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THE BAD:
- I could have done a better casting
- I could have communicated better with the crew before and after the shoot
- I could have sorted out the release forms for actors and composer earlier on

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- Could have been more forceful in the early stages and been more on me about the script but you were in sundance and it really was my problem anyway.
- you forgot to turn the light off in 209 but you recovered well in getting us the green room.

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Could have offered a wider range of location options
Maybe hold auditions next time

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1. Start casting earlier.
2. Complete a full production schedule to stick to from the start.
3.

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1. stick to the schedule
2. got more crew for the shoot
3. could have confirmed the locations earlier

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- Better location recce, taking into account all departments
- Speak to locations directly not over email.
- Better catering.

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-My scheduling was poor, the shoot date gave us a minimal amount of time to edit; escalated due to not contracting and actors bailing.
-In terms of filling out roles, I had to chip into the edit myself due to not acquiring a draft appropriate to the director's vision.
-When finding locations, although we acquired correct paperwork for the most part, for an external park location we didn't contact the council.

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1. Ran over schedule slightly (under estimated set up/set move time) so would allocate longer for this as contingency

2. Hold auditions as opposed to self-tapes and a separate day for rehearsals

3. Contact more acting agencies

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- Bad communication with the director

- Miscommunication on shoot day

- Locations dropping out and time constraints.

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More Ambitious

Better Catering

More crew

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- I could have confirmed locations sooner

- I could have made more time for auditioning actors, rather than getting them to submit online tapes

- Organised more meeting with the director

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IMPROVE:
- Could have had a more scheduled plan for the edit, to avoid it being rushed before the deadline
- To have organised casting the adult actors more ahed of time
- To have checked all kit before taking out from CLR, to avoid having a broken microphone on the shoot.