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conceptual - makes art fun and creative, takes simple items and transforms them into something aesthetic
matrialistic- bright pop like colours that stand out and are block like colours. stippling technique and others

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Anti-aesthtic, anti-art
Conceptual Art:
- links to traditional artist Marcel Duchamp
- Simplicity of minimalism
"Dematerialise" art
- Aims to shock audience and provoke thought and discussion

Material Practice:
- Readymades
- Kinetic sculptures
- Marcel Duchamp- use of a pseudonym
- Unorthodox materials and chance-based procedures
- Collage and photomontage

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The Futurists were fascinated by the problems of representing modern experience, and strived to have their paintings evoke all kinds of sensations - and not merely those visible to the eye. At its best, Futurist art brings to mind the noise, heat and even the smell of the metropolis.
The Futurists were fascinated by new visual technology, in particular chrono-photography, a predecessor of animation and cinema that allowed the movement of an object to be shown across a sequence of frames. This technology was an important influence on their approach to showing movement in painting, encouraging an abstract art with rhythmic, pulsating qualities.

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conceptual- providing artists with the ability to show things some a new perspective
material- uses geometric, block of colour. exploring how to create solid things on a flat image

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Conceptual practice
- Reflecting the conservative social values that continued at the turn of the 20th century
- Artists rejected the stale traditions of the state-sponsored art academics and turned the boldly simplified or distorted forms and exaggerated, sometimes clashing colours
- Directness, frankness, and a desire to startle the viewer characterise expressionism in its various branches and arrangements

Material practice
- Chiaroscuro lighting - extreme contrasts of light and dark - creating dramatic shadows
- mirrors, glass, reflective surfaces
- Direct artworks

Artist from movement: Ernst Ludwig Kirchner

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material practice- uses intense colour to express conceptual practice. bright, textured techniques aided this practice
conceptual-  use of intense colour as a vehicle for describing light and space, and who redefined pure colour and form as means of communicating the artist's emotional state.

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Conceptual practice
-  Aim was to allow visual messages transmitted by the eye to penetrate the brain showing visual aspects of the truth
- colour and vibration of light and density of air
Material practice
- captured what they saw
- applying small, quick brush marks in bright colours
- Often worked outdoors rather than in studios

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predominantly French art movement that developed roughly between 1886 and 1905.
material - Artists reacted against the naturalism of the impressionists to explore colour, line, and form, and the emotional response of the artist, a concern which led to the development of expressionism.
conceptual - not conforming to naturalism