly, to those of a cat watching a mouse through a window. Whenever he made a motion to communicate with the dim, familiar world about him, he found an invisible, incomprehensible barrier preventing intercourse. He then turned his attention to his solid environment. He found the medicine bottle still unbroken in his hand, with the remainder of the green powder therein. He put this in his pocket, and began to feel about him. Apparently, he was sitting on a boulder of rock covered with a velvety moss. The dark country about him, he was unable to see, the faint, misty picture of the schoolroom blotting it out, but he had a feeling (due perhaps to a cold wind) that he was near the crest of a hill, and that a steep valley fell away beneath his feet. The green glow along the edge of the sky seemed to be growing in extent and intensity. He stood up, rubbing his eyes.

It would seem that he made a few steps, going steeply downhill, and then stumbled, nearly fell, and sat down again upon a jagged mass of rock to watch the dawn. He became aware that the world about him was absolutely silent. It was as still as it was dark, and though there was a cold wind blowing up the hill-face, the rustle of grass, the soughing of the boughs that should have accompanied it, were absent. He could hear, therefore, if he could not see, that the hillside upon which he stood was rocky and desolate. The green grew brighter every moment, and as it did so, a faint, transparent blood-red mingled with, but did not mitigate, the blackness of the sky overhead and the rocky desolations about him. Having regard to what follows, I am inclined to think that, that redness may have been an optical effect due to contrast. Something black fluttered momentarily against the livid yellow-green of the lower sky, and then the thin and penetrating voice of a bell rose out of the black gulf below him. An oppressive expectation grew with the growing light.

It is probable that an hour or more elapsed while he sat there, the strange green light growing brighter every moment, and spreading slowly, in flamboyant fingers, upward towards the zenith. As it grew, the spectral vision of our world became relatively or absolutely fainter. Probably both, for the time must have been about that of our earthly sunset. So far as his vision of our world went, Plattner, by his few steps downhill, had passed through the floor of the classroom, and was now, it seemed, sitting in mid-air in the larger schoolroom downstairs. He saw the boarders distinctly, but much more faintly than he had seen Lidgett. They were preparing their evening tasks, and he noticed with interest that several were cheating with their Euclid riders by means of a crib, a compilation whose existence he had hitherto never suspected. As the time passed, they faded steadily, as steadily as the light of the green dawn increased.

Looking down into the valley, he saw that the light had crept far down its rocky sides, and that the profound blackness of the abyss was now broken by a minute green glow, like the light of a glow-worm. And almost immediately the limb of a huge heavenly body of blazing green rose over the basaltic undulations of the distant hills, and the monstrous hill-masses about him came out gaunt and desolate, in green light and deep, ruddy black shadows. He became aware of a vast number of ball-shaped objects drifting as thistledown drifts over the high ground. There were none of these nearer to him than the opposite side of the gorge. The bell below twanged quicker and quicker, with something like impatient insistence, and several lights moved hither and thither. The boys at work at their desks were now almost imperceptibly faint.

This extinction of our world, when the green sun of this other universe rose, is a curious point upon which Plattner insists. During the Other-World night, it is difficult to move about, on account of the vividness with which the things of this world are visible. It becomes a riddle to explain why, if this is the case, we in this world catch no glimpse of the Other-World. It is due, perhaps, to the comparatively vivid illumination of this world of ours. Plattner describes the midday of the Other-World, at its brightest as not being nearly so bright as this world at full moon, while its night is profoundly black. Consequently, the amount of light, even in an ordinary dark room, is sufficient to render the things of the Other-World invisible, on the same principle that faint phosphorescence is only visible in the profoundest darkness. I have tried, since he told me his story, to see something of the Other-World by sitting for a long space in a photographer's dark room at night. I have certainly seen indistinctly the form of greenish slopes and rocks, but only, I must admit, very indistinctly indeed. The reader may possibly be more successful. Plattner tells me that since his return he has dreamt and seen and recognised places in the Other-World, but this is probably due to his memory of these scenes. It seems quite possible that people with unusually keen eyesight may occasionally catch a glimpse of this strange Other-World about us.

However, this is a digression. As the green sun rose, a long street of black buildings became perceptible, though only darkly and indistinctly, in the gorge, and after some hesitation, Plattner began to clamber down the precipitous descent towards them. The descent was long and exceedingly tedious, being so not only by the extraordinary steepness, but also by reason of the looseness of the boulders with which the whole face of the hill was strewn. The noise of his descent--now and then his heels struck fire from the rocks--seemed now the only sound in the universe, for the beating of the bell had ceased. As he drew nearer, he perceived that the various edifices had a singular resemblance to tombs and mausoleums and monuments, saving only that they were all uniformly black instead of being white, as most sepulchres are. And then he saw, crowding out of the largest building, very much as people disperse from church, a number of pallid, rounded, pale-green figures. These dispersed in several directions about the broad street of the place, some going through side alleys and reappearing upon the steepness of the hill, others entering some of the small black buildings which lined the way.

At the sight of these things drifting up towards him, Plattner stopped staring. They were not walking, they were indeed limbless, and they had the appearance of human heads, beneath which a tadpole-like body swung. He was too astonished at their strangeness, too full, indeed of strangeness, to be seriously alarmed by them. They drove towards him, in front of the chill wind that was blowing uphill, much as soap-bubbles drive before a draught. And as he looked at the nearest of those approaching, he saw it was indeed a human head, albeit with singularly large eyes, and wearing such an expression of distress and anguish as he had never seen before upon mortal countenance. He was surprised to find that it did not turn to regard him, but seemed to be watching and following some unseen moving thing. For a moment he was puzzled, and then it occurred to him that this creature was watching with its enormous eyes something that was happening in the world he had just left. Nearer it came, and nearer, and he was too astonished to cry out. It made a very faint fretting sound as it came close to him. Then it struck his face with a gentle pat--, its touch was very cold--, and drove past him, and upward towards the crest of the hill.

An extraordinary conviction flashed across Plattner's mind that this head had a strong likeness to Lidgett. Then he turned his attention to the other heads that were now swarming thickly up the hillside. None made the slightest sign of recognition. One or two, indeed, came close to his head and almost followed the example of the first, but he dodged convulsively out of the way. Upon most of them he saw the same expression of unavailing regret he had seen upon the first, and heard the same faint sounds of wretchedness from them. One or two wept, and one rolling swiftly uphill wore an expression of diabolical rage. But others were cold, and several had a look of gratified interest in their eyes. One at least, was almost in an ecstasy of happiness. Plattner does not remember that he recognised any more likenesses in those he saw at this time.

For several hours, perhaps Plattner watched these strange things dispersing themselves over the hills, and not till long after they had ceased to issue from the clustering black buildings in the gorge, did he resume his downward climb. The darkness about him increased so much that he had a difficulty in stepping true. Overhead the sky was now a bright, pale green. He felt neither hunger nor thirst. Later, when he did, he found a chilly stream running down the centre of the gorge, and the rare moss upon the boulders, when he tried it at last in desperation, was good to eat.

He groped about among the tombs that ran down the gorge, seeking vaguely for some clue to these inexplicable things. After a long time he came to the entrance of the big mausoleum-like building from which the heads had issued. In this he found a group of green lights burning upon a kind of basaltic altar, and a bell-rope from a belfry overhead hanging down into the centre of the place. Round the wall ran a lettering of fire in a character unknown to him. While he was still wondering at the purport of these things, he heard the receding tramp of heavy feet echoing far down the street. He ran out into the darkness again, but he could see nothing. He had a mind to pull the bell-rope, and finally decided to follow the footsteps. But, although he ran far, he never overtook them; and his shouting was of no avail. The gorge seemed to extend an interminable distance. It was as dark as earthly starlight throughout its length, while the ghastly green day lay along the upper edge of its precipices. There were none of the heads, now, below. They were all, it seemed, busily occupied along the upper slopes. Looking up, he saw them drifting hither and thither, some hovering stationary, some flying swiftly through the air. It reminded him, he said, of "big snowflakes"; only these were black and pale green.

In pursuing the firm, undeviating footsteps that he never overtook, in groping into new regions of this endless devil's dyke, in clambering up and down the pitiless heights, in wandering about the summits, and in watching the drifting faces, Plattner states that he spent the better part of seven or eight days. He did not keep count, he says. Though once or twice he found eyes watching him, he had word with no living soul. He slept among the rocks on the hillside. In the gorge things earthly were invisible, because from the earthly standpoint, it was far underground. On the altitudes, so soon as the earthly day began, the world became visible to him. He found himself sometimes stumbling over the dark green rocks, or arresting himself on a precipitous brink, while all about him the green branches of the Sussexville lanes were swaying; or again, he seemed to be walking through the Sussexville streets, or watching unseen the private business of some household. And then it was he discovered, that to almost every human being in our world there pertained some of these drifting heads: that every one in the world is watched intermittently by these helpless disembodiments.

What are they--these Watchers of the Living? Plattner never learned. But two, that presently found and followed him, were like his childhood's memory of his father and mother. Now and then other faces turned their eyes upon him: eyes like those of dead people who had swayed him, or injured him, or helped him in his youth and manhood. Whenever they looked at him, Plattner was overcome with a strange sense of responsibility. To his mother he ventured to speak; but she made no answer. She looked sadly, steadfastly, and tenderly--a little reproachfully too, it seemed--into his eyes.

He simply tells this story: he does not endeavour to explain. We are left to surmise who these Watchers of the Living may be, or if they are indeed the Dead, why they should so closely and passionately watch a world they have left for ever. It may be--indeed to my mind it seems just--that, when our life has closed, when evil or good is no longer a choice for us, we may still have to witness the working out of the train of consequences we have laid. If human souls continue after death, then surely human interests continue after death. But that is merely my own guess at the meaning of the things seen. Plattner offers no interpretation, for none was given him. It is well the reader should understand this clearly. Day after day, with his head reeling, he wandered about this green-lit world outside the world, weary and, towards the end, weak and hungry. By day--by our earthly day, that is--the ghostly vision of the old familiar scenery of Sussexville, all about him, irked and worried him. He could not see where to put his feet, and ever and again with a chilly touch one of these Watching Souls would come against his face. And after dark the multitude of these Watchers about him, and their intent distress, confused his mind beyond describing. A great longing to return to the earthly life that was so near and yet so remote consume him. The unearthliness of things about him produced a positively painful mental distress. He was worried beyond describing by his own particular followers. He would shout at them to desist from staring at him, scold at them, hurry away from them. They were always mute and intent. Run as he might over the uneven ground, they followed his destinies.

On the ninth day, towards evening, Plattner heard the invisible footsteps approaching, far away down the gorge. He was then wandering over the broad crest of the same hill upon which he had fallen in his entry into this strange Other-World of his. He turned to hurry down into the gorge, feeling his way hastily, and was arrested by the sight of the thing that was happening in a room in a back street near the school. Both of the people in the room he knew by sight. The windows were open, the blinds up, and the setting sun shone clearly into it, so that it came out quite brightly at first, a vivid oblong of room, lying like a magic-lantern picture upon the black landscape and the livid green dawn. In addition to the sunlight, a candle had just been lit in the room.

On the bed lay a lank man, his ghastly white face terrible upon the tumbled pillow. His clenched hands were raised above his head. A little table beside the bed carried a few medicine bottles, some toast and water, and an empty glass. Every now and then the lank man's lips fell apart, to indicate a word he could not articulate. But the woman did not notice that he wanted anything, because she was busy turning out papers from an old-fashioned bureau in the opposite corner of the room. At first the picture was very vivid indeed, but as the green dawn behind it grew brighter and brighter, so it became fainter and more and more transparent.

As the echoing footsteps paced nearer and nearer, those footsteps that sound so loud in that Other-World and come so silently in this, Plattner perceived about him a great multitude of dim faces gathering together out of the darkness and watching the two people in the room. Never before had he seen so many of the Watchers of the Living. A multitude had eyes only for the sufferer in the room, another multitude, in infinite anguish, watched the woman as she hunted with greedy eyes for something she could not find. They crowded about Plattner, they came across his sight and buffeted his face, the noise of their unavailing regrets was all about him. He saw clearly only now and then. At other times the picture quivered dimly, through the veil of green reflections upon their movements. In the room it must have been very still, and Plattner says the candle flame streamed up into a perfectly vertical line of smoke, but in his ears each footfall and its echoes beat like a clap of thunder. And the faces! Two, more particularly near the woman's: one a woman's also, white and clear-featured, a face which might have once been cold and hard, but which was now softened by the touch of a wisdom strange to earth. The other might have been the woman's father. Both were evidently absorbed in the contemplation of some act of hateful meanness, so it seemed, which they could no longer guard against and prevent. Behind were others, teachers, it may be, who had taught ill, friends whose influence had failed. And over the man, too--a multitude, but none that seemed to be parents or teachers! Faces that might once have been coarse, now purged to strength by sorrow! And in the forefront one face, a girlish one, neither angry nor remorseful, but merely patient and weary, and as it seemed to Plattner, waiting for relief. His powers of description fail him at the memory of this multitude of ghastly countenances. They gathered on the stroke of the bell He saw them all in the space of a second. It would seem that he was so worked on by his excitement that, quite involuntarily, his restless fingers took the bottle of green powder out of his pocket and held it before him. But he does not remember that.

Abruptly the footsteps ceased. He waited for the next, and there was silence, and then suddenly cutting through the unexpected stillness like a keen, thin blade, came the first stroke of the bell. At that the multitudinous faces swayed to and fro and a louder crying began all about him. The woman did not hear; she was burning something now in the candle flame. At the second stroke everything grew dim, and a breath of wind, icy cold, blew through the host of watchers. They swirled about him like an eddy of dead leaves in the spring, and at the third stroke something was extended through them to the bed. You have heard of a beam of light. This was like a beam of darkness, and looking again at it, Plattner saw that it was a shadowy arm and hand.

The green sun was now topping the black desolations of the horizon, and the vision of the room was very faint. Plattner could see that the white of the bed struggled, and was convulsed; and that the woman looked round over her shoulder at it, startled.

The cloud of watchers lifted high like a puff of green dust before the wind, and swept swiftly downward towards the temple in the gorge. Then suddenly Plattner understood the meaning of the shadowy black arm that stretched across his shoulder and clutched its prey. He did not dare turn his head to see the Shadow behind the arm. With a violent effort, and covering his eyes, he set himself to run, made perhaps twenty strides, then slipped on a boulder, and fell. He fell forward on his hands; and the bottle smashed and exploded as he touched the ground.

In another moment he found himself, stunned and bleeding, sitting face to face with Lidgett in the old walled garden behind the school.

There the story of Plattner's experiences ends. I have resisted, I believe successfully, the natural disposition of a writer of fiction to dress up incidents of this sort. I have told the thing as far as possible in the order in which Plattner told it to me. I have carefully avoided any attempt at style, effect, or construction. It would have been easy, for instance, to have worked the scene of the death-bed into a kind of plot in which Plattner might have been involved. But, quite apart from the objectionableness of falsifying a most extraordinary true story, any such trite devices would spoil to my mind, the peculiar effect of this dark world, with its livid green illumination and its drifting Watchers of the Living, which, unseen and unapproachable to us, is yet lying all about us.

It remains to add, that a death did actually occur in Vincent Terrace, just beyond the school garden, and so far as can be proved, at the moment of Plattner's return. Deceased was a rate-collector and insurance agent. His widow, who was much younger than himself, married last month a Mr. Whymper, a veterinary surgeon of Allbeeding. As the portion of this story given here has in various forms circulated orally in Sussexville, she has consented to my use of her name, on condition that I make it distinctly known that she emphatically contradicts every detail of Plattner's account of her husband's last moments. She burnt no will, she says, although Plattner never accused her of doing so; her husband made but one will, and that just after their marriage. Certainly, from a man who had never seen it, Plattner's account of the furniture of the room was curiously accurate.

One other thing, even at the risk of an irksome repetition, I must insist upon, lest I seem to favour the credulous, superstitious view. Plattner's absence from the world for nine days is, I think, proved. But that does not prove his story. It is quite conceivable that even outside space hallucinations may be possible. That at least, the reader must bear distinctly in mind.

THE ARGONAUTS OF THE AIR

One saw Monson's Flying Machine from the windows of the trains passing either along the South-Western main line or along the line between Wimbledon and Worcester Park--, to be more exact, one saw the huge scaffolding which limited the flight of the apparatus. They rose over the tree-tops, a massive alley of interlacing iron and timber, and an enormous web of ropes and tackle, extending the best part of two miles. From the Leatherhead branch this alley was foreshortened and in part hidden by hill with villas; but from the main line one had it in profile, a complex tangle of girders and curving bars, very impressive to the excursionists from Portsmouth and Southampton and the West. Monson had taken up the work where Maxim had left it, had gone on at first with an utter contempt for the journalistic wit and ignorance that had irritated and hampered his predecessor, and had spent (it was said) rather more than half his immense fortune upon his experiments. The results, to an impatient generation, seemed inconsiderable. When some five years had passed after the growth of the colossal iron groves at Worcester Park, and Monson still failed to put in a fluttering appearance over Trafalgar Square, even the Isle of Wight trippers felt their liberty to smile. And such intelligent people as did not consider Monson a fool stricken with the mania for invention, denounced him as being (for no particular reason) a self-advertising quack.

Yet now and again a morning trainload of season-ticket holders would see a white monster rush headlong through the airy tracery of guides and bars, and hear the further stays, nettings and buffers snap, creak, and groan with the impact of the blow. Then there would be an efflorescence of black-set white-rimmed faces along the sides of the train, and the morning papers would be neglected for a vigorous discussion of the possibility of flying (in which nothing new was ever said by any chance), until the train reached Waterloo, and its cargo of season-ticket holders dispersed themselves over London. Or the fathers and mothers in some multitudinous train of weary excursionists returning exhausted from a day of rest by the sea, would find the dark fabric, standing out against the evening sky, useful in diverting some bilious child from its introspection, and be suddenly startled by the swift transit of a huge black flapping shape that strained upward against the guides. It was a great and forcible thing beyond dispute, and excellent for conversation; yet all the same, it was but flying in leading-strings, and most of those who witnessed it scarcely counted its flight as flying. More of a switchback it seemed to the run of the folk.

Monson, I say, did not trouble himself very keenly about the opinions of the press at first. But possibly he, even had formed but a poor idea of the time it would take before the tactics of flying were mastered, the swift assured adjustment of the big soaring shape to every gust and chance movement of the air; nor had he clearly reckoned the money this prolonged struggle against gravitation would cost him. And he was not so pachydermatous as he seemed. Secretly he had his periodical bundles of cuttings sent him by Romeike, he had his periodical reminders from his banker; and if he did not mind the initial ridicule and scepticism, he felt the growing neglect as the months went by and the money dribbled away. Time was when Monson had sent the enterprising journalist, keen after readable matter, empty from his gates. But when the enterprising journalist ceased from troubling, Monson was anything but satisfied in his heart of hearts. Still day by day the work went on, and the multitudinous subtle difficulties of steering diminished in number. Day by day, too the money trickled away, until his balance was no longer a matter of hundreds of thousands, but of tens. And at last came an anniversary.

Monson, sitting in the little drawing-shed, suddenly noticed the date on Woodhouse's calendar.

"It was five years ago to-day that we began," he said to Woodhouse suddenly.

"Is it?" said Woodhouse.

"It's the alterations play the devil with us," said Monson, biting a paper-fastener.

The drawings for the new vans to the hinder screw lay on the table before him as he spoke. He pitched the mutilated brass paper-fastener into the waste-paper basket and drummed with his fingers. "These alterations! Will the mathematicians ever be clever enough to save us all this patching and experimenting? Five years--learning by rule of thumb, when one might think that it was possible to calculate the whole thing out beforehand. The cost of it! I might have hired three senior wranglers for life. But they'd only have developed some beautifully useless theorems in pneumatics. What a time it has been, Woodhouse!"

"These mouldings will take three weeks," said Woodhouse. "At special prices."

"Three weeks!" said Monson, and sat drumming.

"Three weeks certain," said Woodhouse, an excellent engineer, but no good as a comforter. He drew the sheets towards him and began shading a bar.

Monson stopped drumming, and began to bite his finger-nails, staring the while at Woodhouse's head.

"How long have they been calling this Monson's Folly?" he said suddenly.

"Oh! Year or so," said Woodhouse carelessly, without looking up.

Monson sucked the air in between his teeth, and went to the window. The stout iron columns carrying the elevated rails upon which the start of the machine was made rose up close by, and the machine was hidden by the upper edge of the window. Through the grove of iron pillars, red painted and ornate with rows of bolts, one had a glimpse of the pretty scenery towards Esher. A train went gliding noiselessly across the middle distance, its rattle drowned by the hammering of the workmen overhead. Monson could imagine the grinning faces at the windows of the carriages. He swore savagely under his breath, and dabbed viciously at a blowfly that suddenly became noisy on the window-pane.

"What's up?" said Woodhouse, staring in surprise at his employer.

"I'm about sick of this."

Woodhouse scratched his cheek. "Oh!" he said, after an assimilating pause. He pushed the drawing away from him.

"Here these fools...I'm trying to conquer a new element--trying to do a thing that will revolutionise life. And instead of taking an intelligent interest, they grin and make their stupid jokes, and call me and my appliances names."

"Asses!" said Woodhouse, letting his eye fall again on the drawing.

The epithet, curiously enough, made Monson wince. "I'm about sick of it, Woodhouse, anyhow," he said, after a pause.

Woodhouse shrugged his shoulders.

"There's nothing for it but patience, I suppose," said Monson, sticking his hands in his pockets. "I've started. I've made my bed, and I've got to lie on it. I can't go back. I'll see it through, and spend every penny I have and every penny I can borrow. But I tell you, Woodhouse, I'm infernally sick of it, all the same. If I'd paid a tenth part of the money towards some political greaser's expenses--I'd have been a baronet before this."

Monson paused. Woodhouse stared in front of him with a blank expression he always employed to indicate sympathy, and tapped his pencil-case on the table. Monson stared at him for a minute.

"Oh, damn!" said Monson suddenly, and abruptly rushed out of the room.

Woodhouse continued his sympathetic rigour for perhaps half a minute. Then he sighed and resumed the shading of the drawings. Something had evidently upset Monson. Nice chap, and generous, but difficult to get on with. It was the way with every amateur who had anything to do with engineering--wanted everything finished at once. But Monson had usually the patience of the expert. Odd he was so irritable. Nice and round that aluminium rod did look now! Woodhouse threw back his head, and put it, first this side and then that, to appreciate his bit of shading better.

"Mr. Woodhouse," said Hooper, the foreman of the labourers, putting his head in at the door.

"Hullo!" said Woodhouse, without turning round.

"Nothing happened, sir?" said Hooper.

"Happened?" said Woodhouse.

"The governor just been up the rails swearing like a tornader."

"Oh!" said Woodhouse.

"It ain't like him, sir."

"No?"

"And I was thinking perhaps--"

"Don't think," said Woodhouse, still admiring the drawings.

Hooper knew Woodhouse, and shut the door suddenly with a vicious slam. Woodhouse stared stonily before him for some further minutes, and then made an ineffectual effort to pick his teeth with his pencil. Abruptly he desisted, pitched that old, tried, and stumpy servitor across the room, got up, stretched himself, and followed Hooper.

He looked ruffled--it was visible to every workman he met. When a millionaire who has been spending thousands on experiments that employ quite a little army of people suddenly indicates that he is sick of the undertaking, there is almost invariably a certain amount of mental friction in the ranks of the little army he employs. And even before he indicates his intentions there are speculations and murmurs, a watching of faces and a study of straws. Hundreds of people knew before the day was out that Monson was ruffled, Woodhouse ruffled, Hooper ruffled. A workman's wife, for instance (whom Monson had never seen), decided to keep her money in the savings-bank instead of buying a velveteen dress. So far-reaching are even the casual curses of a millionaire.

Monson found a certain satisfaction in going on the works and behaving disagreeably to as many people as possible. After a time even that palled upon him, and he rode off the grounds, to every one's relief there, and through the lanes south-eastward, to the infinite tribulation of his house steward at Cheam.

And the immediate cause of it all, the little grain of annoyance that had suddenly precipitated all this discontent with his life-work was--these trivial things that direct all our great decisions--! Half a dozen ill-considered remarks made by a pretty girl, prettily dressed, with a beautiful voice and something more than prettiness in her soft grey eyes. And of these half-dozen remarks, two words especially--"Monson's Folly." She had felt she was behaving charmingly to Monson; she reflected the next day how exceptionally effective she had been, and no one would have been more amazed than she, had she learned the effect she had left on Monson's mind. I hope, considering everything, that she never knew.

"How are you getting on with your flying-machine?" she asked. ("I wonder if I shall ever meet any one with the sense not to ask that," thought Monson.) "It will be very dangerous at first, will it not?" ("Thinks I'm afraid.") "Jorgon is going to play presently; have you heard him before?" ("My mania being attended to, we turn to rational conversation.") Gush about Jorgon; gradual decline of conversation, ending with--"You must let me know when your flying-machine is finished, Mr. Monson, and then I will consider the advisability of taking a ticket." ("One would think I was still playing inventions in the nursery.") But the bitterest thing she said was not meant for Monson's ears. To Phlox, the novelist, she was always conscientiously brilliant. "I have been talking to Mr. Monson, and he can think of nothing, positively nothing, but that flying-machine of his. Do you know, all his workmen call that place of his 'Monson's Folly'? He is quite impossible. It is really very, very sad. I always regard him myself in the light of sunken treasure--the Lost Millionaire, you know."

She was pretty and well educated--, indeed, she had written an epigrammatic novelette; but the bitterness was that she was typical. She summarised what the world thought of the man who was working sanely, steadily, and surely towards a more tremendous revolution in the appliances of civilisation, a more far-reaching alteration in the ways of humanity than has ever been effected since history began. They did not even take his seriously. In a little while he would be proverbial. "I must fly now," he said on his way home, smarting with a sense of absolute social failure. "I must fly soon. If it doesn't come off soon, by God! I shall run amuck."

He said that before he had gone through his pass-book and his litter of papers. Inadequate as the cause seems, it was that girl's voice and the expression of her eyes that precipitated his discontent. But certainly the discovery that he had no longer even one hundred thousand pounds' worth of realisable property behind him was the poison that made the wound deadly.

It was the next day after this that he exploded upon Woodhouse and his workmen, and thereafter his bearing was consistently grim for three weeks, and anxiety dwelt in Cheam and Ewell, Maldon, Morden, and Worcester Park, places that had thriven mightily on his experiments.

Four weeks after that first swearing of his, he stood with Woodhouse by the reconstructed machine as it lay across the elevated railway, by means of which it gained its initial impetus. The new propeller glittered a brighter white than the rest of the machine, and a gilder, obedient to a whim of Monson's was picking out the aluminium bars with gold. And looking down the long avenue between the ropes (gilded now with the sunset), one saw red signals, and two miles away an ant-hill of workmen busy altering the last falls of the run into a rising slope.

"I'll come," said Woodhouse. "I'll come right enough. But I tell you it's infernally foolhardy. If only you would give another year--"

"I tell you I won't. I tell you the thing works. I've given years enough--"

"It's not that," said Woodhouse. "We're all right with the machine. But it's the steering--"

"Haven't I been rushing, night and morning, backwards and forwards, through the squirrel's cage? If the thing steers true here, it will steer true all across England. It's just funk, I tell you, Woodhouse. We could have gone a year ago. And besides--"

"Well?" said Woodhouse.

"The money!" snapped Monson over his shoulder.

"Hang it! I never thought of the money," said Woodhouse, and then, speaking now in a very different tone to that with which he said the words before, he repeated, "I'll come. Trust me."

Monson turned suddenly, and saw all that Woodhouse had not the dexterity to say, shining on his sunset-lit face. He looked for a moment, then impulsively extended his hand. "Thanks," he said.

"All right," said Woodhouse, gripping the hand, and with a queer softening of his features. "Trust me."

Then both men turned to the big apparatus that lay with its flat wings extended upon the carrier, and stared at it meditatively. Monson, guided perhaps by a photographic study of flight of birds, and by Lilienthal's methods, had gradually drifted from Maxim's shapes towards the bird form again. The thing, however, was driven by a huge screw behind in the place of the tail; and so hovering, which needs an almost vertical adjustment of a flat tail, was rendered impossible. The body of the machine was small, almost cylindrical, and pointed. Forward and aft on the pointed ends were two small petroleum engines for the screw, and the navigators sat deep in a canoe-like recess, the foremost one steering, and being protected by a low screen, with two plate-glass windows, from the blinding rush of air. On either side a monstrous flat framework with a curved front border could be adjusted so as either to lie horizontally, or to be tilted upward or down. These wings worked rigidly together, or by releasing a pin, one could be tilted through a small angle independently of its fellow. The front edge of either wing could also be shifted back so as to diminish the wing-area about one-sixth. The machine was not only not designed to hover, but it was also incapable of fluttering. Monson's idea was to get into the air with the initial rush of the apparatus, and then to skim, much as a playing-card may be skimmed, keeping up the rush by means of the screw at the stern. Rooks and gulls fly enormous distances in that way with scarcely a perceptible movement of the wings. The bird really drives along on an aerial switchback. It glides slanting downward for a space, until it has gained considerable momentum, and then altering the inclination of its wings, glides up again almost to its original altitude. Even a Londoner who has watched the birds in the aviary in Regent's Park knows that.

But the bird is practising this art from the moment it leaves its nest. It has not only the perfect apparatus, but the perfect instinct to use it. A man off his feet has the poorest skill in balancing. Even the simple trick of the bicycle costs him some hours of labour. The instantaneous adjustments of the wings, the quick response to a passing breeze, the swift recovery of equilibrium, the giddy, eddying movements that require such absolute precision--all that he must learn, learn with infinite labour and infinite danger, if ever he is to conquer flying. The flying-machine that will start off some fine day, driven by neat "little levers," with a nice open deck like a liner, and all loaded up with bombshells and guns, is the easy dreaming of a literary man. In lives and in treasure the cost of the conquest of the empire of air may even exceed all that has been spent in man's great conquest of the sea. Certainly it will be costlier than the greatest war that has ever devastated the world.

No one knew these things better than these two practical men. And they knew they were in the front rank of the coming army. Yet there is hope even in a forlorn hope. Men are killed outright in the reserves sometimes, while others who have been left for dead in the thickest corner crawl out and survive.

"If we miss these meadows--" said Woodhouse presently in his slow way.

"My dear chap," said Monson, whose spirits had been rising fitfully during the last few days, "we mustn't miss these meadows. There's a quarter of a square mile for us to hit, fences removed, ditches levelled. We shall come down all right--rest assured. And if we don't--"

"Ah!" said Woodhouse. "If we don't!"

Before the day of the start, the newspaper people got wind of the alterations at northward end of the framework, and Monson was cheered by a decided change in the comments Romeike forwarded him. "He will be off some day," said the papers. "He will be off some day," said the South-Western season-ticket holders one to another; the seaside excursionists, the Saturday-to-Monday trippers from Sussex and Hampshire and Dorset and Devon, the eminent literary people from Haslemere, all remarked eagerly one to another, "He will be off some day," as the familiar scaffolding came in sight. And actually, one bright morning, in full view of the ten-past-ten train from Basingstoke, Monson's flying-machine started on its journey.

They saw the carrier running swiftly along its rail, and the white and gold screw spinning in the air. They heard the rapid rumble of wheels, and thud as the carrier reached the buffers at the end of its run. Then a whirr as the Flying-Machine was shot forward into the networks. All that the majority of them had seen and heard before. The thing went with a dropping flight through the framework and rose again, and then every beholder shouted, or screamed, or yelled, or shrieked after his kind. For instead of the customary concussion and stoppage, the Flying-Machine flew out of its five years' cage like a bolt from a crossbow, and drove slantingly upward into the air, curved round a little, so as to cross the line, and soared in the direction of Wimbledon Common.

It seemed to hang momentarily in the air and grow smaller, then it ducked and vanished over the clustering blue tree-tops to the east of Coombe Hill, and no one stopped staring and gasping until long after it had disappeared.

That was what the people in the train from Basingstoke saw. If you had drawn a line down the middle of that train, from engine to guard's van, you would not have found a living soul on the opposite side to the flying-machine. It was a mad rush from window to window as the thing crossed the line. And the engine-driver and stoker never took their eyes off the low hills about Wimbledon, and never noticed that they had run clean through Coombe and Malden and Raynes Park, until with returning animation, they found themselves pelting, at the most indecent pace, into Wimbledon station.

From the moment when Monson had started the carrier with a "Now!" neither he nor Woodhouse said a word. Both men sat with clenched teeth. Monson had crossed the line with a curve that was too sharp, and Woodhouse had opened and shut his white lips; but neither spoke. Woodhouse simply gripped his seat, and breathed sharply through his teeth, watching the blue country to the west rushing past, and down, and away from him. Monson knelt at his post forward, and his hands trembled on the spoked wheel that moved the wings. He could see nothing before him but a mass of white clouds in the sky.

The machine went slanting upward, travelling with an enormous speed still, but losing momentum every moment. The land ran away underneath with diminishing speed.

"Now!" said Woodhouse at last, and with a violent effort Monson wrenched over the wheel and altered the angle of the wings. The machine seemed to hang for half a minute motionless in mid-air, and then he saw the hazy blue house-covered hills of Kilburn and Hampstead jump up before his eyes and rise steadily, until the little sunlit dome of the Albert Hall appeared through his windows. For a moment he scarcely understood the meaning of this upward rush of the horizon, but as the nearer and nearer houses came into view, he realised what he had done. He had turned the wings over too far, and they were swooping steeply downward towards the Thames.

The thought, the question, the realisation were all the business of a second of time. "Too much!" gasped Woodhouse. Monson brought the wheel halfway back with a jerk, and forthwith the Kilburn and Hampstead ridge dropped again to the lower edge of his windows. They had been a thousand feet above Coombe and Malden station; fifty seconds after they whizzed, at a frightful pace, not eighty feet above the East Putney station, on the Metropolitan District line, to the screaming astonishment of a platformful of people. Monson flung up the vans against the air, and over Fulham they rushed up their atmospheric switchback again, steeply--too steeply. The 'buses went floundering across the Fulham Road, the people yelled.

Then down again, too steeply still, and the distant trees and houses about Primrose Hill leapt up across Monson's window, and then suddenly he saw straight before him the greenery of Kensington Gardens and the towers of the Imperial Institute. They were driving straight down upon South Kensington. The pinnacles of the Natural History Museum rushed up into view. There came one fatal second of swift thought, a moment of hesitation. Should he try and clear the towers, or swerve eastward?

He made a hesitating attempt to release the right wing, left the catch half released, and gave a frantic clutch at the wheel.

The nose of the machine seemed to leap up before him. The wheel pressed his hand with irresistible force, and jerked itself out of his control.

Woodhouse, sitting crouched together, gave a hoarse cry, and sprang up towards Monson. "Too far!" he cried, and then he was clinging to the gunwale for dear life, and Monson had been jerked clean overhead, and was falling backwards upon him.

So swiftly had the thing happened that barely a quarter of the people going to and fro in Hyde Park, and Brompton Road, and the Exhibition Road saw anything of the aerial catastrophe. A distant winged shape had appeared above the clustering houses to the south, had fallen and risen, growing larger as it did so; had swooped swiftly down towards the Imperial Institute, a broad spread of flying wings, had swept round in a quarter circle, dashed eastward, and then suddenly sprang vertically into the air. A black object shot out of it, and came spinning downward. A man! Two men clutching each other! They came whirling down, separated as they struck the roof of Students' Club, and bounded off into the green bushes on its southward side.

For perhaps half a minute, the pointed stem of the big machine still pierced vertically upward, the screw spinning desperately. For one brief instant, that yet seemed an age to all who watched, it had hung motionless in mid-air. Then a spout of yellow flame licked up its length from the stern engine, and swift, swifter, swifter, and flaring like a rocket, it rushed down upon the solid mass of masonry which was formerly the Royal College of Science. The big screw of white and gold touched the parapet, and crumpled up like wet linen. Then the blazing spindle-shaped body smashed and splintered, smashing and splintering in its fall, upon the north-westward angle of the building.

But the crash, the flame of blazing paraffin that shot heavenward from the shattered engines of the machine, the crushed horrors that were found in the garden beyond the Students' Club, the masses of yellow parapet and red brick that fell headlong into the roadway, the running to and fro of people like ants in a broken ant-hill, the galloping of fire-engines, the gathering of crowds--all these things do not belong to this story, which was written only to tell how the first of all successful flying-machines was launched and flew. Though he failed, and failed disastrously, the record of Monson's work remains a sufficient monument--to guide the next of that band of gallant experimentalists who will sooner or later master this great problem of flying. And between Worcester Park and Malden there still stands that portentous avenue of iron-work, rusting now, and dangerous here and there, to witness to the first desperate struggle for man's right of way through the air.

THE STORY OF THE LATE MR. ELVESHAM

I set this story down, not expecting it will be believed, but if possible, to prepare a way of escape for the next victim. He perhaps, may profit by my misfortune. My own case, I know is hopeless, and I am now in some measure prepared to meet my fate.

My name is Edward George Eden. I was born at Trentham, in Staffordshire, my father being employed in the gardens there. I lost my mother when I was three years old, and my father when I was five, my uncle, George Eden, then adopting me as his own son. He was a single man, self-educated, and well-known in Birmingham as an enterprising journalist; he educated me generously, fired my ambition to succeed in the world, and at his death, which happened four years ago, left me his entire fortune, a matter of about five hundred pounds after all outgoing charges were paid. I was then eighteen. He advised me in his will to expend the money in completing my education. I had already chosen the profession of medicine, and through his posthumous generosity and my good fortune in a scholarship competition, I became a medical student at University College, London. At the time of the beginning of my story I lodged at 11A University Street in a little upper room, very shabbily furnished and draughty, overlooking the back of Shoolbred's premises. I used this little room both to live in and sleep in, because I was anxious to eke out my means to the very last shillingsworth.

I was taking a pair of shoes to be mended at a shop in the Tottenham Court Road when I first encountered the little old man with the yellow face, with whom my life has now become so inextricably entangled. He was standing on the kerb, and staring at the number on the door in a doubtful way, as I opened it. His eyes--they were dull grey eyes, and reddish under the rims--fell to my face, and his countenance immediately assumed an expression of corrugated amiability.

"You come," he said, "apt to the moment. I had forgotten the number of your house. How do you do, Mr. Eden?"

I was a little astonished at his familiar address, for I had never set eyes on the man before. I was a little annoyed too, at his catching me with my boots under my arm. He noticed my lack of cordiality.

"Wonder who the deuce I am, eh? A friend, let me assure you. I have seen you before, though you haven't seen me. Is there anywhere where I can talk to you?"

I hesitated. The shabbiness of my room upstairs was not a matter for every stranger. "Perhaps," said I, "we might walk down the street. I'm unfortunately prevented--" My gesture explained the sentence before I had spoken it.

"The very thing," he said, and faced this way, and then that. "The street? Which way shall we go?" I slipped my boots down in the passage. "Look here!" he said abruptly; "this business of mine is a rigmarole. Come and lunch with me, Mr. Eden. I'm an old man, a very old man, and not good at explanations, and what with my piping voice and the clatter of the traffic--"

He laid a persuasive skinny hand that trembled a little upon my arm.

I was not so old that an old man might not treat me to a lunch. Yet at the same time I was not altogether pleased by this abrupt invitation. "I had rather--" I began. "But I had rather," he said, catching me up, "and a certain civility is surely due to my grey hairs."

And so I consented, and went with him.

He took me to Blavitiski's; I had to walk slowly to accommodate myself to his paces; and over such a lunch as I had never tasted before, he fended off my leading question, and I took a better note of his appearance. His clean-shaven face was lean and wrinkled, his shrivelled, lips fell over a set of false teeth, and his white hair was thin and rather long; he seemed small to me--though, indeed, most people seemed small to me--and his shoulders were rounded and bent. And watching him, I could not help but observe that he too was taking note of me, running his eyes, with a curious touch of greed in them, over me, from my broad shoulders to my sun-tanned hands, and up to my freckled face again. "And now," said he, as we lit our cigarettes, "I must tell you of the business in hand.

"I must tell you then, that I am an old man, a very old man." He paused momentarily. "And it happens that I have money that I must presently be leaving, and never a child have I to leave it to." I thought of the confidence trick, and resolved I would be on the alert for the vestiges of my five hundred pounds. He proceeded to enlarge on his loneliness, and the trouble he had to find a proper disposition of his money. "I have weighed this plan and that plan, charities, institutions, and scholarships, and libraries, and I have come to this conclusion at last--," he fixed his eyes on my face--, "that I will find some young fellow, ambitious, pure-minded, and poor, healthy in body and healthy in mind, and in short, make him my heir, give him all that I have." He repeated, "Give him all that I have. So that he will suddenly be lifted out of all the trouble and struggle in which his sympathies have been educated, to freedom and influence."

I tried to seem disinterested. With a transparent hypocrisy I said, "And you want my help, my professional services maybe, to find that person."

He smiled, and looked at me over his cigarette, and I laughed at his quiet exposure of my modest pretence.

"What a career such a man might have!" he said. "It fills me with envy to think how I have accumulated that another man may spend--

"But there are conditions, of course, burdens to be imposed. He must, for instance, take my name. You cannot expect everything without some return. And I must go into all the circumstances of his life before I can accept him. He must be sound. I must know his heredity, how his parents and grandparents died, have the strictest inquiries made into his private morals--"

This modified my secret congratulations a little.

"And do I understand," said I, "that I--?"

"Yes," he said, almost fiercely. "You. You."

I answered never a word. My imagination was dancing wildly, my innate scepticism was useless to modify its transports. There was not a particle of gratitude in my mind--I did not know what to say nor how to say it. "But why me in particular?" I said at last.

He had chanced to hear of me from Professor Haslar, he said, as a typically sound and sane young man, and he wished, as far as possible, to leave his money where health and integrity were assured.

That was my first meeting with the little old man. He was mysterious about himself; he would not give his name yet, he said, and after I had answered some questions of his, he left me at the Blavitski portal. I noticed that he drew a handful of gold coins from his pocket when it came to paying for the lunch. His insistence upon bodily health was curious. In accordance with an arrangement we had made I applied that day for a life policy in the Loyal Insurance Company for a large sum, and I was exhaustively overhauled by the medical advisers of that company in the subsequent week. Even that did not satisfy him, and he insisted I must be re-examined by the great Doctor Henderson. It was Friday in Whitsun week before he came to a decision. He called me down, quite late in the evening--, nearly nine it was--, from cramming chemical equations for my Preliminary Scientific examination. He was standing in the passage under the feeble gas-lamp, and his face was a grotesque interplay of shadows. He seemed more bowed than when I had first seen him, and his cheeks had sunk in a little.

His voice shook with emotion. "Everything is satisfactory, Mr. Eden," he said. "Everything is quite, quite satisfactory. And this night of all nights, you must dine with me and celebrate your--accession." He was interrupted by a cough. "You won't have long to wait, either," he said, wiping his handkerchief across his lips, and gripping my hand with his long bony claw that was disengaged. "Certainly not very long to wait."

We went into the street and called a cab. I remember every incident of that drive vividly, the swift, easy motion, the vivid contrast of gas and oil and electric light, the crowds of people in the streets, the place in Regent Street to which we went, and the sumptuous dinner we were served with there. I was disconcerted at first by the well-dressed waiter's glances at my rough clothes, bothered by the stones of the olives, but as the champagne warmed my blood, my confidence revived. At first the old man talked of himself. He had already told me his name in the cab; he was Egbert Elvesham, the great philosopher, whose name I had known since I was a lad at school. It seemed incredible to me that this man, whose intelligence had so early dominated mine, this great abstraction, should suddenly realise itself as this decrepit, familiar figure. I dare say every young fellow who has suddenly fallen among celebrities has felt something of my disappointment. He told me now of the future that the feeble streams of his life would presently leave dry for me, houses, copyrights, investments; I had never suspected that philosophers were so rich. He watched me drink and eat with a touch of envy. "What a capacity for living you have!" he said; and then with a sigh, a sigh of relief I could have thought it, "It will not be long."

"Ay," said I, my head swimming now with champagne; "I have a future perhaps--of a fairly agreeable sort, thanks to you. I shall now have the honour of your name. But you have a past. Such a past as is worth all my future."

He shook his head and smiled, as I thought, with half-sad appreciation of my flattering admiration. "That future," he said, "would you in truth change it?" The waiter came with liqueurs. "You will not perhaps mind taking my name, taking my position, but would you indeed--willingly--take my years?"

"With your achievements," said I gallantly.

He smiled again. "Kummel--both," he said to the waiter, and turned his attention to a little paper packet he had taken from his pocket. "This hour," said he, "this after-dinner hour is the hour of small things. Here is a scrap of my unpublished wisdom." He opened the packet with his shaking yellow fingers, and showed a little pinkish powder on the paper. "This," said he--"well, you must guess what it is. But Kummel--put but a dash of this powder in it--is Himmel." His large greyish eyes watched mine with an inscrutable expression.

It was a bit of a shock to me to find this great teacher gave his mind to the flavour of liqueurs. However, I feigned an interest in his weakness, for I was drunk enough for such small sycophancy.

He parted the powder between the little glasses, and rising suddenly, with a strange unexpected dignity, held out his hand towards me. I imitated his action, and the glasses rang. "To a quick succession," said he, and raised his glass towards his lips.

"Not that," I said hastily. "Not that."

He paused with the liqueur at the level of his chin, and his eyes blazing into mine.

"To a long life," said I.

He hesitated. "To a long life," said he, with a sudden bark of laughter, and with eyes fixed on one another we tilted the little glasses. His eyes looked straight into mine, and as I drained the stuff off, I felt a curiously intense sensation. The first touch of it set my brain in a furious tumult; I seemed to feel an actual physical stirring in my skull, and a seething humming filled my ears. I did not notice the flavour in my mouth, the aroma that filled my throat; I saw only the grey intensity of his gaze that burnt into mine. The draught, the mental confusion, the noise and stirring in my head, seemed to last an interminable time. Curious vague impressions of half-forgotten things danced and vanished on the edge of my consciousness. At last he broke the spell. With a sudden explosive sigh he put down his glass.

"Well?" he said.

"It's glorious," said I, though I had not tasted the stuff.

My head was spinning. I sat down. My brain was chaos. Then my perception grew clear and minute as though I saw things in a concave mirror. His manner seemed to have changed into something nervous and hasty. He pulled out his watch and grimaced at it. "Eleven-seven! And to-night I must--Seven-twenty-five. Waterloo! I must go at once." He called for the bill, and struggled with his coat. Officious waiters came to our assistance. In another moment I was wishing him good-bye, over the apron of a cab, and still with an absurd feeling of minute distinctness, as though--how can I express it--? I not only saw but felt through an inverted opera-glass.

"That stuff," he said. He put his hand to his forehead. "I ought not to have given it to you. It will make your head split to-morrow. Wait a minute. Here." He handed me out a little flat thing like a seidlitz-powder. "Take that in water as you are going to bed. The other thing was a drug. Not till you're ready to go to bed, mind. It will clear your head. That's all. One more shake--Futurus!"

I gripped his shrivelled claw. "Good-bye," he said, and by the droop of his eyelids I judged he too was a little under the influence of that brain-twisting cordial.

He recollected something else with a start, felt in his breast-pocket, and produced another packet, this time a cylinder the size and shape of a shaving-stick. "Here," said he. "I'd almost forgotten. Don't open this until I come to-morrow--but take it now."

It was so heavy that I well-nigh dropped it. "All ri'!" said I, and he grinned at me through the cab window as the cabman flicked his horse into wakefulness. It was a white packet he had given me, with red seals at either end and along its edge. "If this isn't money," said I, "it's platinum or lead."

I stuck it with elaborate care into my pocket, and with a whirling brain walked home through the Regent Street loiterers and the dark back streets beyond Portland Road. I remember the sensations of that walk very vividly, strange as they were. I was still so far myself that I could notice my strange mental state, and wonder whether this stuff I had, had was opium--a drug beyond my experience. It is hard now to describe the peculiarity of my mental strangeness--mental doubling vaguely expresses it. As I was walking up Regent Street I found in my mind a queer persuasion that it was Waterloo Station, and had an odd impulse to get into the Polytechnic as a man might get into a train. I put a knuckle in my eye, and it was Regent Street. How can I express it? You see a skilful actor looking quietly at you, he pulls a grimace, and lo--! Another person. Is it too extravagant if I tell you that it seemed to me as if Regent Street had, for the moment, done that? Then, being persuaded it was Regent Street again, I was oddly muddled about some fantastic reminiscences that cropped up. "Thirty years ago," thought I, "it was here that I quarrelled with my brother." Then I burst out laughing, to the astonishment and encouragement of a group of night prowlers. Thirty years ago I did not exist, and never in my life had I boasted a brother. The stuff was surely liquid folly, for the poignant regret for that lost brother still clung to me. Along Portland Road the madness took another turn. I began to recall vanished shops, and to compare the street with what it used to be. Confused, troubled thinking is comprehensible enough after the drink I had taken, but what puzzled me were these curiously vivid phantasm memories that had crept into my mind, and not only the memories that had crept in, but also the memories that had slipped out. I stopped opposite Stevens', the natural history dealer's, and cudgelled my brains to think what he had to do with me. A 'bus went by, and sounded exactly like the rumbling of a train. I seemed to be dipping into some dark, remote pit for the recollection. "Of course," said I, at last, "he has promised me three frogs to-morrow. Odd I should have forgotten."

Do they still show children dissolving views? In those I remember one view would begin like a faint ghost, and grow and oust another. In just that way it seemed to me that a ghostly set of new sensations was struggling with those of my ordinary self.

I went on through Euston Road to Tottenham Court Road, puzzled, and a little frightened, and scarcely noticed the unusual way I was taking, for commonly I used to cut through the intervening network of back streets. I turned into University Street, to discover that I had forgotten my number. Only by a strong effort did I recall 11A, and even then it seemed to me that it was a thing some forgotten person had told me. I tried to steady my mind by recalling the incidents of the dinner, and for the life of me I could conjure up no picture of my host's face; I saw him only as a shadowy outline, as one might see oneself reflected in a window through which one was looking. In his place however, I had a curious exterior vision of myself, sitting at a table, flushed, bright-eyed, and talkative.

"I must take this other powder," said I. "This is getting impossible."

I tried the wrong side of the hall for my candle and the matches, and had a doubt of which landing my room might be on. "I'm drunk," I said, "that's certain," and blundered needlessly on the staircase to sustain the proposition.

At the first glance my room seemed unfamiliar. "What rot!" I said, and stared about me. I seemed to bring myself back by the effort, and the odd phantasmal quality passed into the concrete familiar. There was the old looking-glass, with my notes on the albumens stuck in the corner of the frame, my old everyday suit of clothes pitched about the floor. And yet it was not so real after all. I felt an idiotic persuasion trying to creep into my mind, as it were, that I was in a railway carriage in a train just stopping, that I was peering out of the window at some unknown station. I gripped the bed-rail firmly to reassure myself. "It's clairvoyance, perhaps," I said. "I must write to the Psychical Research Society."

I put the rouleau on my dressing-table, sat on my bed, and began to take off my boots. It was as if the picture of my present sensations was painted over some other picture that was trying to show through. "Curse it!" Said I; "My wits are going, or am I in two places at once?" Half-undressed, I tossed the powder into a glass and drank it off. It effervesced, and became a fluorescent amber colour. Before I was in bed my mind was already tranquillised. I felt the pillow at my cheek, and thereupon I must have fallen asleep.

I awoke abruptly out of a dream of strange beasts, and found myself lying on my back. Probably every one knows that dismal, emotional dream from which one escapes, awake indeed, but strangely cowed. There was a curious taste in my mouth, a tired feeling in my limbs, a sense of cutaneous discomfort. I lay with my head motionless on my pillow, expecting that my feeling of strangeness and terror would pass away, and that I should then doze off again to sleep. But instead of that, my uncanny sensations increased. At first I could perceive nothing wrong about me. There was a faint light in the room, so faint that it was the very next thing to darkness, and the furniture stood out in it as vague blots of absolute darkness. I stared with my eyes just over the bedclothes.

It came into my mind that some one had entered the room to rob me of my rouleau of money, but after lying for some moments, breathing regularly to simulate sleep, I realised this was mere fancy. Nevertheless, the uneasy assurance of something wrong kept fast hold of me. With an effort I raised my head from the pillow, and peered about me at the dark. What it was I could not conceive. I looked at the dim shapes around me, the greater and lesser darknesses that indicated curtains, table, fireplace, bookshelves, and so forth. Then I began to perceive something unfamiliar in the forms of the darkness. Had the bed turned round? Yonder should be the bookshelves, and something shrouded and pallid rose there, something that would not answer to the bookshelves, however I looked at it. It was far too big to be my shirt thrown on a chair.

Overcoming a childish terror, I threw back the bedclothes and thrust my leg out of bed. Instead of coming out of my truckle-bed upon the floor, I found my foot scarcely reached the edge of the mattress. I made another step, as it were, and sat up on the edge of the bed. By the side of my bed should be the candle, and the matches upon the broken chair. I put out my hand and touched--nothing. I waved my hand in the darkness, and it came against some heavy hanging, soft and thick in texture, which gave a rustling noise at my touch. I grasped this and pulled it; it appeared to be a curtain suspended over the head of my bed.

I was now thoroughly awake, and beginning to realise that I was in a strange room. I was puzzled. I tried to recall the overnight circumstances, and I found them now, curiously enough, vivid in my memory: the supper, my reception of the little packages, my wonder whether I was intoxicated, my slow undressing, the coolness to my flushed face of my pillow. I felt a sudden distrust. Was that last night, or the night before? At any rate, this room was strange to me, and I could not imagine how I had got into it. The dim, pallid outline was growing paler, and I perceived it was a window, with the dark shape of an oval toilet-glass against the weak intimation of the dawn that filtered through the blind. I stood up, and was surprised by a curious feeling of weakness and unsteadiness. With trembling hands outstretched, I walked slowly towards the window, getting, nevertheless, a bruise on the knee from a chair by the way. I fumbled round the glass, which was large, with handsome brass sconces, to find the blind-cord. I could not find any. By chance I took hold of the tassel, and with the click of a spring the blind ran up.

I found myself looking out upon a scene that was altogether strange to me. The night was overcast, and through the flocculent grey of the heaped clouds there filtered a faint half-light of dawn. Just at the edge of the sky the cloud-canopy had a blood-red rim. Below everything was dark and indistinct, dim hills in the distance, a vague mass of buildings running up into pinnacles, trees like spilt ink, and below the window a tracery of black bushes and pale grey paths. It was so unfamiliar that for the moment I thought myself still dreaming. I felt the toilet-table; it appeared to be made of some polished wood, and was rather elaborately furnished--there were little cut-glass bottles and a brush upon it. There was also a queer little object, horse-shoe-shaped it felt, with smooth, hard projections, lying in a saucer. I could find no matches nor candlestick.

I turned my eyes to the room again. Now the blind was up, faint spectres of its furnishing came out of the darkness. There was a huge curtained bed, and the fireplace at its foot had a large white mantel with something of the shimmer of marble.

I leant against the toilet-table, shut my eyes and opened them again, and tried to think. The whole thing was far too real for dreaming. I was inclined to imagine there was still some hiatus in my memory, as a consequence of my draught of that strange liqueur; that I had come into my inheritance perhaps, and suddenly lost my recollection of everything since my good fortune had been announced. Perhaps if I waited a little, things would be clearer to me again. Yet my dinner with old Elvesham was now singularly vivid and recent. The champagne, the observant waiters, the powder, and the liqueurs--I could have staked my soul it all happened a few hours ago.

And then occurred a thing so trivial and yet so terrible to me that I shiver now to think of that moment. I spoke aloud. I said, "How the devil did I get here...?" And the voice was not my own.

It was not my own, it was thin, the articulation was slurred, the resonance of my facial bones was different. Then to reassure myself, I ran one hand over the other, and felt loose folds of skin, the bony laxity of age. "Surely," I said, in that horrible voice that had somehow established itself in my throat, "surely this thing is a dream!" Almost as quickly as if I did it involuntarily, I thrust my fingers into my mouth. My teeth had gone. My finger-tips ran on the flaccid surface of an even row of shrivelled gums. I was sick with dismay and disgust.

I felt then a passionate desire to see myself, to realise at once in its full horror the ghastly change that had come upon me. I tottered to the mantel, and felt along it for matches. As I did so, a barking cough sprang up in my throat, and I clutched the thick flannel nightdress I found about me. There were no matches there, and I suddenly realised that my extremities were cold. Sniffing and coughing, whimpering a little, perhaps, I fumbled back to bed. "It is surely a dream," I whispered to myself as I clambered back, "surely a dream." It was a senile repetition. I pulled the bedclothes over my shoulders, over my ears, I thrust my withered hand under the pillow, and determined to compose myself to sleep. Of course it was a dream. In the morning the dream would be over, and I should wake up strong and vigorous again to my youth and studies. I shut my eyes, breathed regularly, and finding myself wakeful, began to count slowly through the powers of three.

But the thing I desired would not come. I could not get to sleep. And the persuasion of the inexorable reality of the change that had happened to me grew steadily. Presently I found myself with my eyes wide open, the powers of three forgotten, and my skinny fingers upon my shrivelled gums, I was indeed, suddenly and abruptly, an old man. I had in some unaccountable manner fallen through my life and come to old age, in some way I had been cheated of all the best of my life, of love, of struggle, of strength, and hope. I grovelled into the pillow and tried to persuade myself that such hallucination was possible. Imperceptibly, steadily, the dawn grew clearer.

At last, despairing of further sleep, I sat up in bed and looked about me. A chill twilight rendered the whole chamber visible. It was spacious and well-furnished, better furnished than any room I had ever slept in before. A candle and matches became dimly visible upon a little pedestal in a recess. I threw back the bedclothes, and shivering with the rawness of the early morning, albeit it was summer-time, I got out and lit the candle. Then trembling horribly, so that the extinguisher rattled on its spike, I tottered to the glass and saw--Elvesham's face! It was none the less horrible because I had already dimly feared as much. He had already seemed physically weak and pitiful to me, but seen now, dressed only in a coarse flannel nightdress, that fell apart and showed the stringy neck, seen now as my own body, I cannot describe its desolate decrepitude. The hollow cheeks, the straggling tail of dirty grey hair, the rheumy bleared eyes, the quivering, shrivelled lips, the lower displaying a gleam of the pink interior lining, and those horrible dark gums showing. You who are mind and body together, at your natural years, cannot imagine what this fiendish imprisonment meant to me. To be young and full of the desire and energy of youth, and to be caught, and presently to be crushed in this tottering ruin of a body...

But I wander from the course of my story. For some time I must have been stunned at this change that had come upon me. It was daylight when I did so far gather myself together as to think. In some inexplicable way I had been changed, though how short of magic, the thing had been done, I could not say. And as I thought, the diabolical ingenuity of Elvesham came home to me. It seemed plain to me that as I found myself in his, so he must be in possession of my body, of my strength, that is, and my future. But how to prove it? Then, as I thought, the thing became so incredible, even to me, that my mind reeled, and I had to pinch myself, to feel my toothless gums, to see myself in the glass, and touch the things about me, before I could steady myself to face the facts again. Was all life hallucination? Was I indeed Elvesham, and he me? Had I been dreaming of Eden overnight? Was there any Eden? But if I was Elvesham, I should remember where I was on the previous morning, the name of the town in which I lived, what happened before the dream began. I struggled with my thoughts. I recalled the queer doubleness of my memories overnight. But now my mind was clear. Not the ghost of any memories but those proper to Eden could I raise.

"This way lies insanity!" I cried in my piping voice. I staggered to my feet, dragged my feeble, heavy limbs to the washhand-stand, and plunged my grey head into a basin of cold water. Then, towelling myself, I tried again. It was no good. I felt beyond all question that I was indeed Eden, not Elvesham. But Eden in Elvesham's body!

Had I been a man of any other age, I might have given myself up to my fate as one enchanted. But in these sceptical days miracles do not pass current. Here was some trick of psychology. What a drug and a steady stare could do, a drug and a steady stare, or some similar treatment, could surely undo. Men have lost their memories before. But to exchange memories as one does umbrellas! I laughed. Alas! Not a healthy laugh, but a wheezing, senile titter. I could have fancied old Elvesham laughing at my plight, and a gust of petulant anger, unusual to me, swept across my feelings. I began dressing eagerly in the clothes I found lying about on the floor, and only realised when I was dressed that it was an evening suit I had assumed. I opened the wardrobe and found some more ordinary clothes, a pair of plaid trousers, and an old-fashioned dressing-gown. I put a venerable smoking-cap on my venerable head, and coughing a little from my exertions, tottered out upon the landing.

It was then, perhaps a quarter to six, and the blinds were closely drawn and the house quite silent. The landing was a spacious one, a broad, richly-carpeted staircase went down into the darkness of the hall below, and before me a door ajar showed me a writing-desk, a revolving bookcase, the back of a study chair, and a fine array of bound books, shelf upon shelf.

"My study," I mumbled, and walked across the landing. Then at the sound of my voice a thought struck me, and I went back to the bedroom and put in the set of false teeth. They slipped in with the ease of old, habit. "That's better," said I, gnashing them, and so returned to the study.

The drawers of the writing-desk were locked. Its revolving top was also locked. I could see no indications of the keys, and there were none in the pockets of my trousers. I shuffled back at once to the bedroom, and went through the dress suit, and afterwards the pockets of all the garments I could find. I was very eager, and one might have imagined that burglars had been at work, to see my room when I had done. Not only were there no keys to be found, but not a coin, nor a scrap of paper--save only the receipted bill of the overnight dinner.

A curious weariness asserted itself. I sat down and stared at the garments flung here and there, their pockets turned inside out. My first frenzy had already flickered out. Every moment I was beginning to realise the immense intelligence of the plans of my enemy, to see more and more clearly the hopelessness of my position. With an effort I rose and hurried hobbling into the study again. On the staircase was a housemaid pulling up the blinds. She stared, I think, at the expression of my face. I shut the door of the study behind me, and seizing a poker, began an attack upon the desk. That is how they found me. The cover of the desk was split, the lock smashed, the letters torn out of the pigeon-holes, and tossed about the room. In my senile rage I had flung about the pens and other such light stationery, and overturned the ink. Moreover, a large vase upon the mantel had got broken--I do not know how. I could find no cheque-book, no money, no indications of the slightest use for the recovery of my body. I was battering madly at the drawers, when the butler, backed by two women-servants, intruded upon me.

That simply is the story of my change. No one will believe my frantic assertions. I am treated as one demented, and even at this moment I am under restraint. But I am sane, absolutely sane, and to prove it I have sat down to write this story minutely as the things happened to me. I appeal to the reader, whether there is any trace of insanity in the style or method, of the story he has been reading. I am a young man locked away in an old man's body. But the clear fact is incredible to everyone. Naturally I appear demented to those who will not believe this, naturally I do not know the names of my secretaries, of the doctors who come to see me, of my servants and neighbours, of this town (wherever it is) where I find myself. Naturally I lose myself in my own house, and suffer inconveniences of every sort. Naturally I ask the oddest questions. Naturally I weep and cry out, and have paroxysms of despair. I have no money and no cheque-book. The bank will not recognise my signature, for I suppose that, allowing for the feeble muscles I now have, my handwriting is still Eden's. These people about me will not let me go to the bank personally. It seems, indeed, that there is no bank in this town, and that I have an account in some part of London. It seems that Elvesham kept the name of his solicitor secret from all his household--I can ascertain nothing. Elvesham was, of course, a profound student of mental science, and all my declarations of the facts of the case merely confirm the theory that my insanity is the outcome of overmuch brooding upon psychology. Dreams of the personal identity indeed! Two days ago I was a healthy youngster, with all life before me; now I am a furious old man, unkempt, and desperate, and miserable, prowling about a great, luxurious, strange house, watched, feared, and avoided as a lunatic by everyone about me. And in London, there is Elvesham beginning life again in a vigorous body, and with all the accumulated knowledge and wisdom of threescore and ten. He has stolen my life.

What has happened I do not clearly know. In the study are volumes of manuscript notes referring chiefly to the psychology of memory, and parts of what may be either calculations or ciphers in symbols absolutely strange to me. In some passages there are indications that he was also occupied with the philosophy of mathematics. I take it he has transferred the whole of his memories, the accumulation that makes up his personality, from this old withered brain of his to mine, and similarly, that he has transferred mine to his discarded tenement. Practically, that is, he has changed bodies. But how such a change may be possible is without the range of my philosophy. I have been a materialist for all my thinking life, but here suddenly, is a clear case of man's detachability from matter.

One desperate experiment I am about to try. I sit writing here before putting the matter to issue. This morning, with the help of a table-knife that I had secreted at breakfast, I succeeded in breaking open a fairly obvious secret drawer in this wrecked writing-desk. I discovered nothing save a little green glass phial containing a white powder. Round the neck of the phial was a label, and thereon was written this one word, "Release." This may be--is most probably, poison. I can understand Elvesham placing poison in my way, and I should be sure that it was his intention so to get rid of the only living witness against him, were it not for this careful concealment. The man has practically solved the problem of immortality. Save for the spite of chance, he will live in my body until it has aged, and then, again throwing that aside, he will assume some other victim's youth and strength. When one remembers his heartlessness, it is terrible to think of the ever-growing experience that...How long has he been leaping from body to body...? But I tire of writing. The powder appears to be soluble in water. The taste is not unpleasant.

There the narrative found upon Mr. Elvesham's desk ends. His dead body lay between the desk and the chair. The latter had been pushed ba

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Title: The Short Stories of H. G. Wells (1927) Author: H. G. Wells * A Project Gutenberg of Australia eBook * eBook No.: 0609221h.html Language: English Date first posted: August 2007 Date most recently updated: August 2007 * * * PRODUCTION NOTES: 'The Beautiful Suit' is also known as 'A Moonlight Fable'.

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November read: A short story by Alice Munro:

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November read: A short story by Alice Munro:

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'The Bear Came Over the Mountain' is our first set reading and the first short story we're going to discuss in the early December.
Start today so that you make it on time :)

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( This story originally appeared in the December 27, 1999, issue of the magazine.)

Fiona lived in her parents' house, in the town where she and Grant went to university. It was a big, bay-windowed house that seemed to Grant both luxurious and disorderly, with rugs crooked on the floors and cup rings bitten into the table varnish. Her mother was Icelandic-a powerful woman with a froth of white hair and indignant far-left politics. The father was an important cardiologist, revered around the hospital but happily subservient at home, where he would listen to his wife's strange tirades with an absentminded smile. Fiona had her own little car and a pile of cashmere sweaters, but she wasn't in a sorority, and her mother's political activity was probably the reason. Not that she cared. Sororities were a joke to her, and so was politics-though she liked to play "The Four Insurgent Generals" on the phonograph, and sometimes also the "Internationale," very loud, if there was a guest she thought she could make nervous. A curly-haired gloomy-looking foreigner was courting her-she said he was a Visigoth-and so were two or three quite respectable and uneasy young interns. She made fun of them all and of Grant as well. She would drolly repeat some of his small-town phrases. He thought maybe she was joking when she proposed to him, on a cold bright day on the beach at Port Stanley. Sand was stinging their faces and the waves delivered crashing loads of gravel at their feet.

"Do you think it would be fun-" Fiona shouted. "Do you think it would be fun if we got married?"

He took her up on it, he shouted yes. He wanted never to be away from her. She had the spark of life.

Just before they left their house Fiona noticed a mark on the kitchen floor. It came from the cheap black house shoes she had been wearing earlier in the day.

"I thought they'd quit doing that," she said in a tone of ordinary annoyance and perplexity, rubbing at the gray smear that looked as if it had been made by a greasy crayon.

She remarked that she'd never have to do this again, since she wasn't taking those shoes with her.

"I guess I'll be dressed up all the time," she said. "Or semi-dressed up. It'll be sort of like in a hotel."

She rinsed out the rag she'd been using and hung it on the rack inside the door under the sink. Then she put on her golden-brown, fur-collared ski jacket, over a white turtleneck sweater and tailored fawn slacks. She was a tall, narrow-shouldered woman, seventy years old but still upright and trim, with long legs and long feet, delicate wrists and ankles, and tiny, almost comical-looking ears. Her hair that was as light as milkweed fluff had gone from pale blond to white somehow without Grant's noticing exactly when, and she still wore it down to her shoulders, as her mother had done. (That was the thing that had alarmed Grant's own mother, a small-town widow who worked as a doctor's receptionist. The long white hair on Fiona's mother, even more than the state of the house, had told her all she needed to know about attitudes and politics.) But otherwise Fiona, with her fine bones and small sapphire eyes, was nothing like her mother. She had a slightly crooked mouth, which she emphasized now with red lipstick-usually the last thing she did before she left the house.

She looked just like herself on this day-direct and vague as in fact she was, sweet and ironic.

Over a year ago, Grant had started noticing so many little yellow notes stuck up all over the house. That was not entirely new. Fiona had always written things down-the title of a book she'd heard mentioned on the radio or the jobs she wanted to make sure she got done that day. Even her morning schedule was written down. He found it mystifying and touching in its precision: "7 A.M. yoga. 7:30-7:45 teeth face hair. 7:45-8:15 walk. 8:15 Grant and breakfast."

The new notes were different. Stuck onto the kitchen drawers-Cutlery, Dish-towels, Knives. Couldn't she just open the drawers and see what was inside?

Worse things were coming. She went to town and phoned Grant from a booth to ask him how to drive home. She went for her usual walk across the field into the woods and came home by the fence line-a very long way round. She said that she'd counted on fences always taking you somewhere.

It was hard to figure out. She'd said that about fences as if it were a joke, and she had remembered the phone number without any trouble.

"I don't think it's anything to worry about," she said. "I expect I'm just losing my mind."

He asked if she had been taking sleeping pills.

"If I am I don't remember," she said. Then she said she was sorry to sound so flippant. "I'm sure I haven't been taking anything. Maybe I should be. Maybe vitamins."

Vitamins didn't help. She would stand in doorways trying to figure out where she was going. She forgot to turn on the burner under the vegetables or put water in the coffeemaker. She asked Grant when they'd moved to this house.

"Was it last year or the year before?"

"It was twelve years ago," he said.

"That's shocking."

"She's always been a bit like this," Grant said to the doctor. He tried without success to explain how Fiona's surprise and apologies now seemed somehow like routine courtesy, not quite concealing a private amusement. As if she'd stumbled on some unexpected adventure. Or begun playing a game that she hoped he would catch on to.

"Yes, well," the doctor said. "It might be selective at first. We don't know, do we? Till we see the pattern of the deterioration, we really can't say."

In a while it hardly mattered what label was put on it. Fiona, who no longer went shopping alone, disappeared from the supermarket while Grant had his back turned. A policeman picked her up as she was walking down the middle of the road, blocks away. He asked her name and she answered readily. Then he asked her the name of the Prime Minister.

"If you don't know that, young man, you really shouldn't be in such a responsible job."

He laughed. But then she made the mistake of asking if he'd seen Boris and Natasha. These were the now dead Russian wolfhounds she had adopted many years ago, as a favor to a friend, then devoted herself to for the rest of their lives. Her taking them over might have coincided with the discovery that she was not likely to have children. Something about her tubes being blocked, or twisted-Grant could not remember now. He had always avoided thinking about all that female apparatus. Or it might have been after her mother died. The dogs' long legs and silky hair, their narrow, gentle, intransigent faces made a fine match for her when she took them out for walks. And Grant himself, in those days, landing his first job at the university (his father-in-law's money welcome there in spite of the political taint), might have seemed to some people to have been picked up on another of Fiona's eccentric whims, and groomed and tended and favored-though, fortunately, he didn't understand this until much later.

There was a rule that nobody could be admitted to Meadowlake during the month of December. The holiday season had so many emotional pitfalls. So they made the twenty-minute drive in January. Before they reached the highway the country road dipped through a swampy hollow now completely frozen over.

Fiona said, "Oh, remember."

Grant said, "I was thinking about that, too."

"Only it was in the moonlight," she said.

She was talking about the time that they had gone out skiing at night under the full moon and over the black-striped snow, in this place that you could get into only in the depths of winter. They had heard the branches cracking in the cold.

If she could remember that, so vividly and correctly, could there really be so much the matter with her? It was all he could do not to turn around and drive home.

There was another rule that the supervisor explained to him. New residents were not to be visited during the first thirty days. Most people needed that time to get settled in. Before the rule had been put in place, there had been pleas and tears and tantrums, even from those who had come in willingly. Around the third or fourth day they would start lamenting and begging to be taken home. And some relatives could be susceptible to that, so you would have people being carted home who would not get on there any better than they had before. Six months or sometimes only a few weeks later, the whole upsetting hassle would have to be gone through again.

"Whereas we find," the supervisor said, "we find that if they're left on their own the first month they usually end up happy as clams."

They had in fact gone over to Meadowlake a few times several years ago to visit Mr. Farquhar, the old bachelor farmer who had been their neighbor. He had lived by himself in a drafty brick house unaltered since the early years of the century, except for the addition of a refrigerator and a television set. Now, just as Mr. Farquhar's house was gone, replaced by a gimcrack sort of castle that was the weekend home of some people from Toronto, the old Meadow-lake was gone, though it had dated only from the fifties. The new building was a spacious, vaulted place, whose air was faintly, pleasantly pine-scented. Profuse and genuine greenery sprouted out of giant crocks in the hallways.

Nevertheless, it was the old Meadowlake that Grant found himself picturing Fiona in, during the long month he had to get through without seeing her. He phoned every day and hoped to get the nurse whose name was Kristy. She seemed a little amused at his constancy, but she would give him a fuller report than any other nurse he got stuck with.

Fiona had caught a cold the first week, she said, but that was not unusual for newcomers. "Like when your kids start school," Kristy said. "There's a whole bunch of new germs they're exposed to and for a while they just catch everything."

Then the cold got better. She was off the antibiotics and she didn't seem as confused as she had been when she came in. (This was the first Grant had heard about either the antibiotics or the confusion.) Her appetite was pretty good and she seemed to enjoy sitting in the sunroom. And she was making some friends, Kristy said.

If anybody phoned, he let the machine pick up. The people they saw socially, occasionally, were not close neighbors but people who lived around the country, who were retired, as they were, and who often went away without notice. They would imagine that he and Fiona were away on some such trip at present.

Grant skied for exercise. He skied around and around in the field behind the house as the sun went down and left the sky pink over a countryside that seemed to be bound by waves of blue-edged ice. Then he came back to the darkening house, turning the television news on while he made his supper. They had usually prepared supper together. One of them made the drinks and the other the fire, and they talked about his work (he was writing a study of legendary Norse wolves and particularly of the great wolf Fenrir, which swallows up Odin at the end of the world) and about whatever Fiona was reading and what they had been thinking during their close but separate day. This was their time of liveliest intimacy, though there was also, of course, the five or ten minutes of physical sweetness just after they got into bed-something that did not often end in sex but reassured them that sex was not over yet.

In a dream he showed a letter to one of his colleagues. The letter was from the roommate of a girl he had not thought of for a while and was sanctimonious and hostile, threatening in a whining way. The girl herself was someone he had parted from decently and it seemed unlikely that she would want to make a fuss, let alone try to kill herself, which was what the letter was elaborately trying to tell him she had done.

He had thought of the colleague as a friend. He was one of those husbands who had been among the first to throw away their neckties and leave home to spend every night on a floor mattress with a bewitching young mistress-coming to their offices, their classes, bedraggled and smelling of dope and incense. But now he took a dim view.

"I wouldn't laugh," he said to Grant- who did not think he had been laughing. "And if I were you I'd try to prepare Fiona."

So Grant went off to find Fiona in Meadowlake-the old Meadowlake- and got into a lecture hall instead. Everybody was waiting there for him to teach his class. And sitting in the last, highest row was a flock of cold-eyed young women all in black robes, all in mourning, who never took their bitter stares off him, and pointedly did not write down, or care about, anything he was saying.

Fiona was in the first row, untroubled. "Oh phooey," she said. "Girls that age are always going around talking about how they'll kill themselves."

He hauled himself out of the dream, took pills, and set about separating what was real from what was not.

There had been a letter, and the word "rat" had appeared in black paint on his office door, and Fiona, on being told that a girl had suffered from a bad crush on him, had said pretty much what she said in the dream. The colleague hadn't come into it, and nobody had committed suicide. Grant hadn't been disgraced. In fact, he had got off easy when you thought of what might have happened just a couple of years later. But word got around. Cold shoulders became conspicuous. They had few Christmas invitations and spent New Year's Eve alone. Grant got drunk, and without its being required of him-also, thank God, without making the error of a confession-he promised Fiona a new life.

Nowhere had there been any acknowledgment that the life of a philanderer (if that was what Grant had to call himself-he who had not had half as many conquests as the man who had reproached him in his dream) involved acts of generosity, and even sacrifice. Many times he had catered to a woman's pride, to her fragility, by offering more affection-or a rougher passion- than anything he really felt. All so that he could now find himself accused of wounding and exploiting and destroying self-esteem. And of deceiving Fiona-as, of course, he had. But would it have been better if he had done as others had done with their wives, and left her? He had never thought of such a thing. He had never stopped making love to Fiona. He had not stayed away from her for a single night. No making up elaborate stories in order to spend a weekend in San Francisco or in a tent on Manitoulin Island. He had gone easy on the dope and the drink, and he had continued to publish papers, serve on committees, make progress in his career. He had never had any intention of throwing over work and marriage and taking to the country to practice carpentry or keep bees.

But something like that had happened, after all. He had taken early retirement with a reduced pension. Fiona's father had died, after some be-wildered and stoical time alone in the big house, and Fiona had inherited both that property and the farmhouse where her father had grown up, in the country near Georgian Bay.

It was a new life. He and Fiona worked on the house. They got cross-country skis. They were not very sociable but they gradually made some friends. There were no more hectic flirtations. No bare female toes creeping up under a man's pants leg at a dinner party. No more loose wives.

Just in time, Grant was able to think, when the sense of injustice had worn down. The feminists and perhaps the sad silly girl herself and his cowardly so-called friends had pushed him out just in time. Out of a life that was in fact getting to be more trouble than it was worth. And that might eventually have cost him Fiona.

On the morning of the day when he was to go back to Meadowlake, for the first visit, Grant woke early. He was full of a solemn tingling, as in the old days on the morning of his first planned meeting with a new woman. The feeling was not precisely sexual. (Later, when the meetings had become routine, that was all it was.) There was an expectation of discovery, almost a spiritual expansion. Also timidity, humility, alarm.

There had been a thaw. Plenty of snow was left, but the dazzling hard landscape of earlier winter had crumbled. These pocked heaps under a gray sky looked like refuse in the fields. In the town near Meadowlake he found a florist's shop and bought a large bouquet. He had never presented flowers to Fiona before. Or to anyone else. He entered the building feeling like a hopeless lover or a guilty husband in a cartoon.

"Wow. Narcissus this early," Kristy said. "You must've spent a fortune." She went along the hall ahead of him and snapped on the light in a sort of pantry, where she searched for a vase. She was a heavy young woman who looked as if she had given up on her looks in every department except her hair. That was blond and voluminous. All the puffed-up luxury of a cocktail waitress's style, or a stripper's, on top of such a workaday face and body.

"There now," she said, and nodded him down the hall. "Name's right on the door."

So it was, on a nameplate decorated with bluebirds. He wondered whether to knock, and did, then opened the door and called her name.

She wasn't there. The closet door was closed, the bed smoothed. Nothing on the bedside table, except a box of Kleenex and a glass of water. Not a single photograph or picture of any kind, not a book or a magazine. Perhaps you had to keep those in a cupboard.

He went back to the nurses' station. Kristy said, "No?" with a surprise that he thought perfunctory. He hesitated, holding the flowers. She said, "O.K., O.K.-let's set the bouquet down here." Sighing, as if he were a backward child on his first day at school, she led him down the hall toward a large central space with skylights which seemed to be a general meeting area. Some people were sitting along the walls, in easy chairs, others at tables in the middle of the carpeted floor. None of them looked too bad. Old-some of them incapacitated enough to need wheelchairs-but decent. There had been some unnerving sights when he and Fiona visited Mr. Farquhar. Whiskers on old women's chins, somebody with a bulged-out eye like a rotted plum. Dribblers, head wagglers, mad chatterers. Now it looked as if there'd been some weeding out of the worst cases.

"See?" said Kristy in a softer voice. "You just go up and say hello and try not to startle her. Just go ahead."

He saw Fiona in profile, sitting close up to one of the card tables, but not playing. She looked a little puffy in the face, the flab on one cheek hiding the corner of her mouth, in a way it hadn't done before. She was watching the play of the man she sat closest to. He held his cards tilted so that she could see them. When Grant got near the table she looked up. They all looked up-all the players at the table looked up, with displeasure. Then they immediately looked down at their cards, as if to ward off any intrusion.

But Fiona smiled her lopsided, abashed, sly, and charming smile and pushed back her chair and came round to him, putting her fingers to her mouth.

"Bridge," she whispered. "Deadly serious. They're quite rabid about it." She drew him toward the coffee table, chatting. "I can remember being like that for a while at college. My friends and I would cut class and sit in the common room and smoke and play like cutthroats. Can I get you anything? A cup of tea? I'm afraid the coffee isn't up to much here."

Grant never drank tea.

He could not throw his arms around her. Something about her voice and smile, familiar as they were, something about the way she seemed to be guarding the players from him-as well as him from their displeasure-made that impossible.

"I brought you some flowers," he said. "I thought they'd do to brighten up your room. I went to your room but you weren't there."

"Well, no," she said. "I'm here." She glanced back at the table.

Grant said, "You've made a new friend." He nodded toward the man she'd been sitting next to. At this moment that man looked up at Fiona and she turned, either because of what Grant had said or because she felt the look at her back.

"It's just Aubrey," she said. "The funny thing is I knew him years and years ago. He worked in the store. The hardware store where my grandpa used to shop. He and I were always kidding around and he couldn't get up the nerve to ask me out. Till the very last weekend and he took me to a ballgame. But when it was over my grandpa showed up to drive me home. I was up visiting for the summer. Visiting my grandparents-they lived on a farm."

"Fiona. I know where your grandparents lived. It's where we live. Lived."

"Really?" she said, not paying her full attention because the cardplayer was sending her his look, which was one not of supplication but of command. He was a man of about Grant's age, or a little older. Thick coarse white hair fell over his forehead and his skin was leathery but pale, yellowish-white like an old wrinkled-up kid glove. His long face was dignified and melancholy and he had something of the beauty of a powerful, discouraged, elderly horse. But where Fiona was concerned he was not discouraged.

"I better go back," Fiona said, a blush spotting her newly fattened face. "He thinks he can't play without me sitting there. It's silly, I hardly know the game anymore. If I leave you now, you can entertain yourself ? It must all seem strange to you but you'll be surprised how soon you get used to it. You'll get to know who everybody is. Except that some of them are pretty well off in the clouds, you know-you can't expect them all to get to know who you are."

She slipped back into her chair and said something into Aubrey's ear. She tapped her fingers across the back of his hand.

Grant went in search of Kristy and met her in the hall. She was pushing a cart with pitchers of apple juice and grape juice.

"Well?" she said.

Grant said, "Does she even know who I am?" He could not decide. She could have been playing a joke. It would not be unlike her. She had given herself away by that little pretense at the end, talking to him as if she thought perhaps he was a new resident. If it was a pretense.

Kristy said, "You just caught her at sort of a bad moment. Involved in the game."

"She's not even playing," he said.

"Well, but her friend's playing. Aubrey."

"So who is Aubrey?"

"That's who he is. Aubrey. Her friend. Would you like a juice?" Grant shook his head. "Oh look," said Kristy. "They get these attachments. That takes over for a while. Best buddy sort of thing. It's kind of a phase."

"You mean she really might not know who I am?"

"She might not. Not today. Then tomorrow-you never know, do you? You'll see the way it is, once you've been coming here for a while. You'll learn not to take it all so serious. Learn to take it day by day."

Day by day. But things really didn't change back and forth and he didn't get used to the way they were. Fiona was the one who seemed to get used to him, but only as some persistent visitor who took a special interest in her. Or perhaps even as a nuisance who must be prevented, according to her old rules of courtesy, from realizing that he was one. She treated him with a distracted, social sort of kindness that was successful in keeping him from asking the most obvious, the most necessary question: did she remember him as her husband of nearly fifty years? He got the impression that she would be embarrassed by such a question-embarrassed not for herself but for him.

Kristy told him that Aubrey had been the local representative of a company that sold weed killer "and all that kind of stuff" to farmers. And then when he was not very old or even retired, she said, he had suffered some unusual kind of damage.

"His wife is the one takes care of him, usually at home. She just put him in here on temporary care so she could get a break. Her sister wanted her to go to Florida. See, she's had a hard time, you wouldn't ever have expected a man like him-they just went on a holiday somewhere and he got something, like some bug that gave him a terrible high fever? And it put him in a coma and left him like he is now."

Most afternoons the pair could be found at the card table. Aubrey had large, thick-fingered hands. It was difficult for him to manage his cards. Fiona shuffled and dealt for him and sometimes moved quickly to straighten a card that seemed to be slipping from his grasp. Grant would watch from across the room her darting move and quick laughing apology. He could see Aubrey's husbandly frown as a wisp of her hair touched his cheek. Aubrey preferred to ignore her, as long as she stayed close.

But let her smile her greeting at Grant, let her push back her chair and get up to offer him tea-showing that she had accepted his right to be there- and Aubrey's face took on its look of sombre consternation. He would let the cards slide from his fingers and fall on the floor to spoil the game. And Fiona then had to get busy and put things right.

If Fiona and Aubrey weren't at the bridge table they might be walking along the halls, Aubrey hanging on to the railing with one hand and clutching Fiona's arm or shoulder with the other. The nurses thought that it was a marvel, the way she had got him out of his wheelchair. Though for longer trips- to the conservatory at one end of the building or the television room at the other-the wheelchair was called for.

In the conservatory, the pair would find themselves a seat among the most lush and thick and tropical-looking plants-a bower, if you liked. Grant stood nearby, on occasion, on the other side of the greenery, listening. Mixed in with the rustle of the leaves and the sound of plashing water was Fiona's soft talk and her laughter. Then some sort of chortle. Aubrey could talk, though his voice probably didn't sound as it used to. He seemed to say something now-a couple of thick syllables.

Take care. He's here. My love.

Grant made an effort, and cut his visits down to Wednesdays and Saturdays. Saturdays had a holiday bustle and tension. Families arrived in clusters. Mothers were usually in charge; they were the ones who kept the conversation afloat. Men seemed cowed, teen-agers affronted. No children or grandchildren appeared to visit Aubrey, and since they could not play cards-the tables being taken over for ice-cream parties-he and Fiona stayed clear of the Saturday parade. The conservatory was far too popular then for any of their intimate conversations. Those might be going on, of course, behind Fiona's closed door. Grant could not manage to knock when he found it closed, though he stood there for some time staring at the Disney-style nameplate with an intense, a truly malignant dislike.

Or they might be in Aubrey's room. But he did not know where that was. The more he explored this place the more corridors and seating spaces and ramps he discovered, and in his wanderings he was still apt to get lost. One Saturday he looked out a window and saw Fiona-it had to be her-wheeling Aubrey along one of the paved paths now cleared of snow and ice. She was wearing a silly wool hat and a jacket with swirls of blue and purple, the sort of thing he had seen on local women at the supermarket. It must be that they didn't bother to sort out the wardrobes of the women who were roughly the same size and counted on the women not to recognize their own clothes anyway. They had cut her hair, too. They had cut away her angelic halo.

On a Wednesday, when everything was more normal and card games were going on again and the women in the Crafts Room were making silk flowers or costumed dolls-and when Aubrey and Fiona were again in evidence, so that it was possible for Grant to have one of his brief and friendly and maddening conversations with his wife-he said to her, "Why did they chop off your hair?"

Fiona put her hands up to her head, to check.

"Why-I never missed it," she said.

When Grant had first started teaching Anglo-Saxon and Nordic literature he got the regular sort of students in his classes. But after a few years he noticed a change. Married women had started going back to school. Not with the idea of qualifying for a better job, or for any job, but simply to give themselves something more interesting to think about than their usual housework and hobbies. To enrich their lives. And perhaps it followed naturally that the men who taught them these things became part of the enrichment, that these men seemed to these women more mysterious and desirable than the men they still cooked for and slept with.

Those who signed up for Grant's courses might have a Scandinavian background or they might have learned something about Norse mythology from Wagner or historical novels. There were also a few who thought he was teaching a Celtic language and for whom everything Celtic had a mystic allure. He spoke to such aspirants fairly roughly from his side of the desk.

"If you want to learn a pretty language go and learn Spanish. Then you can use it if you go to Mexico."

Some took his warning and drifted away. Others seemed to be moved in a personal way by his demanding tone. They worked with a will and brought into his office, into his regulated satisfactory life, the great surprising bloom of their mature female compliance, their tremulous hope of approval.

He chose a woman named Jacqui Adams. She was the opposite of Fiona-short, cushiony, dark-eyed, effusive. A stranger to irony. The affair lasted for a year, until her husband was transferred. When they were saying goodbye in her car, she began to shake uncontrollably. It was as if she had hypothermia. She wrote to him a few times, but he found the tone of her letters overwrought and could not decide how to answer. He let the time for answering slip away while he became magically and unexpectedly involved with a girl who was young enough to be Jacqui's daughter.

For another and more dizzying development had taken place while he was busy with Jacqui. Young girls with long hair and sandalled feet were coming into his office and all but declaring themselves ready for sex. The cautious approaches, the tender intimations of feeling required with Jacqui were out the window. A whirlwind hit him, as it did many others. Scandals burst wide open, with high and painful drama all round but a feeling that somehow it was better so. There were reprisals; there were firings. But those fired went off to teach at smaller, more tolerant colleges or Open Learning Centers, and many wives left behind got over the shock and took up the costumes, the sexual nonchalance of the girls who had tempted their men. Academic parties, which used to be so predictable, became a minefield. An epidemic had broken out, it was spreading like the Spanish flu. Only this time people ran after contagion, and few between sixteen and sixty seemed willing to be left out.

That was exaggeration, of course. Fiona was quite willing. And Grant himself did not go overboard. What he felt was mainly a gigantic increase in well-being. A tendency to pudginess which he had had since he was twelve years old disappeared. He ran up steps two at a time. He appreciated as never before a pageant of torn clouds and winter sunsets seen from his office window, the charm of antique lamps glowing between his neighbors' living-room curtains, the cries of children in the park, at dusk, unwilling to leave the hill where they'd been tobogganing. Come summer, he learned the names of flowers. In his classroom, after being coached by his nearly voiceless mother-in-law (her affliction was cancer in the throat), he risked reciting the majestic and gory Icelandic ode, the Höfudlausn, composed to honor King Erik Bloodaxe by the skald whom that king had condemned to death.

Fiona had never learned Icelandic and she had never shown much respect for the stories that it preserved-the stories that Grant had taught and written about. She referred to their heroes as "old Njal" or "old Snorri." But in the last few years she had developed an interest in the country itself and looked at travel guides. She read about William Morris's trip, and Auden's. She didn't really plan to travel there. She said there ought to be one place you thought about and knew about and maybe longed for but never did get to see.

Nonetheless, the next time he went to Meadowlake, Grant brought Fiona a book he'd found of nineteenth-century watercolors made by a lady traveller to Iceland. It was a Wednesday. He went looking for her at the card tables but didn't see her. A woman called out to him, "She's not here. She's sick."

Her voice sounded self-important and excited-pleased with herself for having recognized him when he knew nothing about her. Perhaps also pleased with all she knew about Fiona, about Fiona's life here, thinking it was maybe more than he knew.

"He's not here, either," she added.

Grant went to find Kristy, who didn't have much time for him. She was talking to a weepy woman who looked like a first-time visitor.

"Nothing really," she said, when he asked what was the matter with Fiona. "She's just having a day in bed today, just a bit of an upset."

Fiona was sitting straight up in the bed. He hadn't noticed, the few times that he had been in this room, that this was a hospital bed and could be cranked up in such a way. She was wearing one of her high-necked maidenly gowns, and her face had a pallor that was like flour paste.

Aubrey was beside her in his wheelchair, pushed as close to the bed as he could get. Instead of the nondescript open-necked shirts he usually wore, he was wearing a jacket and tie. His natty-looking tweed hat was resting on the bed. He looked as if he had been out on important business.

Whatever he'd been doing, he looked worn out by it. He, too, was gray in the face.

They both looked up at Grant with a stony grief-ridden apprehension that turned to relief, if not to welcome, when they saw who he was. Not who they thought he'd be. They were hanging on to each other's hands and they did not let go.

The hat on the bed. The jacket and tie.

It wasn't that Aubrey had been out. It wasn't a question of where he'd been or whom he'd been to see. It was where he was going.

Grant set the book down on the bed beside Fiona's free hand.

"It's about Iceland," he said. "I thought maybe you'd like to look at it."

"Why, thank you," said Fiona. She didn't look at the book.

"Iceland," he said.

She said, "Ice-land." The first syllable managed to hold a tinkle of interest, but the second fell flat. Anyway, it was necessary for her to turn her attention back to Aubrey, who was pulling his great thick hand out of hers. "What is it?" she said. "What is it, dear heart?" Grant had never heard her use this flowery expression before.

"Oh all right," she said. "Oh here." And she pulled a handful of tissues from the box beside her bed. Aubrey had begun to weep.

"Here. Here," she said, and he got hold of the Kleenex as well as he could and made a few awkward but lucky swipes at his face. While he was occupied, Fiona turned to Grant.

"Do you by any chance have any influence around here?" she said in a whisper. "I've seen you talking to them . . ."

Aubrey made a noise of protest or weariness or disgust. Then his upper body pitched forward as if he wanted to throw himself against her. She scrambled half out of bed and caught him and held on to him. It seemed improper for Grant to help her.

"Hush," Fiona was saying. "Oh, honey. Hush. We'll get to see each other. We'll have to. I'll go and see you. You'll come and see me."

Aubrey made the same sound again with his face in her chest and there was nothing Grant could decently do but get out of the room.

"I just wish his wife would hurry up and get here," Kristy said when he ran into her. "I wish she'd get him out of here and cut the agony short. We've got to start serving supper before long and how are we supposed to get her to swallow anything with him still hanging around?"

Grant said, "Should I stay?"

"What for? She's not sick, you know."

"To keep her company," he said.

Kristy shook her head.

"They have to get over these things on their own. They've got short memories, usually. That's not always so bad."

Grant left without going back to Fiona's room. He noticed that the wind was actually warm and the crows were making an uproar. In the parking lot a woman wearing a tartan pants suit was getting a folded-up wheelchair out of the trunk of her car.

Fiona did not get over her sorrow. She didn't eat at mealtimes, though she pretended to, hiding food in her napkin. She was being given a supplementary drink twice a day-someone stayed and watched while she swallowed it down. She got out of bed and dressed herself, but all she wanted to do then was sit in her room. She wouldn't have had any exercise at all if Kristy, or Grant during visiting hours, hadn't walked her up and down in the corridors or taken her outside. Weeping had left her eyes raw-edged and dim. Her cardigan-if it was hers-would be buttoned crookedly. She had not got to the stage of leaving her hair unbrushed or her nails uncleaned, but that might come soon. Kristy said that her muscles were deteriorating, and that if she didn't improve they would put her on a walker.

"But, you know, once they get a walker they start to depend on it and they never walk much anymore, just get wherever it is they have to go," she said to Grant. "You'll have to work at her harder. Try to encourage her."

But Grant had no luck at that. Fiona seemed to have taken a dislike to him, though she tried to cover it up. Perhaps she was reminded, every time she saw him, of her last minutes with Aubrey, when she had asked him for help and he hadn't helped her.

He didn't see much point in mentioning their marriage now.

The supervisor called him in to her office. She said that Fiona's weight was going down even with the supplement.

"The thing is, I'm sure you know, we don't do any prolonged bed care on the first floor. We do it temporarily if someone isn't feeling well, but if they get too weak to move around and be responsible we have to consider upstairs."

He said he didn't think that Fiona had been in bed that often.

"No. But if she can't keep up her strength she will be. Right now she's borderline."

Grant said that he had thought the second floor was for people whose minds were disturbed.

"That, too," she said.

The street Grant found himself driving down was called Blackhawks Lane. The houses all looked to have been built around the same time, perhaps thirty or forty years ago. The street was wide and curving and there were no sidewalks. Friends of Grant and Fiona's had moved to places something like this when they began to have their children, and young families still lived here. There were basketball hoops over garage doors and tricycles in the driveways. Some of the houses had gone downhill. The yards were marked by tire tracks, the windows plastered with tinfoil or hung with faded flags. But a few seemed to have been kept up as well as possible by the people who had moved into them when they were new-people who hadn't had the money or perhaps hadn't felt the need to move on to some place better.

The house that was listed in the phone book as belonging to Aubrey and his wife was one of these. The front walk was paved with flagstones and bordered by hyacinths that stood as stiff as china flowers, alternately pink and blue.

He hadn't remembered anything about Aubrey's wife except the tartan suit he had seen her wearing in the parking lot. The tails of the jacket had flared open as she bent into the trunk of the car. He had got the impression of a trim waist and wide buttocks.

She was not wearing the tartan suit today. Brown belted slacks and a pink sweater. He was right about the waist- the tight belt showed she made a point of it. It might have been better if she didn't, since she bulged out considerably above and below.

She could be ten or twelve years younger than her husband. Her hair was short, curly, artificially reddened. She had blue eyes-a lighter blue than Fiona's-a flat robin's-egg or turquoise blue, slanted by a slight puffiness. And a good many wrinkles, made more noticeable by a walnut-stain makeup. Or perhaps that was her Florida tan.

He said that he didn't quite know how to introduce himself.

"I used to see your husband at Meadowlake. I'm a regular visitor there myself."

"Yes," said Aubrey's wife, with an aggressive movement of her chin.

"How is your husband doing?"

The "doing" was added on at the last moment.

"He's O.K.," she said.

"My wife and he struck up quite a close friendship."

"I heard about that."

"I wanted to talk to you about something if you had a minute."

"My husband did not try to start anything with your wife if that's what you're getting at," she said. "He did not molest her. He isn't capable of it and he wouldn't anyway. From what I heard it was the other way round."

Grant said, "No. That isn't it at all. I didn't come here with any complaints about anything."

"Oh," she said. "Well, I'm sorry. I thought you did. You better come in then. It's blowing cold in through the door. It's not as warm out today as it looks."

So it was something of a victory for him even to get inside.

She took him past the living room, saying, "We'll have to sit in the kitchen, where I can hear Aubrey."

Grant caught sight of two layers of front-window curtains, both blue, one sheer and one silky, a matching blue sofa and a daunting pale carpet, various bright mirrors and ornaments. Fiona had a word for those sort of swooping curtains-she said it like a joke, though the women she'd picked it up from used it seriously. Any room that Fiona fixed up was bare and bright. She would have deplored the crowding of all this fancy stuff into such a small space. From a room off the kitchen-a sort of sun-room, though the blinds were drawn against the afternoon brightness-he could hear the sounds of television.

The answer to Fiona's prayers sat a few feet away, watching what sounded like a ballgame. His wife looked in at him.

She said, "You O.K.?" and partly closed the door.

"You might as well have a cup of coffee," she said to Grant. "My son got him on the sports channel a year ago Christmas. I don't know what we'd do without it."

On the kitchen counters there were all sorts of contrivances and appliances-coffeemaker, food processor, knife sharpener, and some things Grant didn't know the names or uses of. All looked new and expensive, as if they had just been taken out of their wrappings, or were polished daily.

He thought it might be a good idea to admire things. He admired the coffeemaker she was using and said that he and Fiona had always meant to get one. This was absolutely untrue-Fiona had been devoted to a European contraption that made only two cups at a time.

"They gave us that," she said. "Our son and his wife. They live in Kamloops. B.C. They send us more stuff than we can handle. It wouldn't hurt if they would spend the money to come and see us instead."

Grant said philosophically, "I suppose they're busy with their own lives."

"They weren't too busy to go to Hawaii last winter. You could understand it if we had somebody else in the family, closer at hand. But he's the only one."

She poured the coffee into two brown-and-green ceramic mugs that she took from the amputated branches of a ceramic tree trunk that sat on the table.

"People do get lonely," Grant said. He thought he saw his chance now. "If they're deprived of seeing somebody they care about, they do feel sad. Fiona, for instance. My wife."

"I thought you said you went and visited her."

"I do," he said. "That's not it."

Then he took the plunge, going on to make the request he'd come to make. Could she consider taking Aubrey back to Meadowlake, maybe just one day a week, for a visit? It was only a drive of a few miles. Or if she'd like to take the time off-Grant hadn't thought of this before and was rather dismayed to hear himself suggest it-then he himself could take Aubrey out there, he wouldn't mind at all. He was sure he could manage it. While he talked she moved her closed lips and her hidden tongue as if she were trying to identify some dubious flavor. She brought milk for his coffee and a plate of ginger cookies.

"Homemade," she said as she set the plate down. There was challenge rather than hospitality in her tone. She said nothing more until she had sat down, poured milk into her coffee, and stirred it.

Then she said no.

"No. I can't do that. And the reason is, I'm not going to upset him."

"Would it upset him?" Grant said earnestly.

"Yes, it would. It would. That's no way to do. Bringing him home and taking him back. That would just confuse him."

"But wouldn't he understand that it was just a visit? Wouldn't he get into the pattern of it?"

"He understands everything all right."

She said this as if he had offered an insult to Aubrey. "But it's still an interruption. And then I've got to get him all ready and get him into the car, and he's a big man, he's not so easy to manage as you might think. I've got to maneuver him into the car and pack his chair and all that and what for? If I go to all that trouble I'd prefer to take him someplace that was more fun."

"But even if I agreed to do it?" Grant said, keeping his tone hopeful and reasonable. "It's true, you shouldn't have the trouble."

"You couldn't," she said flatly. "You don't know him. You couldn't handle him. He wouldn't stand for you doing for him. All that bother and what would he get out of it?"

Grant didn't think he should mention Fiona again.

"It'd make more sense to take him to the mall," she said. "Or now the lake boats are starting to run again, he might get a charge out of going and watching that."

She got up and fetched her cigarettes and lighter from the window above the sink.

"You smoke?" she said.

He said no, thanks, though he didn't know if a cigarette was being offered.

"Did you never? Or did you quit?"

"Quit," he said.

"How long ago was that?"

He thought about it.

"Thirty years. No-more."

He had decided to quit around the time he started up with Jacqui. But he couldn't remember whether he quit first, and thought a big reward was coming to him for quitting, or thought that the time had come to quit, now that he had such a powerful diversion.

"I've quit quitting," she said, lighting up. "Just made a resolution to quit quitting, that's all."

Maybe that was the reason for the wrinkles. Somebody-a woman-had told him that women who smoked developed a special set of fine facial wrinkles. But it could have been from the sun, or just the nature of her skin-her neck was noticeably wrinkled as well. Wrinkled neck, youthfully full and uptilted breasts. Women of her age usually had these contradictions. The bad and good points, the genetic luck or lack of it, all mixed up together. Very few kept their beauty whole, though shadowy, as Fiona had done. And perhaps that wasn't even true. Perhaps he only thought that because he'd known Fiona when she was young. When Aubrey looked at his wife did he see a high-school girl full of scorn and sass, with a tilt to her blue eyes, pursing her fruity lips around a forbidden cigarette?

"So your wife's depressed?" Aubrey's wife said. "What's your wife's name? I forget."

"It's Fiona."

"Fiona. And what's yours? I don't think I was ever told that."

Grant said, "It's Grant."

She stuck her hand out unexpectedly across the table.

"Hello, Grant. I'm Marian."

"So now we know each other's names," she said, "there's no point in not telling you straight out what I think. I don't know if he's still so stuck on seeing your-on seeing Fiona. Or not. I don't ask him and he's not telling me. Maybe just a passing fancy. But I don't feel like taking him back there in case it turns out to be more than that. I can't afford to risk it. I don't want him upset and carrying on. I've got my hands full with him as it is. I don't have any help. It's just me here. I'm it."

"Did you ever consider-I'm sure it's very hard for you-" Grant said. "Did you ever consider his going in there for good?"

He had lowered his voice almost to a whisper but she did not seem to feel a need to lower hers.

"No," she said. "I'm keeping him right here."

Grant said, "Well. That's very good and noble of you." He hoped the word "noble" had not sounded sarcastic. He had not meant it to be.

"You think so?" she said. "Noble is not what I'm thinking about."

"Still. It's not easy."

"No, it isn't. But the way I am, I don't have much choice. I don't have the money to put him in there unless I sell the house. The house is what we own outright. Otherwise I don't have anything in the way of resources. Next year I'll have his pension and my pension, but even so I couldn't afford to keep him there and hang on to the house. And it means a lot to me, my house does."

"It's very nice," said Grant.

"Well, it's all right. I put a lot into it. Fixing it up and keeping it up. I don't want to lose it."

"No. I see your point."

"The company left us high and dry," she said. "I don't know all the ins and outs of it but basically he got shoved out. It ended up with them saying he owed them money and when I tried to find out what was what he just went on saying it's none of my business. What I think is he did something pretty stupid. But I'm not supposed to ask so I shut up. You've been married. You are married. You know how it is. And in the middle of me finding out about this we're supposed to go on this trip and can't get out of it. And on the trip he takes sick from this virus you never heard of and goes into a coma. So that pretty well gets him off the hook."

Grant said, "Bad luck."

"I don't mean he got sick on purpose. It just happened. He's not mad at me anymore and I'm not mad at him. It's just life. You can't beat life."

She flicked her tongue in a cat's businesslike way across her top lip, getting the cookie crumbs. "I sound like I'm quite the philosopher, don't I? They told me out there you used to be a university professor."

"Quite a while ago," Grant said.

"I bet I know what you're thinking," she said. "You're thinking there's a mercenary type of a person."

"I'm not making judgments of that sort. It's your life."

"You bet it is."

He thought they should end on a more neutral note. So he asked her if her husband had worked in a hardware store in the summers, when he was going to school.

"I never heard about it," she said. "I wasn't raised here."

Grant realized he'd failed with Aubrey's wife. Marian. He had thought that what he'd have to contend with would be a woman's natural sexual jealousy-or her resentment, the stubborn remains of sexual jealousy. He had not had any idea of the way she might be looking at things. And yet in some depressing way the conversation had not been unfamiliar to him. That was because it reminded him of conversations he'd had with people in his own family. His relatives, probably even his mother, had thought the way Marian thought. Money first. They had believed that when other people did not think that way it was because they had lost touch with reality. That was how Marian would see him, certainly. A silly person, full of boring knowledge and protected by some fluke from the truth about life. A person who didn't have to worry about holding on to his house and could go around dreaming up the fine generous schemes that he believed would make another person happy. What a jerk, she would be thinking now.

Being up against a person like that made him feel hopeless, exasperated, finally almost desolate. Why? Because he couldn't be sure of holding on to himself, against people like that? Because he was afraid that in the end they were right? Yet he might have married her. Or some girl like that. If he'd stayed back where he belonged. She'd have been appetizing enough. Probably a flirt. The fussy way she had of shifting her buttocks on the kitchen chair, her pursed mouth, a slightly contrived air of menace-that was what was left of the more or less innocent vulgarity of a small-town flirt.

She must have had some hopes when she picked Aubrey. His good looks, his salesman's job, his white-collar expectations. She must have believed that she would end up better off than she was now. And so it often happened with those practical people. In spite of their calculations, their survival instincts, they might not get as far as they had quite reasonably expected. No doubt it seemed unfair.

In the kitchen the first thing he saw was the light blinking on his answering machine. He thought the same thing he always thought now. Fiona. He pressed the button before he took his coat off.

"Hello, Grant. I hope I got the right person. I just thought of something. There is a dance here in town at the Legion supposed to be for singles on Saturday night and I am on the lunch committee, which means I can bring a free guest. So I wondered whether you would happen to be interested in that? Call me back when you get a chance."

A woman's voice gave a local number. Then there was a beep and the same voice started talking again.

"I just realized I'd forgotten to say who it was. Well, you probably recognized the voice. It's Marian. I'm still not so used to these machines. And I wanted to say I realize you're not a single and I don't mean it that way. I'm not either, but it doesn't hurt to get out once in a while. If you are interested you can call me and if you are not you don't need to bother. I just thought you might like the chance to get out. It's Marian speaking. I guess I already said that. O.K. then. Goodbye."

Her voice on the machine was different from the voice he'd heard a short time ago in her house. Just a little different in the first message, more so in the second. A tremor of nerves there, an affected nonchalance, a hurry to get through and a reluctance to let go.

Something had happened to her. But when had it happened? If it had been immediate, she had concealed it very successfully all the time he was with her. More likely it came on her gradually, maybe after he'd gone away. Not necessarily as a blow of attraction. Just the realization that he was a possibility, a man on his own. More or less on his own. A possibility that she might as well try to follow up.

But she'd had the jitters when she made the first move. She had put herself at risk. How much of herself he could not yet tell. Generally a woman's vulnerability increased as time went on, as things progressed. All you could tell at the start was that if there was an edge of it then, there'd be more later. It gave him a satisfaction-why deny it?-to have brought that out in her. To have roused something like a shimmer, a blurring, on the surface of her personality. To have heard in her testy broad vowels this faint plea.

He set out the eggs and mushrooms to make himself an omelette. Then he thought he might as well pour a drink.

Anything was possible. Was that true-was anything possible? For instance, if he wanted to, would he be able to break her down, get her to the point where she might listen to him about taking Aubrey back to Fiona? And not just for visits but for the rest of Aubrey's life. And what would become of him and Marian after he'd delivered Aubrey to Fiona?

Marian would be sitting in her house now, waiting for him to call. Or probably not sitting. Doing things to keep herself busy. She might have fed Aubrey while Grant was buying the mushrooms and driving home. She might now be preparing him for bed. But all the time she would be conscious of the phone, of the silence of the phone. Maybe she would have calculated how long it would take Grant to drive home. His address in the phone book would have given her a rough idea of where he lived. She would calculate how long, then add to that the time it might take him to shop for supper (figuring that a man alone would shop every day). Then a certain amount of time for him to get around to listening to his messages. And as the silence persisted she'd think of other things. Other errands he might have had to do before he got home. Or perhaps a dinner out, a meeting that meant he would not get home at suppertime at all.

What conceit on his part. She was above all things a sensible woman. She would go to bed at her regular time thinking that he didn't look as if he'd be a decent dancer anyway. Too stiff, too professorial.

He stayed near the phone, looking at magazines, but he didn't pick it up when it rang again.

"Grant. This is Marian. I was down in the basement putting the wash in the dryer and I heard the phone and when I got upstairs whoever it was had hung up. So I just thought I ought to say I was here. If it was you and if you are even home. Because I don't have a machine, obviously, so you couldn't leave a message. So I just wanted. To let you know." The time was now twenty-five after ten.

"Bye."

He would say that he'd just got home. There was no point in bringing to her mind the picture of his sitting here weighing the pros and cons.

Drapes. That would be her word for the blue curtains-drapes. And why not? He thought of the ginger cookies so perfectly round that she had to announce they were homemade, the ceramic coffee mugs on their ceramic tree, a plastic runner, he was sure, protecting the hall carpet. A high-gloss exactness and practicality that his mother had never achieved but would have admired-was that why he could feel this twinge of bizarre and unreliable affection? Or was it because he'd had two more drinks after the first?

The walnut-stain tan-he believed now that it was a tan-of her face and neck would most likely continue into her cleavage, which would be deep, crêpey-skinned, odorous and hot. He had that to think of as he dialled the number that he had already written down. That and the practical sensuality of her cat's tongue. Her gemstone eyes.

Fiona was in her room but not in bed. She was sitting by the open window, wearing a seasonable but oddly short and bright dress. Through the window came a heady warm blast of lilacs in bloom and the spring manure spread over the fields.

She had a book open in her lap.

She said, "Look at this beautiful book I found. It's about Iceland. You wouldn't think they'd leave valuable books lying around in the rooms. But I think they've got the clothes mixed up-I never wear yellow."

"Fiona," he said.

"Are we all checked out now?" she said. He thought the brightness of her voice was wavering a little. "You've been gone a long time."

"Fiona, I've brought a surprise for you. Do you remember Aubrey?"

She stared at Grant for a moment, as if waves of wind had come beating into her face. Into her face, into her head, pulling everything to rags. All rags and loose threads.

"Names elude me," she said harshly.

Then the look passed away as she retrieved, with an effort, some bantering grace. She set the book down carefully and stood up and lifted her arms to put them around him. Her skin or her breath gave off a faint new smell, a smell that seemed to Grant like green stems in rank water.

"I'm happy to see you," she said, both sweetly and formally. She pinched his earlobes, hard.

"You could have just driven away," she said. "Just driven away without a care in the world and forsook me. Forsooken me. Forsaken."

He kept his face against her white hair, her pink scalp, her sweetly shaped skull.

He said, "Not a chance." ♦

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( This story originally appeared in the December 27, 1999, issue of the magazine.) Fiona lived in her parents' house, in the town where she and Grant went to university. It was a big, bay-windowed house that seemed to Grant both luxurious and disorderly, with rugs crooked on the floors and cup rings bitten into the table varnish.

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Do join us!

For English scroll down or click HERE.

Jeśli twierdzisz, że w czasie komputerów sztuka czytania zanikła, to niezawodny znak, że jesteś.... a nie, to nie tak miało być! W każdym razie cytat z J. K. Rowling obrazuje dokładnie to, co odczuwam: mało czytam.
Skoro ja mało czytam, to pewnie są i wśród Was tacy, co czytają niewiele. W ziązku z tym, wychodzę do Was z inicjatywą autorskiego Klubu Książki, czy też zlotu bibliofilii, czy jak tam jeszcze chcecie to nazwać...
O co chodzi? A chodzi o to, że będziemy się spotykać, a wcześniej czytać zadaną lakturę i na owym spotkaniu ją omawiać i debatować nad jej treścią.
Sounds exciting? I know it does, oh you nerds!
Jeśli chcecie dołączyć do tego zacnego przedsięwzięcia, możecie zapisać się do tzw. newslettera - otrzymacie link do lektury 😉 i link do spotkania za miesiąc, co miesiąc, miesięcznicy...
Jeśli wolicie nic nikomu nie podawać - jasna sprawa! I hear you! Po prostu śledźcie na bieżąco mój fanpage na fejsie - and check for the updates.
Niedługo stworzę jakieś pierwsze wydarzonko i wrzucę tu również do niego link. O tu będzie siedział.
A póki co, napomknę jedynie, że owe lektury nie będą zbyt długie - stawiam na opowiadania, a uwierzcie mi to też będzie dla wielu z nas challenge, żeby wygospodarować czas, żeby i to przeczytać. :/
W każdym razie, opowiadanie it is. Pierwsze ustanawiam ja, w następnych rzutach i miesięcznicach będziemy poddawać pod głosowanie różne propozycje i to się będzie czytało, co zostanie demokratycznie wybrane. Uważam to za rozsądną propozycję. 🙂

Zapraszam Was więc! Zapisujcie się i czuwajcie i baczcie, bo niedługo pierwszy news na temat naszej lektury.

Tutaj znajdziecie link, przenoszący Was na padlet z najświeższymi informacjami: TU.

A jeszcze ską Finer Things, czyli rzeczy wyższe, górno-lotne i ważniejsze - ano stąd:

The original Finer Things Club

For English press one

I realized one day I don't read much.
I used to... but somehow I don't anymore.
And what best to do than try and find motivation in other people? So I came up with this idea of holding regular meetings of the Reading Club.
If you feel the same way - do join in!

We have one set book per month. And not only that, it's not really a book, but a short story - so now, the argument in the line of 'I don't have time' doesn't really fit in, does it? A short story takes as long to read as one, maximum two evenings and it really is fun too.
Frankly, I never was a big fan - up until right now after I've finished my first set reading.

The story isn't really about a bear... sorry

Our first December meeting will be centered on a short story by Alice Munro 'The Bear Came Over the Mountain'. And I'm not gonna say anything more about that other than it's not really about a bear... as we're meeting up to discuss it anyway! 😀

So, if I got you hooked and you're as excited as I am - check out the updated info on this padlet HERE.
Or...
Alternatively:

Sign up to our Finer Things Reading Club

Jeśli chcesz dostawać na maila powiadomienia o naszych comiesięcznych spotkaniach online i informacje o następnych lekturach 🙂 użyj formularza, by zostawić swoje dane:

If you want to be notified about the upcoming online meetings and new set books, leave your contact information here.

Yours truly,
Natalia

A tu moje social media, jeśli ich nie znacie:

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The Finer Things Reading Club - Z Kontekstu Łapane

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For English scroll down or click HERE. Jeśli twierdzisz, że w czasie komputerów sztuka czytania zanikła, to niezawodny znak, że jesteś.... a nie, to nie tak miało być! W każdym razie cytat z J. K. Rowling obrazuje dokładnie to, co odczuwam: mało czytam.Skoro ja mało czytam, to pewnie są i wśród Was tacy, co czytają niewiele.

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Become part of our little community! Cast your vote on future readings, have a say in choosing the date of the online meeting and take part in one ;)

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A group for the members of the Reading Club. We read one set short story over the time of one month and then we meet up online to discuss it :).

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Three (really) short stories by Kurt Vonnegut

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Three (really) short stories by Kurt Vonnegut

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The Project Gutenberg EBook of 2 B R 0 2 B, by Kurt Vonnegut

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: 2 B R 0 2 B

Author: Kurt Vonnegut

Release Date: May 3, 2007 [EBook #21279]

Language: English

Character set encoding: ISO-8859-1

*** START OF THIS PROJECT GUTENBERG EBOOK 2 B R 0 2 B ***




Produced by Robert Cicconetti, Geetu Melwani and the Online
Distributed Proofreading Team at https://www.pgdp.net

Transcriber's note.
This etext was produced from Worlds of If, January 1962. Extensive research did not uncover any evidence that the copyright on this publication was renewed.

Got a problem? Just pick up the phone. It solved them all-and all the same way!

by KURT VONNEGUT, JR.

Everything was perfectly swell.

There were no prisons, no slums, no insane asylums, no cripples, no poverty, no wars.

All diseases were conquered. So was old age.

Death, barring accidents, was an adventure for volunteers.

The population of the United States was stabilized at forty-million souls.

One bright morning in the Chicago Lying-in Hospital, a man named Edward K. Wehling, Jr., waited for his wife to give birth. He was the only man waiting. Not many people were born a day any more.

Wehling was fifty-six, a mere stripling in a population whose average age was one hundred and twenty-nine.

X-rays had revealed that his wife was going to have triplets. The children would be his first.

Young Wehling was hunched in his chair, his head in his hand. He was so rumpled, so still and colorless as to be virtually invisible. His camouflage was perfect, since the waiting room had a disorderly and demoralized air, too. Chairs and ashtrays had been moved away from the walls. The floor was paved with spattered dropcloths.

The room was being redecorated. It was being redecorated as a memorial to a man who had volunteered to die.

A sardonic old man, about two hundred years old, sat on a stepladder, painting a mural he did not like. Back in the days when people aged visibly, his age would have been guessed at thirty-five or so. Aging had touched him that much before the cure for aging was found.

The mural he was working on depicted a very neat garden. Men and women in white, doctors and nurses, turned the soil, planted seedlings, sprayed bugs, spread fertilizer.

Men and women in purple uniforms pulled up weeds, cut down plants that were old and sickly, raked leaves, carried refuse to trash-burners.

Never, never, never-not even in medieval Holland nor old Japan-had a garden been more formal, been better tended. Every plant had all the loam, light, water, air and nourishment it could use.

A hospital orderly came down the corridor, singing under his breath a popular song:

If you don't like my kisses, honey,
Here's what I will do:
I'll go see a girl in purple,
Kiss this sad world toodle-oo.
If you don't want my lovin',
Why should I take up all this space?
I'll get off this old planet,
Let some sweet baby have my place.

The orderly looked in at the mural and the muralist. "Looks so real," he said, "I can practically imagine I'm standing in the middle of it."

"What makes you think you're not in it?" said the painter. He gave a satiric smile. "It's called 'The Happy Garden of Life,' you know."

"That's good of Dr. Hitz," said the orderly.

He was referring to one of the male figures in white, whose head was a portrait of Dr. Benjamin Hitz, the hospital's Chief Obstetrician. Hitz was a blindingly handsome man.

"Lot of faces still to fill in," said the orderly. He meant that the faces of many of the figures in the mural were still blank. All blanks were to be filled with portraits of important people on either the hospital staff or from the Chicago Office of the Federal Bureau of Termination.

"Must be nice to be able to make pictures that look like something," said the orderly.

The painter's face curdled with scorn. "You think I'm proud of this daub?" he said. "You think this is my idea of what life really looks like?"

"What's your idea of what life looks like?" said the orderly.

The painter gestured at a foul dropcloth. "There's a good picture of it," he said. "Frame that, and you'll have a picture a damn sight more honest than this one."

"You're a gloomy old duck, aren't you?" said the orderly.

"Is that a crime?" said the painter.

The orderly shrugged. "If you don't like it here, Grandpa-" he said, and he finished the thought with the trick telephone number that people who didn't want to live any more were supposed to call. The zero in the telephone number he pronounced "naught."

The number was: "2 B R 0 2 B."

It was the telephone number of an institution whose fanciful sobriquets included: "Automat," "Birdland," "Cannery," "Catbox," "De-louser," "Easy-go," "Good-by, Mother," "Happy Hooligan," "Kiss-me-quick," "Lucky Pierre," "Sheepdip," "Waring Blendor," "Weep-no-more" and "Why Worry?"

"To be or not to be" was the telephone number of the municipal gas chambers of the Federal Bureau of Termination.

The painter thumbed his nose at the orderly. "When I decide it's time to go," he said, "it won't be at the Sheepdip."

"A do-it-yourselfer, eh?" said the orderly. "Messy business, Grandpa. Why don't you have a little consideration for the people who have to clean up after you?"

The painter expressed with an obscenity his lack of concern for the tribulations of his survivors. "The world could do with a good deal more mess, if you ask me," he said.

The orderly laughed and moved on.

Wehling, the waiting father, mumbled something without raising his head. And then he fell silent again.

A coarse, formidable woman strode into the waiting room on spike heels. Her shoes, stockings, trench coat, bag and overseas cap were all purple, the purple the painter called "the color of grapes on Judgment Day."

The medallion on her purple musette bag was the seal of the Service Division of the Federal Bureau of Termination, an eagle perched on a turnstile.

The woman had a lot of facial hair-an unmistakable mustache, in fact. A curious thing about gas-chamber hostesses was that, no matter how lovely and feminine they were when recruited, they all sprouted mustaches within five years or so.

"Is this where I'm supposed to come?" she said to the painter.

"A lot would depend on what your business was," he said. "You aren't about to have a baby, are you?"

"They told me I was supposed to pose for some picture," she said. "My name's Leora Duncan." She waited.

"And you dunk people," he said.

"What?" she said.

"Skip it," he said.

"That sure is a beautiful picture," she said. "Looks just like heaven or something."

"Or something," said the painter. He took a list of names from his smock pocket. "Duncan, Duncan, Duncan," he said, scanning the list. "Yes-here you are. You're entitled to be immortalized. See any faceless body here you'd like me to stick your head on? We've got a few choice ones left."

She studied the mural bleakly. "Gee," she said, "they're all the same to me. I don't know anything about art."

"A body's a body, eh?" he said. "All righty. As a master of fine art, I recommend this body here." He indicated a faceless figure of a woman who was carrying dried stalks to a trash-burner.

"Well," said Leora Duncan, "that's more the disposal people, isn't it? I mean, I'm in service. I don't do any disposing."

The painter clapped his hands in mock delight. "You say you don't know anything about art, and then you prove in the next breath that you know more about it than I do! Of course the sheave-carrier is wrong for a hostess! A snipper, a pruner-that's more your line." He pointed to a figure in purple who was sawing a dead branch from an apple tree. "How about her?" he said. "You like her at all?"

"Gosh-" she said, and she blushed and became humble-"that-that puts me right next to Dr. Hitz."

"That upsets you?" he said.

"Good gravy, no!" she said. "It's-it's just such an honor."

"Ah, You... you admire him, eh?" he said.

"Who doesn't admire him?" she said, worshiping the portrait of Hitz. It was the portrait of a tanned, white-haired, omnipotent Zeus, two hundred and forty years old. "Who doesn't admire him?" she said again. "He was responsible for setting up the very first gas chamber in Chicago."

"Nothing would please me more," said the painter, "than to put you next to him for all time. Sawing off a limb-that strikes you as appropriate?"

"That is kind of like what I do," she said. She was demure about what she did. What she did was make people comfortable while she killed them.

And, while Leora Duncan was posing for her portrait, into the waitingroom bounded Dr. Hitz himself. He was seven feet tall, and he boomed with importance, accomplishments, and the joy of living.

"Well, Miss Duncan! Miss Duncan!" he said, and he made a joke. "What are you doing here?" he said. "This isn't where the people leave. This is where they come in!"

"We're going to be in the same picture together," she said shyly.

"Good!" said Dr. Hitz heartily. "And, say, isn't that some picture?"

"I sure am honored to be in it with you," she said.

"Let me tell you," he said, "I'm honored to be in it with you. Without women like you, this wonderful world we've got wouldn't be possible."

He saluted her and moved toward the door that led to the delivery rooms. "Guess what was just born," he said.

"I can't," she said.

"Triplets!" he said.

"Triplets!" she said. She was exclaiming over the legal implications of triplets.

The law said that no newborn child could survive unless the parents of the child could find someone who would volunteer to die. Triplets, if they were all to live, called for three volunteers.

"Do the parents have three volunteers?" said Leora Duncan.

"Last I heard," said Dr. Hitz, "they had one, and were trying to scrape another two up."

"I don't think they made it," she said. "Nobody made three appointments with us. Nothing but singles going through today, unless somebody called in after I left. What's the name?"

"Wehling," said the waiting father, sitting up, red-eyed and frowzy. "Edward K. Wehling, Jr., is the name of the happy father-to-be."

He raised his right hand, looked at a spot on the wall, gave a hoarsely wretched chuckle. "Present," he said.

"Oh, Mr. Wehling," said Dr. Hitz, "I didn't see you."

"The invisible man," said Wehling.

"They just phoned me that your triplets have been born," said Dr. Hitz. "They're all fine, and so is the mother. I'm on my way in to see them now."

"Hooray," said Wehling emptily.

"You don't sound very happy," said Dr. Hitz.

"What man in my shoes wouldn't be happy?" said Wehling. He gestured with his hands to symbolize care-free simplicity. "All I have to do is pick out which one of the triplets is going to live, then deliver my maternal grandfather to the Happy Hooligan, and come back here with a receipt."

Dr. Hitz became rather severe with Wehling, towered over him. "You don't believe in population control, Mr. Wehling?" he said.

"I think it's perfectly keen," said Wehling tautly.

"Would you like to go back to the good old days, when the population of the Earth was twenty billion-about to become forty billion, then eighty billion, then one hundred and sixty billion? Do you know what a drupelet is, Mr. Wehling?" said Hitz.

"Nope," said Wehling sulkily.

"A drupelet, Mr. Wehling, is one of the little knobs, one of the little pulpy grains of a blackberry," said Dr. Hitz. "Without population control, human beings would now be packed on this surface of this old planet like drupelets on a blackberry! Think of it!"

Wehling continued to stare at the same spot on the wall.

"In the year 2000," said Dr. Hitz, "before scientists stepped in and laid down the law, there wasn't even enough drinking water to go around, and nothing to eat but sea-weed-and still people insisted on their right to reproduce like jackrabbits. And their right, if possible, to live forever."

"I want those kids," said Wehling quietly. "I want all three of them."

"Of course you do," said Dr. Hitz. "That's only human."

"I don't want my grandfather to die, either," said Wehling.

"Nobody's really happy about taking a close relative to the Catbox," said Dr. Hitz gently, sympathetically.

"I wish people wouldn't call it that," said Leora Duncan.

"What?" said Dr. Hitz.

"I wish people wouldn't call it 'the Catbox,' and things like that," she said. "It gives people the wrong impression."

"You're absolutely right," said Dr. Hitz. "Forgive me." He corrected himself, gave the municipal gas chambers their official title, a title no one ever used in conversation. "I should have said, 'Ethical Suicide Studios,'" he said.

"That sounds so much better," said Leora Duncan.

"This child of yours-whichever one you decide to keep, Mr. Wehling," said Dr. Hitz. "He or she is going to live on a happy, roomy, clean, rich planet, thanks to population control. In a garden like that mural there." He shook his head. "Two centuries ago, when I was a young man, it was a hell that nobody thought could last another twenty years. Now centuries of peace and plenty stretch before us as far as the imagination cares to travel."

He smiled luminously.

The smile faded as he saw that Wehling had just drawn a revolver.

Wehling shot Dr. Hitz dead. "There's room for one-a great big one," he said.

And then he shot Leora Duncan. "It's only death," he said to her as she fell. "There! Room for two."

And then he shot himself, making room for all three of his children.

Nobody came running. Nobody, seemingly, heard the shots.

The painter sat on the top of his stepladder, looking down reflectively on the sorry scene.

The painter pondered the mournful puzzle of life demanding to be born and, once born, demanding to be fruitful ... to multiply and to live as long as possible-to do all that on a very small planet that would have to last forever.

All the answers that the painter could think of were grim. Even grimmer, surely, than a Catbox, a Happy Hooligan, an Easy Go. He thought of war. He thought of plague. He thought of starvation.

He knew that he would never paint again. He let his paintbrush fall to the drop-cloths below. And then he decided he had had about enough of life in the Happy Garden of Life, too, and he came slowly down from the ladder.

He took Wehling's pistol, really intending to shoot himself.

But he didn't have the nerve.

And then he saw the telephone booth in the corner of the room. He went to it, dialed the well-remembered number: "2 B R 0 2 B."

"Federal Bureau of Termination," said the very warm voice of a hostess.

"How soon could I get an appointment?" he asked, speaking very carefully.

"We could probably fit you in late this afternoon, sir," she said. "It might even be earlier, if we get a cancellation."

"All right," said the painter, "fit me in, if you please." And he gave her his name, spelling it out.

"Thank you, sir," said the hostess. "Your city thanks you; your country thanks you; your planet thanks you. But the deepest thanks of all is from future generations."

THE END

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Mnemonics, by Kurt Vonnegut..., COLLIER\’S WEEKLY

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