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Different types and techniques of photography.

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A film gauge used in filmmaking and film standard.

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It searches and collects the most effective images for use.

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An event wherever the creator, painters, and photographers show their artistic in hope of attracting people who love art.

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A large room for the exhibition of pictures.

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Putting photography on display in a gallery.

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A room where they create and sell their photographs.

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A bulky dual camera with a fix mirror reflex housing and top screen.

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A camera obscura is a darkened room with a small hole or lens at one side through which an image is projected onto a wall or table opposite the hole.

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The most common used chemical process in black and white photos.

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An element of art defined by a point moving in space. Line may be two or three dimensional, descriptive, implied, or
abstract.

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An element of art that is two dimensional, flat, or limited to height and width.

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An element of art made up of three properties: hue, value, and intensity.
• Hue: name of color
• Value: hue’s lightness and darkness (a color’s value changes when white or black is added)
• Intensity: quality of brightness and purity (high intensity= color is strong and bright; low intensity= color is faint and dull)

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An element of art that refers to the way things feel, or look as if they might feel if touched.

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The lightness or darkness of tones or colors. White is the lightest value; black is the darkest. The value halfway between these extremes is called middle gray.

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An element of art that is three dimensional and encloses volume; includes height, width AND depth (as in a cube, a sphere, a pyramid, or a cylinder). Form may also be free flowing.

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An element of art by which positive and negative areas are defined or a sense of depth achieved in a work of art .

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The distribution of the visual weight of objects, colors, texture, and space. If the design was a scale, these elements should be balanced to make a design feel stable. In symmetrical balance, the elements used on one side of the design are similar to those on the other side; in asymmetrical balance, the sides are different but still look balanced. In radial balance, the elements are arranged around a central point and may be similar.

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The use of several elements of design to hold the viewer’s attention and to guide the viewer’s eye through and around the work of art.

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The repeating of an object or symbol all over the work of art. Works with pattern to make the work of art seem active. The repetition of elements of design creates unity within the work of art.

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The feeling of unity created when all parts (sizes, amounts, or number) relate well with each other. When drawing the human figure, proportion can refer to the size of the head compared to the rest of the body.

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The path the viewer’s eye takes through the work of art, often to focal areas. Such movement can be directed along lines, edges, shape, and color within the work of art. Rhythm is created when one or more elements of design are used repeatedly to create a feeling of organized movement. Rhythm creates a mood like music or dancing. To keep rhythm exciting and active, variety is essential.

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The feeling of harmony between all parts of the work of art, which creates a sense of completeness.

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The part of the design that catches the viewer’s attention. Usually the artist will make one area stand out by contrasting it with other areas. The area could be different in size, color, texture, shape, (etc.).

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When the visual weight of these elements is evenly spread.

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Formal type of balance consisting of a mirroring of portions of an image.

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That the two halves of the work of art are different, however, try to create balance.

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The act of positioning two or more things side by side or close together.

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To separate or withdraw something from something else.

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A gradual blending from one color to another color.

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Green, Blue, and Violet.

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Red, Orange, and Yellow.

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Color of natural outdoor environments.

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The opposite color on the color wheel.

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Only on color but different shades and hues.

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Providing constructive feedback.

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Taking someone else's work as your own.

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Relating to moral principles.

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Objective is talking about something like an assessment, decision, or report that's unbiased and based solely on the observable or verifiable facts.

Subjective is talking about an opinion or feeling that is based on an individual's perspective or preferences.

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Copyright is generated automatically upon the creation of original work, whereas a trademark is established through common use of a mark in the course of business.

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Places your subject in the left or right third of an image, leaving the other two thirds more open.

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Appear in a photograph that has been framed and positioned by the photographer to draw the viewer's eye towards a specific point of interest.

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The golden ratio is a ratio of approximately 1.618 to 1.

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The area surrounding the subject.

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Positive space is the actual subject.

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Composing your pictures so that the primary light source is behind your subject.

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It eliminates shadows, softens the face and allows the subject to relax without squinting.

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Any form of light that you didn't add to your photo.

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The intense contrast of light (chiar) and dark (oscuro) in art.

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A solid, dark image of a subject against a brighter background.

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Two images are combined into a single frame or presented together.

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Three-fold art that is typically hinged together as carved panels side by side.

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Common method of representing three-dimensional objects.

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Type of distortion wherein lines that are straight in real life appear to curve inwards.

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Straight lines are curved outwards from the center.

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A camera setting that will brighten or darken a photo but brightening it can cause noise.

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An arbitrary rating of film speed that is, the sensitivity of the film to light.

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A device that collects incoming light when the shutter opens and converts that light into an electrical signal.

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When the ISO is higher the noise is grainy.

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When the ISO is higher the digital noise increases asking the photo appear grainy.

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A space through which light passes in an optical or photographic instrument, especially the variable opening by which light enters a camera.

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A camera setting corresponding to a particular f-number.

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The longer the focal length, the narrower the angle of view and the higher the magnification. The shorter the focal length, the wider the angle of view and the lower the magnification.

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The distance between the closest and farthest objects in a photo that appears acceptably sharp.

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The pleasing or aesthetic quality of out-of-focus blur behind the main subject of the photograph.

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When the camera chooses the optimum shutter speed, aperture, ISO, and flash settings for you.

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Full control over all settings in your camera.

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Lets you focus on the aperture of the photograph and chooses the other setting for you.

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Lets you focus on the shutter speed of the photograph and chooses the other settings for you.

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It chooses the correct aperture and shutter speed for the light available, so your shot is correctly exposed.

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The time for which a shutter is open at a given setting.

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The Bulb setting on camera shutters is a momentary-action mode that holds shutters open for as long as a photographer depresses the shutter-release button.

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It results when the image being recorded changes during the recording of a single exposure, due to rapid movement or long exposure.

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Accessories designed to support a camera — where the two differ are the legs

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When you shake you camera to get an effect or on accident by holding you camera with a long shutter speed.

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Blurring, smearing, or obscuring the moving elements.

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The technique of recording a very slow process, such as the withering of a flower, by taking a large number of photographs on a strip of film at regular intervals.

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Light is “painted” or “drawn” into the photograph using a hand held light source during a long exposure.

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Freezes objects in motion in a still frame.

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A high-speed camera mode that is often used for shooting sports and other action events.

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18% grey is a technique used in a scenario where you are shooting something white or black and want the light to stay the way it is without the exposure being over or underexposed.

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This area is often at the centre of the frame, but it may be linked to the active AF point.

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A camera-metering mode in which the metering is weighted at the center of the viewfinder.

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When you are shooting a natural light portrait and have placed your subject in the center of the frame, the camera will determine the correct exposure for their face while placing a significantly lesser importance on the background.

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It takes a series of readings in zones that cover the entire frame, and then calculates the overall average exposure value.

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Autofocus points are a visual representation of what your camera is focusing on.

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An instrument for measuring the intensity of light in a certain place or upon a certain object.

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A technique where a photographer takes shots of the same image using different camera settings.

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Altering exposure from the value selected by the camera, making photographs brighter or darker.

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Adjusting colors so that the image looks more natural.